Read Flow Chart: A Poem Online
Authors: John Ashbery
not much listens. I have the feeling my voice is just for me,
that no one else has ever heard it, yet I keep mumbling the litany
of all that has ever happened to me, childish pranks included, and when the voluminous
sun sets, its bag full, one can question these and other endeavors silently:
how far wrong did I go? Indeed, one can almost see the answers spelled out
in quires of the sky: Why? it enthuses, and immediately some of the metal trim
falls off, the finish has gotten gooey, but we persevere, and just as the forms
begin to float away like mesmerized smoke, the resolution, or some resolution, occurs.
We are no longer on that island. Here, the inmates
treat us harshly, but like adults, and though as usual no rest is authorized,
one can without too much difficulty keep pace with the majority of them
and see one’s old clothes reflected in that mirror. And shoots keep popping up;
birds are pecking excitedly in the dirt for something, and your shoes
have grown too small; it will be time to change them soon. Of course, one is too old
to be a waif, yet that issue never surfaces; one is judged fairly
though without this set of complex circumstances being taken into account,
and that’s something, more than you think, for by evening
the pronounced moan will have been deadened, and we are free to take our ease,
reveling in the glow, the surface of things, like water nourished on fading light.
You see, we have escaped. But one always goes back voluntarily
before the next roll-call, and that bittersweet dream of complete and utter
laziness is postponed once again, confirmed and postponed. And I write my diary
by street-light, because it’s better that way; I may not have to look too closely
at my handwriting, yet I can feel it, all around and on me
like a garment or a sheet, and this too seems like a good idea. Well, doesn’t it?
It does. But remember, one isn’t obliged to love everything
and everybody, though one ought to try. One way is to accept the face they
present to you, but on consignment. Then you may find yourself falling in love
with the lie, sinister but endearing, they fabricated to win acceptance
for themselves as beings that are crisp and airy, with an un-self-conscious note of rightness
or purpose that just fits, and only later take up the guilt behind the façade
in the close, humid rooms of whatever goes down in their struggle (or hundreds
of struggles) against fate, and perhaps buy that too someday
when their manners are out of the way. I have obtained gratifying results in both instances
but I know enough not to insist, to keep sifting a mountain of detritus
indefinitely in search of tiny yellow blades of grass. Enough
is surely enough, in spite of what religion teaches us. I’m happy to be back with others
at the fairgrounds, without disparaging them too much, and when someone asks me
what I think of him or her, reply without false naïveté that I really love them
very much, but it might be time to take other factors into account, my own
well-being, for example, and how far along the path to survival my unselfish
instincts have moved me. Usually it’s both farther and not as far as we imagine,
i.e., taking a wrong turning and then after a fretful period emerging in some nice
place we didn’t know existed, and would never have found without being misled
by the distracted look in someone’s eyes. It’s mostly green then; the waves are peaceful;
rabbits hop here and there. And the landscape you saw from afar, from the tower,
really is miniature, it wasn’t the laws of perspective that made it seem so,
but for now one must forgo it in the interests of finding an open, habitable space,
which isn’t going to be easy. In fact it’s the big problem one was being led
up to all along under the guise of being obliged to look out for oneself
and others: the place isn’t hospitable, though it can support itself and one or two
others, but really it would be best to start all over again from the beginning
and find some really decent area that reflects a commitment to oneself.
But where? In a bubble under the surface of the ocean? Isn’t it all going to be a fiction
anyway, and if so, what does it matter where we decide to settle down?
That was the first time you washed your hands,
and how monumental it seems now. Those days the wind blew only from one quarter;
one was forced to make snap judgments, though the norms unfolded naturally enough,
constructing themselves, and it wasn’t until you found yourself inside a huge pen
or panopticon that you realized the story had disappeared like water into desert sand,
although it still continued. I guess that was the time I understood enough
to seize one of the roles and make it mine, and knew what I heard myself saying,
but not whose yellow hair it was. Mélisande? Oh, I’d
come before to let you in, and saw only a chipmunk, and so…But now it’s nice
to sing along, and read the newspapers together, and try on funny hats: only
be aware that at daybreak there must be no trace of you, or the cock might not crow
and there’d be hell to pay. Besides, you wouldn’t wish it
even if we were together, as someday we may be. I say “someday”
for the sound of it, like a drop of water landing, but I also meant it, but now I’m
standing just outside unafraid, listening. So much is wrapped in soot,
that now I’m no longer blind
and can denounce any aggressor, but I won’t, because I’m afraid to, and besides,
what if the attic door slammed shut? Much remains unknown
in these calm countries. A bridge erects itself into the sky, all trumpets and twisted steel,
but like the torso of a god, too proud to see itself, or lap up
the saving grace of small talk. And when these immense structures go down, no one hears:
a puff of smoke is emitted, a flash, and then it’s gone,
leaving behind a feeling that something happened there once,
like wind tearing at the current, but no memory and no crying either: it’s just
another unit of space reduced to its components. An empty salute.
It’s like the wind has taken over,
except that one can be aware of, keep an eye on oneself in that medium:
this one is more like a pock-marked wall, in which spalling occurs due to stress
and anxiety at regular, key points in one’s career
(if it can be called that—“progress” is a better word, implying a development
but not necessarily a resolution at the end), and which enfolds you even as you
marvel at its irregular surface before you feel yourself beginning to sink into it,
toes first. Then, usually, one wakes up and everything seems ordinary.
