Four Scarpetta Novels (14 page)

B
ulrush Ulysses S. Grant has always been called Bull. Without any prompting, he begins the conversation by explaining the origin of his name.

“I 'spect you're wondering about the S part of my name. That's it. Just an S and a period,” he says from a chair near Scarpetta's shut office door. “My mama knows the S in General Grant's name is for Simpson. But she was afraid if she stuck Simpson in there, it would be a lot for me to write out. So she left it at S. Explaining it takes longer than writing it out, you ask me.”

He's neat and clean in freshly pressed gray work clothes, and his sneakers look as if they just came out of the washing machine. A frayed yellow baseball cap with a fish on it is in his lap, his big hands politely folded on top of it. The rest of his appearance is frightening, his face, neck, and scalp savagely slashed with a crisscross of long, pink gashes. If he ever saw a plastic surgeon, it wasn't a good one. He will be badly disfigured for life, a patchwork of keloid scars that make Scarpetta think of Queequeg in
Moby-Dick
.

“I know you just moved here not all that long ago,” Bull says, to her surprise. “In that old carriage house that backs up to the alley between Meeting and King.”

“How the hell do you know where she supposedly lives, and what business is it of yours?” Marino aggressively interrupts him.

“I used to work for one of your neighbors.” Bull directs this to Scarpetta. “She passed on a long time back. I guess it would be more accurate to say I worked for her maybe fifteen years, then 'bout four years ago her husband passed. After that, she got rid of most of her help, I think had money anxiousness, and I had to find me something else. Then she passed, too. What I'm telling you is I know the area where you live like the back of my hand.”

She looks at the pink scars on the backs of his hands.

“I know your house….” he adds.

“Like I said…” Marino starts in again.

“Let him finish,” Scarpetta says.

“I know your garden real good 'cause I dug the pond and poured the cement, and took care of the angel statue looking over it, kept her nice and clean. I built the white fence with finials on one side. But not the brick columns and wrought iron on the other. That was before my time and probably so overgrowed with wax myrtle and bamboo when you bought the place, you didn't know it was there. I planted roses, Europa, California poppies, and Chinese jasmine, and I fixed things around the house.”

Scarpetta is stunned.

“Anyhow,” Bull says, “I been doing things for half the people up and down your alleyway and on King Street, Meeting Street, Church Street, all over. Since I was a boy. You wouldn't know it because I keep to my own business. That's a good thing if you don't want folks around here to take offense to you.”

She says, “Like they do to me?”

Marino shoots her a disdainful look. She's being too friendly.

“Yes, ma'am. They sure can be like that around here,” Bull says. “Then you put all them spiderweb decals on all the windows, and that don't help, 'specially because of what you do for a living. One of your neighbors, if I'm honest, calls you Dr. Halloween.”

“Let me guess. That would be Mrs. Grimball.”

“I wouldn't take no seriousness to it,” Bull says. “She calls me Olé. 'Cause of me being called Bull.”

“The decals are so birds don't fly into the glass.”

“Uh-huh. Never have figured out how we know exactly what birds see. Like do they see what's s'posed to be a spiderweb and head the other way even though I never have seen a bird caught up in a spiderweb like it's a bug or something. It's like saying dogs is color-blind or got no sense of time. How do we know?”

“What business is it of yours to be anywhere near her house?” Marino says.

“Looking for work. When I was a boy, I helped out Mrs. Whaley, too,” Bull says to Scarpetta. “Now, I'm sure you've heard of Mrs. Whaley's garden, the most famous one here in Charleston, down there on Church Street.” He smiles proudly, pointing in the general direction, wounds on his hand flashing pink.

He has them on his palms, too. Defensive injuries, Scarpetta thinks.

“That was a real privilege working for Mrs. Whaley. She was real good to me. She wrote a book, you know. They keep copies of it right there in the window of that bookstore at the Charleston Hotel. She signed a copy for me once. I still got it.”

“What the shit's going on here?” Marino says. “You come to the morgue to talk to us about that dead little boy, or is this a damn job interview and stroll through memory lane?”

