Golden Boy (31 page)

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Authors: Martin Booth

BOOK: Golden Boy
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Explained thus, it made perfect sense to me.
The banking hall was vast. The sound of voices was muffled by its immensity. Huge, square, dark brown marble pillars held up the ceiling – and what a ceiling it was: barrel vaulted and covered in a gargantuan mosaic. In the centre was an elaborate golden starburst set against an azure backdrop, around the sides was a multicoloured frieze of figures engaged in all manner of Oriental and Occidental craftwork and industry. The ceiling never failed to stun me. I would often take a detour through the bank on my way from the Peak Tram to the Star Ferry just to pass under the reflected glow of the mosaic.
Once, accompanying my father to the bank, I announced my determination to be an artist.
‘What on earth prompted that ridiculous idea?' he exclaimed, busying himself at the counter with his cheque book.
‘That did,' I said, staring mosaicwards.
He did not look up.
‘Well, put that notion out of your head. No-one gets rich by being an artist.'
‘There's more to being rich than having a lot of money,' I answered.
The teller accepted his cheque. He turned to face me.
‘No, there isn't,' he said succinctly, ‘and anyone who says there is is a bloody fool.'
‘Mum told me there is,' I said.
‘Yes, well your mother doesn't have to earn it,' he rejoined.
When he had collected his money and put it in his wallet, I said, ‘Look up at the ceiling, Dad.'
He did so, briefly.
‘Very impressive,' he remarked offhandedly.
Once outside, as we walked to the car parked in Statue Square, I mused, ‘I bet the artist was paid a lot of money to make that ceiling.'
‘Probably drank it all and never did another thing in the rest of his life.'
That, I considered, was ripe coming from an experienced pink gin downer but refrained from saying as much. I was fast learning the art of knowing when, as my father put it, to keep my trap shut.
 
 
Not long after the forced-labour day on Chow Kung Chau, another trip was arranged by launch to the adjacent island of Hei Ling Chau. It was sparsely populated and consequently the location of a leper colony – and it was this we were to visit.
My mother heard of the trip from a newsletter sent out to naval wives and immediately announced we were going. My father was reluctant in the extreme. He and disease were not close relations, he declared, and he was damned if he was going to spend his Sunday leisure time wandering around staring at those who were.
‘What's a leper colony?' I asked.
‘It's where they lock away the poor buggers who've caught leprosy,' my father replied, hoping this would deter me from joining my mother.
I asked what leprosy was.
‘Leprosy,' my mother answered, giving my father a look that precluded his interrupting, ‘is a disease caused by bacteria. There are two kinds – dry leprosy and wet leprosy. If you have the dry sort, your nerves die off bit by bit and you become paralysed. Or, because they have no nerves in them, parts of your body wither and drop off. Most common is you lose your nose and fingers and toes, but you can have a whole arm drop off. If you have wet leprosy, your entire body is covered in running sores and ulcers. That kind is dangerously contagious, meaning you can get it just by touching someone with it, but the dry is very hard to catch indeed—'
‘And your mother wants to take you to meet some people who've got it,' my father butted in, no longer able to contain himself. ‘Really, Joyce, sometimes you take the bloody biscuit. Anyway, you're not going. I shall simply refuse to allow it. I'm not having our son exposed—'
‘Don't talk such bloody bosh. We'll be perfectly safe. You think the people who run the leprosarium will put visitors at risk?'
‘Why do you think they lock all the poor bastards away on a ruddy island?'
‘They don't lock them away. They look after them and cure them.'
‘And once they're cured, they just become beggars,' my father retorted. ‘You can't do much with only one arm and half a leg. Better to let them die.'
My mother pursed her lips and replied, ‘Sometimes, Ken, I wonder what I saw in you.'
A fortnight later, on a Sunday of bright sun and high scudding clouds, we were all three of us cutting through a choppy sea aboard a naval launch heading for Hei Ling Chau. On arrival at a short jetty, we were met by a Chinese man who helped us to
disembark under an archway of gold and scarlet bunting. A dozen other private launches rode at anchor.
‘Welcome to our fete!' the Chinese man said as we stepped on to dry land.
