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Authors: Max Gladstone

BOOK: Full Fathom Five
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The Craftswoman’s client produced a full moon from his sleeve, walked it along his fingers, and vanished it again. His fingers left black trails in the air. Ms. Kevarian nodded. “What could you do that they could not?”

“First, I was willing to run a big risk to save Seven Alpha—I needed to let her take my soul so she would have collateral for the contract. That’s more than Jace could expect or ask of Mara. Second, I believed I could survive in the pool long enough to save the idol. There wasn’t time to contact your clients, but if I approached Seven Alpha just before she died, she might have accepted the deal out of sheer animal self-preservation.” She stopped talking.
Wait for the questions
, they’d said,
even if you chafe at silence
.

“Why could you survive longer than the others?”

“Because I’m better in the pool than most of them.”

“Better than your teacher?”

That cool doubt was bait, but bait Kai happily swallowed. “I remade my body there, completely—Jace didn’t. Not many people do, these days. As a result, I’m more comfortable in the pool than most. It’s in my marrow.” The Craftsman beside her tensed. Let him. “I thought I could last long enough to save her.”

“By ‘her,’ you are again referring to the construct. The idol.”

“Yes.”

“You imply that it has gender and personhood.”

“Language is weird like that,” Kai said. One corner of Ms. Kevarian’s mouth tweaked up, acknowledging, rather than agreeing. “Archipelagese has a fine set of gender-neutral pronouns, but mainlanders don’t like them for some reason.”

“What about personhood? Are the idols conscious, or self-aware?”

“No. Complex behavior doesn’t emerge from a simple system, any more than lumps of iron can speak. The idols we build have a few believers at most; however much soulstuff they store, their behavior only gets so complex. About the level of a dumb rat.”

And yet, and yet. What about that scream, and the words within it, the memory denied:
howl
, Seven Alpha said there at the end, howl, bound world. Words hidden within the death cry, steganography of fear between two beings that recently shared a soul. No, keep to the question. Don’t hesitate. Don’t hint. Ms. Kevarian did not ask about the words, because Kai had not written them into her report, and no one else had heard them. This was not the time, not the place, to raise the subject.

Anyway, Ms. Kevarian had already proceeded to her next question. “But you have affection for these constructs.”

Kai let the words go. Breathed them out, with her memories of the dark. “We build them by hand. We’re paid to worship them, to love them. We tell their stories. It’s easy to get attached.”

Another note, another nod. “You said you were stronger in the pool because you’d remade yourself completely. What did you mean?”

The Order’s Craftsman cleared his throat, a sound like gravel being stirred. “That’s a personal question,” he said. “I don’t see how it’s relevant.”

“I want to understand Ms. Pohala’s decision-making process.” Ms. Kevarian’s smile lacked the warmth Kai typically associated with that expression.

Kai met those black, unblinking eyes. “Back before the God Wars,” she said, “priests entered the pool during initiation—they met gods there, learned secrets, changed. Inside, spirit and matter flow more easily from shape to shape. Now the gods are gone, but we still go down. The first time priests dive, we change—we fix the broken bodies we inhabit. These days most changes are small: one priest I know corrected her eyesight; another cleaned up a port wine stain on her cheek. In the past more priests went further, like I did. That’s where the tradition came from, after all. These days full initiates aren’t as common, but there are a few of us.”

“How did you remake yourself?”

“I was born in a body that didn’t fit.”

“Didn’t fit in what way?”

“It was a man’s,” she said. Defiant, she watched Ms. Kevarian’s face for a reaction: a raised eyebrow, a subdermal twitch, a turned-up lip. The Craftswoman seemed impassive as calm ocean—and Kai knew how much, and how little, one could tell from an ocean’s surface.

“Ms. Kevarian,” she said, “I tried to save your client’s idol. I failed. Why are we here? Why not let this go?”

“You are bound to answer my questions,” Ms. Kevarian said. “I am not bound to answer yours. But I will, out of good faith. My clients, the Grimwald family”—a forked tongue twitched out from between the gray man’s jagged teeth—“suffered operational inconvenience due to their idol’s death. We’re investigating whether this inconvenience was avoidable. Your actions intrigue us. You believed the idol could be saved. Mister Kol did not. Do you think your judgment was wrong, or his?”