“Sometimes things fit together in mysterious ways,” Bull says. “My mama always says that. Maybe something good come out of the bad. Maybe something good could come out of what happened. And what happened is bad, all right. Like a movie in my head playing all the time, seeing that little boy dead in the mud. Crabs and flies crawling on him.” Bull touches a scarred index finger to his scarred, furrowed brow. “Up there, I see it when I shut my eyes. The police in Beaufort County says you're still getting established down here.” He scans Scarpetta's office, slowly taking in all her books and framed degrees. “You look pretty established to me, but I probably could've done you better.” His attention drifts to recently installed cabinets, where she locks up sensitive cases and ones that haven't gone to court yet. “Like that black walnut door ain't flush with the one beside it. Not hung straight. I could fix it easy enough. You see any doors hung crooked in your carriage house? No, ma'am, you don't. Not ones I hung back then when I helped out over there. Can do 'bout anything, and if I don't know, I'm sure willing to learn. So I said to myself, maybe I should just ask. No harm in asking.”

“So maybe
I
should just ask,” Marino says. “You kill that little boy? Kind of a coincidence you found him, right?”

“No, sir.” Bull looks at him, looks him straight in the eye, his jaw muscles flexing. “I go all over these parts cutting sweetgrass, fishing, shrimping, digging clams, and picking oysters. Let me ask you”—he holds Marino's stare—“if I killed that boy, why would I be the one to find him and call for the police?”

“You tell me. Why would you?”

“I sure wouldn't.”

“That reminds me. How'd you call anyone?” Marino says, leaning farther forward in his chair, hands the size of bear paws on his knees. “You got yourself a cell phone?” As if a poor black man wouldn't have a cell phone.

“I called nine-one-one. And like I said, why would I if I was the one who killed that boy?”

He wouldn't. Furthermore, although Scarpetta isn't going to say it to him, the victim is a child-abuse homicide with old healed fractures, scarring, and obvious food deprivation. So unless Bulrush Ulysses S. Grant was the boy's caretaker or foster parent, or kidnapped him and kept him alive for months or years, he certainly isn't the one who killed him.

Marino says to Bull, “You called here saying you want to tell us what happened this past Monday morning, almost a week ago to the day. But first. Where do you live? Because as I understand it, you don't live in Hilton Head.”

“Oh, no, sir, I sure don't.” Bull laughs. “Believe that's a little beyond my means. Me and my family got us a little place northwest of here off five twenty-six. I do a lot of fishing and other things in these parts. Haul my boat in the back of my truck, drive it places, and put it in the water. Like I say, shrimping, fishing, oysters, depending on the season. I got me one of these flat-bottom boats don't weigh more than a feather and can make it up the creeks, long as I know the tides and don't get stuck high and dry out there with all them skeeters and no-see-ums. Cottonmouths and rattlers. Gators, too, but that's mostly in the canals and creeks where there's woods and the water's brackish.”

“The boat you're talking about is the one in the back of that truck you parked in the lot?” Marino asks.

“That's right.”

“Aluminum with what? Five-horsepower engine?”

“That's right.”

“I'd like to take a look at it before you drive off. You got any objections to my looking inside your boat and truck? I'm assuming the police already did.”

“No, sir, they didn't. When they got there and I told them what I knew, they said I could go. So I headed back to the put-in where my truck was. By then all kinds of people was there. But you go on and help yourself. I got nothing to hide.”

“Thank you, but it's not necessary.” Scarpetta gives Marino a look. He knows damn well they don't have jurisdiction to search Mr. Grant's truck or boat or anything else. That's for the police to do, and they didn't think it necessary.

“Where did you put your boat in the water six days ago?” Marino says to Bull.

“Old House Creek. There's a boat landing and little store where if I've had me a good day, I sell some of what I catch. Especially if I get lucky with shrimps and oysters.”

“You see anybody suspicious in the area when you parked your truck this past Monday morning?”

“Can't say I did, but don't know why I would. By then the little boy was already where I found him and had been for days.”

“Who said days?” Scarpetta asks.

