Authors: Matt Gallagher
She was kept under observation in the hospital for three days, for head and spinal trauma: her impact against the Hescos left large bruises along her back and the doctors were concerned she might have internal rupturing. They gave her Percocet for her missing teeth and blinding headaches. She was thankful for the way the meds helped her forget Kavanagh's brown eyes staring up at the sky, her blonde hair blowing out of her bun.
She spent another four days on bed rest in her quarters. On the second day, a young, skinny girl was shown into her room by a staff sergeant saying this is Warren, your new roommate. She didn't answer the girl's shy smile and “hello.” Instead, she replaced her headphones and tried to ignore Warren as she unpacked her things. She could see the small piles of clothes and DVDs growing on Kavanagh's old bunk. Kavanagh, everything had the touch of her, the slack look of her face disrupting everything she did and
thought. A racking wave of tightness moved through her gut and pulled her away, dragged her back to California; a quick tug from behind her navel and she was no longer in TQ but in her quarters so many months before where she lay across the width of her bed, her hands clasped behind her head and the lights off. Looking out the open window at the full moon hanging just above the ridge glowing in the light and the face of the moon looking back at her. Leaves outlined against the sky and a faint smell of smoke from a brush fire. It was a week before deployment and her room was empty of her belongings, most of them in storage. Only her toiletries on the sink, her sea bag and rucksack propped in a corner remained.
She jumped at the hollow metal banging against her barracks door. She found Kavanagh outside, a twelve pack of beer hanging from her hand.
“Heard you were staying in,” Kavanagh said as she walked into the room. “Why were you sitting in the dark?”
“I was starting to fall asleep.”
“Do you want me to leave?” But Kavanagh had already cracked open two beers and was throwing the rest into the fridge.
“No, it's OK.” She took the beer and sat on the corner of her bed. “Don't you usually go up to L.A. on the weekends?”
“Yeah,” Kavanagh sat in a chair, “but I've gotten a little sick of it. Besides, you said you wouldn't go.”
She nodded and drank from her beer. The large window reflected her face and Kavanagh's profile in gray casts, a charcoal-and-ink sketch of the two of them in the room, waiting.
She turned back to Kavanagh, “Are you scared?”
Kavanagh didn't answer, only looked at her feet.
“I mean about Iraq.”
“I know what you mean,” she ran the back of her hand across her chin where a drop of beer slid down her skin. “That's just not a question you ask.” She looked at her reflection in the plate glass.
And even then, sitting in that room with Kavanagh and talking about everything but Iraq, the questions kept circling. The room filled with a heaviness that constricted her lungs, constricted her brain, and the mere thought of seven months nearly drove her insane. And she hadn't even gotten there yet. Seven months in the desert filled her with such unease, such giddiness that she spun between the two, orbiting between the two thoughts until she was caught, and Iraq and everything that followed her stepping onto the tarmac on al-Taqaddum sunk away into a black hole that pulled her down and through her own life.
In that moment she wanted to be held by her mother. When Kavanagh ignored her first question, making her wonder if her corporal really was scared, and growing scared at the thought, all she wanted was to hug her mother. Whisper to her that she was scared and that she wasn't sure she could do it. Wasn't sure she would come home. Her mom's voice whispered back to her, “I don't know how toâ”
What
? she asked back.
What don't you know how to do? Be strong for me? Watch me go away? I want to know, too.
Kavanagh kept talking and laughing and opening more beers until almost the whole pack was finished and the two of them had fallen asleep. Kavanagh never mentioned Iraq again. Not even when they were on the plane bound for that fucking place and sitting next to each other as the plane crept farther across the arc of the earth. Kavanagh calm and bored enough with the idea of a second tour to sleep most of the trip. She could still see Kavanagh sitting on her rack reading magazines, or dressed in her gear and smoking a cigarette. But thinking about Kavanagh always ended with her on her back and bleeding out into the sand. The gray clouds reflected in her open eyes. Kavanagh lying in the sand, and now Warren would be lying in Kavanagh's bed. She grew angrier with each item Warren placed on the bed, wanted to shout at her that she would be sleeping in a dead woman's bed. Instead, she turned up the volume on her music and turned to the wall.
On the final night of her bed rest she couldn't sleep. Sometime in the very early morning she shuffled slowly out to the burn barrel on the outskirts of the compound, carrying her bloodied cammies, clutching them to her chest like she had the Iraqi girl. When the flames burned hot and tall, she threw in her uniform and boots. She crept as close to the flames as possible, feeling the sharp heat on her face, neck, and chest. She wanted to get even closer, to climb into the flames and curl up at the corners into ash the way her cammies did, feel the flames eat into her skin in widening holes until she was consumed like her boots, melt away into the embers of the fire, feel her bones flake and rise up on the heat of the flames into the empty black sky where their last sparks would drift like spinning stars.
Then, finally, with a concussive exhale, the train comes to the end of the line. She rises calmly and crosses the gap with ease. Walks beneath the sign: Times Sqâ42nd St. Feels her feet move easily across the platform and her body move in and out and around the people on the platform. The dead bird, her mother's words, coming forward in her thoughts and mixing with the people, with her movement. She should've died with Kavanagh. She shouldn't be walking across the platform trying to reach the escalator. She shouldn't be in the city at all. She had tried to forget everything; had tried to sink into drunkenness, into meds, tried to stay awake in fear of the dreams, burrow into some dark place that would give her a break from the memories, from the ECP that would come when she inevitably fell asleep. The pain of self-abuse still felt better than the guilt. Guilt drove it all. Anger that things had gone so wrong. “I don't know how to let you go,” she thinks her mother wanted to say. She understands her mother, understands the need to hold on to whatever you can of a person who leaves, who is gone, the fear of the gaping hole that person creates and the way pain seems to fill it. She carries Kavanagh with her. Always the still and bloody Kavanagh that didn't fly
home with her. Rarely the quiet sketch of her in California. And she tries to change the ending. Tries to make it so Kavanagh walked away from the ECP and Warren never moved in. Tries to make it so she shouted sooner or squeezed, squeezed the trigger until she felt her weapon buck into her shoulder; pink mist clouding from the dead hajji. But even if she changes things in her mind, they were still the same in reality. So she rides the train.
