Deliverance (18 page)

          W
ITH MY CHEEK
on one shoulder, I lay there on my side in the crevice, facing out, not thinking about anything, solid on one side with stone and open to the darkness on the other, as though I were in a sideways grave. The glass of the bow was cold in my hands, cold and familiar. The curves were beautiful to the touch, a smooth chill flowing, and beside the curves the arrow lay — or stood — rigidly, the feathers bristling when I moved a little, and the points pricking at me. But it was good pain; it was reality, and deep in the situation. I simply lay in nature, my pants’ legs warm and sopping with my juices, not cold, not warm, but in a kind of hovering. Think, I said, think. But I could not. I won’t think yet; I don’t have to for a while. I closed my eyes and spoke some words, and they seemed to make sense, but were out of place. I believe I was saying something about some bank advertising Thad and I were not in agreement on, but it might not have been that at all; there is no way to tell.

The first words I really remember were said very clearly.
What a view.
What
a view. But I had my eyes closed. The river was running in my mind, and I raised my lids and saw exactly what had been the image of my thought. For a second I did not know what I was seeing and what I was imagining; there was such an utter sameness that it didn’t matter; both were the river. It spread there eternally, the moon so huge on it that it hurt the eyes, and the mind, too, flinched like an eye. What? I said. Where? There was nowhere but here. Who, though? Unknown. Where can I start?

You can start with the bow, and work slowly into the situation, working back and working up. I held the bow as tightly as I could, coming by degrees into the realization that I was going to have to risk it again, before much longer. But not now. Let the river run.

And let the moonlight come down for a little while. I had the bow and I had one good arrow and another one I might risk on a short shot. The thought struck me with my full adrenaline supply, all hitting the veins at once. Angelic. Angelic. Is that what it means? It very likely does. And I have a lot of nylon rope, and a long knife that was held at my throat and stuck by a murderer in the tree beside my head. It is not in the tree now; it is at my side. It is not much duller for having been in the river, and if I wanted to shave hair with it, I could. Does it still hurt, where that woods rat, that unbelievable redneck shaved across me with it? I felt my chest, and it hurt. Good. Good. Am I ready? No. No. Not yet, Gentry. It doesn’t have to be yet. But soon.

It was easy to say I don’t understand, and I did say it. But that was not really relevant. It just came down to where I was, and what I was doing there. I was not much worried.
I was about 150 feet over the river, as nearly as I could tell, and I believed that if I could get that far I could get the rest of the way, even though the cliff was steeper here than it was lower down. Let me look, now. That is all there is to do, right at this moment. That is all there is to do, and that is all that needs to be done.

What a view, I said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I
beheld
the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence. What was there?

Only that terrific brightness. Only a couple of rocks as big as islands, around one of which a thread of scarlet seemed to go, as though outlining a face, a kind of god, a layout for an ad, a sketch, an element of design. It was a thread like the color of sun-images underneath the eyelids. The rock quivered like a coal, because I wanted it to quiver, held in its pulsing border, and what it was pulsing with was me. It might have looked something like my face, in one of those photographs lit up from underneath. My face: why not? I can have it as I wish: a kind of three-quarter face view, set in the middle of the moon-pit, that might have looked a little posed or phony, but was yet different from what any mirror could show. I thought I saw the jaw set, breathing with the river and the stone, but it might also have been a smile of some kind. I closed my eyes and opened them again, and the thread around the rock was gone, but it had been there. I felt better; I felt wonderful, and fear was at the
center of the feeling: fear and anticipation — there was no telling where it would end.

I turned back. I turned back to the wall and the cliff, and into my situation, trying to imagine how high the cliff had seemed to be the last time I had seen it by daylight, and trying to estimate where I was on it. I thought I surely must be three quarters of the way up. I believed I could stand upright in the crevice, and this would give me three or four more feet.

