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Authors: Agatha Christie

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‘By this time I was getting seriously worried about Mademoiselle Jane. Either she was in this business with him, or else she was entirely innocent—and in the latter case she was a victim. She might wake up one day to find herself married to a murderer.

With the object of preventing a precipitate marriage, I took Mademoiselle Jane to Paris as my secretary.

‘It was whilst we were there that the missing heiress appeared to claim her fortune. I was haunted by a resemblance that I could not place. I did place it in the end—but too late…

‘At first the discovery that she had actually been in the plane
and had lied about it
seemed to overthrow all my theories. Here, overwhelmingly, was the guilty person.

‘But if she were guilty she had an accomplice—the man who bought the blowpipe and bribed Jules Perrot.

‘Who was that man? Was it conceivably her husband?

‘And—then—suddenly I saw the true solution. True, that is, if one point could be verified.

‘For my solution to be correct Anne Morisot ought not to have been on the plane.

‘I rang up Lady Horbury and got my answer. The maid, Madeleine, travelled in the plane by a last-minute whim of her mistress.’

He stopped.

Mr Clancy said:

‘Ahem—but—I’m afraid I’m not quite clear.’

‘When did you stop pitching on me as the murderer?’ asked Norman.

Poirot wheeled round on him.

‘I never stopped.
You are the murderer
…Wait—I will tell you everything. For the last week Japp and I have been busy—It is true that you became a dentist to please your uncle—John Gale. You took his name when you came into partnership with him—but you were his
sister’s
son—not his brother’s. Your real name is
Richards
. It was as Richards that you met the girl Anne Morisot at Nice last winter, when she was there with her mistress. The story she told us was true as to the facts of her childhood, but the latter part was edited carefully by you. She
did
know her mother’s maiden name. Giselle was at Monte Carlo—she was
pointed out and her real name was mentioned. You realized that there might be a large fortune to be got. It appealed to your gambler’s nature. It was from Anne Morisot that you learnt of Lady Horbury’s connexion with Giselle. The plan of the crime formed itself in your head. Giselle was to be murdered in such a way that suspicion would fall on Lady Horbury. Your plans matured and finally fructified. You bribed the clerk in Universal Airlines so that Giselle should travel on the same plane as Lady Horbury. Anne Morisot had told you that she herself was going to England by train—you never expected her to be on the plane—and it seriously jeopardized your plans. If it was once known that Giselle’s daughter and heiress had been on the plane suspicion would naturally have fallen upon her. Your original idea was that she should claim the inheritance with a perfect alibi, since she would have been on a train or boat at the time of the crime; and then you would have married her.

‘The girl was by this time infatuated with you. But it was money you were after—not the girl herself.

‘There was another complication to your plans. At Le Pinet you saw Mademoiselle Jane Grey and fell madly in love with her. Your passion for her drove you on to play a much more dangerous game.

‘You intended to have both the money and the girl you loved. You were committing a murder for the sake
of money, and you were in no mind to relinquish the fruits of the crime. You frightened Anne Morisot by telling her that if she came forward at once to proclaim her identity she would certainly be suspected of the murder. Instead you induced her to ask for a few days’ leave, and you went together to Rotterdam, where you were married.

‘In due course you primed her how to claim the money. She was to say nothing of her employment as lady’s maid, and it was very clearly to be made plain that she and her husband had been abroad at the time of the murder.

‘Unfortunately, the date planned for Anne Morisot to go to Paris and claim her inheritance coincided with my arrival in Paris, where Miss Grey had accompanied me. That did not suit your book at all. Either Mademoiselle Jane or myself
might
recognize in Anne Morisot the Madeleine who had been Lady Horbury’s maid.

‘You tried to get in touch with her in time, but failed. You finally arrived in Paris yourself and found she had already gone to the lawyer. When she returned she told you of her meeting with me. Things were becoming dangerous, and you made up your mind to act quickly.

‘It had been your intention that your new-made wife should not survive her accession to wealth very long. Immediately after the marriage ceremony you had both
made wills leaving all you had one to the other! A very touching business.

‘You intended, I fancy, to follow a fairly leisurely course. You would have gone to Canada—ostensibly because of the failure of your practice. There you would have resumed the name of Richards and your wife would have rejoined you. All the same I do not fancy it would have been very long before Mrs Richards regrettably died, leaving a fortune to a seemingly inconsolable widower. You would then have returned to England as Norman Gale, having had the good fortune to make a lucky speculation in Canada! But now you decided that no time must be lost.’

