One day I ran home from the bus stop and dashed off a long, venomous letter to my mother--and then I didn't know where to send it. I put it aside until I found out the address in Greenglenna. One thing for sure, I didn't want her to know where we lived. Though she had received the petition, it didn't have Paul's name on it, or our address, only the address of the judge. Sooner or later though, she'd hear from me and be sorry she did.
Each day we began bundled up in heavy, woolen, knitted leg-warmers, and at the bane we exercised until our blood flowed fast and hot and we could discard the woolens as we began to sweat. Our hair, screwed up tight as old ladies' who scrubbed floors, soon became wet too, so we showered two or three times a day-- when we worked out eight or ten hours on Saturdays. The barre was not meant for holding onto tightly, but was meant only for balance, to help us develop control, grace. We did the
plies,
the
tendus,
and
glisses,
the
fondus,
the
ronds de jambe a terre--and
none of it was easy. Sometimes the pain of rotating the hips in the turnouts could make me scream. Then came the
frappes
on three-quarter pointe, the
ronds de jambe en Pair,
the
petite
and
grande battlements,
the
developpes
and all the warmup exercises to make our muscles long, strong and supple. Then we left the barre and used the center arena to repeat all of that without the aid of the barre.
And that was the easy part--from there on the work became increasingly difficult, demanding technical skills awesomely painful to do.
To hear I was good, even excellent, lifted me sky-high . . . so there had been some benefits gained from dancing in the attic, dancing even when I was dying, so I thought as I
plied un, deux,
and on and on as Georges pounded on the old upright piano. And then there was Julian.
Something kept drawing him back to Clairmont. I thought his visits were only ego trips so we could sit in a circle on the floor and watch him perform in the center, showing off his superior virtuosity, his spinning turns that were blurrily fast. His incredible, leaping elevations defied gravity, and from these
grand fetes
he'd land goose-down soft. He cornered me to tell me it was "his" kind of dancing that added so much excitement to the performance.
"Really, Cathy, you haven't seen ballet until you see it done in New York." He yawned as if bored and turned his bold, jet eyes on Norma Belle in her skimpy see-through, white leotards. Quickly I asked why, if New York was the best place to be, he kept coming back to Clairmont so often.
"To visit with my mother and father," he said with a certain indifference. "Madame is my mother, you know."
"Oh, I didn't know that."
"Of course not. I don't like to boast about it." He smiled then, devastatingly wicked. "Are you still a virgin?" I told him it was none of his business and that made him laugh again. "You're too good for this hick place, Cathy. You're different. I can't put my finger on it, but you make the other girls look clumsy, dull. What's your secret?"
"What's yours?"
He grinned and put his hand flat on my breast. "I'm great, that's all. The best there is. Soon all the world will know it." Angry, I slapped his hand away. I stomped down on his foot and backed away. "Stop it!"
Suddenly, as quickly as he'd cornered me, he lost all interest and walked away to leave me staring.
Most days I'd go straight home from class and spend the evening with Paul. He was so much fun to be with when he wasn't tired. He told me about his patients without naming them, and told tales of his childhood, and how he'd always wanted to be a doctor, just like Chris. Soon after dinner he'd have to leave to make his rounds at three local hospitals, including one in Greenglenna. I'd try and help Henny after dinner while I waited for Paul to come back. Sometimes we watched TV, and sometimes he took me to a movie. "Before you came, I never went to movies."
"Never?" I asked.
"Well, almost never," he said. "I did have a few dates before you came, but since you've been here my time just seems to disappear. I don't know what uses it all up."
"Milking to me," I told him, teasing with my finger that I trailed along his closely shaven cheek. "I think I know more about you than I know about anyone else in the world, except Chris and Carrie."
"No," he said in a tight voice, "I don't tell you everything."
"Why not?"
"You don't need to know all my dark secrets." "I've told you all my dark secrets, and you haven't turned away from me.
"Go to bed, Catherine!"
I jumped up and ran over to him and kissed his cheek, which was very red. Then I dashed for the stairs. When I was at the top, I turned to see him at the newel post, staring upward, as if the sight of my legs under the short, rose, baby-doll nightie fascinated him.
"And don't run around the house in such things!" he called to me. "You should wear a robe."