Why not? Was there a bulge above me? If I could get on top of that, who knows what might not be possible? I let my hand go up, and it felt the top of the crevice. What are you sending me? I said. It feels good. It feels like something I might be able to work up on top of, if I went to the left, and took one moment of pure death. There is going to be that moment, but that is not bad. I have had so many in the past few hours: so many decisions, so many fingers groping over this insignificant, unwatched cliff, so many muscles straining against the stone.

Where was Drew? He used to say, in the only interesting idea I had ever heard him deal with, that the best guitar players were blind men: men like Reverend Gary Davis and Doc Watson and Brownie McGhee, who had developed the sense of touch beyond what a man with eyes could do. I have got something like that, I said. I have done what I have done, I have got up here mostly by the sense of touch, and in the dark.

Are they below? Is Lewis still twisting into the sand? Is Bobby sitting on the rock beside him trying to think what to do? Is his head in his hands? Or has his jaw set, believing that we can all get out, even now?

Who knows that? But we have laid a plan, and that is all we have been able to do. If that doesn’t work, we will probably all be killed, or if I can get back down the cliff when nothing happens, we will all just go a few miles downriver in the canoe, take a few days in the city to recover, report Drew as drowned and get back into the long, declining routine of our lives. But we were cast in roles, and first we must do something about them.

I was a killer. There were deaths involved: one certain murder and probably another. I had the cold glass of the bow in my hand, and I was lying belly-up in a crevice in a cliff above a river, and it could be that everything was with me.

I could get there, in my mind. The whole thing focused, like an old movie that just barely held its own on the screen. The top of the gorge was wild and overgrown and lumpy, and I remembered it also thickly wooded. I wanted to give myself something definite to do when I got to the top, and lying there, I tried to fix on what would be the best thing and the first thing to do when I got there.

I had to admit it: I thought that there was really no danger involved, at least from anything human. I didn’t actually believe that the man who had shot Drew would stay around all night for another shot at us, or that he would come back in the early light, either. But then I remembered what I had told Bobby, and I was troubled again.
If it were me
was the main thing I thought. I went over everything in my mind, and as far as I could tell, I was right. There was a lot more reason for him to kill the rest of us than there was for him to let us go. We were all acting it out.

I turned. Well, I said to the black stone at my face, when I get to the top the first thing I’ll do will be not to think of Martha and Dean again, until I see them. And then I’ll go down to the first stretch of calm water and take a look around before it gets light. When I finish that, I’ll make a circle inland, very quiet, and look for him like I’m some kind of an animal. What kind? It doesn’t matter, as long as I’m quiet and deadly. I could be a snake. Maybe I can kill him in his sleep. That would be the easiest thing to do, but could I do it? How? With the bow? Or would I put the hardware store knife through him? Could I do it? Or would I like to do it? I asked this.

But the circling — what about that? If I got too far from the river, and the sound of the river, I would almost surely lose myself. And then what? A circle?
What
circle? What principle guides you, when you try to make a circle — a
circle
— in the woods? I didn’t have it. Suppose I got inland from the river far enough to lose track of myself? Had I shot the whole thing, right there?

But I could see myself killing, because I had no real notion I would have to. If he was close to the cliff edge, as he would at some place and time have to be, the high-rising sound of water would help me get close enough to him for a killing shot. I wanted to kill him exactly as Lewis had killed the other man: I wanted him to suspect nothing at all until the sudden terrible pain in his chest that showed an arrow through him from behind, come from anywhere.

Oh what a circle, I thought. All in the woods, with the leaves waiting, the wind waiting, for me to draw it. That is leaving too much to chance. It won’t work, I knew as I considered it. It will never work.

What then, art director? Graphics consultant? What is the layout? It is this: to shoot him from behind, somewhere on the top of the gorge. He almost certainly would get himself into the prone position in order to shoot down onto the river. There are these various kinds of concentration. While he was deep in his kind, I would try to get within twenty or thirty feet of him and put my one good arrow through his lower rib cage — for what would save the shot would be exactness — and then fall back and run for it into the woods, and sit down and wait until he had time enough to die.