‘How do you spell that?' my father muttered. ‘
Fate or fête
. I really do not see why they don't just have a bloody flag day like anybody else. This really is bloody madness, Joyce.'
Ahead of us were some low buildings surrounded by stalls. Everything was decorated with strips and banners of gold and scarlet crêpe paper, catching the sunlight as they rippled in the breeze. Several hundred people milled about, trying their luck at a coconut shy, a roll-a-ten-cent-coin table and other attractions such as might have been found at any church bazaar anywhere in rural Britain. The only difference was that some of the helpers were British Army privates and naval ratings and there was a .22 rifle range set up for those who fancied their hand as a dab shot.
‘Well,' my mother replied, ‘it seems to be a pretty bloody widespread madness.'
We joined the crowd, tried the lucky dip, bought some raffle tickets and visited the tombola stall. My father hung back, smoking his pipe, his teeth clenched in anger on the stem. I wondered if he smoked to enjoy the tobacco or to fumigate the air around him. After a short time, we saw him strolling off southwards.
‘Wouldn't it be funny,' my mother mused, ‘if he missed the boat back? Marooned on a desert island with a colony of lepers and that bloody pipe …'
It was then I saw my first leper. He was sitting behind a trestle table upon which were arranged a number of home-made wooden objects such as bookends, desktop pen holders and paperweights shaped like the outline of the island, its name burnt into the surface with a hot poker. From the front of the table hung a sign
in English and Chinese stating
Woodworks made by inmats. Please by. Garuntee very clean.
As my mother had predicted, the leper had no nose, only a ragged hole surrounded by flaps of skin. He had also lost several fingers and an ear. Apart from this, he looked quite normal and healthy, certainly in better shape than many of the beggars I saw on the streets. I searched my pockets. I had ten dollars left from a postal order sent by Nanny for my birthday.
Walking up to the stall, I studied the wares on offer. They were simple items but very well made. The leper smiled at me but did not speak, his upper lip curling like a snarling dog's, his lower hanging loose. I picked up a pair of bookends.
‘We get our wood from a timber yard,' a voice said over my shoulder. ‘They're left-overs. Mahogany, teak, sandalwood.'
I turned. A European man stood behind me dressed in slacks and an open-neck cotton shirt. He only differed from the rest of the Sunday crowd in that a stethoscope hung round his neck to denote his office.
‘Having fun?' he enquired.
‘Yes, sir,' I answered then, seizing the moment, asked him a question that had been bothering me for days. ‘Is it true you only cure the lepers so they can become beggars?'
‘Who on earth told you that nonsense?' he exclaimed, quite clearly taken aback. ‘We don't just cure their illness, we cure their souls, too. We train them to do jobs. This man here's going to be a carpenter. Once he has a job, which we'll find for him, he'll get his dignity and his life back.' He smiled down at me. ‘You don't want to believe everything you hear, sonny Jim.'
I pointed to the bookends and asked, ‘
Gai doh cheen?'
The leper sort-of chortled and raised five assorted digits.
‘
Ng mun
?' I questioned, to be sure of the price.
He nodded, his eyes bright at the thought of a sale. I gave him
five dollar notes and he handed me the bookends, bound together by several rubber bands. As I parted with the money, our hands met, his skin blotched, warped and stretched by leprosy, mine smooth with health.
‘
Dor jei
,' I thanked him. He chortled again and I saw he had only half a tongue.
As I was about to go, he reached out with one hand, nodding enthusiastically at me, his eyes pleading for something. His index and middle finger were missing. Going round the back of his stall, I stood next to him. Fleetingly, so that I hardly felt it, he touched my hair.
On the return launch trip, I took my mother aside, out of my father's earshot. ‘I let a leper touch my hair,' I admitted, hurriedly adding, ‘but he was a dry one.'
I expected a scolding, or at least an admonishing, but neither materialized.
‘Well then,' my mother replied with a smile, ‘let's hope to God it brings the poor man luck, shall we?'
When we got home, however, I accidentally mentioned my encounter with the leper to my father. He went apoplectic.
‘You did what?' he bellowed. ‘Joyce! Do you know what this stupid little sod has done?'
‘Lots of things, I expect,' my mother urbanely replied.
