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Authors: Charles Johnson

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BOOK: Dreamer
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Inside a tiny kitchen behind the main room, Smith began to unravel. I should have seen it coming. I should have known. When the magnitude of what the minister asked us to do finally dawned on him, when he was at last standing at the door of his first real performance as a double, Smith collapsed heavily onto a wooden folding chair and began mopping his forehead with a handkerchief. His
breathing was ragged, asthmatic. Suddenly he began hiccuping uncontrollably, almost strangling, and looked helplessly toward Amy. I knew she was thinking the same as me. It was over. He was ready for riding in decoy cars, for drawing fire away from King, but not for standing before an audience of over five hundred of the genuinely faithful … He was going to crash and burn, as he'd always done in the Citivas Dei. Blow this operation wide open. Fall on his face and embarrass us all. Or worse, pass out right there in the kitchen in front of Calvary AME's ushers and clergy.

“Is something wrong?” Rev. Coleman asked.

Amy eased herself between the pastor and Smith. “Give us a few minutes alone, okay? He just needs to compose himself before he gets his cue.”

Reluctantly Rev. Coleman cleared the kitchen, leaving Amy and Smith to themselves.

I left through a side door and joined the congregation, taking a spot to the right of the pulpit. I scanned the crowd, my eyes tracking packed wooden pews in the northeast corner to the laity filling the seats and aisles in front of me, men in their best (and only) dark suits brought out from the back of their closets every Sunday or for occasions such as this, their brogans shined and buffed the night before, cooling themselves with fans provided on the back of each bench, their wives, bearing names such as Adella, Inell, and Luberta, sitting quietly beside them in light cotton dresses, some wearing gloves despite the heat of bodies packed so close together on the benches, perspiration just beginning to bead on their foreheads, dampening at the root oil-heavy hairdos subjected earlier in the day to the straightening comb; I picked out Robert Jackson, a dignified, immaculately dressed, balding Negro sitting on the bench he bought at Calvary, then to his right another old man in a rimpled K-Mart suit, holding a wide-brimmed hat on his lap. My eyes
moved up, up above them, to a triptych of stained-glass windows on the western wall, one depicting an alb-clad Jesus standing before Herod's jeering soldiers in the praetorium, another showing Jesus during his lonely vigil of fasting in the desert, the large middle painting portraying a mob hanging him from the cross, and though I knew I was supposed to be watching the crowd, scanning the room every few seconds, my eyes never resting anywhere for long because who knew where an assassin might appear, the feeling that always flooded through me when I entered Negro churches came over me again—the sense, right or wrong, that for the briefest of moments I was safe from the ravages, the irreality, the racial stupidities of the world outside Calvary's doors, that no harm could befall anyone here where so much of value was preserved, meaning made manifest in the minutest details by black people who came to this place, sacred and set off from the chaos of the streets outside, to find husbands and wives, to baptize their children, and to bury their dead before gathering at the home of the deceased, sharing memories of her with the survivors, and being fed by her friends and neighbors who filled the kitchen table with food as a reminder that the bereaved must take nourishment, no matter if they were hungry or not, and walk on, and know that death was not final, because Jesus conquered that once and for all, so yes, eat and be joyful even in mourning because no Christian should forget the good news of the gospel, and no believer in Him ever feel alone or have cause for despair. From my childhood came a verse,
Nevermore thou needest seek Me / I am with thee everywhere: / Raise the stone and thou shalt find Me / Cleave the wood and I am there
. This was what Calvary's congregation believed. What I had been taught from the time I could walk. Religion (Latin
religare,
“to bind,” or bring together those things broken, torn asunder). But was all this, I wondered, an illusion?
Badly I wanted to believe, as they did. Behind me I heard twenty teenage girls in white blouses and black skirts blending their voices in the opening hymn, “Amazing Grace,” wringing that song out so thoroughly it outstripped anything on WVON's “Top Forty.” An old woman who favored Helen Martin about the face stroked the keys of an ancient piano, and while I did not know if her faith was ill-founded, I did know it was here—and only here, in the Negro church, for the last hundred years—that black people pooled their money in order to send the congregation's best students on to train at schools like Morehouse and Fisk; here that teachers selflessly used their weekends and nights to tutor children and conduct Sunday-school classes that, beginning with the Bible, branched out forward and back in the better seminars to examine the preconditions for Christianity and all the intellectual and scientific traditions it had influenced from Tertullian to quantum physics; here that a young Romare Bearden encountered the cornucopia of styles and forms—in spirituals, hymns, prayers, and sermons—that opened him to the epic dialogue that was art; and here, finally, that the civil rights movement was nurtured and sustained, prayer and racial politics inseparably melded by clergy, stewards, and trustees who, if they knew nothing else, understood that they served their people best by reminding them again and again that their political and racial struggles were but the backdrop against which a far greater spiritual odyssey was unfolding, and that no worldly triumph deserved hallelujahs if in their secular victories they somehow lost their souls.