"Doctor, you brought this outfit to me. I didn't think you'd want me to cover myself. I thought you wanted to see me with it on."
"You think too much."
In the mornings I was up early, before six, so I could eat breakfast with him. He liked me to be there, though he didn't say so. Nevertheless, I could tell. I had him bewitched, charmed. I was learning more and more how to be like Momma.
I think he tried to avoid me, but I didn't let him He was the one to teach me what I needed to know.
His room was down the hall from mine, but I never dared to go to him at night as I had to Chris. I longed for Chris and for Carrie. When I woke up, I ached not to see them in the room beside me; I ached more not to see them at the breakfast table, and if Paul hadn't been there, I think I might have started off each and every day with tears instead of forced smiles.
"Smile for me, my Catherine," Paul said one morning when I sat staring down at my plate of grits and scrambled eggs and bacon. I looked up, caught by something I heard in his voice, something wistful, as if he needed me.
"Don't ever say my name like that again," I said hoarsely. "Chris used to call me his lady Cath-er-ine, and I don't like to hear anyone else call me his Catherine."
He didn't say anything more, just laid aside the newspaper, got up and went out to the garage. From there he'd drive to the hospitals, then back to his home offices, and I wouldn't see him again until dinner time. I didn't see enough of him, never enough of anyone I cared about.
Only on the weekends, when Chris and Carrie were home, did he seem really at ease with me. And yet, when Chris and Carrie were back in their schools, something would come between us, some subtle spark that revealed that he was just as attracted to me as I was to him I wondered if the real reason was the same as my own. Was he trying to escape memories of his Julia by letting me into his heart? Just as I was trying to escape Chris?
But my shame was worse than his, or so I thought then. I thought I was the only one with a dark, ugly past. I never dreamed anyone as fine and noble as Paul could have ugliness in his life too.
Only two weeks passed and Julian flew down from New York again. This time he made it very obvious he'd come just to see me. I felt flattered and a little awkward, for he'd already gained success, while I was still only hoping. He had an old ricky-tin car he said had cost him nothing but his time, for all the pieces had come from the junkyard. "Next to dancing, I love to tinker with cars," he explained as he drove me home from dance class. "Someday, when I'm rich, I'm going to have luxury cars, three or four, or maybe seven, one for each day of the week."
I laughed; it sounded so outrageous and ostentatious. "Does dancing pay that much?"
"It will when I hit the big-time money," he answered confidentially. I had to turn my head and stare at his handsome profile. If you took his features apart one by one, you could find fault with them, for his nose could have been better, and his skin needed more color, and perhaps his lips were too full and red, and too sensual. But when he was put all together, he was sensational looking. "Cathy," he began, throwing me a long look as his tinny car chugged and choked along, "you'd love New York. There's so much to do, so much to see and experience. That doctor you live with isn't your real father, you shouldn't stick around just to please him. Think about moving to New York as soon as possible." He put his arm about my shoulders to draw me closer to his side. "What a team we'd make, you and I," he said softly, cajolingly, and painted for me bright pictures of what our life would be like in New York. Clearly he made me understand I'd be under his wing, and in his bed.
"I don't know you," I answered, pulling away to sit as far from him as possible. "I don't know your past, and you don't know mine. We're nothing at all alike, and though you flatter me with your attention you also scare me."
"Why? I won't rape you."
I hated him for saying that. It wasn't rape I was afraid of. In fact I didn't know what made me afraid of him, unless I was more afraid of myself when I was with him "Tell me who you are, Julian Marquet. Tell me about your childhood, your parents. Tell me why you think you are God's gift to the dance world and to every woman you meet."
Casually he lit up a cigarette, which he wasn't supposed to do. "Let me take you out tonight and I'll give you all the answers you want."
We'd reached the big house on Bellefair Drive. He parked in front, while I stared toward the windows softly lit in the rosy twilight glow. I could barely discern the dark shadow of Henny who peered out to see who was parking in front of her home. I thought of Paul, but more than anyone else I thought of Chris, my better half. Would Chris approve of Julian? I didn't think he would, and still I said yes, I'd date him that night. And what a night it turned out to be.
I was hesitant about bringing up the subject of Julian to Paul. It was Saturday night; Chris and Carrie were home, and, truthfully, I'd just as soon have gone to a movie with them and Paul. It was with great reluctance that I brought up the fact I had a date with Julian Marquet. "Tonight, Paul, you don't mind, do you?"