‘He allowed a bloody leper to stroke his hair. It's bad enough in the bloody street with the entire bloody population of China, but in a benighted leper colony …' His face was red with anger, going towards puce. He put down his pink gin. ‘Go into your bedroom and stay there.'
I did as I was told. There were raised voices in the sitting room followed by a slammed door. My father entered my room carrying a red leather slipper.
‘Bend over the side of the bed.'
‘Why? I haven't done anything wrong.'
I was amazed at my defiance. Always in the past, I had meekly succumbed to a beating, accepting it much as a miscreant dog might a kick or a rolled-up newspaper. Yet now, I thought, I would not. I had not been disobedient or insolent, the usual crimes levelled at me, not always without reason. A paddling now would be an injustice. My father clenched his teeth.
‘Bend over, damn you—'
‘No.'
He swung the slipper at my buttocks. I side-stepped.
‘And they don't cure them to be beggars. You were wrong. They find them proper jobs so they get their dignity back.'
I had no idea what dignity was but it had to be a good thing.
‘What?' my father exploded.
‘The leper doctor told me.'
‘I'll give you bloody dignity, you little sod!'
My father's left hand struck quicker than a cobra. Grabbing me by the back of the neck, he forced me to bend over, then, with all his might, he hit me four times in quick succession on the buttocks. I did not cry: I would not give him the satisfaction.
‘Now get into bloody bed.' He was grinding his teeth with rage. It was from that moment that I hated my father, truly abhorred him with a loathing that deepened as time went by and was to sour the rest of both our lives.
IDA, SU YIN, THE LIGHT OF TIN HAU AND THE WRATH OF YEN LO
MY MOTHER AND I HAD PLANNED TO GO SWIMMING AT REPULSE BAY on the afternoon of Sunday, 27 August 1954. My father reluctantly said that he would drive us there, returning home to indulge in his usual weekend pastime of pink gin and sleeping. As Wong set the table for an early lunch, my father stood legs apart on the veranda as if on the rolling deck of his own battleship, surveying the harbour through his binoculars.
‘Lunch 'edy, missee, master,' Wong announced.
My father stepped into the lounge and announced, ‘Beach is off, Joyce. Number One signal's up.'
By this, he meant that he had looked at the Hong Kong Observatory on Kowloon through his binoculars and seen a storm warning on the signal mast.
My mother, not to be done out of an afternoon's swimming, replied, ‘Are you sure? It's a lovely day and One is only a standby …'
‘Tropical storms can gather very quickly,' my father opined.
‘Surely not between now and five o'clock,' my mother
came back. ‘I don't think we need to be concerned.'
To win the argument, my father telephoned HMS
Tamar.
The meteorological officer on duty confirmed it: they expected to raise the Number Five some time in the early evening. We sat down for lunch.
‘What do the signals actually mean?' I asked.
My father, ever the knowledgeable maritime obfuscator, replied, ‘Number One is a standby signal, Number Five to Eight predicts winds up to sixty miles per hour and designates the direction they will come from, Number Nine is winds up to gale or storm force and Number Ten hurricane force, over sixty with gusts up to a hundred and thirty.'
‘What's this one going to be?'
‘
Tamar
says a near hit, so Nine, possibly Ten.'
My mother called Wong and gave him the news. He immediately went out on to the veranda and brought in my mother's potted plants. After lunch, we prepared for what was coming, removing ornaments from window sills, parking the car well under the adjacent block of apartments, putting old towels along window sills and external door lintels. In her bedroom, my mother stored away all her make-up jars, hairbrushes, ring stand and my father's cufflink tray. Wong, meantime, emptied the bathroom shelves and placed the contents – and the glass shelves – in the dry room. In my bedroom, I removed my ornaments from the window sill – a pile of High West bullets, my carved wooden camel and a detailed model of a junk – placing them in my cupboard with my books.
I had experienced several severe tropical storms and one typhoon before, but we had been living in the Fourseas or Boundary Street at the time and only suffered a few leaking windows. Now we were positioned on the fourth floor of a block of apartments erected on the very pinnacle of a summit secondary
only to the Peak. With no protection on all sides, we were perched at about fifteen hundred feet above sea level.
‘What's this typhoon called?' I enquired.
