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Authors: Renée Knight

Disclaimer (29 page)

BOOK: Disclaimer
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Nicholas looks at his parents smiling down at him. There is bafflement in his eyes as they move from one to the other.

‘I’ll call the doctor,’ Robert whispers to her.

‘He knows,’ she says, and tells him the good news.

They stay there until late into the night. Side by side, occasionally one of them going off to fetch something to eat and drink. They dare not leave Nick’s side in case he speaks. It is possible. And they don’t want to miss his first words. By one a.m. they decide it is time to go. Part of Catherine dreads it. They will have to speak now and she is too tired.

Robert drives them home. It is late and she feels a sting of guilt that she won’t be with her mother tonight, but she called her and thinks she understood that Nick is on the mend and Catherine is going home with Robert. Catherine is drained. All she wants is to be taken home and put to bed. She’s so exhausted she doesn’t say much; her quiet is calm and peaceful and there’s a stillness in the car, as if she and Robert have been vacuum-packed inside it. He is in no hurry to talk either – he is as shattered as she is. They go upstairs and Catherine showers and washes the hospital smell away. She goes to bed with wet hair, relishing the cold on her head, keeping the heat away. Robert lies down next to her and reaches for her hand, but there is nothing searching about it, he just wants to hold it and she lets him. She stays facing him, although she would like to turn away. She sleeps more comfortably on her right side, still she stays on her left, careful of his feelings.

‘Cath,’ he whispers.

She makes a sound in reply, not quite a word, as she drifts into sleep.

‘Cath, I am so sorry. I’ll never be able to forgive myself …’

She puts her hand on his cheek, her eyes still closed. It’s not his fault. He didn’t know, she didn’t tell him. But she is too exhausted for this now. She turns over, pulling the duvet up to her chin, breathing in its familiar smell.

‘Why didn’t you tell me?’ he whispers into her neck. She is drained by his need for her to justify herself. It is his need, not hers, and she pretends not to hear him. All she wants is to be able to sleep at last, with the knowledge that finally the truth has broken free.

The next few days and evenings are spent together at the hospital – both of them concentrating on Nick’s recovery. It is coming, they can see it. He is awake and fully conscious. He has started to speak. His words are a little slurred, but they will come back. Therapy will sort it out. He still looks confused by his parents. He knows who they are yet he looks at them with suspicion. It breaks Catherine’s heart when she sees in his eyes that he doesn’t quite trust her, but he is nowhere near ready for the truth yet; it wouldn’t be fair, and so she pretends she doesn’t notice his reserve and busies herself putting fresh fruit, peeled and cut by her that morning, on to his table. Making sure his cup is full of water. Wiping his hands and face with baby wipes. Trimming his nails. Rubbing cream into his hands and feet. He allows her to do it. He is as weak as a baby. He needs someone to do it.

Catherine is prepared to give him time, but Robert is in a hurry.

‘It wasn’t true, Nick, any of it. It was all a lie. Mum loves you. She loves me. It didn’t happen, not like—’

‘Not now.’ She stops him. What was he about to say? The man who saved your life raped your mother? She feels a tinge of resentment towards him. This is her story. She has been sole owner of it for years. It is not his to tell, it is hers, and she is the only one who will be able to help Nick understand why she chose never to speak of it.

It is slow, but Nicholas does progress. He is sore from the tube which ran down his throat, but words start coming gradually. Though his skin remains grey and he is thin, he will make it. He will be fine. Catherine thanks God. Well, she thanks someone, and she calls him God though she can’t quite place him. Still she is so grateful that Nicholas has been saved again. And through all the time that Nicholas is progressing, so do Catherine and Robert, slowly working their way back to a place where they can be easy with each other again. Robert wishes Stephen Brigstocke was dead. He wants to punish him for what he has done to his family. It stops him sleeping, this sick, fucked-up man’s malevolence bumping around in his head. Catherine sleeps well for the first time in ages.