She steps onto the escalator. Her shoulders rock back with the first motion upwards. She'll get out of the subway, she thinks, find a bench or someplace to sit and call her mom to tell her to not expect her. She's not sure exactly what she'll say to her mom or whether she'll make any sense when she tries to describe this need, this understanding inside her that she shouldn't go to Vermont, not right now. But she knows that if she takes her time now that there would be more time in the future. No more calling at the last minute to cancel coffee or dinner plans. She could see her in a little while, sometime soon maybe, calling and saying that she was coming up to the summer house. She imagines sitting next to her mom and rocking back and forth in the old wicker rocking chairs and watching the thunderheads building and the energy rippling through the air. She smells ozone. The beer sweaty in her hand. She watches the opaque gray clouds darken the summer sky prematurely into a false twilight, the overcast sky looking so much like the one over the ECP. And she looks at her mother. Her mother looks with heavy lids at the distant Green Mountains and is just rocking, rocking. Then the wind picks up and blows through the screened porch and she feels herself lifting, rising buoyant on the heat rising into the air and swirling into the clouds.
And she is rising, climbing the escalator up from underground, going up and up and seeking out the sun, seeking out the open air, a place where she can sit down and call her mom. She
pushes through the turnstile, steps quickly up the steps in choppy, scuffing steps to the street. She blinks in the sunlight in such contrast with the artificial glow underground. She looks at the small crowd gathering on the sidewalks, walking and chatting and ignoring her. She flips her long hair away from her neck to let fresh air breathe along her skin.
There is a second flash of hair flipped away from a twin neck. She turns to face her reflection in a shop window, pale and colorless in the sunlight, but still there. So different from the solid gray lines of her image in the barracks window beside Kavanagh's. This one barely draws a figure in the smoky shape of loose jeans and T-shirt, greasy hair hanging over one shoulder, her hands shoved deep into her pockets. She wasn't always like this, lost and hurt and wanting nothing else. She used to want more for herself. She used to want bigger things.
“Oh, whatever, you know I'm doing the best I can!” A second vague shadow appears at the far end of the window joining the loud, nasal voice. A tallish woman, slim through the hips, in big sunglasses. She's dressed neatly, but the low cut of her tank says she wants to be looked at. She runs fingers through her hair. “I can only do so much until things are out of my control, you know,” she snaps into her cell phone.
Cute shoes.
She looks at the sandals on the other woman's feet. Strappy with a faint gold sheen. She could see herself wearing those shoes with a light sundress.
The woman sighs dramatically and leans in to check her lip gloss. “Fine, yeah, I know. I'll try. I love you, too, mom.” The woman flips her phone closed and struts away.
Just that simple: I love you, mom. She could say those words and calm her mom and reassure her that she'd be OK on her own for one more summer. She'll explain why she's not on the downtown train, why she won't be on the train with her to Vermont.
But she will also say that she will be here in the city in a month when she gets back. She knows that she'll be ready to try then. She will promise coffee or lunch. They will talk. Maybe Iraq will come up, but she won't talk about it. Not until she's ready. She turns left without choosing to. Thinks only of finding a bench. She walks in a calm way, a certain way, one foot in front of the other.
I
NEEDED TO GET THE HELL OUT OF THE COMMUNITY
. Bin Laden was fish food, but we were still chasing targets, hunting down low-level pipe swingers in the name of GWOT, an acronym and a concept that belonged to last decade. Two deployments ago, I drank the Kool-Aidâdrank it like it was the blood of Christ.
Two deployments was a long time ago.
Now it was all about the ritual. Just like back home, sitting in pews, doing call and response. I'd hoped to find something new here, but it was just another church and just another creed, and I never was believer material. At least I get to jump out of planes. The Mormon Elders might look into that as a recruitment tool.
Meanwhile, Sergeant Deke was getting all up in my business: “Doc, you fuck up your brief one more time I'm gonna smoke the ever-loving shit out of you. That was amateur hour.”
This idiot. I turned and stared at him. Same ol' square jaw, same ol' beady eyes. I didn't know who I felt worse for, his dog or his wife.
“Roger, Sergeant. Won't happen again.”
“It better not. As much as you think this whole gig is beneath your precious fucking intellect, MEDEVAC HLZs matter.”
“Understood, Sergeant.”
I walked out of the briefing tent, flicked on my headlamp, and aimed for the ready room. My eyes were still adjusting when I stumbled into Omar.
“How's my favorite Afghan?” I asked. “Ready to go murder some of your countrymen or what?”
“That's funny, Doc. You know Afghanistan's not really a country, right? It's just a hole where other countries send their retards to die.”
“Whatever you tell yourself to get to sleep, rock star.”
“I told you, Doc, I just translate. You're with the trigger-pullers.”
“Hah. Sure. That's why I carry all these Band-Aids.”
“So who's the target tonight?”
“That Jaweed guy again. Objective Charon 7. Seventh time's the charm and all that.”
“I hope you're right. It'd be good to finally get that bastard.”
“Whatever. He's just another dude making a buck. Just like you.”
“Doc!”
Ah, shit. Sergeant Deke again. He'd had it out for me ever since he found my spice stash back at Fort Lewis. The only bastard who checked pillowcases.
“Stop polluting the locals' heads, Doc. Get to the ready room.”
“Roger, Sergeant.”