Gods and Monsters: Unclean Spirits (19 page)

T
HE KID TALKS
as he walks.

“So, there’s this fuckin’ homeless guy, right? He lives here. He
lives
here. He lives
here!
Fucked. Up. He’s got this, like, huge beard and these wild eyes and he’s got all these blankets and rags wrapped around him. Sometimes you can find him by the smell ’cause, like, he smells
so bad
—I mean, I guess the only showers this nutball gets is when it rains like this, right? Hey, dude—if you’re not here for the Hermit, what
are
you doing here?”

They dart into the nearest building and cross an old factory floor: defunct extruders and wire-cutting machines rear up to the left and right, massive metal skeletons, all spider-like, as if they might come alive at any moment—hungry for a meal of flesh. Far above them hang catwalks that sway and squeak. In here the rain is a dull, distant roar.

“I’m a...” Cason thinks. “An urban explorer.”

“Dude. That’s awesome. Like those spelunker guys from Detroit. Fuck yeah.”

“Hey, what’s your name?” Cason asks.

But the kid doesn’t seem to hear him. He hangs a sharp left through the machines, keeps blathering. “So this Hermit, right? Some people say he’s like, not even alive. That he’s just a ghost, but that’s bullshit because we’ve seen him. We’ve
talked
to him. Other people say like, he’s the last of the wire factory workers. Like, they closed up shop and he didn’t have anything or anyone and he fuckin’, you know, he just fuckin’
stayed
. But the weirdest story says that he’s a mass murderer and shit. Like, he killed a bunch of people and this is where he hides out—his mind couldn’t handle it and even
he
doesn’t remember who he is or where he came from. Fucked up, right? Fucked.
Up
.”

Fucked up, indeed.

At first, Cason thought—maybe this so-called ‘Tacony Hermit’ can lead him to Nergal. If this derelict factory is his home, well, maybe he could point the way. But now, a new theory: the Tacony Hermit
is
the god of death. Lost. Insane. Like the way the Sasquatch Man became polluted by the area around him. Turned into a shut-in.

That sends a chill scrabbling up Cason’s spine.

“This way,” the kid says, taking another hard right toward a door. “My buddies are over here. We’ll take you to see the Hermit. I think we know where he is.”

The kid throws open the door with two hands. The sound echoes:
kachoom
.

Inside, a room lit by a barrel fire. All around, the ghosts of big aluminum bins and rack upon rack of rusted, coiled chain-link fence. Storage area. Once upon a time, the wire came off the line, got bundled by one of the machines, then hauled in here—Cason sees a break in the wall above their heads, where a hanging track carried wire spools between rooms. Now the track—and the catwalk above it—has buckled, kinked like a garden hose.

Gathered around the barrel fire are two other kids. Late teens, by the look of them, their faces lit from underneath by the flickering orange glow. One kid’s got straight brown hair framing a long lean face, and is wearing a Cannibal Corpse shirt. The other kid’s shorter, fatter, showing off a shorn scalp and a blank white t-shirt.

Embers swirl around them—fiery snow turning swiftly to ash as it disappears. Holes in the barrel show off the molten light of burning wood.

“Dudes!” Operation Ivy yells. “This is—” He turns. “Who are you again?”

“Cason.”

“Cool name, cool name.” He turns back to his buddies as they approach. “This is Cason! He’s like, a fuckin’ urban spelunker and shit.”

Cannibal Corpse offers a fist to pound. “Cool. ’Sup.”

Shorn Scalp smirks, offers not a fist to bump but a hand to shake. His voice is high-pitched yet gravelly, too, like he’s a smoker—a fact fast confirmed as he precariously lights a cigarette off the barrel fire. “That’s pretty rad. You here to see the Hermit?”

Cason shrugs. “I am now.”

“Cool, man, cool.” Shorn Scalp puffs on the cigarette like he’s mad at it.

Cannibal Corpse pokes at the fire with a hunk of rebar. Cinders belch forth.