He flashed me a tired look and a weak smile. "I think it's about time you started dating. He's not too much older, is he?"
"No," I whispered, feeling a little disappointed that he didn't object.
Julian showed up promptly at eight. He was slicked up in a new suit, with his shoes shined, his unruly hair tamed, his manners so perfect he didn't seem himself. He shook hands with Paul, leaned to kiss Carrie's cheek. Chris glared at him The two had been bicycling when I'd told Paul about my first date, and even as Julian held my new spring coat I felt Chris's disapproval.
He drove to a very elegant restaurant where colored lights churned and rock music played. With surprising confidence Julian read the wine list, then tasted what the waiter brought and nodded, saying it was fine. This was all so new to me I felt on edge, afraid of making a mistake. Julian handed me a menu. My hands trembled so much I turned it over to him and asked him to select. I couldn't read French, and it seemed he could from the speedy way he chose our meal. When the salad and main course came it was just as good as he'd promised.
I was wearing a new dress, cut low in front and much too old for a girl of my age. I wanted to appear sophisticated, even though I wasn't.
"You're beautiful," he said, while I was thinking the same thing about him. My heart felt funny, as if I were betraying someone. "Much too beautiful to be stuck here in Hicktown for years on end while my mother exploits your talents. I'm not a male lead like I told you before, Cathy; I'm second string in the
corps.
I wanted to impress you, but I know if I had you with me, as my partner, both of us could make it big. There's a certain magic between us I've never had with another dancer. Of course you'd have to begin in the
corps.
But soon enough Madame Zolta would see your talent far surpasses your age and experience. She's an old crow, but no dummy. Cathy, I've danced my head off to get where I am--but I could make it easier for you. With me to back you up you'll make it quicker than I did. Together we'd make a sensational team. Your fairness complements my darkness; it's the perfect foil." And on and on he talked, half-convincing me I was great already, when a certain part of me knew deep down I wasn't that sensational, and not nearly good enough for New York. And there was Chris whom I couldn't see if I went to New York, and Carrie who needed me on the weekends. And Paul, he fit in my life somewhere, I knew he fit somewhere. The problem was-- where?
Julian wined and dined me, then danced me out onto the floor. Soon we were dancing to rock like no one else in the place could. Everyone drew back just to watch, then applaud. I was giddy with the nearness of him and the amount of wine I'd consumed. On the way home Julian drove onto a secluded lane where lovers parked to make out. I'd never made out and wasn't ready for someone as overwhelming as Julian.
"Cathy, Cathy, Cathy," he murmured, kissing my neck, behind my ears, while his hand sought to stroke my upper thigh.
"Stop!" I cried. "Don't! I don't know you well enough! You go too fast!"
"You're acting so childish," he said with annoyance. "I fly all the way from New York just to be with you, and you can't even let me kiss you."
"Julian!" I stormed, "take me home!"
"A kid," he muttered angrily and turned on the ignition. "Just a damned beautiful kid who tantalizes but won't come through. Wise up, Cathy. I'm not going to hang around forever."
He was in my world, my dancing, glamorous world, and suddenly I was afraid of losing him. "Why do you call yourself Marquet when your father's name is Rosencoff?" I asked, reaching to turn off the ignition.
He smiled and leaned back, then turned to me. "Okay, if you want to talk. I think you and I are a lot alike, even if you won't admit it. Madame and Georges are my mother and father, but they have never seen me as a son, especially my father. My father sees me as an extension of himself. If I become a great dancer, it won't be to my credit; it will be just because I am
his
son and bear
his
name. So I put an end to that idea by changing my name. I made it up, just like any performer does when he wants to change his name
"You know how many baseball games I've played? None! They wouldn't let me. Football was out of the question. Besides, they kept me so busy practicing ballet positions, I was too tired for anything else. Georges never let me call him Father when I was little. After a while I wouldn't call him Father if he got down on his knees and begged. I tried my damndest to please him, and I never could. He'd always find some flaw, some minute mistake I'd made to keep any performance from being perfect. So, when I make it, I'm making it on my own steam, and nobody is going to know he is my father! Or that Marisha is my mother. So don't go shooting off your mouth to the rest of the class. They don't know. Isn't it funny? I throw a tantrum if he even dares to mention he has a son, and I refuse to dance. That kills him, so he let me go on to New York, thinking I wouldn't make it without his name. But I have made it, and without his help I think that kills him Now tell me about you. Why are you living with that doctor and not your own parents?"
