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Authors: Jennie Erdal

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There is a Spanish proverb to the effect that the shock that does not kill you makes you. I cannot claim that what I saw that day “made” me, but at the time the shock seemed to threaten my whole being and I felt lucky to survive it. Certainly nothing had prepared me for it. Most of us can identify those moments in life when you trip on the frayed edge of the carpet. It's been curled up for years waiting to catch you, and you've somehow always known that one day it would, but everything has held together wonderfully till that moment when you trip and, as you fall, you can see all the structures of your life coming apart, and you think, if I could just go
back to that moment before I took the tumble. Only there's no going back.

What I saw in my mother's bedroom was much worse than a cache of diamonds, more terrible even than guns. Spread out on the candlewick bedspread was a huge poster-size photograph of near-naked women. The women all had a look of astonishment, as if they had been captured without warning. They were evidently prisoners, confined in some strange constraining garments. The caption on the poster read:
You'll like the way you feel—they'll like the way you look,
and the writing under the photographs was in a strange language I didn't understand: heavy duty girdles, long line brassières, thigh controllers, spiral steel stays, reinforced gussets. Beside the poster there was a measuring tape, a pencil and a large printed pad with lots of columns and figures and diagrams. The suitcase lay open on the floor, disgorging its hideous contents— whalebones, metal suspenders, steel clamps, as well as several long narrow boxes containing the unthinkable garments from the photographs. Each had a label with one of the inflaming words I wasn t allowed to use:
SPIRELLA WEAR MUST BE TRIED ON OVER THE CLIENT'S INTERLOCK KNICKERS.

I felt faintly hysterical. I was scrabbling about in that tiny space between illusion and reality. But in that tiny space two things became clear: that the large lady with the acres of flesh had taken all her clothes off in our house; and that my mother had participated in this outrage. All the evidence pointed to the fact that she had even measured the woman's bits. And I knew too, with the certainty that passes all understanding, that there had to be another world possible, something different beyond, a way of life that was not this one.

Arriving in Tiger's publishing house for the first time was like turning up in someone else's dream. It seemed a very long way down the rabbit hole. There were no familiar points of reference, no compass bearings. It felt high-voltage and slightly dangerous. The first thing to notice was that there were abnormally high levels of emotion—lots of spirited laughter, shrieking and embracing. The atmosphere seemed to teeter on the edge of hysteria, and it was hard to work out the sounds. Were they angry, or were they just loud? None of it made sense to begin with. It did not seem to accord with any place of work, real or imagined. I suppose I had the mistaken idea that only clever serious people worked with books, and that they probably operated in a quiet, meticulous and, well, bookish, manner. I had pictured earnest men of letters, old-fashioned gentlemen, slightly tweedy and with pale skin that was seldom exposed to natural light.

In fact, the building sizzled with youthful vigour, in the shape of stunning, sophisticated young women. They had patrician accents, exceptional poise and uncommonly long legs. Their skin was not pale but healthy and bronzed. And there wasn't a man in
sight. Indeed the mythical Martian, if he had happened to drop in, could not have imagined that women had ever been oppressed, or that their role had once been secondary and passive. Here in this office, in 1981, women ruled. Yet there were no bluestockings, only silk stockings.

The premises were in a run-down part of Soho and extended in a ramshackle way over two buildings, separated by an Italian restaurant and a hairdresser's salon. A faint odour, a mixture of garlic and hair lotion, hung in the air. The offices covered four floors, with staircases slightly aslant and walls off-centre. The furnishings were quite shabby and a layer of black London dust rested on the surfaces. Everywhere there were piles of books and high-rise manuscripts. And, curiously for a publishing house, there were clothes everywhere, suspended in doorways and draped from light fittings, as if the premises might actually be shared with a dressmaker. Boas and belts hung on the backs of chairs, and on several doors there were coat-hangers bearing evening gowns and stylish camisole jackets. In the loo, I found underwear, tights and nail varnish.

Tiger's girls, as he called them, were well-born and highly bred. They included a Heathcot-Amery, a Bonham-Carter, a Sackville-West and a Vane-Tempest-Stewart. There was still a lot of class about in those days. A de Chamberet, a Ferdinando and a von Stumm added an exotic touch. Nearly everyone, it turned out, was the daughter of an aristocratic or similarly prominent family. “Famous Englishmen write to me about their daughters,” Tiger had told me when we first met. “What else can I do?” he said, “I have to find a job for them.” And he shrugged his shoulders in a gesture of resigned benevolence, as if not to employ them might be considered a perfidious act, a crime against the ruling classes.