Every typhoon was allotted a girl's name, for a reason I could not fathom but which Philip Bryant had confided was because all females were like typhoons: impulsive, destructive, exciting, dangerous, single-minded, determined and immovable.
This one was called Ida. We had a spinster relative of the same name, but she was a mousy, quiet woman who lived in a rural shire town, spent her life baking scones and lovingly scolding an old cat. Perhaps we were not in for a bad typhoon after all.
I was wrong.
By the time I went to bed, the sky was covered with dense cloud, the lights of the city reflecting off it. I read my comics, recently arrived, and went to sleep to be woken just after dawn by the booming gusts of wind. Each time one hit the building, the air within seemed to contract. I could feel the pressure on my ears. It was like living inside a bass drum.
I switched on my bedside light and crossed to the window. The cloud base had dropped to not much above the roof of our building. I could still see the city below in a monochromatic dawn light but under a metallic sky that seemed to glower with rage and rob the view of colour. Kowloon was invisible. Intermittently, squalls of heavy rain blew by. They did not strike the window full on but sprayed off the corner of the stonework as if it were the bow of a ship. A substantial tree branch blew by – vertically.
Yet what was most frightening, although at first I did not recognize its significance, was my reflection in the window. When a gust hit the glass, it distorted like a circus Hall of Mirrors, the distortion lasting only seconds.
‘Martin, get away from the window!' It was my mother in her nightie and dressing gown. ‘Now!'
‘Why? I was only looking—'
‘The glass is bending. If we get a really hard knock, it'll implode and you'll be cut to shreds. Go to the front door.'
Suddenly, I felt vulnerable. This, I imagined, was what it must have been like in the war, never knowing if a bomb was going to hit your house. In the entrance hall to the apartment were piled suitcases filled with everything moveable and of value.
‘Are we going away?' I asked.
‘Don't be so bloody stupid!' my father retorted.
He was fully dressed and ready for action. By his side was Wong, armed with a mop, his weapon at the barricade in the battle against the typhoon.
‘Use your bloody brain,' my father continued. ‘How the hell do you think we'll get down the bloody drive?'
I had to admit he had a point. The curving driveway up to the building was completely exposed. We were marooned.
Over the morning, the wind increased. It howled, fizzed, whined, whistled and hummed. Water seeped in through the galvanized steel Crittal window frames which were allegedly typhoon proof, keeping Wong busy soaking it up with his mop to prevent the parquet floor from getting sodden and warping. My mother helped him, emptying the bucket and wringing out the old towels. All Hong Kong business was suspended, the ferries were in the typhoon shelters and radio messages warned everyone to stay inside. Scaffolding was blowing down, live electricity cables were lying in urban roads, shop signs were falling like ninepins, there were a number of landslides blocking major roads and flooding was reported in the New Territories. Social events – the Hong Kong Cricket Club whist night, Such-and-such a company's annual dinner at the Pen – were postponed by radio announcements.
Nevertheless, my father still thought he should be at work. The
Royal Navy, he insisted, counted on people like him to keep things going. That there was not a single warship in the harbour, all of them having put to sea to ride out the storm, was neither here nor there. It was Monday: he should be at work. Consequently, he spent two hours on the telephone trying to organize supplies for a destroyer that had sailed to safety in international waters. Then the line went dead. He slammed the receiver down and cracked it.
‘Intelligent,' my mother remarked bluntly. ‘We're stranded on a mountain top in a typhoon and you break the bloody phone.'
‘The perishing line's down,' he replied sourly. ‘Fat lot of bloody use the phone is.'
‘Yes,' my mother agreed, ‘but they'll soon fix the line. It'll take days to get a replacement phone.'
‘I'm military, an essential user,' my father said. ‘They'll bring us a new one PDQ.'
The telephone line was operational by late the following morning. The telephone, which my mother fixed with Elastoplast strips, worked. A new telephone arrived four weeks later, when my mother remarked caustically it was a good job China had not invaded since Ida.
The Number Nine signal was raised at half-past eleven. By now, the wind was terrifying. Each gust curved the windows. The building creaked like a galleon under sail. According to the radio, the sustained wind speed was reaching sixty-five miles per hour with gusts at 130. The rain turned squally, lashing the windows. The veranda became an inch-deep pool. In the servants' quarters, rain sprayed through the lattice brickwork as if the building were forging ahead through a heavy sea.
