Dragons & Butterflies: Sentenced to Die, Choosing to Live (109 page)

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Authors: Shani Krebs

Tags: #Thai, #prison, #Memoir, #South Africa

BOOK: Dragons & Butterflies: Sentenced to Die, Choosing to Live
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The perimeter wall of Bangkwang prison was studded with guard towers like this. Although manned by armed commodores, duty in the towers was actually a punishment for the guards.

The dragon emerges, circa 2001–2002. Having received a 100-year sentence, I intended to have a new tattoo done each year.

Preparing for a volleyball competition on the tennis court of Building 1, circa 1998. I had shaved my head not long before this, and my hair was just beginning to grow back.

Manslaughter United, the B team of Building 2 for the annual inter-building football tournament, January 1996. The design of our kit was based on the Bafana Bafana uniform of that time.

Relaxing after a tough football practice with my Nigerian brother Jaap.

Keeping fit and healthy, 2005.

In prison, cultural barriers didn’t really exist. when I moved to Building 6, in 2010, I joined my new band of friends in their Christmas celebration – my first. This photo was taken in Danny’s house.

With my Chinese friend Lim, who cooked for me for ten years. This picture was taken in the garden of Building 4 during an indoor football competition.

Even during my second stint in solitary, I remained serious about my prayers and Torah study. Although I was locked up for 24 hours a day, with nothing but a towel for my bed and my
siddur
for a pillow, I also understood that
Hashem
was preparing me spiritually and psychologically for my imminent freedom.

Over the years, Joan worked tirelessly to secure my release or a transfer to a South African prison. This picture is from 1997 or 1998.

‘Nelson Mandela’ (ballpoint pen, 1996). This was part of my ‘black period’ series.

‘Freedom of the spirit’ (oil pastel, 2000). I created this artwork soon after my first stint in solitary.

‘Rabbi Menachem Mendel Schneerson’ (handpainted in carbon powder – fine granules of charcoal – with Chinese brushes, 2003). I had a very spiritual experience when I completed this painting. Much later, when I exhibited it in a gallery, some people even asked who the photographer was!

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