Kai stood so fast the chair toppled behind her; its edge sliced the back of her legs and blood seeped into her stockings. She didn’t need to be a Craftswoman to see the threat in that question: if Kai was right, then Jace was wrong, and the Order liable for Seven Alpha’s death. And if Kai was wrong, why did the Order employ priests so incompetent as to risk their lives on a lost cause? “I tried to help your people. So did Mara. And you want to use that against us.”

“Kai,” the Craftsman beside her said. “Sit down.”

Kai did not. Nor did Ms. Kevarian seem at all perturbed. “Many have sat, or stood, across this table, and claimed they only wanted to help. They rarely specify whether they wanted to help my clients, or themselves.”

“If you want to accuse me of something, say it.”

“I am not accusing you or anyone.” The Craftswoman ran her pen down the margin of her notes, nodding slightly at each point. “I am simply asking questions.”

Kai reached for the water glass. Its edges pressed against her palm, the blade of its lip against hers; she drank the pain, and when she set the glass down only a drop of blood remained at the corner of her mouth. She licked it, and tasted salt and metal.

“There’s no question here,” she said. “Jace and Mara were right. I was wrong. I made a mistake, and put myself in danger.” Strange that she could keep her voice level as she said the words. Humiliation was like ripping off a bandage: easier to endure if you took it all at once.

“And yet you have not suffered a formal reprimand. You still hold your position in Kavekana’s priesthood.”

“That’s not a question.”

“Based on your actions, do you think you deserve disciplinary action?”

“I’m still in the hospital,” she said. “It’s early. Do you have any more questions?”

“There are always more questions, Ms. Pohala.”

“Get on with it, then.”

Ms. Kevarian lowered her pen.

Time broke after that, and she tumbled from moment to moment through the dream. Questions flowed on, in that same round-voweled alto voice. Light pierced her from all sides at once. She drank, and was not sated; turned from Ms. Kevarian but found herself staring into another Ms. Kevarian’s eyes. She sat not in one room reflected to infinity, but in infinite rooms, asked in each a different question, her answers blending to a howl.

She woke in her sickbed in Kavekana’ai, panting, tangled in sheets. Ghostlights glimmered from panels and instruments on the walls. A metronome ticked the beats of her heart. The ticks slowed as she breathed. In the polished ceiling she saw her own reflection, a sepia blur swathed in hospital linen.

Paper rustled. She was not alone.

Jace sat in a chromed chair by the wall. He folded his issue of the
Journal
so Kai couldn’t see the date. He looked worse than she remembered, thin and sunken, clad all in black. He set the paper down, poured her a glass of water, and lifted it to her lips. She tried to take the cup from him, but bandages wrapped her hands. She drank, though the taste of glass shivered her.

“How’d I do?” she said when he pulled the water away. Her voice sounded flat and dull, an instrument left too-long idle.

“You were great,” he said. “Rest, now. If you can.”

She lay back, and knew no more.

 

4

Izza dangled her legs over the edge of an East Claw warehouse rooftop, and drank her stolen beer. Kavekana’s city lights reflected in the black bay below, long false trails to freedom. A few years and forever ago, the two illuminated peninsulas cradling the harbor had welcomed her like her lost mother’s embrace. They’d turned, since, to teeth, and the black water to the fanged mouth’s inside. Clocks chimed two in the morning; Izza had spent the last hour deciding how to leave.

She was no stranger to moving on. Life was movement. She’d lied to herself thinking otherwise. The kids would miss her, fine, but the kids could find their own way, like she had. They didn’t need her.

So she sat, and thought, and hated herself, and drank. She didn’t drink as a rule, but there was a time for breaking every rule. She’d stolen this beer from a fat woman who ran a stall five blocks inland in the Godsdistrikt, selling cigarettes and cheap booze. The woman, caught up in a red-faced hands-flailing argument with a Kosite over the price of cigarettes, hadn’t noticed the bottle’s disappearance. She did notice Izza’s sudden retreat from the stand, and shouted, “Thief!” after her, but Godsdistrikt crowds ran mudslide thick and fast. Izza vanished down a side alley before anyone could hear the woman’s cry, not that anyone would have helped.