"My parents are dead," I said, annoyed he'd ask. "Dr. Paul was a friend of my father, so he took us in. He felt sorry for us and didn't want us to go into an orphanage."
"Lucky you," he said with a certain sourness.
"I'd
never be so lucky." Then he leaned over until his forehead was pressed against mine and our lips were only inches apart. I could feel his breath hot on my face. "Cathy, I don't want to say and do anything wrong with you. I want to make you the best thing that's ever happened to me. I am thirteenth in a long line of male dancers who have married ballerinas, most of them. How do you think that makes me feel? Not lucky, you can bet. I've been in New York since I was eighteen, and last February I turned twenty. That's two years, and still I'm not a star. With you I could be. I've got to prove to Georges I'm the best, and better than he ever was. I've never told anyone this before, but I hurt my back when I was a kid, trying to lift an engine that was too heavy. It bothers me all the time, but still I dance on. And it's not just because you're small and don't weigh much. I know other dancers who are smaller and lighter, but something about your proportions seems to balance just right when I lift. Or maybe it's what you do to your body that adjusts to my hands. . . . Whatever it is you do, you fit me to a tee. Cathy, come with me to New York, please."
"You wouldn't take advantage of me if I did?" "I'd be your guardian angel."
"New York is so big. . .
"I know it like the palm of my hand. Soon you'll know it just as well."
"There's my sister and my brother. I don't want to leave them yet."
"Eventually you'll have to. The longer you stay the harder it will be to make the break. Grow up, Cathy, be your own person. You never are when you stay home and let others dominate you." He looked away, his scowl bitter. I felt sorry for him, and touched too.
"Maybe. Let me think about it more."
Chris was on the upper veranda outside my bedroom when I went in to undress. When I saw him out there in his pajamas, his slouched shoulders drew me to him
"How'd it go?" he asked without looking at me.
Nervously my hands fluttered around. "Okay, I guess. We had wine with dinner Julian got a little drunk, I think. Maybe I did too."
He turned to stare in my eyes. "I don't like him, Cathy! I wish he'd stay in New York and leave you alone! From what I hear from all the girls or boys in your dance company, Julian has claimed you so now no other dancer will ask you out. Cathy, he's from New York. Those guys up there move fast, and you're only fifteen!" He moved to cradle me in his arms.
"Who are you dating?" I asked with a sob in my throat. "Don't tell me you're not seeing any girls."
His cheek was against mine when he answered slowly, "There's no girl I've met who can compare to you.'
"How are your studies going?" I asked, hoping to take his mind off me.
"Great. When I'm not thinking of all I have to do in the first year of med school--gross anatomy, micro- anatomy and neuroanatomy--I get around to prepping for college."
"What do you do in your spare time?"
"What spare time? There's none left when I finish worrying about what's happening to you! I like school, Cathy. I'd really enjoy it if you weren't constantly on my mind. I wait for the weekends when I can see you and Carrie again."
"Oh, Chris . . . you've got to try to forget me and find someone else."
But just one long look into his tortured eyes revealed that what had been started so long ago wasn't going to be easy to stop.
I had to try to find someone else and then he'd know it was over, forever over. My thoughts took wing to Julian who was striving so to prove himself a better dancer than his father. How like me, who had to be better in all ways than my mother.
I was ready the next time Julian flew down. When he asked me for a date, this time I didn't hedge. It might as well be him; we did have the same goals. Then, after the movie and a soft drink in a club for me, and beer for him, he again drove to the lover's lane every city seemed to have. I allowed him this time to do a bit more than just kiss me, but too soon he was breathing hot and fast, and touching me with so much expertise that soon I was responding even when I didn't want to. He pushed me back on the seat. Suddenly I realized what he was about to do--and I grabbed up my handbag and began to beat him on his face. "Stop! I told you before, go slower!"
"You asked for it!" he raged. "You can't lead me on, then turn me off. I despise a tease."
