he really great thing about Toby Pilgrim is that you can always rely on him to treat a delicate situation with sensitivity and consideration.
“Woooooaaah,” he says as Nat and I walk into the classroom. We’ve got to school in one piece – just. I’ve talked about the Greek origin of the delphinium flower (
delphis
, because it looks like a dolphin), just how many wives Henry VIII
actually
had (between two and four, depending on whether you’re Catholic or not) and the fact that the Egyptian pyramids were originally shiny and white with crystals on the top. Nat has stared into the distance, nodded and grown progressively quieter, stiffer and pinker around the collarbone.
But the important thing is we’ve managed to avoid talking about modelling or dream stealing or the bone-crushing disappointment of thwarted lifelong ambitions. Or the fact that there’s palpable tension between us.
Anyway. “Wooooooaaaah,” says Toby. “Look at the
palpable tension
between you! It’s like the Cold War, circa 1962. Harriet, I think you’re probably America. You’re sort of trying to make lots of noise in the hope it goes away. Nat, you’re more like Russia. All kind of cold and frosty and covered in snow.” Then he pauses. “Not literally covered in snow,” he clarifies. “Although it’s terribly wintry today, isn’t it? Do you like my new gloves?”
And then he holds out a pair of black knitted gloves with a cotton-white skeleton hand attached to the back. There’s an embarrassed silence while Nat and I put a lot of energy into getting our books out of our bags. All our morning’s hard work has just been totally undone.
Thank you, Toby.
“You know,” Toby continues obliviously, turning his gloves over and over with an affectionate expression, “I had to sew these bones on myself. I was inspired by an old Halloween costume, but it just wasn’t warm enough for December.” He holds a glove up to my face. “Plus, I thought it would be an excellent way of developing my medical knowledge.”
I can now see that on quite a few of the 27 white bones in the hand he’s written in grey pen the Latin name for them:
carpals, metacarpals, proximal phalanges, intermediate phalanges, distal phalanges.
“Very nice, Toby,” I say in a distracted voice because Nat’s already getting out of her seat.
“I’ve just got to go hand in my biology homework,” she says in an awkward voice. “See you at breaktime, OK?”
For the record, Nat and I don’t have any lessons together. Despite trying very hard to get put in the same sets last year (Nat studied more and I did my best to answer things wrong), I’m still in the top sets and Nat is in set two or three for everything.
“OK,” I say. She’s still not really looking at me. “Meet you in the school canteen?”
“Sure,” she says, and then she flicks me a smile and shoots out of the classroom faster than I’ve ever seen Nat shoot out of anything.
The rest of the day can be summarised thus:
By the time the final class comes around and she tells me she’s going to be kept behind after school as well, I’m fairly convinced that Nat is specifically getting detentions just to avoid me. I’m torn between being devastated and simultaneously impressed by her extremely cunning strategic bad behaviour.
Toby has been making the most of Nat’s absence to follow me around like a small kitten follows a ball of wool; he even pats me now and then to check that I’m still there.
“
Harriet
,” he whispers during sixth period English literature. “Isn’t it lovely to spend so much time together?”
I make a noncommittal grunt and doodle another eye on my textbook.
“I really feel that I know you better now,” Toby continues enthusiastically. “For instance, I know that at ten o’clock exactly you tend to go straight to the toilet, and when you come back out, your hair is much neater so I can only assume that you redo your ponytail in front of the bathroom mirror.”
I continue doodling.
“And,” he whispers in excitement, “at five past twelve you go back to the bathroom and when you come out at twelve fifteen, your eyes are sort of pink and gummy around the edges. Which I can only conclude means that you go in there to cry in private.”
I glare at him. “I don’t do that every lunchtime, Toby.”
“No?” He gets out a little notepad and opens it to a page that appears to have a list on it. He draws a line through the corresponding entry.
I can sense that I’m about to lose my temper. I’ve hurt Nat, it’s been a rubbish day and I suspect that Toby is about to bear the brunt of it.
“And,” he continues, “at approximately three pm you go to the bathroom again, but this time you’re in there for the entire break so I believe you might be avoiding me. Either that or you’re… you know. Engaged in intricate bowel activities.”
I can feel my cheeks suddenly flame. He was right the first time, but I’m not happy with that second insinuation. I don’t like talking about bowel activities, regardless of intricacy.
“Could you just leave me alone perhaps?” I whisper and I can feel my voice getting louder with every word. “I mean, is there any chance that you could – I don’t know –
find someone else to stalk
?”
Toby looks astonished. “Who?” he says, looking around. “There’s nobody else worth stalking, Harriet. You’re the only one.”
I grit my teeth. “Then don’t stalk anyone.” My voice is getting more abrasive. “How about you just don’t stalk anyone, Toby? Otherwise known as LEAVE ME THE HELL ALONE.”
And then there’s a silence. Toby looks at me in astonishment. A low snigger ripples round the classroom.
When I look up, Mr Bott has paused writing on the board and is staring at me with an expression that a geek like me doesn’t see very often. One of anger, frustration and a fervent desire to punish.
