Gardner, John (24 page)

Three times he stopped to control his breathing. The last thing he could afford was to reveal his presence by any noise. Even through the thick walls, the sounds from the courtyard floated upwards. If the ringing chamber was indeed Franco's hideout, the killer would have to be invested with an extra sense to detect him, unless Bond made some unnecessary sound.

As he neared the top of the climb, Bond felt the sweat trickling from his hairline and down the insides of his arms. Slowly he took out the Browning and slipped off the safety catch.

Holding his breath, Bond reached the topmost steps, his head just below the aged wooden-planked floor of the chamber. There were five more steps to negotiate to bring his feet level with the floor. Putting all his weight on the right foot, Bond slowly lifted his body so that his eyes came just above floor level.

Franco was at right angles to him, lying in the classic prone position of a marksman. The killer's concentration seemed to be centred completely on the scene below, his eyes close to a sniperscope fitted on top of the powerful Anschütz -22 air rifle. The butt was tucked against his cheek and pressed hard into his shoulder. Franco's finger was on the trigger, ready to fire. Bond could not afford to miss if he fired the Browning. And anyway the rifle could still go off on a reflex action. If Bond jumped the man, he might only precipitate the marksman's deadly shot.

There was no time for further appraisal of the situation. Bond lept up the remaining steps, calling out softly but sharply, 'Franco! Don't shoot!'

The marksman's head swivelled round as Bond heard the dull plop from the air rifle, a sound inaudible to anyone but Franco and Bond, high in the keep. In the same second, on an impulse, Bond flung himself on to the prone figure of Franco, landing with a bone-shattering crash across the marksman's shoulders. In a flash, lying spread-eagled across the terrorist's shoulders, James Bond took in the scene below, looking from Franco's viewpoint down through the rough square opening.

Lavender Peacock was alone in the centre of the cat-walk, pirouetting in magnificent scarlet which drooped in long folds, like a crimson waterfall, around her body. Her arms were outstretched, her feet moving to a haunting jig played by the consort. Slightly to her left and behind her, Anton Murik sat partly turned in his chair, frozen for a moment, looking towards Mary-Jane Mashkin who had half-risen, one hand at her throat, the other like a claw to her chest. Almost exactly in line with Lavender, she was doubling forward, and, in what seemed like slow motion, she teetered, hovered, and then pitched headlong among the chairs.

Underneath Bond, Franco was cursing and struggling to free himself from O07's grip on the back of his neck, '
Mierda
! I hit the wrong one. You'll . . .' His voice evaporated in a hiss of air as he let his muscles relax, then arched his back and jerked his legs to dislodge his assailant. Bond was taken by surprise and thrown off, his shoulder thudding against the wall on the far side of the chamber. Franco was on his feet in a second, his hand dropping to his hip and coming away with a small revolver. Bond, winded from the throw, levered himself from the wall and kicked wildly at the terrorist's hand, loosening his hold on the gun. It was enough to send Franco weaving and ducking down the narrow spiral stairs.

The staircase would be a deathtrap for either of them, and no place for a shooting match. Taking air in through his mouth, Bond regained his lost balance and started after the terrorist, glancing quickly down into the courtyard as he went. The music had stopped, and a small huddle of people were gathered around where he had seen Mary-Jane fall. He could see Lavender, who had come off the cat-walk, and one of Murik's guard, who stood very close to her. Caber was also there, with Murik apparently shouting orders to him. From the main entrance, two white-clad figures came running with a stretcher.

Bond waited at the top of the stairs until he was certain Franco had passed the first landing. Then he began the difficult descent, the Browning held in front of him, ready to fire back, even if one of Franco's bullets caught him in the confined space.

But Franco was being just as careful. He had a head start. Bond could hear him, cautiously going down, pausing at each landing, then quickly negotiating the next spiral.

At last Bond heard the door close below, and took the last section of stairs in a dangerous rush, grabbing at the door, pushing the Browning out of sight and stepping out into the gallery, where a great many people were craning over, or leaving to get down into the courtyard. Franco was just ahead, making for the small flight of steps that would bring him into the archway through which Bond had made his entrance into the Palace. Taking little notice of people around him, Bond went after his quarry. By the time he reached the archway, there was no one to be seen, except the huddled figure of the gendarme, still out cold.

At the far side of the archway, the noise came only from behind. Nothing in front, from the rear courtyard: just silence and the shapes of the heavy trucks lined up along the wall near the gate to his far right.

Franco was there though. Bond could almost smell him, lurking in the shadows, or behind the line of
transports de troupes,
maybe taking aim at this very moment. The thought quickly sent Bond into the shadow of the wall to his right. Now he must out-think Franco. This man was clever, a survivor, a terrorist who, in his career, had passed through whole dragnets. Did he know of the narrow gap between the buildings on the far side, through which Bond had come? Or did he have another way? Would he wait among the shadows or by the vehicles, sweating it out, knowing that only Murik and his present assailant were aware of his presence?