“Where you kids from?” Cason asks.

“Around,” Cannibal Corpse says.

Shorn Scalp chuckles. Raspy. Like a saw cutting rough wood.

Then nobody says anything. Or makes any other move.

“I’m ready to roll,” Cason says, interrupting the silence. “We good to go?”

He feels Operation Ivy come up on his side, close enough for their elbows to touch. Cason pulls away. Shorn Scalp gives him an irritated look.

“I dunno,” he says. “You
ready
to see the Hermit?”

“What is he, the Wizard of Oz? I’m ready.”

Cannibal Corpse shakes his head. “I’m not sure you are.”
Poke, poke
. The barrel coughs fireflies of ash. “You a religious guy?”

“What’s that have to do with anything?” Unease crawls under Cason’s skin.

“The Hermit,” Shorn Scalp says, “is special.”

“
Real
special,” Op Ivy says.

Suddenly, something Frank said rears its head: how some gods are content to toy with just a few of us at a time and build up little cults of personality...

Little cults of personality.

Cason fakes a laugh. “You guys are creeping me out a little.”

“Hermit ain’t like you or me,” Shorn Scalp says.

“Yeah,” Op Ivy says. “Fuckin’
yeah
.”

Cannibal Corpse chimes in. “He’s got flies in his beard. Lightning in his eyes. Disease on his breath.” With each word, the kid taps the barrel with the piece of rebar.
Whong. Whong. Whong
. Whorls of hot ash rise with each hit. Shorn Scalp bends over, fakes playing the guitar. Op Ivy gnaws on a thumbnail and giggles like a girl.

Cason feels his teeth hum, mouth slick with spit. Pulse beats in his neck. “You guys know the Hermit’s name?”

“Ner-uru-gal,” Op Ivy says between giggles.

“
Nirgali
,” Shorn Scalp says, letting smoke drift from his mouth and nose-holes.

Cannibal Corpse nods. “Lion. Dragon. Storm lord. Dead king.”

From behind Cason, another voice, a girl’s voice: “Lord of the Great City.”

Another voice from the shadows, this one a boy’s: “Lord of Cutha.”

Cason turns. Sees more of them coming. The girl in a too-long Hello Kitty shirt, punky pink hair in a single side ponytail. Next to her, a boy—shirtless, scrawny, ribs showing, khaki shorts bulging at the pockets. Two more behind them—Cason sees a girl with a Superman shirt and a mini-skirt, and behind her, a boy with a blaze-orange vest.

They begin to chant. All of them.

Ner-uru-gal.

Dan-nu-um

i-na ili ga-ba-al

la ma-ha-ar.

Again and again. From hissing whispers to speaking voices to an angry, belligerent mantra. Drowning out the sound of distant rain, hiding Cason’s own drumming heartbeat.

They encircle the burn barrel.

Cason, his back against it. The heat licking his neck, fire between his shoulder blades. Sweat dribbles down his back.

Then the chants end suddenly. Cut short, as if with a blade.

Cannibal Corpse clucks his tongue. “You shouldn’t have come, human.”

Cason turns. Is about to say something.

But then Cannibal Corpse cracks the barrel with the rebar—a cloud of hot bright ash rises, and from the boy’s mouth keens a loud howl, a hard wind of breath—

Cason’s vision is all embers, all fire, his hand up, his eyes blinking away ash—

Hands shove him.

Someone pulls at his hair. Blind, he stabs out with a fist, finds nothing there.

A foot kicks against the back of his leg. His hip drops; he almost falls.

His vision clears—

This is no cult
.

Cannibal Corpse has the face of a lion.

Shorn Scalp puffs on a cigarette pinched between bird-like talons—his mouth still human, his hands most certainly not.

Op Ivy has pig tusks and all-white eyes.

Hello Kitty has a tiger’s head, its muzzle flecked with red.