Suddenly, over the space of fifteen minutes, the wind died to less than a summer zephyr and the rain let up.
‘Eye of the storm,' my father announced. ‘You come with me.'
He and I left the building and made our way down the drive. Leaves and branches were littered everywhere. At the bottom, we turned left and went beneath the next block of apartments. There, at the back, was my father's car, bespattered with leaves that were adhering to the entire surface. It might have been custom decorated by a miscreant sylvan elf or a wallpaper designer with a naturalistic bent.
‘Get those leaves off the paintwork,' my father ordered. ‘They'll discolour it.'
I started at the trunk. It seemed an utterly pointless exercise. I knew all tropical cyclones – we had done the topic in geography – were circular and that, in the middle, was the eye, a place of calm around which the storm revolved. Once that passed by, the winds would blow again, but from the opposite quarter. The leaves we removed would soon be replaced.
‘Not the bloody windows, cloth ears!' my father said, breaking into my thoughts. ‘The glass won't discolour, will it? We haven't got all bloody day.'
Indeed, the wind was already beginning to pick up again so we made our way back up the drive. It took my breath away. I could feel the gusts tugging at my lungs as it had the window glass. By the time we reached our apartment block my father – as he was keen to prove – could physically lean on the wind. Behind him, struggling up the drive, was one of our neighbours who had taken advantage of the eye to walk his wife's dachshund. The dog was being lifted as much as four inches off the concrete, a bemused look on its face. But for its lead, it could have blown away.
In the early evening, the Number Eight signal was raised and remained in force through the night. By noon the following day, the typhoon was gone, leaving behind squally showers and a gunmetal sky, and the clear-up began. My father revisited his car.
It was, as before, heavily bestrewn with leaves. Worse, another car in the parking space had been blown against the rear of my father's, denting the bumper and nicking the paintwork.
‘Bloody hell!' my father fumed. ‘Why can't other benighted drivers … ? That one over there tied his car to the bloody pillars. Why couldn't this cloth-eared individual … ?'
I set about removing the leaves but the bonnet and front of the car were devoid of them. A downpipe had broken free and sprayed rainwater continuously over the car for hours. My father unlocked the door, got in and attempted to start the engine. The starter motor turned over asthmatically but nothing else happened. My father opened the bonnet. The engine was sodden, a deep puddle beneath it covered in a rainbow film of oil.
‘Buggeration!' my father exclaimed and slammed the bonnet down. A piece of trim fell off.
We had got off comparatively unscathed. An apartment at the top of the adjacent building had lost a window, setting off a chain reaction with three or four others. The wind sucked out anything lighter and smaller than a coffee table, splintering them to pieces as they struck the window frames.
The wind having died down a good deal, I walked up the road to the police post. The bushes in some places had been stripped of leaves as if attacked by locusts. All the hibiscus bushes had lost their blooms, which lay in the road like sodden purple scraps of tissue paper. And yet the birds were singing and, when the sun came out between the squalls, the tarmac was alive with all manner of butterflies drying their wings in the warmth. I wondered where they had weathered the storm.
 
 
My mother and I went to the Peak School for an interview with the headmistress. I had been playing hookey from games lessons and she wanted to know why. So did my mother. Education was important to her because her own had been so minimal. I had my argument ready and expressed anathema for the concept of team sports because they destroyed one's individuality. This left both women momentarily flabbergasted. I was told to join in more, in lessons, in sports, in the social extra-curricular life of the school. I could hardly reply I preferred a
dai pai dong
to country dancing.
On the walk back, my mother was silent. Several times, she started to speak then thought the better of it. I guessed she felt torn. On the one hand, she had to back the school. On the other, she would rather have had an independently minded sinophile than a soccer player for a son.
We entered the apartment to find Ah Shun sitting on the settee, a duster in her hand and Tuppence disconsolately perched by her side. This was, to put it mildly, unusual. If servants ever did sit down on the furniture, they were sure to be swift in getting to their feet as soon as the key rattled in the lock.
‘Are you all right, Ah Shun?' my mother enquired with a concerned look on her face.
‘Lo, missee,' Ah Shun replied. It was about as far as her knowledge of English went.

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