Furthermore (2 page)

Alice never did get to tell Mother her story.

Mother was so upset Alice was late that she nearly bit off her daughter's hands. She didn't give Alice a chance to explain
why
her skirts were dirty or
why
the basket had broken (only a little bit, really) or
why
her hair was so full of grass. Mother made a terrible face and pointed to a chair at the table and told Alice that if she was late one more time she would knot her fingers together. Again.

Oh, Mother was always threatening her.

Threatening made Mother feel better but made Alice feel bored. Alice usually ignored Mother's threats (
If you don't eat your breakfast I will whisk you into an elephant
, she once said to her, and Alice half hoped she really would), but then one time Alice took her clothes off at the dinner table and Mother threatened to turn her into a
boy
, and that scared her so dizzy that Alice kept on her outerthings for a whole week after that. Since then, Alice had often wondered whether her brothers
had been boys to begin with, or whether they'd just been naughty enough to deserve being tricked into it.

Mother was unpacking Alice's basket very carefully, paying far more attention to its contents than to any of her four children sitting at the worn kitchen table. Alice ran her hands along its weathered top, the bare boards rubbed smooth from years of use. Father had made this table himself, and Alice often pretended she could remember the day he built it. That was silly of course; Father had built it long before she was born.

She glanced toward his place at the table. His chair was empty—as it had grown accustomed to being—and Alice dropped her head, because sadness had left hinges in her bones. With some effort she managed to look up again, and when she did, she found her brothers, whose small forms took up the three remaining chairs, staring at her expectantly, as though she might turn their tunics into turnips. On any other occasion she would've liked to, had she been so inclined, but Mother was already quite mad and Alice did not want to sleep with the pigs tonight.

Alice was beginning to realize that while she didn't much like Mother, Mother didn't much like her, either. Mother didn't care for the oddness of Alice; she wasn't a parent who was predisposed to liking her children. She didn't find their quirks
endearing. She thought Alice was a perfectly functional, occasionally absurd child, but on an honest afternoon Mother would tell you that she didn't care for children, never had, not really, but here they were. (There were plenty of nice things Mother had said about Alice, too, but Mother was never very good at making sure she said those things out loud.)

Alice picked out a blossom from her dinner and dropped it on her tongue, rolling the taste of it around in her mouth. She loved blossoms; one bite and she felt refreshed, ready to begin again. Mother liked dipping them in honey, but Alice preferred the unmasked taste. Alice liked truth: on her lips and in her mouth.

The kitchen was warm and cozy, but only halfheartedly. Alice and Mother did their best in the wake of Father's absence, but some evenings all the unspoken hurts piled high on their plates and they ate sorrow with their syrup without saying a word about it. Tonight wasn't so bad. Tonight the stove glowed lavender as Mother stoked the flames and tossed in some of the berries Alice had collected. Soon the whole house smelled of warm figs and peppermints and Alice was certain that if she tried, she could lick the air right out of the room. Mother was smiling, finally content. Ferenberries always succeeded in reminding Mother of happier times with Father, of days long ago when all was safe and all was good. The berries were a rare treat for those lucky enough to find them (they
were a fruit especially difficult to procure), but in Father's absence Mother had become obsessed. The trouble was, she needed
Alice
to find the ferenberries (I'll explain why later), and Alice always did, because life at home had been so much better since the berries. Alice had been late and she'd been lazy, messy and argumentative, but she had never not come home with the berries.

She almost hadn't tonight.

Alice always felt Mother was using her for the berries; she knew they were the only medicine that helped Mother's heart in Father's absence. Alice knew Mother needed her, but she did not feel appreciated; and though she felt sad for Mother, she felt more sorry than sad. She wanted Mother to grow up—or maybe grow down—into the mother she and her brothers really needed. But Mother could not unbecome herself, so Alice was resigned to loving and disliking her just as she was, for as long as she could bear it. Soon, Alice thought, very soon, she would be on her way to something better. Something bigger. The seasons were changing in Ferenwood, and Alice had waited long enough.

She would win the Surrender and she would show Mother she could make her own way in the world and she would never need a pair of stockings again. She would be an explorer! An inventor! No—a painter! She would capture the world with a few broad strokes! Her hand moved of its own accord, making
shapes in her honey-laden plate. Her arm flew up in a moment of triumph and her paintbrush fork flew from her hands only to land, quite elegantly, in her brother's hair.

Alice ducked down in her chair, the future forgotten, as Mother came at her with a ladle.

Oh, she would be sleeping with the pigs tonight.

The pigs weren't so bad.
They were warm and shared their straw and made little pig noises that helped Alice relax. She pulled her only two finks from her pocket and snapped one in half, saving the other, and suddenly the pigs smelled of fresh lemons and glass apples and soon there was nothing at all to be bothered by. The night was warm and fragrant, the sky sneaking through a few broken boards in the roof. The twinkles looked merry enough, but the planets were the true stars tonight: bright spots of color seducing the sky. Six hundred and thirty-two planets dotted Alice's upside-down vision, spinning their bangles just as she spun hers.

Her two arms were bangles and bangles from elbow to wrist, her ankles similarly adorned. She'd collected these bangles from all over, from most every market in every neighborhill she'd ever climbed into. She'd traveled the whole of Ferenwood after Father left, knocking on door after door, asking anyone and everyone where he might've gone.

Anyone and everyone had a different answer.

