Ghosts of Manhattan (23 page)

She smiles at my comment, willing to pretend that she thinks I was trying to be funny. Is it possible that Oliver is in Florida helping a friend in need and being a good guy? No way. He's a fraud. He's a movie set of a western town.

“The Everglades Club is sort of stuck-up, isn't it?”

“Oh, well, we always have a nice time there. Oliver has made some very nice new friends.”

I know she knows. We each know everything the other knows and I'm sick of this game. “Sometimes people can have more fun with new friends than with old friends. Don't you think?”

At this point it would be reasonable for her to tell me I'm rude and ask me to leave, but she acts dumb. I'm sure she'd like to kick me out, but she's not comfortable doing it. I feel a little like a bully, but I'm just trying to shake some sense into her.

“I don't know. I love new friends and old friends.”

“What about Oliver?”

“What about him?” This isn't a challenge. It's asked timidly, hoping I won't answer in a cruel way.

“Has he found new friends to love?”

“Nick, I don't know what you're insinuating, but you sound awful.”

“You don't know what I'm insinuating. Not at all?”

“I do not.”

I pause and shake my head, piling on as much judgment as I can. “You two have the perfect codependent dysfunction. You pretend to like the same things and dislike the same things and you accept each other's lies and wear it around thinking nobody's going to notice. Even worse, you recycle his crap and expect to be congratulated for it. But you know it's lies, don't you? He hands it to you and you know it and you don't care. It's not real.”

She's at a loss for words. Then she finds one. “Asshole.”

“Asshole? Oliver tries on new personalities like a change of clothes. I'm the one helping you and I'm the asshole?”

“You like being ironic?”

“I can't stand it.”

“I'd like you to leave.”

“Of course.” The door is still cracked and I'm through it. I wonder if she'll tell Oliver about our little chat. Probably not. Probably I just made her more alone and unhappy.

In theory, there's no difference between theory and practice. In practice there is.

—Y
OGI
B
ERRA

January 28, 2006

MY MARRIAGE IS ABOUT TO SHATTER AND I MAKE A
connection to my parents that I have never made before. It isn't that any of the four people in the two marriages are at all similar, but there is a dynamic that is relevant. My father's easygoing way, which I have always counted among his best qualities, I now call into question. My mother is a bitch, and in plain view. Not once did my father ever challenge her on this, even when on the receiving end of her coldness. Not a single word of reproach. Now I see that he taught himself to deny that my mother was a bitch at all. Rather than have the conversation, he was more comfortable living in a self-fashioned fantasy. I now understand that he could have done better by all of us.

Julia's parents to me are just something to be suffered. If anything, the roles are reversed and her dad is the active pain in the ass while her mom goes along.

Our dinner plans with them have been set for this Saturday. This is the type of thing I usually might find an excuse to miss, but tonight I sense it is an opportunity. Blindly doing the opposite
of what my impulses have been in the past seems like a sound plan, so I try to be cheery about the dinner. The problem is I hate spending time with her father even under normal circumstances. The mother isn't actively horrible but she's complicit in her husband's jackass behavior and so I can't stand her either. My cheeriness sounds a little hyper and false.

I had made sure to come home late Friday and she was up early Saturday, so this afternoon is our first time together since my reading the diary. I've been avoiding her, steeling myself for how to act around her. She doesn't know I've seen the diary, so her interpretation of my avoidance could be anything. Probably she thinks I'm just sour about having to spend the evening with her parents. There's some truth in that.

It's an hour drive to the restaurant in Oyster Bay. “It feels nice to drive out of the city. It's a mini getaway.” It feels like I'm working for every minute.

“It's nice to get a change of scenery,” she responds, and I pat her left knee with my right hand, keeping my eyes still on the road.

“It'll be good to see your dad. It's important.” My new rule is to say only positive things. If I have a negative thought, I'll filter it before it gets to my mouth.