That was as far ahead as I could think. In a way, it seemed already settled. It was settled as things in daydreams always are, but it could be settled only because the reality was remote. It was the same state of mind I had had when I had hunted the deer in the fog. These were worthy motions I was going through, but only motions, and it was shocking to remind myself that if I came on him with the rifle I would have to carry them through or he would kill me.

I slid farther into the crack to draw from the stone a last encouragement, but I was already tired of being there. It would be best to stand up and get on with it.

I got on one knee and went cautiously outward, rising slowly with both hands palm-up on the underside of the fissure top. I was up, slanting backward, and I felt along and around the bulge over my head. To the right there was nothing I could do, but I was glad to be back. To the left the crevice went on beyond where I could reach, and the only thing to do was to edge along it, sidestepping inch by inch until only my toes, very tired again, were in the crack. But I was able to straighten from my back-leaning position to an upright one — really upright — and then to lean surprisingly
forward at the waist, as I edged to the left. This was unexpected and exhilarating. The stone came back at me strong. I got on the rock with my knees instead of my toes and fingertips, and had a new body position. With it, I wormed. I went to the left and then to the right, and the river-pit blazed. It was slow going, for the handholds were not good, and the broadheads gored me under the arms a good deal, but there was a trembling and near-perfect balance between gravity — or my version of it — and the slant of the stone: I was at the place where staying on the wall and falling canceled each other out in my body, yet were slightly in favor of my staying where I was, and edging up. Time after time I lay there sweating, having no handhold or foothold, the rubber of my toes bending back against the soft rock, my hands open. Then I would begin to try to inch upward again, moving with the most intimate motions of my body, motions I had never dared use with Martha, or with any other human woman. Fear and a kind of enormous moon-blazing sexuality lifted me, millimeter by millimeter. And yet I held madly to the human. I looked for a slice of gold like the model’s in the river: some kind of freckle, something lovable, in the huge serpent-shape of light.

Above me the darks changed, and in one of them was a star. On both sides of that small light the rocks went on up, black and solid as ever, but their power was broken. The high, deadly part of the cliff I was on bent and rocked steadily over toward life, and toward the hole with the star in it, where, as I went, more stars were added until a constellation like a crown began to form. I was now able to travel on knees — my knees after all — the bow scraping the ground beside me.

I was crying. What reason? There was not any, for I was really not ashamed or terrified; I was just there. But I lay down against the cliff to get my eyesight cleared. I turned and propped on my elbow like a tourist, and looked at it again. Lord, Lord. The river hazed and danced into the sparkle of my eyelashes, the more wonderful for being unbearable. This was something; it was something.

But eventually you have to turn back to your knees, and on cliffs they carry you better than any other part of the body, on cliffs of a certain slant; I got on my knees.

It was painful, but I was going. I was crawling, but it was no longer necessary to make love to the cliff, to fuck it for an extra inch or two in the moonlight, for I had some space between me and it. If I was discreet, I could offer it a kick or two, even, and get away with it.

My feet slanted painfully in one direction or another. Guided by what kind of guesswork I could not say, I kept scrambling and stumbling upward like a creature born on the cliff and coming home. Often a hand or foot would slide and then catch on something I knew, without knowing, would be there, and I would go on up. There was nothing it could do against me, in the end; there was nothing it could do that I could not match, and, in the twinkling of some kind of eye-beat. I was going.

By some such way as this, I got into a little canyon. Yes, and I stood up. I could not see much, but it
felt
like the little draw where I had hunted the deer in the fog. The bottom underfoot — under
foot
— was full of loose rocks and boulders, but I was walking it. At each shoulder, the walls were wanting to come down, but they did not. Instead, they started to fill with bushes and small, ghostly, dense trees.
These were solid, and I came up to them, little by little. Then their limbs were above me. I was out.