Don't Look Back (13 page)

"Hello, Raymond." Sejer gave a deep bow to appease him a bit. "Have I come at a bad time?"

"Yes. Because I was just working on my collection, and now you're interrupting me."

"That can be terribly annoying. I can't imagine anything worse. But I wouldn't have come if I didn't have to. I hope you realize that."

"Yes, of course, yes."

He relaxed a little and went back to the kitchen. Sejer followed him and put the drawing materials on the table.

"I'd like you to draw something for me," he said.

"Oh, no! Not on your life!"

He looked so worried that Sejer put his hand on Raymond's shoulder.

"I can't draw."

"Everybody can draw," Sejer said.

"Well, I can't draw people."

"You don't have to draw any people. Just a car."

"A car?"

Now he looked suspicious. His eyes narrowed and looked like ordinary eyes.

"The car that you and Ragnhild saw. The one that was driving so fast."

"You keep on talking about that car."

"That's true, but it's important. We've put out a bulletin, but no one has contacted us. Maybe he's a bad person, Raymond, and if he is, we have to catch him."

"But I told you it was driving too fast."

"You must have seen something," Sejer said, lowering his voice. "You noticed that it was a car, didn't you? Not a boat or a bike. Or a caravan of camels, for instance."

"Camels?" He laughed heartily, making his white belly
quiver. "That would have been funny, seeing a bunch of camels going down the road! There weren't any camels. It was a car. With a ski-box on the roof."

"Draw it," Sejer commanded.

Raymond gave in. He sank onto a chair at the table and stuck his tongue out, like a rudder. It took only a few minutes to realize that he had been right. His drawing looked like a piece of crispbread on wheels.

"Could you color it too?"

Raymond opened the box, carefully examined all the crayons, and finally selected the red one. Then he concentrated hard, trying not to color outside the lines.

"Red, Raymond?"

"Yes," he said brusquely, and kept on coloring.

"So the car was red? Are you sure? I thought you said it was gray."

"I said it was red."

Sejer pulled a stool out from under the table and thought carefully before he spoke. "You said you couldn't remember the color. But that it might have been gray, like Ragnhild said."

Raymond scratched his stomach, looking offended. "I remember things better after a while, you know. I told him that yesterday, the man who was here, I told him it was red."

"Who was that?"

"Just a man who was out walking and stopped in the courtyard. He wanted to see the rabbits. I talked to him."

Sejer felt a faint prickling on the back of his neck.

"Was it someone you know?"

"No."

"Can you tell me what he looked like?"

Raymond put down the red crayon and stuck out his lower lip. "No," he said.

"Don't you want to tell me?"

"It was just a man. And you won't like what I say, anyway."

"Please tell me. I'll help you. Fat or thin?"

"In between."

"Dark or light hair?"

"Don't know. He was wearing a cap."

"Is that right? A young man?"

"Don't know."

"Older than me?"

Raymond glanced up.

"Oh, no, not as old as you. Your hair is all gray."

Thanks a lot, Sejer thought.

"I don't want to draw him."

"You don't have to. Did he come by car?"

"No, he was walking."

"When he left, did he head down the road or up toward Kollen?"

"Don't know. I went in to see to Papa. He was really nice," he said.

"I'm sure he was. What did he say to you, Raymond?"

"That I had great rabbits. And did I want to sell one if they ever had babies."

"Go on, go on."

"Then we talked about the weather. And how dry it's been. He asked me if I'd heard about the girl at the tarn and if I knew her."

"What did you tell him?"

"That I was the one who found her. He thought it was too bad the girl was dead. And I told him about you, that you had been here and asked me about the car. 'The car,' he said, 'that noisy one that's always driving too fast on the roads around here?' Yes, I told him. That's the one I saw. He knew which one it was. Said it was a red Mercedes. I must have been wrong when you asked me before, because now I remember. The car was red."

"Did he threaten you?"

"No, no, I don't let anyone threaten me. A grown man doesn't let people threaten him. I told him that."

"What about his clothes, Raymond. What was he wearing?"

"Just ordinary clothes."

