Different Seasons (5 page)

“No,” he told Andy, talking to him slowly, like Andy was a stupid kid. “You didn’t understand what I said. You do anything like that and I’ll put all eight inches of this steel into your ear. Get it?”

“I understood what you said. I don’t think you understood
me.
I’m going to bite whatever you stick into my mouth. You can put that razor into my brain, I guess, but you should know that a sudden serious brain injury causes the victim to simultaneously urinate, defecate ... and bite down.”

He looked up at Bogs smiling that little smile of his, old Ernie said, as if the three of them had been discussing stocks and bonds with him instead of throwing it to him just as hard as they could. Just as if he was wearing one of his three-piece bankers’ suits instead of kneeling on a dirty broom-closet floor with his pants around his ankles and blood trickling down the insides of his thighs.

“In fact,” he went on, “I understand that the bite-reflex is sometimes so strong that the victim’s jaws have to be pried open with a crowbar or a jackhandle.”

Bogs didn’t put anything in Andy’s mouth that night in late February of 1948, and neither did Rooster MacBride, and so far as I know, no one else ever did, either. What the three of them did was to beat Andy within an inch of his life, and all four of them ended up doing a jolt in solitary. Andy and Rooster MacBride went by way of the infirmary.

How many times did that particular crew have at him? I don’t know. I think Rooster lost his taste fairly early on—being in nose-splints for a month can do that to a fellow—and Bogs Diamond left off that summer, all at once.

That was a strange thing. Bogs was found in his cell, badly beaten, one morning in early June, when he didn’t show up in the breakfast nose-count. He wouldn’t say who had done it, or how they had gotten to him, but being in my business, I know that a screw can be bribed to do almost anything except get a gun for an inmate. They didn’t make big salaries then, and they don’t now. And in those days there was no electronic locking system, no closed-circuit TV, no master-switches which controlled whole areas of the prison. Back in 1948, each cellblock had its own turnkey. A guard could have been bribed real easy to let someone—maybe two or three someones—into the block, and, yes, even into Diamond’s cell.

Of course a job like that would have cost a lot of money. Not by outside standards, no. Prison economics are on a smaller scale. When you’ve been in here awhile, a dollar bill in your hand looks like a twenty did outside. My guess is that, if Bogs was done, it cost someone a serious piece of change—fifteen bucks, we’ll say, for the turnkey, and two or three apiece for each of the lump-up guys.

I’m not saying it was Andy Dufresne, but I do know that he brought in five hundred dollars when he came, and he was a banker in the straight world—a man who understands better than the rest of us the ways in which money can become power.

And I know this: after the beating—the three broken ribs, the hemorrhaged eye, the sprained back, and the dislocated hip—Bogs Diamond left Andy alone. In fact, after that he left everyone pretty much alone. He got to be like a high wind in the summertime, all bluster and no bite. You could say, in fact, that he turned into a “weak sister.”

 

That was the end of Bogs Diamond, a man who might eventually have killed Andy if Andy hadn’t taken steps to prevent it (if it
was
him who took the steps). But it wasn’t the end of Andy’s troubles with the sisters. There was a little hiatus, and then it began again, although not so hard or so often. Jackals like easy prey, and there were easier pickings around than Andy Dufresne.

He always fought them, that’s what I remember. He knew, I guess, that if you let them have at you even once without fighting, it got that much easier to let them have their way without fighting next time. So Andy would turn up with bruises on his face every once in awhile, and there was the matter of the two broken fingers six or eight months after Diamond’s beating. Oh yes—and sometime in late 1949, the man landed in the infirmary with a broken cheekbone that was probably the result of someone swinging a nice chunk of pipe with the business-end wrapped in flannel. He always fought back, and as a result, he did his time in solitary. But I don’t think solitary was the hardship for Andy that it was for some men. He got along with himself.

The sisters was something he adjusted himself to—and then, in 1950, it stopped almost completely. That is a part of my story that I’ll get to in due time.

 

In the fall of 1948, Andy met me one morning in the exercise yard and asked me if I could get him half a dozen rock-blankets.

“What the hell are those?” I asked.