We're through the Midtown Tunnel and on the Long Island Expressway going east. I'm in the passing lane doing about seventy. In the rearview I see a black Nissan bombing up the right-hand lane. It has a spoiler on the back and performance tires with fancy hubcaps. It has racing stripes down the side. It has a weird suspension like it's meant for drag racing. Probably a twelve-thousand-dollar car with twenty thousand worth of extras. Absurd. I think all of this but don't say it, keeping with the new rule.

The car is screaming up toward us and there is a gap where he can pass me on the right and slip into my lane before he reaches
the car in front of him. There's a car about fifty yards in front of me, so he'll have to switch lanes back again. I hate this kind of idiot driver.

I press down on the accelerator to get even with the car in the right lane and close the gap to pin in the Nissan. I want to see him smack his steering wheel and scream into the dashboard.

I had meant to subtly accelerate, but the rpm needle jumps and the pitch of the engine makes everything feel urgent. Julia moves her hands from her lap to the sides of her seat and hangs on.

“Crap,” I mutter under my breath. I get off the accelerator and touch up the brake. The damn Nissan is on us in a second and its engine sounds like a blender. I see the teenaged bastard behind the wheel, and he slips into our lane in front of us with about three feet between his bumpers and the cars on either end. He's in our lane for about a three count before he passes the car to his right and is back over in that lane again. I feel a little proud of myself for granting passage. Julia's hands come off the seat. I think she's relieved but hardly proud.

The restaurant is cedar-shingled and looks like a converted old inn. The parking lot is a driveway that has been expanded for more cars and winds around the side of the building. I pass a few open spaces and park around the corner from the entrance. There's no benefit to doing this. I realize when I've stopped that it just isn't the way a person who wants to get inside would do it. I shut off the car but don't make a move for my door.

She turns to me. “You ready?” She's trying to sound cheerful too.

“I'm hungry.”

“Nick, at least try to fake it. Just for a couple hours. Please.”

“It'll be just fine as long as he doesn't talk much.”

“Just take the high road.”

“I'm kidding, I'm kidding.” I flip the door handle and get out.

Alistair Pembroke, the great retired attorney and royal pain in my ass, is already there seated on a wooden bench along the wall in the waiting area. His legs are crossed knee over knee with his hands resting uncertainly on top as though the legs are something extra, a piece of luggage next to him on the bench and not connected to the rest of his body. He's tall and tan, with thinning black hair combed straight back and small amounts of gray at the temples left skillfully undyed. He has a long, thin nose that isn't so bad on a man and fortunately didn't get passed down to Julia. He's wearing a blazer with a black turtleneck shirt underneath. The outfit looks ridiculous on a man nearly seventy. It belongs in Miami Beach on a man half his age running a nightclub.

While he sits, Patricia Pembroke is up across the room like his receptionist checking on the table with the host. She's at least dressed sensibly in the sort of pants and blouse you'd expect from a woman her age. Julia gets her looks mainly from Patricia. Tall, thin, athletic, pretty eyes, pretty lips. She looks much like Julia might in thirty years. She has a nice way about her too, but I can't forgive her the sin of what she chose for a husband. Show me who you love and I'll show you who you are.

The one positive thing I can say for Alistair is he didn't drop Patricia for the fresh-faced secretary. Knowing him, he probably had affairs, he just never had the guts to be honest with everyone, especially himself, to go the whole distance and set everyone free. But Patricia sticks around for it. They don't seem very loving, more as though they have a good professional relationship but one that obviously fills needs, because they're both here.

Alistair uncrosses his legs and stands. All his movements seem to happen sequentially like a kid moving the parts of a toy robot. I go to shake his hand and muscle up a smile. I can't stand the
way he talks, always in run-on monotone sentences that force the listener to do the punctuation for himself. It has a schizophrenic quality and is probably why he couldn't be a litigator and why he worked in corporate law.