The beer needed a bottle opener. Fortunately the slums around the Godsdistrikt were well supplied with drunks. Izza stole a church key from the belt of a broad-backed sailor girl distracted by a clapboard prophet preaching doomsday, and found a rooftop where she could drink in peace.

She ran a finger along the frayed leather of her necklace, and wondered how to leave.

In the last four years she’d grown too big to sneak shipboard. As for work, well, sailors sang old pre-Wars songs about signing on with whalers and the like, but after singing they complained how the bad old days were gone. Shipmasters wanted papers, résumés, union cards. Stealing enough to buy herself a berth—that might work, but so much theft would attract attention. She could talk the kids into helping her, but she didn’t want to, not for this. Pawning everything she owned wouldn’t make up a ticket price. She didn’t own much.

So she paced the passages of her mind, in the small hours of the morning, until she heard the fight.

Fights were common in East Claw. Sailors brawled, and local toughs, and sometimes if the scuffles spread to riot the Watch came, with Penitents to reinforce them. But solitude and alcohol had gone to her head, and this fight was loud and near. Stone footsteps thundered down dockside streets, multiplied by echoes: Penitents, running. Two, maybe more. The Penitents terrified, but they put on a good show.

So she rambled along the roof and, after checking her balance and relative level of intoxication, sprinted and sprang across the narrow alley between this warehouse and the next. She ran to the building’s edge, and lay flat with her head jutting over the drop.

At first she did not understand the scene below.

The Penitents were familiar at least: two immense stone figures, broad and thick as battlements, blunt features formed from planes of rock. The Penitent on Kavekana’ai had marched up the slope with grim determination, but these moved so fast the word “movement” didn’t seem enough. The prisoners within cried and cursed from the inhuman speeds their statue shells forced on them: one man, and, Izza judged from the voice, one woman. Their howls scraped the back of her skull, tightened her limbs, and locked her joints.

This much she’d seen before. But the thing—the woman—the Penitents fought was new.

She was quicksilver and smoke and swift water. Green eyes burned in the mask of her face, and great razor-pinioned wings flared from her back. She flowed as she thought: a Penitent swung at her with a granite blur of arm, and she ducked beneath the blow and rose off the ground with a knee-kick that struck the Penitent’s bare rock torso and sent it staggering, chest spiderwebbed by cracks. The woman turned to run, but the second Penitent blocked her way. She tried to dodge around, a mistake: the Penitents were faster than they looked, their arms broad. A stone hand swept out, and she jumped back. Wings flared to catch her in the air and send her spinning down again to earth.

Izza had fought before, wild, bloody backstreet brawls, gouging eyes, biting wrists, bashing stones into skulls and vice versa, combatants a haze of limbs and fear. The winged woman fought different, fast and fierce but tight, too, as if every movement served a higher purpose.

And still she was losing. As she fell, the first Penitent’s stone fist pistoned out and caught her by the arm. With her free hand the woman grabbed the Penitent’s elbow. Wings flared and beat and at the same time she pulled sideways. Stone broke, the joint bent backward, and the Penitent’s scream—the man’s—shivered the night. It released her, and falling she kicked viciously at its knee. The Penitent stumbled, and collapsed. The woman landed, but one arm hung limp from her shoulder. The second Penitent struck; she dodged, too slow, and the fist clipped her side. Izza heard a crunch of breaking bone.

The woman struggled to rise. With eyes of green fire she glared into and through the Penitent above her. A granite arm rose, and fell; the woman caught the Penitent’s wrist. Stone ground and creaked. Inside the Penitent someone sobbed.

Izza’d never seen anyone last this long against one Penitent, let alone two: she had thought the stone watchmen invulnerable to everything but Craft. This winged figure was no Craftswoman, though. She did not drink the light around her, or wrong the ground on which she stood, or crackle with eldritch sorcery. She was brilliant, and she was doomed. The Penitent bore down, and she bent under its sheer strength.

Izza should have run. In a few days she’d be gone from Kavekana anyway. But when she stood, instead of slipping away across the rooftops, she slid onto a fire escape, and clanged down five stories to drop from ladder to cobblestone street, shouting the whole way, “Stop! Thief!” She ran across the street behind the fight, still shouting, to the shelter of the alley opposite and inland. If she had to run, she might be able to lose the Penitents in the warrens. Might. “Stop!”

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