Which is no miracle either, only one’s daily ration
of satisfaction after a plenitude of endurance, even as it puts springiness in the gait
and a deceptive, fleeting zest for life until one encounters it again, muddied
and forgotten on the side of a hill above a large city. Which way did they go, it wonders,
and horsemen ride up as though on cue, and the rustlers disappear over the ridge,
and the spring trash is freighted with penance yet there is a satisfaction in knowing it
all comes true again and I wave into the flag. How many knives in the corridor
of them one traverses at the rate of one inch per minute, and do those in charge know
what to do with them? Do they even know where they are? Not at the last point where speech coincided
with the much-embraced hem of someone’s robe as it swept by too fast for compliments
to occur in near-zero-degree temperature with a wind-chill factor of minus 51 degrees Fahrenheit
but too slow for cognitions relative to our positive but neutral, spreadeagled stance
re the conniption chambers of this world and our frequent encounters with them,
give or take a year or two, and then it’s gone, again. There was no one to tell us what it meant
when it meant what it did; we had to rely on quasi-secret details of costume encoded
into the larger blank that would do us harm but remains stalled off the coast, O
sister of my worst enemy, to know how it talked back to us when we were no longer there
to receive the ice cream and the short shrift, but when we did get back there was nothing
but a well-dressed old gentleman waiting in the lobby who told us we ought to apply
for an emigration visa but did nothing to help us solve the vexed question of directions,
oil the bureaucratic wheels; thus in one kind of mess one dreams of others, perhaps
more serious, but which have the attraction of occupying the middle distance; meanwhile
all the porters have shuffled away, under the erroneous impression we haven’t the coin
to pay them no doubt, yet it’s not true, we would pay them if we could, but just look
how they have left the funhouse mirror clearly visible for perhaps the first time
and we can at last admire our billowing hips and hourglass waists through which
the background music of the street pours at an exponential rate, quite enough
to deafen less serious characters than we, who benefit from being put in our place
without imagining the successes with which we were daubed in earliest childhood
and which continue to stick to us long after they have worn off
in the eyes of some, preachers and paupers alike, but did it ever occur to them we aren’t
as they imagine us, or even as we imagine ourselves, but more like bales
of hay, already harvested but still sitting around, waiting for someone to put them
in the barn before rain and rodents have their way with them? Surely, no one
creeps, no one speaks, yet one can’t call this silence,
there are too many ships on the horizon, and besides, a pea
blinded me the last time I tried to look for significance in it, and then lots
of people are ready to tell you you’ve gone astray, but what about the rest of them:
they may not think so, although they say nothing. Our words are interpreted left
and right as they become speech, and so it is possible at the end that a judgment may be
formed, and yet the intrepid
listener does no such thing, hypnotized by his reflection, and it is up
to us to file the final report on the decision in many cases. As flax is blue,
I desire your toes, and in the final
harbor our destinies though parallel are too closely linked to be seen as such, my
boulder that rushes to me yet hangs suspended
like mistletoe and we all go often to a place we are familiar with,
though it seems strange and uncompromising. So much was I taken aback by
the rules of the prostitute, it seemed for a while we should never reach the oval lake’s
opposite shore, but then we did, suddenly; it was like looking for a lost object
and finding it in the palm of your hand. Out of the sad spring, no heart-clenching chime
then or ever; the development was muted, then fudged; but one had been warned to play
within the enclosure on the off chance that something slightly singular would occur; this
took the form of accidental meetings with old acquaintances. Never mind, it said, about how to
give dignitaries the slip; your job is to play with responses, until, elsewhere, they are changed
to raw greetings and obtuse expressions about how this or that influenced one’s gradual ascent
to greatness with not so much as a look back in any direction, and when these “come true,”
when the future has arrived, not be the last to put in your consent to what, in actual fact,
transpired long ago when noses were buried in manuscripts and lampshades
ornamented our own landscape quite sufficiently, or so it is claimed in reference
works by forgotten but reliable authorities. The sheen, like that of silk, on the night air,
and the days, plain old miserable days scanned by a gas engine’s rattle, or, worse,
afternoons in a canoe, with the quality of rebounding off yourself as you write
in water the name of the beloved, and later get a chance to see it on vellum, in blood-red.
No task actually kept us here; besides it was much too airy, but I want
to single out certain elements in the role indifference played in all our lives, winding down
toward a town that continues to hold our attention
after seven centuries of interaction of the divine with the sparse sentinels, posted
here and there, of our attention to portents high and low issued from a cave
on the edge of Main Street and therefore able to transport us instantaneously to the region
of whatever happens to be interesting to six or more people just then: a steeply shelving
lawn purplish with black gargoyle-like shadows and lesser animadversions, weak though sincere
ones, and we have to get off here, it’s our stop. But we
will
come back, no question
of it, some other time when all the right numbers have come up, conflated with calls for
truth and decency at whatever street corners they may abound: so is it likened by clerics
to what had never gone before, except to say, I still love you. The barn has begun
to tarnish and it would not do to stay any longer, even though you were posted here:
it is essential that you leave this very evening, that you not look back
or ever give a thought to the circumstances that transported you to this place
of easy definitions and only so-so resolutions, because all
that was going to name you has been shunted aside, and it beseems us to act modest in turn, lest