“Good to see you Nick glad you both could make it out this way and I suppose traffic wasn't too bad and you were able to keep my daughter safe must be nice to have a little break from that city if only for a night, eh?”

“Good to see you, Alistair. Patricia, you look nice.” She had appeared at our sides for the handshake like the dutiful aide. I give her a kiss on the cheek.

“How are you, Nick?” Patricia always seemed to like me. She seems to get along with all men, especially those she thinks are handsome. But she's also cautious of the tension between me and Alistair.

“I'm getting by.”

Julia hugs each of her parents and we start for the table, a round one in the middle of the room. Fortunately Alistair is quick to order a drink and I get bourbon on ice. Neither of us wants to be here, but it's the only way he can see his daughter. I have no reason for being here.

“So Nick how are things on Wall Street seems like a good year never does seem to matter though you traders can move it around whether it's going up or down.”

“Should be an okay year. I'll fax over my W2 if you're interested.” He irritates me. I can't help it.

“Ha nothing like that very funny though it seems like only you and the baseball players get paid no matter what got a guy getting ten million and bats two hundred ought to give it all back for turning in a rotten season like that what a joke, eh?”

“Well, I couldn't get into law school.”

“I say I was there in the heyday of it all billion-dollar oil and gas mergers and saving thousands of jobs at airlines through structured bankruptcy and fighting Carl Icahn in a proxy war to take him for a billion it was fun and one hell of a time we did things.”

Alistair's stories seem to grow by twenty percent each time I hear them. With compound growth, a person needs to know him only a few years before they've doubled and tripled in grandeur. I can hardly tolerate his indulgences to preserve some legacy for himself. Corporate lawyers really have a chip on their shoulders about having done anything exciting. I look at Julia and widen my eyes, which I hope communicates to her that I'm nearing a breaking point already and she better jump in and shut him up.

“Mom, you look great. Where'd you get those earrings?”

The drinks arrive and I order another one before taking the first sip. Patricia glances at me but I've already decided that if I'm going to make it through dinner, I need to focus on me and my survival and there might be collateral damage in doing so.

“Honey, I've had these earrings for years. Your father gave them to me on our tenth anniversary.”

Alistair reaches over in a fumbling way to touch one earring, and I half expect him to yank Patricia out of her chair the way one of the Three Stooges might pull another by gripping a nose or an earlobe.

“Yes yes beautiful they are the way a man needs to be for a woman there's a sparkle and I remember the jeweler was a good man and he and I designed a few pieces together you remember dear.” Of course any comment at the table he needs to relate back to himself. I think the only way to contain him is not to make any comments at all.

The waiter arrives, so I barge in to announce that I won't have a salad or appetizer and I order my entrée. This seems like a good
way to shorten dinner by thirty minutes. Alistair is put off by my behavior, but the girls go next and go along with just an entrée and so does he. It feels like a small win.

I have the pork, which turns out to be very good, and I switch to wine. I don't know what the others are having or what they're saying. I'm playing a game with myself to think back through a whole story start to finish, whichever story comes to mind first, then come back to the table and conversation to see how much time has passed. It's usually only two or three minutes, so I keep playing. No one seems to mind.

The entrées are finished and taken and Alistair orders dessert. He eats it slowly, and I notice Patricia is looking concerned for Julia, several times placing her hand on Julia's forearm in a comforting way and without prompting. Julia looks happy for it, which isn't normal, and I can see it makes Patricia feel happy and needed. It makes me want to leave faster.

The waiter delivers the check directly to Alistair though I had wanted to pay. I don't want him to feel like he's doing anything nice for us. “I'll get that, Alistair.” I reach over with my credit card.

“Nonsense the least we can do you coming all the way out here to sit with us.”

Short of ripping the bill from his hands, I'll have to let this go. Alistair completes the tip and transaction with the waiter, then quietly surveys the table with his hands folded in front of him like a rancher looking over his pasture from up in the saddle of his horse.