Gallows Hill (5 page)

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Authors: Lois Duncan

Tags: #Juvenile Fiction, #People & Places, #United States, #Other, #Historical, #Action & Adventure, #Survival Stories

BOOK: Gallows Hill
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"Right!" Ted agreed, groping in his pocket for his wallet.

 

"I don't need money," Kyra said. "You gave me my allowance yesterday."

 

"Sarah... ?"

 

"I'm fine too," Sarah said stiffly. "I'm just tired, but thanks anyway, Eric. It was nice of you to ask me."

 

They left the gym together and split up in the parking lot. Sarah got into the backseat of Ted's Ford with Brian. The boy, who had the same red, curly hair as his father and sister, was a nonstop talker and jabbered all the way home. Unlike Kyra, he seemed to have latched on to Rosemary as a second mother.

 

At the house Brian headed straight for the kitchen, followed by Rosemary, who set out the brownies and then opened the freezer to get out ice cream.

 

"Our own Halloween party," she said happily. "What flavor does everybody want, chocolate or strawberry? I should have gotten orange sherbet to go with the decor, but I just didn't think about it."

 

"Chocolate for me," Ted said. "And Brian will want both. Sarah?"

 

"Nothing, thanks," Sarah said.

 

"We've still got the spice cake... ," Rosemary began.

 

"I'm not hungry."

 

Leaving the little family of three at the kitchen table, Sarah went down the hall to her bedroom. She flicked on the overhead light, closed the door, and dumped the tote bag onto the second bed. Then she stuck a tape into the cassette player to listen to while she changed into her nightshirt.

 

New Age instrumentals usually had a soothing effect on her, as if they were resting her soul and giving light to her spirit, but tonight was different—she couldn't concentrate on the music. Her eyes kept being drawn to the tote bag. She finally sat down on the bed, reached into the bag, and took out the crystal ball. The muted light of the tent had lent it a magical quality, but in the bright glare of the overhead fixture it was only a paperweight, round and smooth with the bottom leveled off so that it could stand flat on a desk. She wondered how her mother had produced it so quickly. The moment Sarah had announced her intention to participate in the carnival, Rosemary had gone straight out to the garage and reappeared with the ball, saying, "Here! Doesn't this make a perfect crystal ball? It almost seems like that's what it was made for."

 

There was a rap at the bedroom door.

 

"Sarah?" her mother called softly. "You're not asleep already, are you?"

 

"No," Sarah said. "Come on in."

 

Rosemary opened the door and came into the room, with Yowler at her heels. She was carrying a bowl of strawberry ice cream.

 

"I thought maybe you'd changed your mind about being hungry. I got the strawberry especially for you."

 

"That does look good," Sarah said, ashamed of her earlier pettiness. Her mother's efforts to please her were becoming embarrassing.

 

"I wish you'd gone out with Kyra and her friends," Rosemary said, setting the bowl on the bedside table next to the crystal ball. "It could have been the start of a social life. Ted says Eric Garrett is a real key to meeting people. He comes from a prominent family, his father is a lawyer, and his great-grandfather, Samuel Garrett, was founder of this town. Besides that, Ted says he's very popular and is involved in everything."

 

"I couldn't afford to go out tonight," Sarah said.

 

"But Ted offered to pay!"

 

"I won't take Ted's money," Sarah said. "Besides, I'm tired and didn't feel like it." She gestured toward the crystal ball. "Changing the subject, where did that thing come from?"

 

"Out of one of the crates in the garage. It was right on top."

 

"I don't remember ever seeing it before."

 

"I didn't have it out when we lived in the apartment."

 

"Then where—?"

 

"It belonged to your father's mother," Rosemary told her. "She died right after your father and I became engaged. The paperweight was one of the few things your dad brought back with him after the funeral. After his death it got packed away in a box with the other stuff from his desk. I forgot all about it until we were packing to move here and discovered the box on a shelf at the back of the coat closet."

 

"I don't think I've ever even seen a picture of that grandmother," Sarah said.

