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Authors: Robert Draper

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Do Not Ask What Good We Do: Inside the U.S. House of Representatives

BOOK: Do Not Ask What Good We Do: Inside the U.S. House of Representatives
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T
he U.S House of Representatives—a large, often unruly body of men and women elected every other year from 435 distinct microcosms of America—has achieved renown as “the people’s House,” the world’s most democratic institution, and an acute Rorschach of biennial public passions. In the midterm election year 2010, recession-battered Americans expressed their discontent with a simultaneously overreaching and underperforming government by turning the formerly Democratically controlled House over to the Republicans. Among the new GOP majority were eighty-seven freshmen, many of them political novices with Tea Party backing who pledged a more open, responsive, and fiscally thrifty House. What the 112th Congress instead achieved was a public standing so low—a ghastly 9 percent approval rating—that, as its longest-serving member, John Dingell, would dryly remark, “I think pedophiles would do better.” What happened?

Robert Draper explores this question just as he examined the Bush White House in his 2007
New York Times
bestselling book
Dead Certain: The Presidency of George W. Bush
—by burrowing deeply inside the subject, gaining cooperation of the major players, and producing a colorful, unsparingly detailed, but evenhanded narrative of how the House of Representatives became a house of ill repute. Draper’s cast of characters spans the full spectrum of political experience and ideologies—from the Democrat Dingell, a congressman since 1955 (though elbowed out of power by the party’s House leader, Nancy Pelosi), to Allen West, a black Republican Tea Party sensation, former Army lieutenant colonel, and political neophyte with a talent for equal-opportunity offending. While unspooling the boisterous, at times tragic, and ultimately infuriating story of the 112th Congress, Draper provides unforgettable portraits of Gabrielle Giffords, the earnest young Arizona congresswoman who was gunned down by a madman at the beginning of the legislative session; Anthony Weiner, the Democrats’ clown prince and self-made media star until the New Yorker self-immolated in a sex scandal; the strong-willed Pelosi and her beleaguered if phlegmatic Republican counterpart, House Speaker John Boehner; the affable majority whip, Kevin McCarthy, tasked with instilling team spirit in the iconoclastic freshmen; and most of all, the previously unknown new members who succeeded in shoving Boehner’s Republican Conference to the far right and thereby bringing the nation, more than once, to the brink of governmental shutdown or economic default.

In this lively work of political narrative, Draper synthesizes some of the most talked-about breaking news of the day with the real story of what happened behind the scenes. This book is a timely and masterfully told parable of dysfunction that may well serve as Exhibit A of how Americans lost faith in their democratic institutions.

“Congress will rise June 1st, as most of us expect. Rejoice when that event is ascertained. If we should finish and leave the world right side up, it will be happy. Do not ask what good we do: that is not a fair question, in these days of faction.”
—CONGRESSMAN FISHER AMES, MAY 30, 1796

 

I
n
Do Not Ask What Good We Do
, Robert Draper captures the prophetic sentiment uttered by Fisher Ames over two centuries ago. As he did in writing about President George W. Bush in
Dead Certain,
Draper provides an insider’s book like no one else can—this time, inside the U.S. House of Representatives. Because of the bitterly divided political atmosphere we live in, because of the combative nature of this Congress, this literary window on the backstage machinations of the House is both captivating and timely—revealing the House in full, from the process of how laws are made (and in this case, not made) to the most eye-popping cast of lawmakers Washington has ever seen.

 

Above:
Republican House members—four of them freshmen—reacting to President Obama’s jobs speech before the joint session of Congress, September 8, 2011. Back row, left to right: Mike Kelly, Jeff Landry, Mick Mulvaney. Front row: Steve Austria, Jeff Duncan.

 

R
OBERT
D
RAPER
is a contributing writer for
The New York Times Magazine
and
National Geographic
and a correspondent for
GQ.
He is the author of several books, most recently the
New York Times
bestseller
Dead Certain: The Presidency of George W. Bush
. He lives in Washington, D.C.

 

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JACKET DESIGN BY ERIC FUENTECILLA

JACKET PHOTOGRAPHS: Front: © Scott J. Ferrell/GETTY;

BACK: © Bill Clark/AP Wideworld

COPYRIGHT © 2012 SIMON & SCHUSTER

 

ALSO BY ROBERT DRAPER

Hadrian’s Walls

Rolling Stone Magazine:
The Uncensored History

Dead Certain:
The Presidency of George W. Bush

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FREE PRESS

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Copyright © 2012 by Robert Draper

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Free Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Free Press hardcover edition April 2012

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DESIGNED BY ERICH HOBBING

Library of Congress Cataloging-in-Publication Data is available.

ISBN 978-1-4516-4208-7

ISBN 978-1-4516-4210-0 (ebook)

TO MY BROTHER JOHN AND IN MEMORY OF OUR BROTHER ELI

 

Do not ask what good we do: that is not a fair question, in these days of faction.
—U.S. Representative Fisher Ames, member of the First Federal Congress, after concluding that he would not seek a fifth term in the House, May 30, 1796

CONTENTS

Cast of Characters
Prologue: Evening, January 20, 2009

PART ONE

REINFORCEMENTS

Chapter 1: Tea Party Freshman
Chapter 2: The Dean
Chapter 3: Bayonets

PART TWO

SHUT ’ER DOWN

Chapter 4: Citizens in the Devil’s City
Chapter 5: Gabby
Chapter 6: The Institutionalist
Chapter 7: State of the Weiner
Chapter 8: Madam Minority Leader
Chapter 9: Continuing Resolution

Chapter 10: Moment of Silence

Chapter 11: Black Republican Out of Florida

BOOK: Do Not Ask What Good We Do: Inside the U.S. House of Representatives
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