At Calvary's crowded entrance I saw the Wise Guys.

There were two of them, one a hairless, pursy, middle-aged little man in horn-rimmed glasses, slow-moving as a turtle, his belly bubbling over his belt. The other was Titian-haired, thin, in his twenties, his profile made birdlike by a
hawkbill nose, carrying a notepad he scribbled on in shorthand, never looking down at the page. They looked tired; they kept shifting their weight from one leg to the other, as if maybe their feet hurt. In another context they might have been Mormons working a neighborhood, tramping from door to door. These were the ones who followed us from the West Side, whom I'd seen on the road in rural Illinois, and who now no doubt were taking down names. They looked intensely interested when the audience rose to its feet and erupted into clapping and cheers.

Amy walked in behind King—it most certainly was King, not Chaym Smith—from the kitchen to a row of seats on the stage. I had no idea how the minister had gotten here at the last minute, but I muttered thanks to the Almighty, for the prayer I'd made had come to pass, and I released my breath, which I felt I'd been holding for hours.

And then the audience settled down. Whether the minister knew it or not, his physical presence, while not imposing, brought a hush like soft background music, or as if someone cracked a window in a crowded, smoke-filled room. I felt something in him sorely lacking in myself—grace or a spiritual wealth so great he could give of himself endlessly, and always there was twelve basketfuls left over, as one might dip a cup into the sea and never see it emptied. He was an old soul. Centuries old. Not putting on a show, he stopped all conversation and commanded respect; not justifying himself, he was distinguished; not boasting, he was instantly acknowledged. Standing beside Rev. Coleman at the forest of black microphones on the pulpit, with flashbulbs exploding like fireworks in the hands of the Associated Press and British newsmen who rushed to the front of the church, he was august, hugely present, relaxed, munificent, established in mercy, but at his center I felt a cemetery—a coolness and crypt—in which all regard for himself and his safety lay
buried. Something in him was dead, extinguished so long ago during the Montgomery boycott when he was hardly more than a boy that it no longer even existed in memory In some way that I could not coax into clarity, his very presence challenged me and commented, without his having yet said a word, on my own staggering shortcomings as a man, a Negro, a Christian. The level he was living on did that. No newspaper article or television interview touched what I felt that evening. To engage him at all, this preacher who dared to say, “There will be no permanent end to the race problem until oppressed men develop the capacity to love their enemies,” who quoted Epictetus, Keats, Emerson, and Dunbar as if they were his first cousins—to meet him face-to-face, I realized, forced a man to kick up his own thoughts and feelings a notch or two, as you might when going one-on-one with the finest athletes on a playing field, so that even mediocre men like me rose momentarily to finer planes of performance.

“It is with great pleasure,” said Rev. Coleman, “that I present this Achievement Award to you from the grateful membership of Calvary AME Church.” He handed a heavy plaque, gold lettering engraved on black, to the minister and shook his hand vigorously; then, smiling, Coleman turned the ceremony over to King.

I should have been watching the crowd, but I could not wrench my eyes away as King, the portrait of composure that evening, despite all he'd endured only hours earlier, placed the plaque to one side on a small table of flowers, his movements as flawless as those of a fish, his fingers seeming to merge with the surface of the pulpit. More than any place else, he was at home there, in the pulpit, leaning into the microphones, having preached since his teens beside his father, and then during his college years in the Baptist
churches of King Senior's friends in Boston and throughout the South, incorporating the best of what he learned from Mays and Brightman in their classrooms into sermons he thrilled audiences with—in his early twenties—the very next Sunday. How had he put it in one sermon? “As a young man with most of my life ahead of me, I decided to give my life to something eternal and absolute. Not to these little gods that are here today and gone tomorrow. But to God who is the same yesterday, today, and forever.” He never knew—could never know—exactly what the room he was to speak in would look like. For the briefest of instants, the length of an Amen, he adjusted his voice to the room's unique acoustics and the placement of the stage. He got through these engagements, for which he was paid between $500 and $1,000, by focusing exclusively on the present moment, living completely in the here, the now, oblivious to whatever programs he had scheduled for the next day, willfully forgetful of how well or poorly he'd done before. His experience of time was reduced, on the road, to seriality, fully lived moments—like islands—separate from one another: he was
here
(Chicago) and
here
(Jamaica) and
here
(Paris) with little bridge between locations. Some days it felt as if his life dissolved or abruptly cut from place to place, as in a film.

