Delphi Complete Works of Ann Radcliffe (Illustrated) (149 page)

Some time after her return to the monastery, she received a letter from her uncle,
Mons.
Quesnel, in answer to information that she had arrived in France, and to her enquiries, concerning such of her affairs as he had undertaken to conduct during her absence, especially as to the period for which La Vallee had been let, whither it was her wish to return, if it should appear, that her income would permit her to do so. The reply of
Mons.
Quesnel was cold and formal, as she expected, expressing neither concern for the evils she suffered, nor pleasure, that she was now removed from them; nor did he allow the opportunity to pass, of reproving her for her rejection of Count Morano, whom he affected still to believe a man of honour and fortune; nor of vehemently declaiming against Montoni, to whom he had always, till now, felt himself to be inferior. On Emily’s pecuniary concerns, he was not very explicit; he informed her, however, that the term, for which La Vallee had been engaged, was nearly expired; but, without inviting her to his own house, added, that her circumstances would by no means allow her to reside there, and earnestly advised her to remain, for the present, in the convent of St. Claire.

To her enquiries respecting poor old Theresa, her late father’s servant, he gave no answer. In the postscript to his letter, Monsieur Quesnel mentioned M. Motteville, in whose hands the late St. Aubert had placed the chief of his personal property, as being likely to arrange his affairs nearly to the satisfaction of his creditors, and that Emily would recover much more of her fortune, than she had formerly reason to expect. The letter also inclosed to Emily an order upon a merchant at Narbonne, for a small sum of money.

The tranquillity of the monastery, and the liberty she was suffered to enjoy, in wandering among the woods and shores of this delightful province, gradually restored her spirits to their natural tone, except that anxiety would sometimes intrude, concerning Valancourt, as the time approached, when it was possible that she might receive an answer to her letter.

CHAPTER XIII

As when a wave, that from a cloud impends,

And, swell’d with tempests, on the ship descends,

White are the decks with foam; the winds aloud,

Howl o’er the masts, and sing through ev’ry shroud:

Pale, trembling, tir’d, the sailors freeze with fears,

And instant death on ev’ry wave appears.

POPE’S HOMER

The Lady Blanche, meanwhile, who was left much alone, became impatient for the company of her new friend, whom she wished to observe sharing in the delight she received from the beautiful scenery around. She had now no person, to whom she could express her admiration and communicate her pleasures, no eye, that sparkled to her smile, or countenance, that reflected her happiness; and she became spiritless and pensive. The Count, observing her dissatisfaction, readily yielded to her entreaties, and reminded Emily of her promised visit; but the silence of Valancourt, which was now prolonged far beyond the period, when a letter might have arrived from Estuviere, oppressed Emily with severe anxiety, and, rendering her averse to society, she would willingly have deferred her acceptance of this invitation, till her spirits should be relieved. The Count and his family, however, pressed to see her; and, as the circumstances, that prompted her wish for solitude, could not be explained, there was an appearance of caprice in her refusal, which she could not persevere in, without offending the friends, whose esteem she valued. At length, therefore, she returned upon a second visit to Chateau-le-Blanc. Here the friendly manner of Count De Villefort encouraged Emily to mention to him her situation, respecting the estates of her late aunt, and to consult him on the means of recovering them. He had little doubt, that the law would decide in her favour, and, advising her to apply to it, offered first to write to an advocate at Avignon, on whose opinion he thought he could rely. His kindness was gratefully accepted by Emily, who, soothed by the courtesy she daily experienced, would have been once more happy, could she have been assured of Valancourt’s welfare and unaltered affection. She had now been above a week at the chateau, without receiving intelligence of him, and, though she knew, that, if he was absent from his brother’s residence, it was scarcely probable her letter had yet reached him, she could not forbear to admit doubts and fears, that destroyed her peace. Again she would consider of all, that might have happened in the long period, since her first seclusion at Udolpho, and her mind was sometimes so overwhelmed with an apprehension, that Valancourt was no more, or that he lived no longer for her, that the company even of Blanche became intolerably oppressive, and she would sit alone in her apartment for hours together, when the engagements of the family allowed her to do so, without incivility.