“The funeral home man in the parking lot.”

“The one who drove the body here?”

“No, ma'am. The other one. He was there with his big hearse. Don't know what he was doing there. Except talking.”

“Lucious Meddick?” Scarpetta asks.

“Meddicks' Funeral Home. Yes, ma'am. According to his thinking, that little boy was dead for two, three days by the time I found him.”

That damn Lucious Meddick. Presumptuous as hell, and wrong. April 29 and 30, the temperatures ranged between seventy-five and eighty degrees. Had the body been in the marsh for even one full day, it would have begun to decompose and suffer substantial damage from predatory animals and fish. Flies are quiet at night but would have laid eggs in daylight, and he would have been infested with maggots. As it was, by the time the body arrived at the morgue, rigor mortis was well developed but not complete, although that particular postmortem change would have been somewhat lessened and slowed due to malnourishment and subsequent poor muscle development. Livor mortis was indistinct, not yet fixed. There was no discoloration due to putrefaction. Crabs, shrimp, and the like were just getting started on the ears, nose, and lips. In her estimation, the boy had been dead less than twenty-four hours. Maybe much less than that.

“Go on,” Marino says. “Tell us exactly how you found the body.”

“I anchored my boat and got out in my boots and gloves, carrying my basket and a hammer…”

“A hammer?”

“For breaking up coons.”

“Coons?” Marino says with a smirk.

“Coon oysters are stuck together in clusters, so you break them apart and knock loose any dead shells. Coons is mostly what you get, hard to find select ones.” He pauses, says, “Don't seem you folks know much about oystering. So let me explain. A select oyster is a single one like you get on the half-shell in a restaurant. That's the kind you want but are hard to find. Anyhow, I started picking about noon. The tide was fairly low. And that's when I caught me a glance of something in the grass that looked like muddy hair, got closer, and there he was.”

“Did you touch him or move him?” Scarpetta asks.

“No, ma'am.” Shaking his head. “Once I saw what it was, I got right back in my boat and called nine-one-one.”

“Low tide started around one in the morning,” she says.

“That's so. And by seven it was high again—as high as it was going to get. And by the time I was out there, it was pretty low again.”

“If it was you,” Marino says, “and you wanted to get rid of a body using your boat, would you do it at low tide or high tide?”

“Whoever done it probably put him there when the tide was fairly low, put him in the mud and grass on the side of that little creek. Otherwise, the body would have been carried on out by the current if the tide was real high. But you put him in a place like the one I found him in, he's most likely gonna stay right there unless it's a spring tide at a full moon when the water can get up to ten feet. In that case, he might have been carried out, could have ended up anywhere.”

Scarpetta has looked it up. The night before the body was found, the moon was no more than a third full, the skies partly cloudy.

“A smart place to dump a body. In a week, he wouldn't have been much more than scattered bones,” Marino says. “It's a miracle he was found, don't you think?”

“It wouldn't take long out there to be nothing but bones, and it was a good chance no one would ever find him, that's true,” Bull says.

“Thing is, when I mentioned high versus low tide, I didn't ask you to speculate about what someone else would have done. I asked what you would have done,” Marino says.

“Low tide in a small boat that doesn't have much draw, so you could get into places no more'an a foot deep. That's what I would've done. But I didn't.” He stares Marino in the eye again. “I didn't do nothing to that little boy except find him.”

Scarpetta gives Marino another pointed glance, has had enough of his interrogating and intimidating. She says to Bull, “Is there anything else you can remember? Anybody you saw in the area? Anybody you may have seen in the area who got your attention?”

“I keep thinking about that, and the only thing that comes to mind is about a week ago I was at this same landing, Old House Creek, in the market there selling shrimps, and when I was leaving I noticed this person tying up a boat. A bass boat. What got my attention is he didn't have nothing in it you might use for shrimping, oystering, fishing, so I just figured he liked being out in his boat. Didn't care about fishing or nothing, just liked being on the water, you know. I admit I didn't like the way he stared at me. Gave me a funny feeling. Like he'd seen me somewhere.”