"Brown clothes? Or blue? Can you remember?"

Raymond gave him a confused look and hid his face in his hands. "Stop bothering me so much!"

Sejer let Raymond sit for a few moments and calm down. Then he said, in a very soft voice, "But the car was really gray or green, wasn't it?"

"No, it was red. I told the truth, and there's no use threatening me. Because the car was red, and that pleased him."

He bent over the paper and scribbled a little over the drawing. His lips were set in a stubborn line.

"Don't wreck it. I'd like to have it."

Sejer picked up the drawing. "How's your father?" he asked.

"He can't walk."

"I know. Let's go and see him."

He stood up and followed Raymond down the hall. They opened the door without knocking. The room was in semi-darkness, but there was more than enough light for Sejer to notice at once the old man standing next to the night table, wearing an old undershirt and underpants that were much too big. His knees were shaking perilously. He was just as gaunt as his son was round and stout.

"Papa!" cried Raymond. "What are you doing?"

"Nothing, nothing."

He fumbled for his false teeth.

"Sit down. You'll break a leg."

He was wearing support stockings, and at the top edge his knees were swollen like two pale bread puddings, with liver spots that resembled raisins.

Raymond helped him get back in bed and handed him his teeth. He avoided Sejer's gaze and stared up at the ceiling. His eyes were colorless, with tiny little pupils framed by long bushy eyebrows. He put his teeth in his mouth. Sejer went over and stood in front of him, looking up at the window, which faced the courtyard and road. The curtains were drawn, letting in only a minimum of light.

"Do you watch what goes on out on the road?" he asked.

"You're from the police?"

"Yes. You have a good view if you open the curtains."

"I never do that. Unless it's overcast."

"Have you noticed any strange cars around here, or motorcycles?"

"Could be. Police cars, for instance."

"Anyone on foot?"

"Hikers. They head up to Kollen, come hell or high water, to collect pebbles. Or they go and stare at that rotten tarn, which, by the way, is full of sheep carcasses. To each his own."

"Did you know Annie Holland?"

"I know her father from my days at the garage. He delivered cars, when there were any."

"You were in charge?"

He pulled up the comforter and nodded. "He had two girls. Blond hair, pretty."

"Annie Holland is dead."

"I know that. I do read the paper, just like anybody else."

He gestured toward the floor where a thick stack of papers was stuffed under the bedside table, along with something else, something gaudier, on glossy paper.

"A man was out in the courtyard here yesterday evening, talking to Raymond. Did you see him?"

"I heard them mumbling out there. Raymond may not be so quick-witted," he said sharply, "but he has no idea what malice is. Do you understand? He's so good-natured that you
can lead him by a piece of string. But he does what he's told."

Raymond nodded eagerly and scratched his stomach.

Sejer looked into the colorless eyes. "I know that," he said. "So you heard them talking? You weren't tempted to pull the curtain aside a bit?"

"No."

"You aren't very curious, are you, Låke?"

"That's right, I'm not. We keep our eyes to ourselves, not on others."

"What if I told you that there's a tiny chance that the man in the courtyard is mixed up in the murder of the Holland girl—would you then realize how serious this is?"

"Even then. I didn't look outside, I was busy with the newspaper."

Sejer looked around the small room and shuddered. It didn't smell good; his kidneys probably didn't function properly. The room needed to be cleaned, the window should have been opened, and the old man should have a piping hot bath. He went out to get some fresh air, drawing in several deep breaths. Raymond trotted after him and stood with his arms crossed as Sejer got into his car.

"Have you got your car fixed, Raymond?"

"Papa says I need a new battery. But I can't afford it right now. Costs over 400 kroner. I don't drive on the roads," he said quickly. "At least almost never."

"That's good. Go on back inside; you'll catch cold."

"Yes," he said, and shivered. "And I gave my jacket away."

"That wasn't so smart, was it?" Sejer said.

"I felt like I had to," he said sadly. "She was lying there with nothing on."

"What did you say?"

Sejer looked at him in astonishment. The jacket on the body belonged to Raymond!

"Did you spread it over her?"

