Flight of the Sparrow (46 page)

Q. This is your second novel, following
Mr. Emerson’s Wife
(St. Martin’s Griffin, 2005), which was also set in Massachusetts, a century and a half after
Flight of the Sparrow
. What keeps drawing you back to New England history?

A. It’s partly provincialism on my part, I guess; I grew up in New England and have spent most of my life living here. My forebearers were part of the Great Puritan Migration. The landscape itself speaks to me in a profound way. I was raised on New England stories and the ideas of New England people. I feel my background allows me to understand regional history from the inside out. And there’s certainly plenty of material to inspire me.

Q. What were your beginnings as a writer, and what do you most enjoy about writing?

A. I wanted to be a writer for as long as I can remember. My parents always read to me, and once I could read myself, my nose was always in a book. I think, like many writers, my desire to be a writer grew out of my love for the books I read. When a book moved me or made me think in a new way, I found myself wanting to have that
impact on others. I remember, at a very young age, loving to hear Margaret Wise Brown’s books because of the way she used words and the enchanting pictures those words painted in my mind. It was a special joy to revisit her when I read to my own children.

I like to write poetry because it allows me to play with words in that way, but I’ve always been especially drawn to stories. My father used to tell wonderful, imaginative stories that he made up on the spur of the moment, and that model of creative magic also had a powerful impact on me.

What I enjoy most about writing is discovering something unexpected. I write the way I read—to find out what happens next. My writing process is pretty messy; I don’t usually know where I’m going and it takes longer than I’d like to get there, but the payoff is encountering the unexpected—a new character, a plot twist, something I didn’t know in a character’s background, etc. Writing historical novels gives me a little less imaginative leeway, since I try not to contradict anything that’s historically documented, but the research process makes up for it. I love delving deep into historical books and articles and coming up with intriguing details.

Q. What do you read for pleasure? Have you been particularly inspired or influenced by the work of other writers?

A. An early influence was Louisa May Alcott, whose Jo March was the model for many women writers in my generation. When I was in my teens, I loved Ernest Hemingway. I even copied out a quote of his in calligraphy, framed it, and hung it on my wall: “Once writing has become your major vice and greatest pleasure only death can stop it.” It’s pretty extreme, but for quite a while it was my credo.

I’m an eclectic reader; I don’t limit myself to one genre. I read a lot of literary and mainstream fiction; I read history and biography and memoir, poetry and classical literature, and occasionally some reader-friendly science. I have a fairly long list of favorite writers, including Anne Patchett, Marilynne Robinson, Barbara Kingsolver, Hilary Mantel, Richard Russo, Nathaniel Philbrick, Geraldine Brooks, Mary Oliver, Frederick Buechner, and, of course, Jane Austen. But I also really love reading a fantastic book by a writer I’ve never heard of before.

Q. What might we expect from you in the future?

A. I’m currently working on a novel about Emily Dickinson. Or, rather, about Emily Dickinson’s circle. It’s in the early stages, but I’m really excited about it. Dickinson is interesting in her own right, as a sort of literary mystery, but many of the people around her lived dramatic and captivating lives. Also, Dickinson lived in an interesting time when the nation was going through incredible changes, a time period that overlapped the Transcendentalists. In fact, I recently learned that Dickinson was a big fan of Ralph Waldo Emerson, who had a major influence on her view of the world.

QUESTIONS FOR DISCUSSION

1. What was your overall response to the novel? What did you feel? What did you learn?

2. Discuss Mary Rowlandson’s relationships with the three men in her life—Joseph, James, and Samuel. What does she give and what does she receive from each relationship?

3. Mary Rowlandson lives in a society ruled by men in which women were allowed few of the freedoms that we take for granted today. Identify those constraints, discuss how they might have helped or hurt the Bay Colony’s survival, and discuss how women might have found meaning in life despite them.

4. As an Indian captive, Mary feels freed from the constraint of “mutual watch,” the “relentless scrutiny of each other’s conduct required of all church members.” Discuss the idea of mutual watch as it plays out in the novel, and what it might be like to live under such a system. Can you think of any modern-day equivalents?

5. Mary experiences both cruelty and kindness at the hands of her Indian captors. Compare their behavior toward her to the cruelty and kindness shown her by her husband Joseph and other members of English society.

6. Discuss the various forms that freedom and imprisonment take in the novel. What role does the sparrow play in the author’s exploration of those ideas?

7. While living with the Indians, Mary begins to find beauty, peace, and sacred mystery in the wilderness. How does she initially view the natural world and what inspires this change? Compare her experience of the natural world to your own.

8. Mary becomes convinced that slavery and physically punishing her children are wrong, and she stands up to her husband Joseph on these issues. What makes her so sure she is correct to reject them? Is mere conviction enough, or is something else required?

9. James Printer tells Mary, “We have both bought our redemption at a terrible price.” And Mary realizes that she felt redeemed when she followed the promptings of her heart. Discuss the many meanings of redemption in the novel.

10. The Puritan worldview differs markedly from our own. Discuss their beliefs as they relate to God’s love and punishment, child rearing, grief, the infectious nature of sin, slavery, obedience to authority, and salvation. In what ways are these ideas still part of current thought and practice? In what ways has our thinking changed?

11. Because their exposure to another culture has changed their beliefs and perceptions, both Mary and James feel estranged from their original people. Have you ever felt estranged from your own “group of origin”? Care to share your experience?

12. Have you read other “captivity narratives,” either those from previous centuries or those written by recent, contemporary captives (such as Elizabeth Smart and Jaycee Dugard)? How do they compare with Mary Rowlandson’s story?

13. What do you most admire about Mary? What makes her story relevant today?

14. What do you hope to remember about this novel six months or a year from now? Do you think that some part of it will remain with you for even longer than
that?

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The Bay Psalm Book, the first book printed in British North America, is a translation of all the Psalms rendered in rhymed, four-four meter for singing. First printed in 1640, it remained in use for more than one hundred years.