In one of these solitary hours, she unlocked a little box, which contained some letters of Valancourt, with some drawings she had sketched, during her stay in Tuscany, the latter of which were no longer interesting to her; but, in the letters, she now, with melancholy indulgence, meant to retrace the tenderness, that had so often soothed her, and rendered her, for a moment, insensible of the distance, which separated her from the writer. But their effect was now changed; the affection they expressed appealed so forcibly to her heart, when she considered that it had, perhaps, yielded to the powers of time and absence, and even the view of the handwriting recalled so many painful recollections, that she found herself unable to go through the first she had opened, and sat musing, with her cheek resting on her arm, and tears stealing from her eyes, when old Dorothee entered the room to inform her, that dinner would be ready, an hour before the usual time. Emily started on perceiving her, and hastily put up the papers, but not before Dorothee had observed both her agitation and her tears.

‘Ah, ma’amselle!’ said she, ‘you, who are so young, — have you reason for sorrow?’

Emily tried to smile, but was unable to speak.

‘Alas! dear young lady, when you come to my age, you will not weep at trifles; and surely you have nothing serious, to grieve you.’

‘No, Dorothee, nothing of any consequence,’ replied Emily. Dorothee, now stooping to pick up something, that had dropped from among the papers, suddenly exclaimed, ‘Holy Mary! what is it I see?’ and then, trembling, sat down in a chair, that stood by the table.

‘What is it you do see?’ said Emily, alarmed by her manner, and looking round the room.

‘It is herself,’ said Dorothee, ‘her very self! just as she looked a little before she died!’

Emily, still more alarmed, began now to fear, that Dorothee was seized with sudden phrensy, but entreated her to explain herself.

‘That picture!’ said she, ‘where did you find it, lady? it is my blessed mistress herself!’

She laid on the table the miniature, which Emily had long ago found among the papers her father had enjoined her to destroy, and over which she had once seen him shed such tender and affecting tears; and, recollecting all the various circumstances of his conduct, that had long perplexed her, her emotions increased to an excess, which deprived her of all power to ask the questions she trembled to have answered, and she could only enquire, whether Dorothee was certain the picture resembled the late marchioness.

‘O, ma’amselle!’ said she, ‘how came it to strike me so, the instant I saw it, if it was not my lady’s likeness? Ah!’ added she, taking up the miniature, ‘these are her own blue eyes — looking so sweet and so mild; and there is her very look, such as I have often seen it, when she had sat thinking for a long while, and then, the tears would often steal down her cheeks — but she never would complain! It was that look so meek, as it were, and resigned, that used to break my heart and make me love her so!’

‘Dorothee!’ said Emily solemnly, ‘I am interested in the cause of that grief, more so, perhaps, than you may imagine; and I entreat, that you will no longer refuse to indulge my curiosity; — it is not a common one.’

As Emily said this, she remembered the papers, with which the picture had been found, and had scarcely a doubt, that they had concerned the Marchioness de Villeroi; but with this supposition came a scruple, whether she ought to enquire further on a subject, which might prove to be the same, that her father had so carefully endeavoured to conceal. Her curiosity, concerning the Marchioness, powerful as it was, it is probable she would now have resisted, as she had formerly done, on unwarily observing the few terrible words in the papers, which had never since been erased from her memory, had she been certain that the history of that lady was the subject of those papers, or, that such simple particulars only as it was probable Dorothee could relate were included in her father’s command. What was known to her could be no secret to many other persons; and, since it appeared very unlikely, that St. Aubert should attempt to conceal what Emily might learn by ordinary means, she at length concluded, that, if the papers had related to the story of the Marchioness, it was not those circumstances of it, which Dorothee could disclose, that he had thought sufficiently important to wish to have concealed. She, therefore, no longer hesitated to make the enquiries, that might lead to the gratification of her curiosity.

‘Ah, ma’amselle!’ said Dorothee, ‘it is a sad story, and cannot be told now: but what am I saying? I never will tell it. Many years have passed, since it happened; and I never loved to talk of the Marchioness to any body, but my husband. He lived in the family, at that time, as well as myself, and he knew many particulars from me, which nobody else did; for I was about the person of my lady in her last illness, and saw and heard as much, or more than my lord himself. Sweet saint! how patient she was! When she died, I thought I could have died with her!’

‘Dorothee,’ said Emily, interrupting her, ‘what you shall tell, you may depend upon it, shall never be disclosed by me. I have, I repeat it, particular reasons for wishing to be informed on this subject, and am willing to bind myself, in the most solemn manner, never to mention what you shall wish me to conceal.’

Dorothee seemed surprised at the earnestness of Emily’s manner, and, after regarding her for some moments, in silence, said, ‘Young lady! that look of yours pleads for you — it is so like my dear mistress’s, that I can almost fancy I see her before me; if you were her daughter, you could not remind me of her more. But dinner will be ready — had you not better go down?’

