DUST ON MOUNTAIN: COLLECTED STORIES (79 page)

BOOK: DUST ON MOUNTAIN: COLLECTED STORIES
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For the next six months I lived in the cottage without any help. I did not find this difficult. I was used to living alone. It wasn’t service that I needed but companionship. In the cottage it was very quiet. The ghosts of long dead residents were sympathetic but unobtrusive. The song of the whistling thrush was beautiful, but I knew he was not singing for me. Up the valley came the sound of a flute, but I never saw the flute player. My affinity was with the little red fox who roamed the hillside below the cottage. I met him one night and wrote these lines:

As I walked home last night

I saw a lone fox dancing

In the cold moonlight
.

I stood and watched—then

Took the low road, knowing

The night was his by right
.

Sometimes, when words ring true
,

I’m like a lone fox dancing

In the morning dew
.

During the rains, watching the dripping trees and the mist climbing the valley, I wrote a great deal of poetry. Loneliness is of value to poets. But poetry didn’t bring me much money, and funds were low. And then, just as I was wondering if I would have to give up my freedom and take a job again, a publisher bought the paperback rights of one of my children’s stories, and I was free to live and write as I pleased—for another three months!

That was in November. To celebrate, I took a long walk through the Landour bazaar and up the Tehri road. It was a good day for walking; and it was dark by the time I returned to the outskirts of the town. Someone stood waiting for me on the road above the cottage. I hurried past him.

If I am not for myself
,

Who will be for me
?

And if I am not for others
,

What am I
?

And if not now, when
?

I startled myself with the memory of these words of Hillel, the ancient Hebrew sage. I walked back to the shadows where the youth stood, and saw that it was Prem.

‘Prem!’ I said. ‘Why are you sitting out here, in the cold? Why did you not go to the house?’

‘I went, sir, but there was a lock on the door. I though you had gone away.’

‘And you were going to remain here, on the road?’

‘Only for tonight. I would have gone down to Dehra in the morning.’

‘Come, let’s go home. I have been waiting for you. I looked for you in Delhi, but could not find the place where you were working.’

‘I have left them now.’

‘And your uncle has left me. So will you work for me now?’

‘For as long as you wish.’

‘For as long as the gods wish.’

We did not go straight home, but returned to the bazaar and took our meal in the Sindhi Sweet Shop—hot puris and strong sweet tea.

We walked home together in the bright moonlight. I felt sorry for the little fox dancing alone.

That was twenty years ago, and Prem and his wife and three children are still with me. But we live in a different house now, on another hill.

When Darkness Falls

 

M
arkham had, for many years, lived alone in a small room adjoining the disused cellars of the old Empire Hotel in one of our hill stations. His army pension gave him enough money to pay for his room rent and his basic needs, but he shunned the outside world—by daylight, anyway—partly because of a natural reticence and partly because he wasn’t very nice to look at.

While Markham was serving in Burma during the War, a shell had exploded near his dugout, tearing away most of his face. Plastic surgery was then in its infancy, and although the doctors had done their best, even going to the extent of giving Markham a false nose, his features were permanently ravaged. On the few occasions that he had walked abroad by day, he had been mistaken for someone in the final stages of leprosy and been given a wide berth.

He had been given the basement room by the hotel’s elderly estate manager, Negi, who had known Markham in the years before the War, when Negi was just a room-boy. Markham had himself been a youthful assistant manager at the time, and he had helped the eager young Negi advance from room-boy to bartender to office clerk. When Markham took up a wartime commission, Negi rose even further. Now Markham was well into his late sixties, with Negi not very far behind. After a post-War, post-Independence slump, the hill station was thriving again; but both Negi and Markham belonged to another era, another time and place. So did the old hotel, now going to seed, but clinging to its name and surviving on its reputation.

‘We’re dead, but we won’t lie down,’ joked Markham, but he didn’t find it very funny.

Day after day, alone in the stark simplicity of his room, there was little he could do except read or listen to his short-wave transistor radio; but he would emerge at night to prowl about the vast hotel grounds and occasionally take a midnight stroll along the deserted Mall.

During these forays into the outer world, he wore an old felt hat, which hid part of his face. He had tried wearing a mask, but that had been even more frightening for those who saw it, especially under a street lamp. A couple of honeymooners, walking back to the hotel late at night, had come face to face with Markham and had fled the hill station the next day. Dogs did not like the mask, either. They set up a furious barking at Markham’s approach, stopping only when he removed the mask; they did not seem to mind his face. A policeman returning home late had accosted Markham, suspecting him of being a burglar, and snatched off the mask. Markham, sans nose, jaw and one eye, had smiled a crooked smile, and the policeman had taken to his heels. Thieves and goondas he could handle; not ghostly apparitions straight out of hell.

Apart from Negi, only a few knew of Markham’s existence. These were the lower-paid employees who had grown used to him over the years, as one gets used to a lame dog or a crippled cow. The gardener, the sweeper, the dhobi, the night chowkidar, all knew him as a sort of presence. They did not look at him. A man with one eye is said to have the evil eye; and one baleful glance from Markham’s single eye was enough to upset anyone with a superstitious nature. He had no problems with the menial staff, and he wisely kept away from the hotel lobby, bar, dining room and corridors—he did not want to frighten the customers away; that would have spelt an end to his own liberty. The owner, who was away most of the time, did not know of his existence; nor did his wife, who lived in the east wing of the hotel, where Markham had never ventured.