 

"You look quite a bit like her," said Rosemary. "You have the same coloring. She was Hungarian and very exotic-looking. Of course your father had black hair and dark eyes too. I always felt sort of pallid and washed out next to him."

 

"Rosie?" Ted called from the hall. "Brian's ready for bed. Do you want to come tell him good night?"

 

"I'll be right there," Rosemary called back. "Good night, Sarah, honey. You'd better get started on that ice cream. It's already melting."

 

Sarah dutifully ate the ice cream, letting Yowler lick the bowl clean afterward, and then, overcome by fatigue, crawled into bed, almost too tired to make the effort to turn off the light. She fell asleep immediately, but despite her exhaustion it was a restless, dream-haunted sleep. When she awoke in the morning, she could not remember much about the dreams, but was conscious of a rancid mental aftertaste, as if her head had been filled with an unpleasant substance.

 

The house was so quiet that she knew nobody else was up yet. The thought occurred to her that this would be a good chance to peruse the classifieds in the Sunday paper. There was no getting around it, she had to find a job; she couldn't go through a whole year here without any spending money, and she was determined not to lower herself to accepting a handout from Ted.

 

She got dressed and let herself out of the house into a crisp autumn morning that should, under normal circumstances, have been invigorating. Instead she was struck by the same odd sense of foreboding she had experienced when she and Rosemary had crossed the peak of Garrett Hill and gazed for the first time at the tiny town of Pine Crest nestled in a hollow at its base. "What a sweet little town!" Rosemary had exclaimed in delight, and Sarah had been forced to agree that the neat little tree-lined streets and pitched-roof houses had the charm of a picture postcard designed by Grandma Moses. There had been no valid reason for the words that had leaped into her mind, as sudden and stark as if somebody else were dictating them: This is a frightening place, and I don't want to live here.

 

Now she shivered and wrapped her arms around herself, wishing she had put on a jacket, as she glanced around the yard for the paper. As if on cue, an elderly-looking station wagon pulled up in front of the house and a middle-aged woman with short brown hair turned awkwardly in the driver's seat to dump a newspaper out the window. It didn't make it as far as the yard, and landed with a slapping sound on the sidewalk

 

Sarah moved to retrieve it, and the woman called, "Sorry about that! I'll never make it to the majors!"

 

"Don't worry about it," Sarah responded. The woman's round, pleasant face looked familiar, and she knew immediately who she must be. "Are you Charlie's mother?"

 

"Yes, I'm Lola Gorman," the woman said. "I'm filling in for Charlie today, but he's going to have to find himself a substitute pretty quickly, because I work on the weekdays and don't have time for this. The doctor said it will be at least three months before he can throw papers again."

 

"What happened?" Sarah asked in surprise. "I just saw him last night!"

 

"He was leaving the carnival and tripped coming down the steps in front of the school," Mrs. Gorman told her. "In trying to break his fall, he broke his right wrist."

 

CHAPTER FIVE

 

At school on Monday Sarah found herself the object of more attention than she had received since her arrival at Pine Crest. Instead of the sensation that she was invisible, she felt as if there were a neon sign on her forehead that caused all eyes automatically to turn in her direction. It wasn't exactly as if she were engulfed in friendliness. Students whose fortunes she had told greeted her cautiously (except for Bucky Greeves, who averted his eyes and charged past her as if she were Typhoid Mary). But at least there was an obvious awareness of her existence, which was more than she had encountered before. And, better than that, when she stopped at her locker to do a book exchange midway through the morning, she found Eric Garrett there waiting for her as if he had memorized her schedule.

 

"Guess where I spent the last half hour?" he said with a grin. "In the principal's office, getting chewed out by Mr. Prue. He said the carnival was only supposed to have games and things, and he's now been informed that it was a hotbed of spiritualism."

 

"A hotbed of spiritualism!" Sarah repeated incredulously. "What in the world is he talking about?"