Poirot paused and Norman Gale threw back his head and laughed.

‘You are very clever at knowing what people intend to do! You ought to adopt Mr Clancy’s profession!’ His tone deepened to one of anger. ‘I never heard such a farrago of nonsense. What you
imagined
, M. Poirot, is hardly evidence!’

Poirot did not seem put out. He said:

‘Perhaps not. But, then, I
have
some evidence.’

‘Really?’ sneered Norman. ‘Perhaps you have
evidence
as to how I killed old Giselle when everyone in the aeroplane knows perfectly well I never went near her?’

‘I will tell you
exactly how you committed the crime
,’
said Poirot. ‘
What about the contents of your dispatch-case?
You were on a holiday.
Why take a dentist’s linen coat
? That is what I asked myself. And the answer is this—because it resembled so closely a
steward’s coat

‘That is what you did. When coffee was served and the stewards had gone to the other compartment you went to the toilet, put on your linen coat, padded your cheeks with cottonwool rolls, came out, seized a coffee spoon from the box in the pantry opposite, hurried down the gangway with the steward’s quick run, spoon in hand, to Giselle’s table. You thrust the thorn into her neck, opened the match-box and let the wasp escape, hurried back into the toilet, changed your coat and emerged leisurely to return to your table. The whole thing took only a couple of minutes.


Nobody notices a steward particularly
. The only person who might have recognized you was Mademoiselle Jane. But you know women! As soon as a woman is left alone (particularly when she is travelling with an attractive young man) she seizes the opportunity to have a good look in her hand mirror, powder her nose and adjust her makeup.’

‘Really,’ sneered Gale. ‘A most interesting theory; but it didn’t happen. Anything else?’

‘Quite a lot,’ said Poirot. ‘As I have just said, in the course of conversation a man gives himself away…You
were imprudent enough to mention that for a while you were
on a farm in South Africa
. What you did not say, but what I have since found out, is that it was a
snake farm
…’

For the first time Norman Gale showed fear. He tried to speak, but the words would not come.

Poirot continued:

‘You were there under your own name of Richards;
a photograph of you transmitted by telephone has been recognized
. That same photograph has been identified in Rotterdam as the man Richards who married Anne Morisot.’

Again Norman Gale tried to speak and failed. His whole personality seemed to change. The handsome, vigorous young man turned into a rat-like creature with furtive eyes looking for a way of escape and finding none…

‘It was haste ruined your plan,’ said Poirot. ‘The Superior of the Institut de Marie hurried things on by wiring to Anne Morisot. It would have looked suspicious to ignore that wire. You had impressed it upon your wife that unless she suppressed certain facts either she or you might be suspected of murder, since you had both unfortunately been in the plane when Giselle was killed. When you met her afterwards and you learnt that I had been present at the interview you hurried things on. You were afraid I might get the
truth out of Anne—perhaps she herself was beginning to suspect you. You hustled her away out of the hotel and into the boat train. You administered prussic acid to her by force and you left the empty bottle in her hand.’

‘A lot of damned lies…’

‘Oh, no. There was a bruise on her neck.’

‘Damned lies, I tell you.’

‘You even left your fingerprints on the bottle.’

‘You lie. I wore—’

‘Ah, you wore gloves…? I think, Monsieur, that little admission cooks your gander.’

‘You damned interfering little mountebank!’ Livid with passion, his face unrecognizable, Gale made a spring at Poirot. Japp, however, was too quick for him. Holding him in a capable unemotional grip, Japp said:

‘James Richards, alias Norman Gale, I hold a warrant for your arrest on the charge of wilful murder. I must warn you that anything you say will be taken down and used in evidence.’

A terrible shudder shook the man. He seemed on the point of collapse.

A couple of plain-clothes men were waiting outside. Norman Gale was taken away.

Left alone with Poirot, little Mr Clancy drew a deep breath of ecstasy.

‘M. Poirot,’ he said. ‘That has been absolutely the
most thrilling experience of my life. You have been wonderful!’

Poirot smiled modestly.

‘No, no. Japp deserves as much credit as I do. He has done wonders in identifying Gale as Richards. The Canadian police want Richards. A girl he was mixed up with there is supposed to have committed suicide, but facts have come to light which seem to point to murder.’

‘Terrible,’ Mr Clancy chirped.

‘A killer,’ said Poirot. ‘And like many killers, attractive to women.’

Mr Clancy coughed.

