G is for Gumshoe

 

PHENOMENAL PRAISE FOR THE MYSTERY NOVELS OF
#1
NEW YORK TIMES
BESTSELLING AUTHOR
SUE GRAFTON

 

“Exceptionally entertaining . . . An offbeat sense of humor and a feisty sense of justice.”

—San Francisco Chronicle

 

“Millhone is an engaging detective-for-hire . . . PI Kinsey Millhone and her creator . . . are arguably the best of [the] distaff invaders of the hitherto sacrosanct turf of gumshoes.”

—The Buffalo News

 

“Once a fan reads one of Grafton's alphabetically titled detective novels, he or she will not rest until all the others are found.”

—Los Angeles Herald Examiner

 

“Millhone is a refreshingly strong and resourceful female private eye.”

—Library Journal

 

“Tough but compassionate . . . There is no one better than Kinsey Millhone.”

—Best Sellers

 

“A woman we feel we know, a tough cookie with a soft center, a gregarious loner.”

—Newsweek

 

“Lord, how I like this Kinsey Millhone . . . The best detective fiction I have read in years.”

—The New York Times Book Review

 

“Smart, tough, and thorough . . . Kinsey Millhone is a pleasure.”

—The Bloomsbury Review

 

“Kinsey is one of the most persuasive of the new female operatives . . . She's refreshingly free of gender clichés. Grafton, who is a very witty writer, has also given her sleuth a nice sense of humor—and a set of Wonder Woman sheets to prove it.”

—Boston Herald

 

“What grandpa used to call a class act.”

—Stanley Ellin

 

“Smart, sexual, likable and a very modern operator.”

—Dorothy Salisbury Davis

 

“Kinsey's got brains
and
a sense of humor.”

—Kirkus Reviews

 

 

 

 

 

Also by Sue Grafton

 

A Is for Alibi

B Is for Burglar

C Is for Corpse

D Is for Deadbeat

E Is for Evidence

F Is for Fugitive

G Is for Gumshoe

H Is for Homicide

I Is for Innocent

J Is for Judgment

K Is for Killer

L Is for Lawless

M Is for Malice

N Is for Noose

O Is for Outlaw

P Is for Peril

Q Is for Quarry

R Is for Ricochet

S Is for Silence

T Is for Trespass

 

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Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author's copyright, please notify the publisher at:
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This is a work of fiction. All of the characters, organizations and events portrayed in this novel are either products of the author's imagination or are used fictitiously.

 

G IS FOR GUMSHOE

 

Copyright © 1990 by Sue Grafton.

 

All rights reserved.

 

For information address St. Martin's Press, 175 Fifth Avenue, New York, NY 10010.

 

Library of Congress Catalog Card Number: 89-24652

 

ISBN: 0-312-94620-1
EAN: 9780312-94620-3

 

Printed in the United States of America

 

Ballantine Books edition / June 1991
St. Martin's Paperbacks edition / December 2007

 

St. Martin's Paperbacks are published by St. Martin's Press, 175 Fifth Avenue, New York, NY 10010.

 

10 9 8 7 6 5 4 3 2

 

eISBN 9781429910866

 

 

 

 

 

For Molly Friedrich and Geoffrey Sanford . . .
who carve a path through the jungle for me

 

 

 

 

 

The author wishes to acknowledge the invaluable assistance of the following people: Steven Humphrey; Eric S. H. Ching; Deputy District Attorney Harvey Giss, County of Los Angeles; Joe Driscoll, Driscoll & Associates Investigations; Noel Waters, District Attorney, Carson City, Nevada; Ms. Terry Roeser, Nevada State Public Defender; Richard and Vicki Windsor; Allen Glanze, Stano Components; Lucy Thomas, Reeves Medical Library, Cottage Hospital; Bobbie Kline, Nursing Director, Cottage Hospital Emergency Room; Karen Nelson, Pathology Department, Cottage Hospital; Lieutenant Tony Baker, Santa Barbara County Sheriff's Department; Robert Simonet, Director of Security, Four Seasons Biltmore; Sergeant Dennis Prescott and Detective Lawrence Gillespie, Santa Barbara County Coroner's Office; Pepper Breault, Santa Barbara County Court Recorder; Ken Orrock, deputy sheriff, Imperial County; Bob Hall; and Carter Blackmar.