When she thinks of Stephen Brigstocke, it is with sorrow. She had watched him swallow an unbearable truth. He could have fought it, she expected him to call her a liar, but he didn’t. He knew the truth when he saw it and she respects that – it’s not something many people are capable of: denial is so much easier. Most parents would have found what she said about his son, his dead son, inedible. She feels guilty for causing Robert pain – guilty that she allowed him to be told that way. He should have heard it from her, and she has tried to explain to him why she wasn’t able to do it. When she watched Jonathan Brigstocke die, she saw him being punished for what he had done to her. He would never be able to do it to anyone else; she would never have to stand up in a court of law and prove her own innocence. She saw it as a sign that she was being given the chance to wipe away something that, she knew, would pollute their lives. And the fact that Nicholas had been spared had made her believe that even more.

She was mistaken, she knows now, to think that she could carry it alone; that it wouldn’t affect her. Of course it did. She knows it affected her relationship with Nicholas. She thought she was protecting them all by preventing it from entering their lives.

‘But it did enter our lives … with the book. Why didn’t you tell me then?’ He is pleading.

‘I don’t know. I wanted to … I tried to …’

He looks at her, waiting, waiting for her to explain how she tried to tell him but didn’t.

‘There were times when I nearly did. I don’t know, Robert. When you have kept something like that – never said it – never told anyone – it becomes more and more difficult to.’

She finds these conversations too painful. They leave her crying, shamed, guilty. And she wants him to say, ‘Was it me? Did I stop you?’ But he doesn’t. He never asks himself that and she never pushes him. There is no fight left in Catherine. She doesn’t challenge Robert and ask him what was it about ‘Charlotte’ that convinced him so easily it was her? She doesn’t tell him how painful it was to see his anger and hatred. Instead she cries and he apologizes. He is sorry for upsetting her. He doesn’t want to do that – it’s the last thing he wants, and so he stops asking, leaves her be. And she is relieved. She fears the resentment these conversations arouse in her; the pressure she feels from them.

Nick has been back at home for two weeks. Catherine and Robert had gone together to collect him. It felt like when they’d brought Nick home from hospital as a newborn: they had both been so careful around him, new parents, a little uncertain. When he was a baby she had dreaded Robert returning to work; now she can’t wait.

Today is the first day she has had Nick to herself. He is ready. And she tells him she was raped. There was no affair. She didn’t love Jonathan Brigstocke. She didn’t know him. She tells Nick that he was asleep in the next room. She tells him how she feared Jonathan Brigstocke would hurt him. She tells him about the knife. She makes no excuses for why she hasn’t told Nick any of this before. She says she hadn’t told anyone.

‘Did he save my life?’

‘Yes he did.’

‘Why?’

‘I don’t know. We’ll never know. Perhaps he felt guilty?’

Nick’s face is pale, it has lost its grey pallor, but she can see he is getting tired. They have had lunch and he will want to nap soon, but he wants to know everything. He wants to keep talking.

‘Guilty?’

‘I don’t know, darling.’ She pauses, wondering how much more he can take. ‘Maybe. We’ll never know why, but he did save your life. That was deliberate – he went in after you. He didn’t have to. He wanted to save you.’ She rests a hand on his shoulder and his head droops and she sees a tear fall down his cheek. She reaches over to pull him towards her, but he stiffens.

‘I’m OK,’ he says.

She kisses the top of his head, smelling the shampoo from his morning shower. She wants to hold him, but he is not ready and she turns away before she begins to cry herself.

‘You’re tired,’ she says. ‘You should sleep now. We can talk later.’

He nods, getting to his feet, and she stands up too, watching him make his way to the stairs.

‘I’m sorry I’ve been a useless mother,’ she says.

He turns and shrugs, then shakes his head. No words, but at least he shakes his head.

When Nick goes upstairs, Catherine lies on the sofa and closes her eyes.
If only
s fill her head. If only she had called the police the night it had happened. If only she had phoned Robert. He would have come out to be with them, wouldn’t he? But she had been sleep-walking. Nick woke early the next day and came running through to her room and bounced on her bed. She hadn’t slept at all. The night before she had emptied out a travel-size pot of cream and cleaned it out, then she had pressed it against her vagina and pushed his semen down, out of her. The small amount that hadn’t trickled down her leg. A cloudy gob. She screwed on the lid and put it in her wash-bag. She remembers wondering what would happen if her luggage was checked – if some unsuspecting uniform had stuck his nose into that particular pot of cream. She had taken photographs: the bruise on her thigh; the bite on her neck. The police would want evidence, so she gathered it for them.

