Read Disturbing the Peace (Vintage Classics) Online
Authors: Richard Yates
“Yeah. Yeah, he looks good. He looks tall.”
“Five foot eleven. Almost six feet.”
“Wow. That’s really something.”
“And in another year he’ll be ready for law school. Isn’t that wonderful?”
“Yeah. You want these back?”
“No, they’re for you. I want you to keep them.”
“Thanks.” And he put the pictures away in his shirt pocket. “How’s Paul?”
“Oh, Paul’s fine. He said to give you his – very best.”
“You two getting along well?”
“Very well.”
“Good.”
For a little while they sat like strangers sharing a table in a cheap cafeteria. Then she said “John? Is there anything you need? Anything I could get for you while I’m here?”
“No, thanks.”
“You have plenty of cigarettes?”
“Oh, sure. Anyway, I’ve cut ’way down. I smoke less than a pack a day now.”
“Well, that’s wonderful. Are there any – you know – activities for you here?”
“Oh, they keep us pretty busy. In the mornings we generally have OT.”
“What’s that?”
“Occupational therapy. I’m in woodwork refinishing. Tables, chairs, things like that.”
“I see.”
“Then in the afternoons we have sports. I’m on the softball team.”
“Oh? Does that mean you get out and play teams from – other hospitals, or whatever?”
“No. It’s intramural.”
“Oh.”
“And when it rains we do different things. Sometimes we have dance therapy.”
“Well, I imagine you enjoy that; you always were a good dancer.”
“Oh, this isn’t social dancing. It’s interpretive.”
“I see.”
She knew her next question would be a difficult one, but she decided to ask it anyway. She might never be in California again; she might never see him again. She had to wait for a swelling in her throat to go down before she could trust her voice. “John,” she said, “have you made any plans or – you know – given any thought to what you might do when you leave here?”
He looked puzzled, as if she had asked him a riddle. “Leave here?” he said.
That was when an orderly came out and announced that visiting hour was over.
Also available from Vintage
RICHARD YATES
Revolutionary Road
‘A masterpiece’
Tennessee Williams
Hailed as a masterpiece on its first publication,
Revolutionary Road
is the story of Frank and April Wheeler, a bright and beautiful young couple whose empty suburban life is held together by the dream that greatness is only just around the corner. With heartbreaking compassion and clarity, Richard Yates follows Frank and April in their efforts to break free and the tragic consequences of their illusions.
‘The
Great Gatsby
of my time … One of the best books by a member of my generation’
Kurt Vonnegut
‘A novel worth attending to’
Julian Barnes
‘Easily the best novel I have read this year’
Nick Hornby
‘A deft ironic novel that deserves to be a classic’
William Styron
Also available from Vintage
RICHARD YATES
The Easter Parade
‘Neither of the Grimes sisters would have a happy life, and looking back it always seemed that the trouble began with their parents' divorce …’
Over four decades Emily and Sarah Grimes grow into very different women. Sarah settles into a suburban marriage while Emily resists anything so tame. But happiness is hard to find.
‘
The Easter Parade
is the best modern novel I have read this year’
Julian Barnes
‘Like a softer, subtler, less salty Updike, Yates expounds a poignant, suburban American realism that is as touching as it is real, and as beautiful as it is sad’
Time Out
‘The rediscovery of Richard Yates, America’s lost novelist, year after year gives a guarantee of a wonderful read.
Revolutionary Road
is now seen as a great novel of suburban America and, for me,
The Easter Parade
is no less fine’
David Hare
‘A brave, brilliant book’
Sunday Herald
‘Richard Yates's best novel, which makes it wonderful’
Joan Didion
Also available from Vintage
RICHARD YATES
Young Hearts Crying
‘By the time he was twenty-three, Michael Davenport had learned to trust his own scepticism …’
Young, newly married and intensely ambitious, Michael Davenport is a minor poet trying to make a living as a writer. His adoring wife Lucy has a private fortune that he won’t touch in case it compromises his art. She in turn is never quite certain what is expected of her. All she knows is that everyone else seems, somehow, happier.
In this magnificent novel, at once bitterly sad and achingly funny, Richard Yates again shows himself to be the supreme, tenderly ironic chronicler of the American Dream and its casualties.
‘Bad couples, sad, sour marriages, young hopes corroded by suburban life … These are bitterly perceptive books’
New Statesman
‘Yates is a truthful and ruthless writer. He intends to spare his readers nothing’
Guardian
‘It's an agonising study of artistic mediocrity, of post-war men and women who would like to be artists without being much good at anything. Over the madness, the drink and the moving resilience falls the long shadow of the Second World War. Nobody combines the powerful passage of history with complete accuracy of emotion like Yates. A masterpiece’
David Hare
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