‘You will first promise to grant my request,’ said Emily.

‘And ought not you first to tell me, ma’amselle, how this picture fell into your hands, and the reasons you say you have for curiosity about my lady?’

‘Why, no, Dorothee,’ replied Emily, recollecting herself, ‘I have also particular reasons for observing silence, on these subjects, at least, till I know further; and, remember, I do not promise ever to speak upon them; therefore, do not let me induce you to satisfy my curiosity, from an expectation, that I shall gratify yours. What I may judge proper to conceal, does not concern myself alone, or I should have less scruple in revealing it: let a confidence in my honour alone persuade you to disclose what I request.’

‘Well, lady!’ replied Dorothee, after a long pause, during which her eyes were fixed upon Emily, ‘you seem so much interested, — and this picture and that face of yours make me think you have some reason to be so, — that I will trust you — and tell some things, that I never told before to any body, but my husband, though there are people, who have suspected as much. I will tell you the particulars of my lady’s death, too, and some of my own suspicions; but you must first promise me by all the saints’ —

Emily, interrupting her, solemnly promised never to reveal what should be confided to her, without Dorothee’s consent.

‘But there is the horn, ma’amselle, sounding for dinner,’ said Dorothee; ‘I must be gone.’

‘When shall I see you again?’ enquired Emily.

Dorothee mused, and then replied, ‘Why, madam, it may make people curious, if it is known I am so much in your apartment, and that I should be sorry for; so I will come when I am least likely to be observed. I have little leisure in the day, and I shall have a good deal to say; so, if you please, ma’am, I will come, when the family are all in bed.’

‘That will suit me very well,’ replied Emily: ‘Remember, then, to-night’ —

‘Aye, that is well remembered,’ said Dorothee, ‘I fear I cannot come to-night, madam, for there will be the dance of the vintage, and it will be late, before the servants go to rest; for, when they once set in to dance, they will keep it up, in the cool of the air, till morning; at least, it used to be so in my time.’

‘Ah! is it the dance of the vintage?’ said Emily, with a deep sigh, remembering, that it was on the evening of this festival, in the preceding year, that St. Aubert and herself had arrived in the neighbourhood of Chateau-le-Blanc. She paused a moment, overcome by the sudden recollection, and then, recovering herself, added— ‘But this dance is in the open woods; you, therefore, will not be wanted, and can easily come to me.’

Dorothee replied, that she had been accustomed to be present at the dance of the vintage, and she did not wish to be absent now; ‘but if I can get away, madam, I will,’ said she.

Emily then hastened to the dining-room, where the Count conducted himself with the courtesy, which is inseparable from true dignity, and of which the Countess frequently practised little, though her manner to Emily was an exception to her usual habit. But, if she retained few of the ornamental virtues, she cherished other qualities, which she seemed to consider invaluable. She had dismissed the grace of modesty, but then she knew perfectly well how to manage the stare of assurance; her manners had little of the tempered sweetness, which is necessary to render the female character interesting, but she could occasionally throw into them an affectation of spirits, which seemed to triumph over every person, who approached her. In the country, however, she generally affected an elegant languor, that persuaded her almost to faint, when her favourite read to her a story of fictitious sorrow; but her countenance suffered no change, when living objects of distress solicited her charity, and her heart beat with no transport to the thought of giving them instant relief; — she was a stranger to the highest luxury, of which, perhaps, the human mind can be sensible, for her benevolence had never yet called smiles upon the face of misery.

In the evening, the Count, with all his family, except the Countess and Mademoiselle Bearn, went to the woods to witness the festivity of the peasants. The scene was in a glade, where the trees, opening, formed a circle round the turf they highly overshadowed; between their branches, vines, loaded with ripe clusters, were hung in gay festoons; and, beneath, were tables, with fruit, wine, cheese and other rural fare, — and seats for the Count and his family. At a little distance, were benches for the elder peasants, few of whom, however, could forbear to join the jocund dance, which began soon after sun-set, when several of sixty tripped it with almost as much glee and airy lightness, as those of sixteen.

The musicians, who sat carelessly on the grass, at the foot of a tree, seemed inspired by the sound of their own instruments, which were chiefly flutes and a kind of long guitar. Behind, stood a boy, flourishing a tamborine, and dancing a solo, except that, as he sometimes gaily tossed the instrument, he tripped among the other dancers, when his antic gestures called forth a broader laugh, and heightened the rustic spirit of the scene.