Would they have believed her though? She had left the keys to her room in the door. She knew that, however much evidence she produced, someone, some man probably, would stand up in court and call her a liar: would tell her that she’d enticed this young man into her room. That she had known him. He’d bought two drinks in the bar of the hotel she was staying in – would anyone remember that she hadn’t joined him there?

But then he died. Thank God, she had thought. He is dead. And she knew she wouldn’t have to prove herself innocent, so when she had the film of their holiday developed she destroyed the photographs of her injuries and kept the snaps of her and Nicholas and Robert.

When Nick had bounced on her bed, she had lain there pretending to smile, pretending to watch him. Every action, every word that morning was disembodied. It hadn’t come from her. They had breakfast. Nick ate, she didn’t. She even remembers him telling her to eat up. He was desperate to go to the beach. She didn’t want to, but what else would they do? She did try to change their flights. Nicholas was impatient as they hung around the hotel, waiting for an answer. It was no. So they went to the beach. And on the way she bought him the dinghy. A life-saver, she thought at the time. Keep him happy, keep her upright. It did keep him happy. In, out, in, out, he jumped, chatting to himself; playing the part of every member of the crew. And the heat and the shock suffocated her and she lay her head down and she closed her eyes and she fell asleep. She didn’t watch her little boy. He nearly drowned. It was a perfect stranger who saved him.

Robert stops asking why she didn’t tell him and it makes her feel forgiven. He knows she didn’t have an affair; he knows she didn’t betray him. And he has a new role now. He is no longer the aggrieved husband, he is the supportive one. He is there to help her and he urges her to talk to someone, a professional, who will be able to guide her back to the past and then lead her out again, but Catherine is sickened by the past. She is not going back there. She should have gone back there a long time ago, but it’s no place for her now. It is the present she wants to concentrate on.

56

Autumn 2013

I have been spending a lot of time thinking about Jonathan, trying to understand what sort of person he was. It is hard to admit that you do not know your own child, that you never really knew your own child.

I said once that Jonathan would never have died of shame because of his mother’s love, that whatever he did, she would always forgive him. But in a way I think he did die of shame. The Spanish used the right word:
sacrifice.
When he raped Catherine Ravenscroft, I think he knew he had started down a road from which he could not return. He had lost himself. He didn’t risk his life, he deliberately gave it. Perhaps I am grasping for something to comfort me, but why else would he have done something so out of character? I believe Jonathan looked himself in the eye and had the courage not to flinch. He saw himself for who he was. Very few of us are willing to do that. I am only now beginning to find that strength and I suspect Nancy never did. That takes courage, doesn’t it? To look beneath the mask and see the real you?

I cannot be certain that he had not raped before, but I don’t believe he had. I do know though that something sent his girlfriend, Sasha, running home to her parents. We called her his girlfriend, though in reality they hadn’t known each other very long and I remember being surprised when he told us that she was going with him on his travels. I was less surprised when she came home early. If he had raped her, her parents would have pressed charges I am sure. On the other hand, something happened to cause her mother to make that angry phone call. Nancy knew, but she never told me, and to my shame I never asked her for details. All I knew was that Nancy took up her default position as Jonathan’s defender. She had been doing it for years, ever since he was little.

I recognize Nancy’s voice now for what it was: the voice of a woman demented by grief; a voice I kept alive for years, allowing it to spin out its desperate yarn while I sat back and listened. Nancy dressed up our son into someone he wasn’t and, long before he died, I had colluded with her in covering up all the clues that should have made us uneasy about our boy. Little things when he was a child that grew as he grew into bigger and bigger denials of who he was. I had stood by and let it happen. My son was a rapist. Nancy’s son, no. But mine, yes. Did Nancy ever suspect? If she did, she showed no sign of it. Even if she had, she would not have allowed herself to believe it. She rewrote Jonathan just as I rewrote her. I am as guilty of delusion as Nancy was. I turned my wife into someone she was not. I wasn’t brave enough to recognize that, long before Jonathan died, she had lost her way. For years I had helped stoke up her fantasy, joined in her blind devotion, never once confronting her, never once challenging her. I rubbed along with them both: the made-up Jonathan and the made-up Nancy. My only defence is that I did it from love. We both did. But it isn’t much of a defence.

BOOK: Disclaimer
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