Far Pavilions (13 page)

Sita seldom spoke of their valley now; she was too busy during the daytime, and Ash slept in the Yuveraj's quarters at night. But the old bedtime story of his childhood still retained its grip on his imagination, and by now he had forgotten – or perhaps he had never realized – that it was not a real place. It was real to him, and morning and evening, whenever he could steal away from his duties – or, more often, during the long, idle mid-day hours when all the palace dozed and the sun lay hot on the battlements – he would climb up to a little covered balcony that jutted out from the wall of the
Mor Minar
– the ‘Peacock Tower’ – and lying on the warm stone gaze out towards the mountains and think of it. And make plans.

The existence of that balcony was a secret shared only by Kairi, and its discovery had been a happy accident, for it could not be seen from inside the fortress, being hidden from view by the curves of the
Mor Minar
. The
Mor Minar
had been part of the original fort, a guard tower and a look-out, facing the foothills. But both roof and stairway had fallen long ago, and the entrance become blocked by rubble. The balcony was of a later date and had probably been built for the pleasure of some long-dead Rani, for it was no more than a folly, an elegant little pavilion of marble and red sandstone, pierced and carved into the semblance of frozen lace and topped by a hump-backed Hindu dome.

Fragments of wood still adhered to the rusty iron hinges that had once held a door, but the fragile-seeming screens still stood, except where there had once been a window cut in the marble tracery, from which the Rani and her ladies could look out towards the mountains. Here, on the front of the balcony, between the slender arches, there was now only open space and fragments of broken carving, below which the wall dropped for forty feet to meet the scrub and the steep rock faces, that in turn plunged downwards for more than four times that distance before merging into the plateau. There were goat tracks through the scrub, but few humans cared to climb so far; and even had they done so they might well have failed to notice the pavilion, for its outlines were lost against the weather-worn bulk of the
Mor Minar
.

Ash and Kairi, pursuing a truant marmoset, had clambered over the rubble that choked the ruined tower, and looking up the topless funnel had spied the fugitive half way up it. There must once have been rooms in the tower, but although no part of the floors remained, there were still traces of the stairway that had led up to them: broken stumps of stone, some barely large enough to provide foothold for the marmoset. But where a monkey can go an active child can often follow, and Ash had had plenty of practice on the roof-tops of the city, and possessed an excellent head for heights. Kairi too could climb like a squirrel, and the broken staircase had proved easy enough to negotiate once they had removed the untidy bundles of twigs and egg shells deposited there by generations of owls and jackdaws. They had scrambled up it, and following the marmoset through a doorway, found themselves in a carved and canopied balcony that hung dizzily over empty space, as secure and inaccessible as a swallow's nest.

Ash had been delighted with their find. Here at last was a hidden place to which he could retreat in time of trouble, and from where he could look out across the world and dream of the future – and be alone. The claustrophobic atmosphere of the palace, with its incessant whispers of treachery and intrigue, its cabals and plots and place-seeking, was banished by the clean air that crooned through the marble tracery and kept the little pavilion swept and garnished; and best of all there was no one to dispute his possession of it, for apart from the monkeys and owls, the hill crows and the little yellow-crested bul-buls, no one could have set foot in it for fifty years and by now, in all likelihood, its very existence was forgotten.

Given the choice, Ash would have traded the balcony for permission to visit the city whenever he chose, and had he been given it would not have run away – for Sita's sake, if for nothing else. But deprived of that liberty, it was doubly satisfying to have a safe hiding place where he could escape from the quarrels and the gossip, the tantrums and the talk. The humble quarters that he shared with Sita did not fill this need because any servant sent to find him always came there first, so it was preferable to have a safer place of retreat, one from which he could not be haled forth to undertake some trivial errand or answer an idle question that had been forgotten by the time he reached the Presence. The discovery of the Queen's balcony made his life in the Hawa Mahal more bearable. And the possession of two such friends as Koda Dad Khan, the
Mir Akhor
– the Master of Horse – and Koda Dad's youngest son, Zarin, almost reconciled him to staying there for ever…