All anyone knew was that Father took nothing but a ruler when he left, so some said he'd gone to measure the sea. Others said the sky. The moon. Maybe he'd learned to fly and had forgotten how to come back down. She never said this to Mother, but Alice often wondered whether he hadn't planted himself back into the ground to see if maybe he'd sprout taller this time.

She touched her circlets of gold and silver and stone. Mother gave her three finks every month and she always spent one on a bangle. They weren't worth much to anyone but her, and that made them even more precious; Father had been the one to give her the first bangle—just before he left—and for every month he stayed gone, Alice added another to her collection.

This week, she would have thirty-eight altogether.

Maybe, she thought, her eyes heavy with sleep, her bangles would help Father find her. Maybe he would hear her looking for him. She was sure that if he listened closely, he would hear her dancing for him to come home.

And then she rolled over, and began to dream.

Now, while our young Alice is sleeping, let us make quick work of important details.

First: The magic of Ferenwood required no wands or potions you might recognize; no incantations, not really. Ferenwood was, simply stated, a land rich in natural resources, chief among them: color and magic. It was a very small, very old
village in the countryside of Fennelskein, and as no one ever went to Fennelskein (a shame, really; it's quite lovely in the summers), the people of Ferenwood had always kept to themselves, harvesting color and magic from the air and earth and building an entire system of currency around it. There's quite a lot to say on the history and geography of Ferenwood, but I shouldn't like to tell you more than this, lest I spoil our story too soon.

Second: Every citizen of Ferenwood was born with a bit of magical talent, but anything more than that cost money, and Alice's family had little extra. Alice herself had never had more than a few finks, and she'd always stared longingly at other children, pockets full of stoppicks, choosing from an array of treats in shop windows.

Tonight, Alice was dreaming of the dillypop she would purchase the following day. (To be clear, Alice had no idea she'd be purchasing a dillypop the following day, but we have ways of knowing these things.) Dillypops were a favorite—little cheekfuls of grass and honeycomb—and just this once she wouldn't care that they'd cost her the remainder of her savings.

It was there, nestled up with the pigs, dreaming of sugar, skirts up to her ears and bangled ankles resting on a nearby stool, that Alice heard the voice of the boy with the chest.

He said something like “hello” or “how do you do” (I can't quite remember), and Alice was too irritated by the
interruption to remember to be afraid. She sighed loudly, face still turned up at the planets, and pinched her eyes shut. “I would not like to punch and kick you again,” she said, “so if you would please carry on your way, I'd be much obliged.”

“I can see your underwear,” he said. Rudely.

Alice jumped up, beet-red and mortified. She nearly kicked a pig on her way up and when she finally managed to gather herself, she tripped on a slop bucket and fell backward against the wall.

“Who are you?” she demanded, all the while trying to remember where she'd left the shovel.

Alice heard a pair of fingers snap and soon the shed was full of light, glowing as if caught in a halo. She spotted the shovel immediately, but just as she was crafting a plan to grab it, the boy offered it to her of his own accord.

She took it from him.

His face was oddly familiar. Alice squinted at him in the light and held the sharp end of the shovel up to his chin.

“Who are you?” she asked again angrily. Then, “And can you teach me how you did that just now? I've been trying to snaplight for years and it's never worked for m—”

“Alice.” He cut her off with a laugh. Shook his head. “It's me.”

She blinked, then gaped at him.

“Father?” she gasped.

Alice looked him up and down, dropping the shovel in the
process. “Oh but Father you've gotten so much younger since you left—I'm not sure Mother will be pleased—”

“Alice!” The perhaps-stranger laughed again and grabbed Alice's arms, fixing her with a straight stare. His skin was a warm brown and his eyes were an alarming shade of blue, almost violet. He had a very straight nose and a very nice mouth and very nice eyebrows and very excellent cheekbones and hair the color of silver herring and he looked nothing at all like Father.

She grabbed her shovel again.

“Impostor!” Alice cried. She lifted the shovel above her head, ready to break it over his skull, when he caught her arms again. He was a bit (a lot) taller than her, which made it easy for him to intimidate her, but she wasn't yet ready to admit defeat.

So she bit his arm.

Quite hard, I'm afraid.

He yelped, stumbling backward. When he looked up, Alice hit him in the legs with the shovel and he fell hard on his knees. She stood over him, shovel hovering above his head.

“Goodness, Alice, what are you doing?” he cried, shielding his face with his arms, anticipating the final blow. “It's me, Oliver!”

Alice lowered her shovel, just a little, but she wasn't quite ready to be ashamed of herself. “Who?”

He looked up slowly. “Oliver Newbanks. Don't you remember me?”

“No,” she wanted to say, because she'd been very much looking forward to hitting him on the head and dragging his limp body inside for Mother to see (
I've protected the family from an intruder!
she'd say) but Oliver looked so very scared that it wasn't long before her excitement gave way to sympathy, and soon she was putting down the shovel and looking at Oliver Newbanks like he was someone she should remember.

“Really, Alice—we were in middlecare together!”

Alice considered him closely. Oliver Newbanks was a name that sounded familiar to her, but she felt certain she didn't know him until she noticed a scar above his left ear.

She gasped, this time louder than before.

Oh, she knew him alright.

Alice grabbed her shovel and hit him in the legs so hard his snaplight broke and the shed went dark. The pigs were squealing and Oliver was squealing and she chased him out of the shed and into the night and was busy telling him to never come back or she'd have her brothers eat him for breaksnack when Mother came into the yard and announced she was going to cook
her
for breaksnack and then
Alice
was squealing and by the time Mother caught up to her, Oliver was long gone.

Alice's bottom hurt for a whole week after that.