"She wasn't wearing any clothes at all," he said, kicking at the ground with his slipper.

He had imagined that she was cold and that someone should cover her up. The light-colored hairs might be rabbit hair. He ate sweets. Sejer stared into his eyes, the eyes of a child, as pure as spring water. But he had muscles, as heavy as Christmas hams. Involuntarily he shook his head.

"That was a kind thought," Sejer said. "Did you talk to each other?"

Raymond looked at him in surprise, and the angelic eyes shifted away a bit, as if he might have caught the scent of a trap.

"You said she was dead!"

Afterward, when Sejer was gone, Raymond slipped out and peeked into the garage. Caesar was lying in a far corner under an old sweater, and he was still breathing.

Skarre finished going over the reports, written with a number 5 Microball pen, now sticking out of the shoulder strap on his shirt. He smiled with satisfaction, humming a few verses of "Jesus on the Line." Life was good, and a murder case was more exhilarating than armed robbery. It would soon be summer. And there stood his boss, waving a Krone ice cream bar at him. He put the papers aside quickly and took it.

"The anorak that was spread over the body belongs to Raymond," Sejer said.

Skarre was so startled that his ice cream slid sideways.

"But I believe him when he says that he put it there on his way back, after he took Ragnhild home. He spread it over her nicely because she was naked. I called Irene Album, and Ragnhild insists that it wasn't there when they went past the tarn. But ... it's his jacket. We'll have to keep an eye on him. I told him that unfortunately he couldn't have it back right away, and he was so disappointed that I promised to give him an old one that I never wear. Find anything exciting?" he asked.

Skarre tore the rest of the paper wrapper off his ice cream bar. "I've run checks on all of the landlord's neighbors. They seem decent people for the most part, but a lot of speeding tickets have been given on that street."

Sejer licked strawberry ice cream from his upper lip.

"Out of twenty-one households, eight people have had one or more speeding tickets. That's way above the average."

"They have a long commute to work," Sejer said. "They work in the city, or at Fornebu Airport. There aren't any jobs in Lundeby."

"Precisely. But still. A respectable bunch with lots of speeders on the roads, all the same. But I found something else. Have a look at this." He leafed through the statements and pointed.

"Knut Jensvoll, 8 Gneisveien. Annie's handball coach. He served time for rape. Did eighteen months, at Ullersmo."

Sejer bent down to look. "He may have managed to keep that quiet. Better watch what you say when we're out there."

Skarre nodded and licked his ice cream. "Maybe we should bring in the whole team. Perhaps he's tried something on some of the girls. How did you get on? Did you bring back all the details of the suspicious car?"

Sejer sighed and pulled the drawings from his inside pocket.

"Ragnhild says the ski-box was blue. And Raymond's drawing is pretty funny. But what's more interesting is a hiker who was in Raymond's courtyard yesterday evening and seems to have tried to convince Raymond that the car was red."

He placed the drawing in front of Skarre on the table.

Skarre's eyes grew big. "What? Could he describe..."

"Something in between," Sejer said laconically. "Wearing a cap. I didn't dare push him too hard, he gets so upset."

"I call that fast work."

"I call it bold, more than anything else," Sejer said. "But now we're talking about someone who knows who Raymond is. He was seen. He wanted to find out what Raymond saw. So we have to focus on the car. He must be very close to us, for God's sake."

"But to go to Raymond's house, that's pretty reckless. Do you think anyone else might have seen him?"

"I went to every house nearby. No one saw him. But if he came by way of Kollen, then the Låke house is the first one, and there's not much of a view of the courtyard from the farm below."

"What about the old man?"

"He says he heard them outside, and wasn't tempted to look out of his window."

They ate their ice cream in silence.

"Shall we forget about Halvor? And the motorcycle?"

"Absolutely not."

"When do we bring him in?"

"Tonight."

"Why wait?"

"It's quieter at night. You know, I talked to Ragnhild's mother while the girl was scribbling her crystal-clear evidence on the paper. Sølvi isn't Holland's daughter. And the biological father lost his visitation rights, apparently because of drunkenness and violence."

"Sølvi is twenty-one, isn't she?"