Koda Dad was a Pathan who as a youth had left his native Border hills to wander among the northern fringes of the Punjab in search of his fortune. He had come by chance to Gulkote, where his skill at hawking had attracted the attention of the young Rajah, who had newly succeeded to the throne on the death of his father only two months previously. That had been more than thirty years ago, and except for occasional visits to his own Border-country, Koda Dad had never returned home. He had remained in Gulkote in the service of the Rajah, and as
Mir Akhor
was now a man of considerable reputation in the state. There was nothing that he did not know about horses, and it was said of him that he could speak their language and that even the wickedest and most intractable became docile when he spoke to it. He could shoot as well as he could ride, and as his knowledge of hawks and falconry equalled his knowledge of horses, the Rajah himself – no mean authority on both – asked his advice and invariably took it. After his first visit home he had returned with a wife who in due course presented him with three sons, and by now Koda Dad was the proud possessor of several grandsons and would occasionally talk to Ash of these paragons. ‘They are myself when I was young; or so says my mother, who sees them often; our home being in the Yusafzai country, which is not far from Hoti Mardan
*
where my son Awal Shah serves with his Regiment – as does my second son Afzal, also.’

Koda Dad's two eldest sons had taken service under the British in that same Corps of Guides that Ash's Uncle William had belonged to, and now only Zarin Khan, the youngest, still remained with his parents, though he too had set his heart on a military career.

Zarin was nearly six years older than Ash, and by Asian standards a grown man. But apart from the difference in height, the two were very alike in build and colouring, for Zarin, like many Pathans, was grey-eyed and fair-skinned. They might easily have been taken for brothers, and indeed Koda Dad treated them as such, addressing them both as ‘my son’ and cuffing them with equal impartiality when he considered that they deserved it: an attention that Ash regarded as an honour, for Koda Dad Khan was a re-incarnation of the friend and hero of his baby days – the shadowy but never-forgotten figure of Uncle Akbar, wise, kind and omniscient.

It was Koda Dad who taught Ash how to fly a hawk and train an unbroken colt, how to spear a tent-peg out of the ground at full gallop with the point of a lance, fire at a moving target and hit it nine times out of ten, and at a stationary one and never miss at all. It was also Koda Dad who lectured him on such matters as the wisdom of keeping his temper and the dangers of impulsiveness, and took him to task for acting or speaking before he thought – a case in point being his attack on the Yuveraj and his threat to leave the palace. ‘Had you held your tongue you might have left when you would, instead of getting yourself penned up in this manner,’ said Koda Dad severely.

Zarin too had been kind to the boy and treated him as a younger brother, cuffing and encouraging in turn, and best of all, Ash was occasionally permitted to accompany them outside the Hawa Mahal, which was almost as good as going alone, for though they too were instructed to see that he did not run away, their manner, unlike that of the Yuveraj's servants, never smacked of the gaoler, and with them he was able to enjoy the illusion of freedom.

Ash had forgotten the Pushtu he had learnt in his father's camp, but now he learned to speak it again because it was the native tongue of Koda Dad and Zarin and, boy-like, he wished to imitate his heroes in all things. He would speak only in Pushtu when in their company, which amused Koda Dad, though it ruffled Sita, who became as jealous of the old Pathan as she had once been of Akbar Khan. ‘He does not worship the gods,’ reproved Sita severely. ‘Also it is well known that all Pathans live by violence. They are thieves, murderers and cattle killers, and it grieves me, Ashok, that you should spend so much time in the company of barbarians. They will teach you bad ways.’

‘Is it bad to ride and shoot and fly a hawk, mother?’ countered Ash, who considered that these accomplishments more than made up for such peccadilloes as murder and theft, and had never been able to see why cattle should be regarded as holy, despite all the teachings of Sita and the admonitions of the priests. If it had been horses now – or elephants or tigers – he could have understood it. But cows –

It was difficult for a small boy to keep track of the gods, when there were so many of them: Brahm, Vishnu, Indra and Shiv, who were the same and yet not the same; Mitra, ruler of the day, and Kali of the skulls and blood who was also Parvati the kind and beautiful; Krishna the Beloved, Hanuman the Ape, and pot-bellied Ganesh with his elephant head who was, strangely, the son of Shiv and Parvati. These and a hundred other gods and godlings must all be propitiated by gifts to the priests. Yet Koda Dad said that there was only one god, whose Prophet was Mohammed. Which was certainly simpler, except that it was sometimes difficult to tell who Koda Dad really worshipped – God or Mohammed – for God, according to Koda Dad, lived in the sky, but his followers must not say their prayers unless they faced in the direction of Mecca, a city where Mohammed had been born. And although Koda Dad spoke scornfully of idols and idol-worshippers, he had told Ash about a sacred stone in Mecca that was regarded as holy by all Muslims and accorded a veneration equal to anything offered by the Hindus to the stone emblems of Vishnu. Ash could see little difference between the two: if one was an idol, so was the other.