Slowly, Bond began to crab his way along the wall, edging to the right, deciding that Franco would most likely have made for the cover of the vehicles. Eventually the man would have to run a long way, for his contract had gone awry in the most deadly manner. A gelatine capsule, Bond thought. That had been the missile, which reached a low velocity as it hit, and had some thin coating which burst on impact, leaving little or no mark but injecting something probably untraceable — into the victim's bloodstream. It would have to be very fast-acting, for Mary-Jane had collapsed within seconds.

It had been meant for Lavender. Bond had no doubt about that. Now Franco would know that the full might of Murik's private forces would be out to hunt him down, just as they were already in full cry after Bond.

He was getting close to the first truck. If Franco was hidden there he would certainly keep his nerve, holding back a natural desire to be rid of his pursuer by chancing a shot which could only call attention to his position.

But Bond had misread the hunted man. Maybe Franco had been rattled by what had occurred in the ringing chamber. The shot came directly from beside the rearmost
transport de troupes,
a single round, passing like an angry hornet, almost clipping Bond's ear.

Dropping to the ground, Bond rolled towards the trucks parked against the wall, bunching himself up to present only the smallest target and coming to a stop beside the great, heavy rear offside wheel of the first truck. He had the Browning up, held in the two-handed grip, pointing towards the flash from the shot.

Once more Bond set himself the task of out-thinking his enemy. Franco would have moved after firing, just as Bond rolled towards the truck, which was only a few yards from the rear armoured
transport de troupes.

What would he— Bond — do in that situation? The trucks were at right angles to the little line of armoured troop carriers facing the gate. Bond thought he would have moved down to the second
transport,
protected by its armour, and then skipped across the gap between the line
of transports de troupes
and the truck behind which Bond was sheltering. If he was right Franco should at this moment be coming around this very truck and trying to take Bond from the rear.

Moving on tiptoe, crouched low, Bond silently crossed the few yards' gap between his truck and the rear
transport de troupes.
Whirling around, he dropped on to one knee and waited for Franco's figure to emerge from the cover which he had just relinquished.

This time, his thinking was right. Bond heard nothing but saw the shape of the hunted man, pressed hard against the bonnet of the big truck, as he carefully felt his way around it, hoping to come upon his opponent from behind.

Bond remained like a statue, the Browning an extension of his arms, held in a vice with both hands, and pointing directly towards the shadow that was Franco.

Still Franco's reputation held up. Bond was staking his life on his own stillness, yet the terrorist detected something. With a sudden move, the man dived to the ground, firing twice as he did so, the bullets screeching off the armour plating of the
transport de troupes.

Bond held his ground. Franco's shots had gone wide, and the target remained in line with the Browning's barrel. Bond fired with steady care: two pairs of shots in quick succession, a count of three between the pairs.

There was no cry or moan. Franco simply reared up like an animal, the head and trunk of his body arching into a bow from the ground then bending right back as the force of all four shots slewed him in a complete circle, then pushed him back along the ground as though wrenched by an invisible wire: arms, legs and what was left of his head flailing and flopping as a child's doll will bounce when dragged along the floor.

Bond could smell the death - in his head rather than nostrils. Then he became aware of lights coming on, running feet, shouts and activity. He moved, faster and even more silently than before, sprinting towards the minute gap between the far buildings, and so down the sandy track to the Caserne Maréchal Joffre. When he reached the Caserne, Bond slowed down. He was breathing hard. Never run away from an incident, they taught you —just as you should never run after lighting an explosive fuse. Always walk with purpose, as though it was your right to be where you were.

He saw nobody on the way back to the private entrance shown him by the French captain; stepping with a smile into the Rue Waldeck Rousseau. He was home and dry: the street was empty.

Bond had walked four paces when the piercing whistle came from near by. For a second he thought it was a police whistle. Then he recognised the human sound: the whistle of a man who has been brought up in the country, the kind of noise one makes to call in hounds, or dogs, or other beasts. Now it brought in the Mercedes, bearing down on him, lights blazing. A pair of steel-like bands took him from the rear, pinioning his arms to his sides and pressing so that pain shot down to his hands and fingers. The Browning dropped to the pavement.

'I suppose ye got Franco, then. But it'll do ye пае bluddy guid for yersel, Bond,' Caber whispered in his ear. 'The Laird's mor'n a mite upset —and wi' good reason. Ocht man, he's longing tae set his eyes on ye. Just longing for it. I doubt he has some grand plans for ye.'

The car came alongside and Caber propelled Bond into the back seat as soon as the door was opened.