He told me that was just what rockhounds called them; they were polishing cloths about the size of dishtowels. They were heavily padded, with a smooth side and a rough side—the smooth side like fine-grained sandpaper, the rough side almost as abrasive as industrial steel wool (Andy also kept a box of that in his cell, although he didn’t get it from me—I imagine he kited it from the prison laundry).

I told him I thought we could do business on those, and I ended up getting them from the very same rock-and-gem shop where I’d arranged to get the rock-hammer. This time I charged Andy my usual ten per cent and not a penny more. I didn’t see anything lethal or even dangerous in a dozen 7” x 7” squares of padded cloth. Rock-blankets, indeed.

 

It was about five months later that Andy asked if I could get him Rita Hayworth. That conversation took place in the auditorium, during a movie-show. Nowadays we get the movie-shows once or twice a week, but back then the shows were a monthly event. Usually the movies we got had a morally uplifting message to them, and this one,
The Lost Weekend,
was no different. The moral was that it’s dangerous to drink. It was a moral we could take some comfort in.

Andy maneuvered to get next to me, and about halfway through the show he leaned a little closer and asked if I could get him Rita Hayworth. I’ll tell you the truth, it kind of tickled me. He was usually cool, calm, and collected, but that night he was jumpy as hell, almost embarrassed, as if he was asking me to get him a load of Trojans or one of those sheepskin-lined gadgets that are supposed to “enhance your solitary pleasure,” as the magazines put it. He seemed overcharged, a man on the verge of blowing his radiator.

“I can get her,” I said. “No sweat, calm down. You want the big one or the little one?” At that time Rita was my best girl (a few years before it had been Betty Grable) and she came in two sizes. For a buck you could get the little Rita. For two-fifty you could have the big Rita, four feet high and all woman.

“The big one,” he said, not looking at me. I tell you, he was a hot sketch that night. He was blushing just like a kid trying to get into a kootch show with his big brother’s draftcard. “Can you do it?”

“Take it easy, sure I can. Does a bear shit in the woods?” The audience was applauding and catcalling as the bugs came out of the walls to get Ray Milland, who was having a bad case of the DT’s.

“How soon?”

“A week. Maybe less.”

“Okay.” But he sounded disappointed, as if he had been hoping I had one stuffed down my pants right then. “How much?”

I quoted him the wholesale price. I could afford to give him this one at cost; he’d been a good customer, what with his rock-hammer and his rock-blankets. Furthermore, he’d been a good boy—on more than one night when he was having his problems with Bogs, Rooster, and the rest, I wondered how long it would be before he used the rock-hammer to crack someone’s head open.

Posters are a big part of my business, just behind the booze and cigarettes, usually half a step ahead of the reefer. In the sixties the business exploded in every direction, with a lot of people wanting funky hang-ups like Jimi Hendrix, Bob Dylan, that
Easy Rider
poster. But mostly it’s girls; one pin-up queen after another.

A few days after Andy spoke to me, a laundry driver I did business with back then brought in better than sixty posters, most of them Rita Hayworths. You may even remember the picture; I sure do. Rita is dressed—sort of—in a bathing suit, one hand behind her head, her eyes half-closed, those full, sulky red lips parted. They called it Rita Hayworth, but they might as well have called it Woman in Heat.

The prison administration knows about the black market, in case you were wondering. Sure they do. They probably know almost as much about my business as I do myself. They live with it because they know that a prison is like a big pressure-cooker, and there have to be vents somewhere to let off some steam. They make the occasional bust, and I’ve done time in solitary a time or three over the years, but when it’s something like posters, they wink. Live and let live. And when a big Rita Hayworth went up in some fishie’s cell, the assumption was that it came in the mail from a friend or a relative. Of course all the care-packages from friends and relatives are opened and the contents inventoried, but who goes back and re-checks the inventory sheets for something as harmless as a Rita Hayworth or an Ava Gardner pin-up? When you’re in a pressure-cooker you learn to live and let live or somebody will carve you a brand-new mouth just above the Adam’s apple. You learn to make allowances.