Tiger had a conglomerate of companies connected with publishing, fashion, films and theatre. He had been dubbed “a cultural tycoon” by
The Times
newspaper and he lived up to his dubbing assiduously. The ethos in the empire was not one of profit and loss, but of name and fame. In the latter, so it became clear, he was greatly assisted by these daughters of famous men, for they were scarcely ever out of the gossip columns and they always knew somebody who knew somebody. Even when they were not at work they were still working—at dinner parties, first nights, charity events, gallery openings, fashion shoots and hunt balls. Their most important work, as Tiger himself affirmed, was done out of office hours, for they ensured that news of his latest exploits was trawled through London's most fashionable hotspots. The smart outfits hanging from the office doors began to make sense.

I was introduced to Cosima, Selina, Lucinda, Davina, Samantha and two Sophias. There seemed to be a conspicuous homogeneity of Christian names. Surely there ought to be a collective noun for this phenomenon, I thought, this concentration of cognates. An assonance perhaps? An artillery? I then met Andrea (a Baroness) and Sabrina (an heiress) and, in due course, Alethea, Rebecca, Nigella, Eliza, Candida, Mariella, Zelfa, Georgia, Henrietta and Arabella. It was a lot to take in, the sort of list I would have been made to learn by rote at school, like books of the Bible or irregular Latin verbs. When walking around London, I sometimes recited the names to myself, trying to fix them in my head, marvelling at the sound patterns they made. After a while I found it was possible to turn them into the wonderful metrical patterns of English poetry—for example, you could get a perfect trochaic tetrameter if you started with:

Arabella, Henrietta

Cosima, Lucinda, Georgia

as in the
Song of Hiawatha:

By the shore of Gitche Gumee

By the shining Big-Sea-Water.

And by playing around with the stressed syllables you could achieve the more dramatic metre of “The Charge of the Light Brigade”:

Half a league half a league (Candida, Cosima)

Half a league onward. (Sélina, Georgia)

Names of course are not neutral; they are charged with meaning. And when there is more than a random occurrence of the same denomination it can seem as if they have a special aura. Davina and Sabrina were not just names, but seemed to contain the mystical properties of Davinahood and Sabrinaness. There was, too, a look that went with these abstract nouns—perhaps it came from generations of selective marriage and careful breeding. Each person was beautiful in her own particular way but there was also a generic beauty. It had something to do with bone structure and posture and ease of movement. You could tell that the bloodlines had been kept pure.

“Do you like my girls?” Tiger asked not long after I had started my new job. He was wearing crocodile skin shoes and odd socks in purple and yellow. “They are amazing, isn't it?” We were sitting in
a much smarter building a few streets away, in his penthouse office with the tiger skin on the wall above his head. Without waiting for an answer, he continued, “And here is my
most
amazing girl!” At this he grabbed hold of Henrietta, his personal assistant, and tugged her hair. “She looks so soft,” he said, “but underneath she's a tigress. Only I can tame her!” And as if to make the point, he squeezed her tight and smacked her bottom. Henrietta did not seem to mind.

In truth everyone loved to please him, and he loved to be pleased. It was fascinating to watch, and it had the feel of a phenomenon, something bordering on the fantastic. There was a cult of personality in place, and the worshippers came from all over to demonstrate the strength of their veneration. The air thickened with encomia as they vied for a mark of favour, a preferment for a friend, a sister, a beautiful daughter. When he uttered the simple words, “I will see what I can do,” he gave hope to the worshipful and was hailed as a saviour. It was evidently an honour to have an audience with Tiger, a latter-day opportunity to pay homage at the imperial court. And it was an empire of sorts—not quite Versailles perhaps, but with rules and routines that were in some respects just as precise, and just as remote from ordinary living.

At the palace there was a retinue of attendants—valets, scribes, equerries, foot messengers, maidservants, not to mention a chamberlain figure, who had the difficult job of balancing the books. Things had to be done in a particular way and at a particular time, and the various ceremonies were attended by the modern equivalent of curtsies and bows. The emperor's exactitude came over as an amazing thing, a glorification of reverent observance. At the touch of a button, a maid on stiletto heels delivered an apple cut into eight segments and carefully arranged on a silver plate. A different
signal summoned a beautiful vision bearing a tiny gold-encrusted cup containing black coffee to which, under her master's gaze, she added two drops of rose water in the manner of a holy rite.