Shirtless has a pair of insectile mandibles.
Click, click, click
.

Supergirl has glossy black crow’s eyes and feathers tufting over her ears.

Blaze-Orange has cracked hooves and lobster-claw hands.
Snap, snap, snap
.

They begin to circle. Like sharks swimming clockwise around a sinking boat. Cason feels his face stinging from where little motes of burning residue marked him. Orbs of light bob before his eyes. Shorn Scalp swipes at him with a claw—not to connect, just to threaten. Cason backs away, almost hits Op Ivy, who snorts and giggles.

Cannibal Corpse speaks—the lion mouth moving, but human words coming out.

“We are the Sebittu. We are the Seven.”

“
Dude
,” Op Ivy says, slick tusks pushing at his upper lip.

Shorn Scalp flicks away the cigarette.

“You want to see Ner-uru-gal,” Cannibal Corpse says. “You have to go through us.”

The lion-face roars, and they advance.

CHAPTER TWENTY

Stuck Pig

T
HE
T
OYOTA HISSES.
Above it, a whisper of steam from under the hood. Below it, a spreading pool of neon green—like the blood spilled from a gut-shot alien.

Alison sobs.

She had just passed Dayton, Ohio, headed toward the Indiana border, when all
this
happened. The car overheated. Needle into the red. All the vehicle warning lights going off at once—moments later, the engine started to gutter. And now, here she sits. The Toyota just a lump of dead metal on the side of the highway.

So, she cries.

A hard, heavy cry, like rain on a metal roof, like hail against the side of a house. She misses her son. She feels the hole in her mind. Everything seems impossible and out of control—a windmill spinning faster and faster until the slats and blades start to squeak and complain and break off, falling toward the earth. Her hands grip the wheel. Her forehead presses against her knuckles.

She hits the dashboard with the heel of her hand. Once, twice, thrice. A tiny childish hope inside her that she, like the Fonz, has the ability to make things work just by hitting them. It used to work on Nintendos and VCRs.

It does not work on the Toyota.

She keeps crying.

Eventually, the sobbing tapers. The tears dry up. She blows her nose.

Then she calls Triple-A.

T
HE MECHANIC LEANS
over the desk. The minty tobacco stink of chaw rises up off him, mixes with his cheap cologne, does little to settle Alison’s already agitated stomach.

“Distributor’s busted,” he says.

She knows that. The other mechanic two hours ago said as much.

“How long?” she asks.

“That’s the thing. We don’t carry the part.”

“It’s not an uncommon car.”

“No, but it
is
four years old and that part...” He licks along the inside of his gums. “It breaks a lot.”

“So you should have ordered a lot.”

“Lady, we
did
,” he says, starting to look irritated. “But the part’s back-ordered. That’s not us, you understand. That’s them. The manufacturer.”

“Fine.”
It’s not fine.
“How long?”

“A day. Maybe two. We checked with the local dealers, with a couple other garages and—no go. But we got a guy out in Scottsdale who has the part, so he’ll send it up. Just depends on if UPS plays nice or not, getting it here.”

“Arizona? That’ll take…”
Forever.
“I can’t be here. I have somewhere to be.”
Somewhere insane. Somewhere that doesn’t make any sense. An address in the middle of Kansas.

“Well, you’re not getting there in your car. Not today, at least.” He looks out the window, points. “There’s a Red Roof Inn across the highway. I can have one of my guys drive you over there.”

“But...” Her voice trails off. She doesn’t have the energy for it. “Fine. That’ll be fine.” Suddenly she remembers her manners. “Thank you.”

T
HE
R
ED
R
OOF
Inn. Night. The room is loud. Ice maker in the hallway humming. The susurration of traffic from the highway nearby. Through the wall, a couple yelling at one another, then screwing hard against the wall, then yelling at one another again.

Doesn’t matter. Alison can’t sleep. Doesn’t even bother trying.

She paces the room like an agitated zoo panther.

This is all a mistake.