I thought of Chris and began to cry. "Julian, please. I like you, honest I do. But you don't give me a chance to fall in love with you. Please stop coming at me so fast."
He seized my arm and ruthlessly twisted it behind my back until I cried out from the pain. I thought he meant to break it. But he released it just when I was about to scream.
"Look, Cathy. I'm half in love with you already. But no girl strings me along like I'm some country bumpkin. There are plenty of girls willing to give out--so I don't need you as much as I thought--not for anything!"
Of course he didn't need me. Nobody really needed me but Chris and Carrie, though Chris needed me in the wrong way. Momma had twisted and warped him, and turned him toward me, and now he couldn't turn away. I couldn't forgive her for that. She had to pay for everything wrong she'd caused. If he and I had sinned,
she had made us.
I thought and thought that night of how I could make Momma pay, and I came up with the exact price that would hurt most. It wouldn't be money, she had too much of that. It would have to be something she prized more than money. Two things--her honorable reputation which was a bit tarnished from marrying her half-uncle, and her young husband. Both would be gone when I was through with her.
Then I was crying. Crying for Chris, for Carrie who didn't grow and for Cory who was by now, probably, only bones in his grave.
I turned over to grope for Carrie, reaching to draw her into my arms. But Carrie was in a private school for girls, ten miles outside the city limits. Chris was thirty miles away.
It began to rain hard. The staccato beats on the roof overhead were military drums to take me into dreams and back to exactly where I didn't want to go. I was dumped down in a locked room cluttered with toys and games and massive, dark furniture, and pictures of hell on the walls. I sat in an old wooden rocker, half coming apart, and on my lap I held a ghostly, small brother who called me Momma, and on and on we rocked, and the floorboards creaked, and the wind blew, and the rain pelted down, and below us, around us, above us, the enormous house of countless rooms was waiting to eat us up.
I hated the rain so close above my head, like it used to be when we were upstairs. How much worse our lives had been when it rained, and the room was damp and chill, and in the attic there was nothing but miserable gloom and dead faces that lined the wall. Bands like the grandmother's gray iron came to tighten about my head, smothering my thoughts, making me confused and terrified.
Unable to sleep, I left the bed and slipped on a filmy negligee. For some curious reason I stole to Paul's bedroom and cautiously eased open his closed door. The alarm clock on his nightstand read two o'clock-- and still he wasn't home! Nobody in the house but Henny who was so far, far away--way at the other end of the house in her room adjacent to the kitchen.
I shook my head and stared again at Paul's smoothly made bed. Oh, Chris was crazy to want to be a doctor! He'd never have a full night's rest. And it was raining. Accidents happened so often on rainy nights. What if Paul should be killed? What would we do then!
Paul,
Paul,
I screamed to myself as I raced toward the stairs and flew down them, then sped on to where I could peer out the French windows in the living room. I hoped to see a white car parked in the drive, or turning into the drive. God, I prayed, don't let him have an accident! Please, please--don't take him like you took Daddy!
"Cathy, why aren't you in bed?"
I whirled about. There was Paul sitting comfortably in his favorite chair, puffing on a cigarette in the dark. There was just enough light to see he wore the red robe we'd given him for Christmas. I was so overwhelmed with relief to see him safe and not spread out dead on a morgue slab. Morbid thoughts.
Daddy, I can barely remember how you looked, or how your voice sounded, and the special smell of you has faded away.
"Is something wrong, Catherine?"
Wrong? Why did he call me Catherine at night when we were alone, and only Cathy during the day?
Everything
was wrong! The Greenglenna newspapers and the Virginia one I'd subscribed to and had delivered to my ballet school both told stories of how Mrs. Bartholomew Winslow would make her second "winter" home in Greenglenna. Extensive renovation was being done so her husband's home would be as it was when it was new. Only the best for my mother! For some reason I couldn't fathom I lit into Paul like a shrew. "How long have you been home?" I demanded sharply. "I've been upstairs worrying about you so much I can't sleep! And here you were, all the time! You missed your dinner; you missed last night's dinner; you were supposed to take me out to a movie last night and you forgot all about it! I finished my homework early, dressed in my best clothes and sat around waiting for you to show up, and you forgot it! Why do you let your patients make so many demands on your time so you don't have a life of your own?"