‘That poor girl, Jane Grey.’

Poirot shook his head sadly.

‘Yes, as I said to her, life can be very terrible. But she has courage. She will come through.’

With an absent-minded hand he arranged a pile of picture papers that Norman Gale had disarranged in his wild spring.

Something arrested his attention—a snapshot of Venetia Kerr at a race meeting, ‘talking to Lord Horbury and a friend.’

He handed it to Mr Clancy.

‘You see that? In a year’s time there will be an announcement: “
A marriage is arranged and will shortly take place between Lord Horbury and the Hon. Venetia
Kerr
.” And do you know who will have arranged that marriage? Hercule Poirot! There is another marriage that I have arranged, too.’

‘Lady Horbury and Mr Barraclough?’

‘Ah, no, in that matter I take no interest.’ He leaned forward. ‘No—I refer to a marriage between M. Jean Dupont and Miss Jane Grey. You will see.’

II

It was a month later that Jane came to Poirot.

‘I ought to hate you, M. Poirot.’

She looked pale and fine drawn with dark circles round her eyes.

Poirot said gently:

‘Hate me a little if you will. But I think you are one of those who would rather look truth in the face than live in a fool’s paradise; and you might not have lived in it so very long. Getting rid of women is a vice that grows.’

‘He was so terribly attractive,’ said Jane.

She added:

‘I shall never fall in love again.’

‘Naturally,’ agreed Poirot. ‘That side of life is finished for you.’

Jane nodded.

‘But what I must do is to have work—something interesting that I could lose myself in.’

Poirot tilted back his chair and looked at the ceiling.

‘I should advise you to go to Persia with the Duponts. That is interesting work, if you like.’

‘But—but—I thought that was only camouflage on your part.’

Poirot shook his head.

‘On the contrary—I have become so interested in archaeology and prehistoric pottery that I sent the cheque for the donation I had promised. I heard this morning that they were expecting you to join the expedition. Can you draw at all?’

‘Yes, I was rather good at drawing at school.’

‘Excellent. I think you will enjoy your season.’

‘Do they really want me to come?’

‘They are counting on it.’

‘It would be wonderful,’ said Jane, ‘to get right away—’

A little colour rose in her face.

‘M. Poirot—’ She looked at him suspiciously. ‘You’re not—you’re not—being kind?’

‘Kind?’ said Poirot with a lively horror at the idea. ‘I can assure you, Mademoiselle—that where money is concerned I am strictly a man of business—’

He seemed so offended that Jane quickly begged his pardon.

‘I think,’ she said, ‘that I’d better go to some museums and look at some prehistoric pottery.’

‘A very good idea.’

At the doorway Jane paused and then came back.

‘You mayn’t have been kind in that particular way, but you
have
been kind—to me.’

She dropped a kiss on the top of his head and went out again.


Ça, c’est très gentil!
’ said Hercule Poirot.

About Agatha Christie

Agatha Christie is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in English and another billion in 100 foreign languages. She is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Mrs Christie is the author of eighty crime novels and short story collections, nineteen plays, and six novels written under the name of Mary Westmacott.

Agatha Christie’s first novel,
The Mysterious Affair at Styles
, was written towards the end of World War I (during which she served in the Voluntary Aid Detachments). In it she created Hercule Poirot, the little Belgian investigator who was destined to become the most popular detective in crime fiction since Sherlock Holmes. After having been rejected by a number of houses,
The Mysterious Affair at Styles
was eventually published by The Bodley Head in 1920.

In 1926, now averaging a book a year, Agatha Christie wrote her masterpiece.
The Murder of Roger Ackroyd
was the first of her books to be published by William Collins and marked the beginning of an author-publisher relationship that lasted for fifty years and produced over seventy books.
The Murder of Roger Ackroyd
was also the first of Agatha Christie’s works to be dramatised—as
Alibi
—and to have a successful run in London’s West End.
The Mousetrap
, her most famous play, opened in 1952 and runs to this day at St Martin’s Theatre in the West End; it is the longest-running play in history.

Agatha Christie was made a Dame in 1971. She died in 1976, since when a number of her books have been published: the bestselling novel
Sleeping Murder
appeared in 1976, followed by
An Autobiography
and the short story collections
Miss Marple’s Final Cases
;
Problem at Pollensa Bay
; and
While the Light Lasts
. In 1998,
Black Coffee
was the first of her plays to be novelised by Charles Osborne, Mrs Christie’s biographer.

BOOK: Death in the Clouds
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