It looks like I might be seeing Nat after school today after all.
look at Mr Bott with round eyes.
“Miss Manners,” he says icily from the front of the classroom, and I suddenly remember that we’re supposed to be reading act four, scene five of
Hamlet.
“Do you have a thought you would like to share with us?”
“No,” I say immediately and stare at my desk.
“I find that very hard to believe,” Mr Bott says in an even sharper voice. “You always have a thought to share with us. In fact, it’s usually difficult to stop you from sharing it with us.”
“I’ve no thoughts,” I tell him in a meek voice.
“Good to know. That’s what I like to see: a student approaching her exams with nothing at all in her head.”
Alexa looks up from where she’s been texting somebody under the desk and snorts with laughter.
Oh, yes, Alexa’s in the top sets too. Unfortunately, she’s both mean and smart. I have at least another three years left of her to look forward to, and then she’ll probably follow me to university. Although, given the amount of time she spends on her phone in our classes, I can only assume she’s really, really good at last-minute cramming.
“Alexa?” Mr Bott snaps, whipping round to face her. “Is something funny?”
Alexa looks over to me and raises an eyebrow. “No,” she says in a meaningful voice. “Quite the opposite. Mostly sad, I’d say.”
Nice
. She’s managed to insult me in front of the teacher and he hasn’t even noticed.
“Well,” Mr Bott says, but he doesn’t look happy either. In fairness, he rarely looks happy. I don’t think he teaches because it fills him with a deep inner light. “How about Little Miss Shouter and Little Miss Giggles both come up to the front here and give us your perspectives on a little question I have.”
Alexa’s face goes suddenly pale, and as we walk to the front, she’s throwing metaphorical daggers in my direction.
“Now,” Mr Bott says, “turn and face the whole class, please.”
My cheeks are getting hotter and hotter. I turn so that my body is in the right direction, but try to focus on the floor.
“So, Alexa Roberts and Harriet Manners.” Mr Bott sits down and gestures gracefully to the board. “As you are both clearly fascinated by this text, would you like to explain the significance of Laertes in
Hamlet
?” He looks at Alexa. “Please go first, Miss Roberts.”
“Well…” Alexa says hesitantly. “He’s Ophelia’s brother, right?”
“I didn’t ask for his family tree, Alexa. I want to know his literary significance as a fictional character.”
Alexa looks uncomfortable. “Well then, his literary significance is in being Ophelia’s brother, isn’t it? So she has someone to hang out with.”
“How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn’t get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too.”
Alexa’s face suddenly goes bright red and she looks utterly humiliated. I feel really sorry for her, actually.
Mr Bott then turns to me. “It’s your go, Miss Manners. Anything to add?”
I stare at the floor for a few seconds. Answering interesting intellectual questions correctly in public is possibly my single greatest weakness. Every time I do it, I make myself even less popular. But I can’t help myself.
“Well,” I say slowly, and even though I know I should say in my most stupid voice,
No idea, sorry
, I say: “Laertes is a literary mirror for Hamlet. The play is
ostensibly
about Hamlet avenging the murder of his father, but actually, it’s about Hamlet procrastinating instead. Laertes is a sort of alternative universe Hamlet, because when Hamlet murders
his
father, Laertes takes immediate revenge and pushes the play to its conclusion straight away. So as a
literary construct
, I think he’s there to show what would have happened if Hamlet had been somebody else instead. It’s sort of Shakespeare’s way of saying that our stories are driven by who
we
are and what
we
do, and not by the events that happen to us.”
I take a deep breath. Toby starts clapping, but I shoot a look that stops him.
“Very good, Harriet,” Mr Bott says, nodding. “Excellent in fact. Possibly even a degree-level answer, although a distinctly second-class one.” He looks at Alexa coldly. “Alexa, English literature doesn’t have any right answers. But it has a hell of a lot of wrong ones. And your cracker was one of them.”
“Sir!” Alexa exclaims indignantly. “This isn’t fair! We haven’t got to the end of the play yet! Harriet cheated!”
“It’s not called cheating,” Mr Bott says tiredly, putting his hand over his eyes. “It’s called having a vague interest in the storyline.” Then he puts his fingers briefly on the bridge of his nose and breathes out.
“But—” Alexa says, cheeks even redder.
“I can see my time here is well spent,” Mr Bott interrupts. “And on that encouraging note, I am going to go and collect some more textbooks from the staffroom. At least three members of this class appear to be reading
Romeo and Juliet
, hoping I won’t notice the difference.” He sweeps a look of total disdain round the classroom. “Entertain yourselves for five minutes. If you can.”
And then he leaves. Like a circus master who has just bashed an angry tiger on the nose and then locked it in a cage with his assistant.
I turn slowly to face Alexa, and somewhere in the distance – outside of the terrified buzzing that has just started in my head – I can hear the sound of thirty fifteen-year-olds sucking in their breath at the same time.
“Well,” Alexa says eventually, turning to look at me, and I swear she sort of growls. “I guess now it’s just you and me, Harriet.”