Thinking the matter over, and unwilling to go against either Sita or Koda Dad, he decided that it might be better to choose his own idol, there being authority for this – or so it seemed to him – in a prayer that he had heard the priest of the city temple intone before the gods:

That sounded eminently sensible to Ash, and after some deliberation he selected the cluster of snow peaks that faced the Queen's balcony: a crown of pinnacles that lifted high above the distant ranges like the towers and turrets of some fabulous city, and that were known in Gulkote as the Dur Khaima – the Far Pavilions. He found the mountain a more satisfactory object of devotion than the ugly red-daubed
lingam
that Sita made offerings to, and he could also face towards it when he said his prayers, as Koda Dad faced towards Mecca. Besides, reasoned Ash,
someone
must have made it. Perhaps the same someone whom both Sita and her priests and Koda Dad and his maulvies acknowledged? As a manifestation of the powers of that Being it was worthy of veneration. And it was his own. The personally selected interceder, protector and benefactor of Ashok, son of Sita and servant of his Highness the Yuveraj of Gulkote.
‘Oh Lord,’
whispered Ash, addressing the Dur Khaima:
‘thou art Everywhere, but I worship thee here…’

Once adopted, the beautiful, many-peaked massif acquired a personality of its own, until it almost seemed to Ash that it was a living thing, a goddess with a hundred faces, who, unlike the stone emblems of Vishnu and the shrouded rock in Mecca, took on a different guise with every change and chance of weather and season, and each hour of every day. A gleaming flame in the dawn light and a blaze of silver at mid-day. Gold and rose in the sunset, lilac and lavender in the dusk. Livid against the storm clouds or dark against the stars. And in the months of the monsoon, withdrawing herself behind veil after veil of mist and the steel-grey curtain of the rain.

Nowadays, whenever he visited the Queen's balcony, Ash made a point of taking a handful of grain or a few flowers to lay on the broken ledge as offerings to the Dur Khaima. The birds and squirrels appreciated the grain and in time became surprisingly tame, hopping and scampering over the boy's recumbent form as though he were part of the stonework, and demanding food with the persistence of professional mendicants.

‘Where have you been,
piara
?’ scolded Sita. ‘They have been looking for you, and I told them that you would surely be with the rascally Pathan and his hawks, or in the stables with his good-for-nothing son. Now that you are of the household of the prince it is not seemly that you should go running after such persons.’

‘The servants of the Yuveraj would seem to think I am your keeper,’ grumbled Koda Dad Khan. ‘They come here asking “Where is he? What is he doing? Why is he not here? ” ’

‘Where have you been?’ Lalji would demand petulantly: ‘Biju and Mohan have been searching everywhere for you. I won't have you going off like this. You are my servant. I wanted to play
chaupur
.’

Ash would apologize and say that he had been wandering in one of the gardens or down at the stables or the elephant lines, and then they would play
chaupur
and the matter would be forgotten – until the next time. The Hawa Mahal was so large that it was easy enough to get lost in it, and Lalji knew that the boy could never go outside it alone and would in the end be found. But he still liked to feel that Ashok was near by, for instinct told him that here was one person who could not be bribed or suborned into playing the traitor; though as there had been no more ‘accidents’, he was beginning to think that old Dunmaya's fears for his safety were largely imagination and that Biju Ram might be right when he said that no one, not even the
Nautch
-girl, would dare to harm him. If that were so, then there was no longer any reason to keep Ashok in attendance on him; particularly as he did not find the boy such an amusing companion as Pran or Mohan or Biju Ram, who, though probably untrustworthy and a full ten years older than himself (Biju Ram had turned twenty), were always ready to entertain him with amusingly scandalous stories of the Women's Quarters, or initiate him into various pleasurable vices. In fact if it were not for a strong feeling that Ashok was in some way a talisman against danger, he would have been tempted to dismiss him, because there was often something very like scorn in the younger boy's steady grey gaze, and his refusal to be amused by Biju's salacious wit or the entertaining cruelties of Punwa implied a criticism that was lowering to Lalji's self-esteem. Besides, he was becoming jealous of him.