The hotel covered a vast area, which included several unused buildings and decaying outhouses. There was a beer garden, no longer frequented, overgrown with weeds and untamed shrubbery. There were tennis courts, rarely used; a squash court, inhabited by a family of goats; a children’s playground with a broken see-saw; a ballroom which hadn’t seen a ball in fifty years; cellars which were never opened; and a billiard room, said to be haunted.

As his name implied, Markham’s forebears were English, with a bit of Allahabad thrown in. It was said that he was related to Kipling on his mother’s side; but he never made this claim himself. He had fair hair and one grey-blue eye. The other, of course, was missing.

His artificial nose could be removed whenever he wished, and as he found it a little uncomfortable he usually took it off when he was alone in his room. It rested on his bedside table, staring at the ceiling. Over the years it had acquired a character of its own, and those (like Negi) who had seen it looked upon it with a certain amount of awe. Markham avoided looking at himself in the mirror, but sometimes he had to shave one side of his face, which included a few surviving teeth. There was a gaping hole in his left cheek. And after all these years, it still looked raw.

 

 

When it was past midnight, Markham emerged from his lair and prowled the grounds of the old hotel. They belonged to him, really, as no one else patrolled them at that hour—not even the night chowkidar, who was usually to be found asleep on a tattered sofa outside the lounge.

Wearing his old hat and cape, Markham did his rounds.

He was a ghostly figure, no doubt, and the few who had glimpsed him in those late hours had taken him for a supernatural visitor. In this way the hotel had acquired a reputation of being haunted. Some guests liked the idea of having a resident ghost; others stayed away.

On this particular night Markham was more restless than usual, more discontented with himself in particular and with the world in general; he wanted a little change—and who wouldn’t in similar circumstances?

He had promised Negi that he would avoid the interior of the hotel as far as possible; but it was midsummer—the days were warm and languid, the nights cool and balmy—and he felt like being in the proximity of other humans even if he could not socialize with them.

And so, late at night, he slipped out of the passage to his cellar room and ascended the steps that led to the old banquet hall, now just a huge dining room. A single light was burning at the end of the hall. Beneath it stood an old piano.

Markham lifted the lid and ran his fingers over the keys. He could still pick out a tune, although it was many years since he had played for anyone or even for himself. Now at least he could indulge himself a little. An old song came back to him, and he played it softly, hesitantly, recalling a few words:

 

But it’s a long, long time, from May to December
,

And the days grow short when we reach September

 

He couldn’t remember all the words, so he just hummed a little as he played. Suddenly, something came down with a crash at the other end of the room. Markham looked up, startled. The hotel cat had knocked over a soup tureen that had been left on one of the tables. Seeing Markham’s tall, shifting shadow on the wall, its hair stood on end. And with a long, low wail it fled the banquet room.

Markham left too, and made his way up the carpeted staircase to the first-floor corridor.

Not all the rooms were occupied. They seldom were these days. He tried one or two doors, but they were locked. He walked to the end of the passage and tried the last door. It was open.

Assuming the room was unoccupied, he entered it quietly. The lights were off, but there was sufficient moonlight coming through the large bay window with its view of the mountains. Markham looked towards the large double bed and saw that it was occupied. A young couple lay there, fast asleep, wrapped in each other’s arms. A touching sight! Markham smiled bitterly. It was over forty years since anyone had lain in his arms.

There were footsteps in the passage. Someone stood outside the closed door. Had Markham been seen prowling about the corridors? He moved swiftly to the window, unlatched it, and stepped quickly out on to the landing abutting the roof. Quietly he closed the window and moved away.

Outside, on the roof, he felt an overwhelming sense of freedom. No one would find him there. He wondered why he hadn’t thought of the roof before. Being on it gave him a feeling of ownership. The hotel, and all who lived in it, belonged to him.

The lights, from a few skylights and the moon above, helped him to move unhindered over the sloping, corrugated old tin roof. He looked out at the mountains, striding away into the heavens. He felt at one with them.

The owner, Mr Khanna, was away on one of his extended trips abroad. Known to his friends as the Playboy of the Western World, he spent a great deal of his time and money in foreign capitals: London, Paris, New York, Amsterdam. Mr Khanna’s wife had health problems (mostly in her mind) and seldom travelled, except to visit godmen and faith healers. At this point in time she was suffering from insomnia, and was pacing about her room in her dressing gown, a loose-fitting garment that did little to conceal her overblown figure; for inspite of her many ailments, her appetite for everything on the menu card was undiminished. Right now she was looking for her sleeping tablets. Where on earth had she put them? They were not on her bedside table; not on the dressing table; not on the bathroom shelf. Perhaps they were in her handbag. She rummaged through a drawer, found and opened the bag, and extracted a strip of Valium. Pouring herself a glass of water from the bedside carafe, she tossed her head back, revealing several layers of chin. Before she could swallow the tablet, she saw a face at the skylight. Not really a face. Not a human face, that is. An empty eye socket, a wicked grin and a nose that wasn’t a nose, pressed flat against the glass.

Mrs Khanna sank to the floor and passed out. She had no need of the sleeping tablet that night.

 

BOOK: DUST ON MOUNTAIN: COLLECTED STORIES
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