It was Ernie again who took the poster up to Andy’s cell, 14, from my own, 6. And it was Ernie who brought back the note, written in Andy’s careful hand, just one word: “Thanks.”

A little while later, as they filed us out for morning chow, I glanced into his cell and saw Rita over his bunk in all her swimsuited glory, one hand behind her head, her eyes half-closed, those soft, satiny lips parted. It was over his bunk where he could look at her nights, after lights-out, in the glow of the arc sodiums in the exercise yard.

But in the bright morning sunlight, there were dark slashes across her face—the shadow of the bars on his single slit window.

 

Now I’m going to tell you what happened in mid-May of 1950 that finally ended Andy’s three-year series of skirmishes with the sisters. It was also the incident which eventually got him out of the laundry and into the library, where he filled out his work-time until he left our happy little family earlier this year.

You may have noticed how much of what I’ve told you already is hearsay—someone saw something and told me and I told you. Well, in some cases I’ve simplified it even more than it really was, and have repeated (or will repeat) fourth-or fifth-hand information. That’s the way it is here. The grapevine is very real, and you have to use it if you’re going to stay ahead. Also, of course, you have to know how to pick out the grains of truth from the chaff of lies, rumors, and wish-it-had-beens.

You may also have gotten the idea that I’m describing someone who’s more legend than man, and I would have to agree that there’s some truth to that. To us long-timers who knew Andy over a space of years, there was an element of fantasy to him, a sense, almost, of myth-magic, if you get what I mean. That story I passed on about Andy refusing to give Bogs Diamond a head-job is part of that myth, and how he kept on fighting the sisters is part of it, and how he got the library job is part of it, too ... but with one important difference: I was there and I saw what happened, and I swear on my mother’s name that it’s all true. The oath of a convicted murderer may not be worth much, but believe this: I don’t lie.

Andy and I were on fair speaking terms by then. The guy fascinated me. Looking back to the poster episode, I see there’s one thing I neglected to tell you, and maybe I should. Five weeks after he hung Rita up (I’d forgotten all about it by then, and had gone on to other deals), Ernie passed a small white box through the bars of my cell.

“From Dufresne,” he said, low, and never missed a stroke with his push-broom.

“Thanks, Ernie,” I said, and slipped him half a pack of Camels.

Now what the hell was this, I was wondering as I slipped the cover from the box. There was a lot of white cotton inside, and below that ...

I looked for a long time. For a few minutes it was like I didn’t even dare touch them, they were so pretty. There’s a crying shortage of pretty things in the slam, and the real pity of it is that a lot of men don’t even seem to miss them.

There were two pieces of quartz in that box, both of them carefully polished. They had been chipped into driftwood shapes. There were little sparkles of iron pyrites in them like flecks of gold. If they hadn’t been so heavy, they would have served as a fine pair of men’s cufflinks—they were that close to being a matched set.

How much work went into creating those two pieces? Hours and hours after lights-out, I knew that. First the chipping and shaping, and then the almost endless polishing and finishing with those rock-blankets. Looking at them, I felt the warmth that any man or woman feels when he or she is looking at something pretty, something that has been
worked
and
made
—that’s the thing that really separates us from the animals, I think—and I felt something else, too. A sense of awe for the man’s brute persistence. But I never knew just how persistent Andy Dufresne could be until much later.

In May of 1950, the powers that be decided that the roof of the license-plate factory ought to be re-surfaced with roofing tar. They wanted it done before it got too hot up there, and they asked for volunteers for the work, which was planned to take about a week. More than seventy men spoke up, because it was outside work and May is one damn fine month for outside work. Nine or ten names were drawn out of a hat, and two of them happened to be Andy’s and my own.

For the next week we’d be marched out to the exercise yard after breakfast, with two guards up front and two more behind ... plus all the guards in the towers keeping a weather eye on the proceedings through their field-glasses for good measure.

Four of us would be carrying a big extension ladder on those morning marches—I always got a kick out of the way Dickie Betts, who was on that job, called that sort of ladder an extensible—and we’d put it up against the side of that low, flat building. Then we’d start bucket-brigading hot buckets of tar up to the roof. Spill that shit on you and you’d jitterbug all the way to the infirmary.