 

 

 

 

 

 

Three things occurred on or about May 5, which is not only Cinco de Mayo in California, but Happy Birthday to me. Aside from the fact that I turned thirty-three (after what seemed like an interminable twelve months of being thirty-two), the following also came to pass:

 

1. The reconstruction of my apartment was completed and I moved back in.

2. I was hired by a Mrs. Clyde Gersh to bring her mother back from the Mojave desert.

3. I made one of the top slots on Tyrone Patty's hit list.

 

I report these events not necessarily in the order of importance, but in the order most easily explained.

For the record, my name is Kinsey Millhone. I'm a private investigator, licensed by the State of California, (now) thirty-three years old, 118 pounds of female in a five-foot
six-inch frame. My hair is dark, thick, and straight. I'd been accustomed to wearing it short, but I'd been letting it grow out just to see what it would look like. My usual practice is to crop my own mop every six weeks or so with a pair of nail scissors. This I do because I'm too cheap to pay twenty-eight bucks in a beauty salon. I have hazel eyes, a nose that's been busted twice, but still manages to function pretty well I think. If I were asked to rate my looks on a scale of one to ten, I wouldn't. I have to say, however, that I seldom wear makeup, so whatever I look like first thing in the morning at least remains consistent as the day wears on.

I'd been living since New Year's with my landlord, Henry Pitts, an eighty-two-year-old gent whose converted single-car garage apartment I'd been renting for two years. This nondescript but otherwise serviceable abode had been blown sky-high and Henry had suggested that I move into his small back bedroom while my place was being rebuilt. There is, apparently, some law of nature decreeing that all home construction must double in its projected cost and take four times longer than originally anticipated. This would explain why, after five months of intensive work, the unveiling had finally been scheduled with all the fanfare of a movie premiere. I was uneasy about the new place because I wasn't at all sure I'd like what Henry had come up with in the way of a floor plan and interior “day-core.” He'd been very secretive and extremely pleased with himself since he'd gotten city approval for the blueprints. I was worried that I'd take one look at the place and not be able to conceal my dismay. I'm a born liar, but I don't do as well disguising what I feel. Still, as I'd told
myself many times, it was his property and he could do anything he pleased. For two hundred bucks a month, was I going to complain? I don't think so.

I woke at six o'clock that Thursday morning, rolled out of bed and into my running clothes. I brushed my teeth, splashed some water on my face, did a perfunctory hamstring stretch, and headed out Henry's back door. May and June, in Santa Teresa, are often masked by fog—the weather as blank and dreary as the white noise on a TV set when the broadcast day is done. The winter beaches are stripped bare, massive boulders exposed as the tides sweep away the summer sand. We'd had a rainy March and April, but May had come in clear and mild. The sand was being returned as the spring currents shifted, the beaches restored for the tourists who would begin to pour into the town around Memorial Day and not leave again until Labor Day weekend had come and gone.

This dawn was spectacular, early morning clouds streaking the sky in dark gray tufts, sun tinting the underbelly an intense rose shade. The tide was out and the beach seemed to stretch toward the horizon in a silvery mirror of reflected sky. Santa Teresa was lush and green and the air felt soft, saturated with the smell of eucalyptus leaves and the newly cut grass. I jogged three miles and was home again thirty minutes later in time for Henry to sing “Happy birthday to yooouuu!” as he pulled a pan of freshly baked cinnamon rolls out of the oven. Being serenaded is not my favorite activity, but he did it so badly, I could only be amused and gratified. I showered, pulled on jeans, a T-shirt, and my tennis shoes, and then Henry handed me a gift-wrapped jeweler's box that contained the newly minted brass key to my
apartment. He was behaving like a kid, his lean, tanned face wreathed in shy smiles, his blue eyes glinting with barely suppressed excitement. In a two-person ceremonial procession, we walked from his back door, across the flagstone patio, to the front door of my place.

I knew what the exterior looked like—two stories of cream-colored stucco with rounded corners in a style I'd have to call Art Deco. Numerous hand-crankable windows had been installed and there was new landscaping, which Henry had done himself. To tell you the truth, the outward effect was unprepossessing, which I didn't object to a bit. My prime anxiety had always been that he'd make the apartment too fancy for my taste.

We took a few minutes to survey the site, Henry explaining in detail all the hassles he'd gone through with the City Planning Commission and the Architectural Board of Review. I knew he was just dragging out the explanation to pump up the suspense and, in truth, I was feeling anxious, just wanting to get the whole thing over with. Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don't know what I'd expected. I'd tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship's interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom.

In the living area, a sofa had been built into a window bay, with two royal blue canvas director's chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I'd usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own.