Fortunately, he didn't truly need notes anymore. He'd done this so often before that he could speak for two hours or three without once looking down. The quotations he needed were permanently imprinted in his memory. All he need do was “switch,” as he put it to himself, into a public mode, and the words, one whole structured paragraph after another, came pouring out of him. In his teens, when speaking became effortless this way, he'd wonder after an event, “Did I really do that?” because his public self had seemed so different to him, like a mask; but then he realized some few
years later that man and mask were fused. His private self
was
the mask. The Movement left no room for subjectivity; inner and outer were the same.

“Thank you … thank you very much,” he said as he glanced around the church, making visual contact with everyone, including those crammed into the balconies. “A moment ago, Reverend Coleman asked me if I was disillusioned after today's march. He asked me if I felt we were wrong to come to Chicago, and what did I make of the hatred we saw in Marquette Park. Now, I can't lie to you. I was stunned. In every one of those screaming white faces I saw hatred that obliterated the last vestiges of humanity. I saw sickness and evil brought on by segregation and sinruined lives. Because, you see, those people were living in fear. They were afraid that accepting Negroes as their neighbors—or anybody different—meant they'd lose their homes, their jobs, their place in society, possibly even their sons and daughters in marriage to people who don't look the way they do. They feared losing their sense of self, and we all know that's the most powerful fear on earth, the one that fuels all the others. Fear, I've been told, is a drug—it releases peptide hormones that have the same pharmacologie characteristics as opium. You could say that anyone experiencing fear is narcoticized, not in his right mind, mesmerized, in the constant state of hypnosis so many metaphysicians tell us is the human condition. That's what I saw today. People throwing bricks at phantoms. Shouting at shadows, since there are no Negroes, and whites either, except of course in their own deluded minds …

“After liberating lunch counters, winning court battles and homes in nice neighborhoods, we must in our next campaign free consciousness itself from fear, from what William Blake called ‘mind-forg'd manacles.' But to do this we must unlearn many things. We must be quiet and not deluded or
deceived by the creations of our own minds. The soil of the soul must be plowed. Reverend Coleman”—he squinted behind him at the pastor sitting rapt beside Amy—“the answer to your question is that no man can bring me so low as to make me hate him, no matter what we ran up against today in Chicago, because hate is based on fear, and I don't fear losing anything since I willingly gave up everything to the one I love.”

The audience sang back, “Preach!”

“That's right,” he went on, raising his right hand to tug at his earlobe, light spinning off his simple wedding band, “I've got nothing to lose. Nothing to fear because after being in the storm so long I've learned to accept only one problem: What is God? Every night when I get down on my knees to pray or close my eyes in quiet meditation I'm holding a funeral for the self. I'm digging a little grave for the ego. I'm saying, like the lovely Catholic nun I read about who works with the poor in Calcutta, that I will despoil myself of all that is not God; I will strip my heart of every created thing; I will live in poverty and detachment; I will renounce my will, my inclinations, my whims and fancies, and make myself a willing servant of the will of God. As Whitehead might put it, ‘I am' is an example of Misplaced Concreteness. And what's left when you get the I out of the way? Only the others, living and dead, who are
already
so thoroughly integrated into our lives you can never get rid of them. No, the segregationists lost before they even began. Nothing stands alone. You know, not one member of the White Citizens' Council can finish breakfast in the morning without relying on the rest of the world. That sponge ‘Bull' Connor bathes with came from the Pacific Islands. His towel was spun in Turkey. The coffee Orval Faubus drinks traveled all the way from South America, the tea from China, the cocoa from West Africa. And every time George Wallace or Malcolm X writes his name
he's using ink evolved from India and an alphabet inherited from the Romans, who derived it from the Greeks after they'd borrowed it from Phoenicians, who received their symbols from Seirites living on the Sinai peninsula between Egypt and Palestine … After a time, I tell you, a man comes to see only a We, this precious moment as a tissue in time holding past, future, and present, with all of us in the red, everlasting debtors—ontological thieves—in a universe of interrelatedness … Every man and woman is a speculum, our mirror. Our twin.”

BOOK: Dreamer
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