Life at court was ordered in such a way as to delight the emperor. Mastery of detail was ranked highly, and if ever the detail was mismanaged a heavy price was exacted. Even the minutiae of the court were accorded great importance: the way an envelope was sealed, the positioning of the blotting paper on the leather desk, the hanging of an overcoat in the cloakroom—each task was managed with painstaking care. Everything was codified into a precise system on which the smooth running of the empire depended.

The emperor's personal grooming was also a matter for the most careful attention. Each morning before arriving at work he went first to the barber and then to the hygienist. In those days I was a bit unsure of what a hygienist might do—it is one of those words that sounds so very clean that it might actually be dirty. As far as I knew we didn't have hygienists in Scotland, but so frequently and cheerfully did Tiger say, “I have just come from my hygienist” that I was fairly certain there could be nothing shameful involved. Eventually I asked one of the girls in pearls, who said matter-of-factly, “Oh, it's teeth. He goes to get his teeth cleaned.”

The barber was an even more important figure in Tiger's life, a man of near magical powers. Throughout the eighties Tiger had one of the most spectacular cover-ups in the country. He was not yet ready to accept that he was bald on top—that would take another dozen years or so—and the concealment of this fact must have presented a serious challenge. But the challenge was well met: the hair, crinkly and wiry like a pot-scourer, was persuaded to
travel from a line just above his ear to be pomaded into place over the crown. It was a substantial thatch, by no means the few lean strands that are combed over many a male pate. People in ancient times used to believe that good and bad spirits entered the body through the hair on one's head. But Tiger's canopy was thick enough to prevent any spiritual traffic, good or bad. In fact it looked as if it could be its own biosphere, capable of supporting diverse organisms. In fresh winds, it became separated from its base and hovered independently, like a flying saucer preparing to land. In addition to having his hair fixed every day, Tiger had a shave there three times a week. He had complete faith in his barber. “He is wonderful,” he would purr. “I adore him. You know, he heats the shaving cream and wraps my face in a warm towel.” Whenever he spoke of his barber, a beatific smile crept onto his lips. “He looks after me so nicely. I feel soothed by him.” Long ago the barber was regarded as the most important man in the tribe— medicine man and priest rolled into one. Some of this belief lived on in Tiger.

It was with Napoleonic thoroughness that Tiger controlled every aspect of the day-to-day running of his empire. He maintained absolute authority in a number of ways: by keeping the court guessing about his next move, by never showing his hand completely to anyone, and by possessing a medieval
savoir-faire.
There were at least two Tigers: one was the exotic, flamboyant, quixotic, lovable character, defined by his generosity, compassion and energy; the other was a vainglorious dictator. The latter was generally in the shadow of the former, but both versions were real.

His natural inclination was towards lavish extravagance, and he encouraged immoderation in others. “How much will it cost?” he often asked when a member of staff went to see him about something,
usually to do with publicity or marketing. “Two thousand pounds! Is that
all
? Then
do
it, darling! What are you waiting for?” But every so often there would be a crack-down, and he would rail against expenses claims, overuse of the telephone, fringe benefits and sundry perks. “What! Take an author to Bertorelli's? You must be
mad!
Where am I supposed to get the money to pay for these bloody authors and their bloody lunches?” Storms broke and storms blew over, leaving always a little wreckage behind, but nothing so devastating as to bring about any radical change.

Naturally, the empire offered excellent conditions for the propagation of envy, resentment and all manner of psychological warfare. Tiger himself loved to stir up jealousies among the girls—it amused him, he said, his eyes quick with mischief. Gossip and rumour were just as good as the truth, and more interesting. When someone was summoned to the palace, for example, all eyes and tongues were turned on the chosen one. Tiger knew this and exulted in it, invariably enquiring into the repercussions of some intrigue he himself had set in motion. People could be playthings, their feelings a rich man's sport. “Was she upset?” he would ask gleefully. “Did she weep?” On being told that, yes, she was, and yes, she did, he was eager still for more. “You are
sure
? You saw her tears?” There was no harm intended; it was simply an entertainment for him.

It was regarded as an honour to be asked by him to do something, however trivial, and a noticeable
frisson
would percolate through the Soho offices whenever a call was received from on high. There was a particular deportment that marked the imperial guard, a sort of latter-day flattery and lickspittling, a way of behaviour I soon learned to adopt, in spite of its being utterly against my grain. What he said was deemed to be oracular, and he had only to
mention that he wanted such-and-such for the thing, whatever it was, to be pursued and hunted down with Holy Grail zeal. “Find me an orchid, darling!” he would command, his voice full of life-or-death urgency. “I
need
an orchid—the best in town.”

BOOK: Ghosting
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