 

"Not to worry, I was able to sweet-talk him out of it," Eric said easily, seeming to relish this sort of challenge. "I told him you and I had miscommunicated and that each of us thought the other had gotten permission. Then he switched gears and started in on the witch's cauldron, how it was a symbol of the occult and had no place at a school function. I told him he'd gotten it wrong and that the kettle with the dry ice in it was " meant to represent Jack Frost's paint pot. That calmed him down."

 

"What's wrong with him?" Sarah exclaimed. "Is he some sort of fanatic?"

 

"It seems that some kid's parents complained to Reverend Morris, and he got on Prue's case after church service yesterday," Eric said. "Like I said, not to worry, I was able to handle it. You did a dynamite job. The whole school's talking about it. You should have heard all the comments when we went out afterward. Everybody was raving about the incredible Madam Zoltanne."

 

"I forgot to give you back your radio," Sarah said. "I'll bring it to school tomorrow along with the Gypsy costume."

 

"That's not too great an idea," Eric said. "Somebody might see it and realize how we faked things."

 

"What difference would that make now?" Sarah asked, bewildered by his reaction.

 

"I'd like to keep everybody mystified for a while," Eric said. "At least until I've had a chance to talk to you about something. If you don't have anything planned for right after school, I'll give you a ride home and pick up the radio at your house."

 

"That would be fine," Sarah said with a rush of pleasure.

 

"I'll meet you in the parking lot. Do you know which, car is mine?"

 

"I think so," Sarah said, almost laughing aloud at the question. She couldn't count the occasions on which she had watched wistfully as that bright red Charger shot off down the street with its cargo of laughing young people, headed for the Burger Barn, or the bowling alley, or the rec hall at the church, or whatever the scene of that afternoon's action. More often than not, the person in the seat beside Eric had been Kyra Thompson.

 

In history class she glanced about for Charlie Gorman. He was exactly where he had said he would be, two rows over and three seats back from her own seat. When she caught his eye, he gave her a wry half smile and lifted his right arm high enough for her to see the cast that covered his wrist and a large part of his hand. There were holes for his fingers to come through, and he wiggled them at her, one at a time, as if they were finger puppets. The memory of the plunging figure she had seen in the glass came back to her with such force that it was almost frightening. The fact that Charlie had fallen later that same evening was a coincidence eerie enough to give her goose bumps.

 

She intended to ask him about it after class, but at the end of the period the teacher handed out instructions about a term paper that would be due at the end of November. Scanning the list of possible subjects, Sarah was surprised to see that one of them was printed in boldface.

 

On her way out of the room she paused at the teacher's desk to ask about it.

 

Mrs. Larkin seemed surprised by the question.

 

"Boldface? Which subject is in boldface?"

 

"The Salem Witch Trials," Sarah said. "I guess it was just a printing error."

 

"It's certainly not in boldface on my copy," Mrs. Larkin said, squinting at the sheet on her desk. "Either you need your eyes checked, Sarah, or I do."

 

"On my copy it's—" Sarah began, but broke off the statement as her eyes went back to the printout in her hand. Nothing on it was printed in boldface. No item on the list of suggested topics stood out from the others. "I guess it's my eyes that have the problem,'" she said apologetically. "The topic just sort of jumped out at me. I could have sworn it was printed darker than the rest."

 

"Maybe it was the lighting," Mrs. Larkin suggested.

 

"Yes, I guess it must have been."

 

By now the rest of the students, Charlie included, had left the room, and she had lost her chance to ask him about his accident.

 

However, she did see him again at the end of the day, squatting by a floor-level locker, awkwardly trying to work the lock with one hand. It occurred to her that anyone standing over him could easily have learned the combination just by watching him. No wonder it had been so simple to plant a fish in his locker.

 

"Could you use some help?" Sarah asked, coming to stand next to him.

 

Charlie glanced up with a rueful smile. "Well, if it isn't the Gypsy lady! Thanks, but I've got to learn how to manage one-handed. It's going to be a while before I get rid of this hunk of plaster."

 

He gave the dial a final twist, and the metal loop popped open.

 

"There, I got it!" Charlie said with a note of triumph in his voice.

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