Gulp: Adventures on the Alimentary Canal (15 page)

Read Gulp: Adventures on the Alimentary Canal Online

Authors: Mary Roach

Tags: #Science, #Life Sciences, #Anatomy & Physiology

BOOK: Gulp: Adventures on the Alimentary Canal
7.34Mb size Format: txt, pdf, ePub

In the bulimic community, the weight-loss strategy known as “chewing and spitting” (or CHSP) is by far the least popular. Only 8 percent of bulimic patients seen at the Eating Disorders Clinic at the University of Minnesota reported having engaged in CHSP more than three times a week—usually resorting to it only if they were unable to make themselves vomit, or because regurgitated stomach acid was damaging their teeth or esophagus. Rarely would the study’s author, Jim Mitchell, encounter a patient “whose sole problem is chewing and spitting.”

Of all the unflattering and untrue stories printed in the tabloids about Elton John over the years, this one drove him to sue: “Rock star Elton John’s weight has plunged . . . thanks to a bizarre new habit of eating food then spitting it out.” The article, which ran in London’s
Sunday Mirror
in 1992, described him at a holiday party at his manager’s home, spitting chewed shrimp into a napkin, commenting gaily, “‘I love food, . . . but what’s the point of swallowing it, you can’t taste it as it goes down your throat.’” The editors admitted to having fabricated the story but didn’t feel John had been defamed. The jury disagreed, awarding the singer £350,000—about $570,000—in damages.

Disgust and shame don’t fully account for the unpopularity of CHSP. This does: chewing without swallowing is not eating. It doesn’t scratch the itch.
That’s
the point of swallowing it, made-up Elton: satisfaction. As regards eating, Mitchell told me, there’s an imaginary line at the esophagus. “Everything happening above the neck—smelling, tasting, seeing—drives you toward eating, and everything below drives you toward stopping.” Chewing causes saliva to be secreted, which dissolves the food and brings more of it in contact with the taste buds. Taste receptors recognize salts, sugars, fats, the things bodies need to thrive, and impel us to stock up. As the stomach fills and satiety grows, the head pipes down. Presently the plate is pushed away. When you chew food without swallowing it, the line at the neck is never crossed. The head keeps up its clamor.

Which brings us to another reason the incidence of CHSP is so low. It’s expensive. Some of the women Mitchell interviewed would catch and release several dozen doughnuts at a go, flushing twenty-plus dollars down the toilet.

J
IANSHE
C
HEN CAN
tell you the flow speed of a high-viscosity bolus.
*
He knows the shear strength of a ricotta-cheese bolus, the deformability of Nutella, the minimum number of chews required to ready a McVitie’s Digestive biscuit for the swallow (eight). On the Internet I found a copy of Chen’s PowerPoint on the “dynamics of bolus formation and swallowing,” so I too know these things. What I don’t know is the point of it all. Chen made the mistake of putting his University of Leeds e-mail address on the website.

He wrote back right away. You get the sense oral processing experts are not, generally speaking, besieged by media inquiries. The aim of the work, he said, is to “provide guidance on how to formulate foods for safe eating by disadvantaged consumers.” Bolus formation and swallowing depend on a highly coordinated sequence of neuromuscular events and reflexes. Disable any one of these—via stroke, degenerative neurological condition, tumor irradiation—and the seamless, moist ballet begins to fall apart. The umbrella term is dysphagia (from the Greek for “disordered eating,” which may or may not explain flaming Greek cheese appetizers).

Most of the time, while you’re just breathing and not swallowing, the larynx (voice box) blocks the entrance to the esophagus (food tube). When a mouthful of food or drink is ready to be swallowed, the larynx has to rise out of the way, both to yield access to the esophagus and to close off the windpipe and prevent the food from being inhaled. To allow this to happen, the bolus is held momentarily at the back of the tongue, a sort of anatomical metering light. If, as a result of dysphagia, the larynx doesn’t move quickly enough, the food can head down the windpipe instead. This is, obviously, a choking hazard. More sinisterly, inhaled food and drink can deliver a troublesome load of bacteria. Infection can set in and progress to pneumonia.

A less lethal and more entertaining swallowing misstep is nasal regurgitation. Here the soft palate—home turf of the uvula,
*
that queer little oral stalactite—fails to seal the opening to the nasal cavity. This leaves milk, say, or chewed peas in peril of being horked out the nostrils. Nasal regurgitation is more common with children, because they are often laughing while eating and because their swallowing mechanism isn’t fully developed.

“Immature swallowing coordination” is the reason 90 percent of food-related choking deaths befall children under the age of five. Also contributing: immature dentition. Kids grow incisors before they have molars; for a brief span of time they can bite off pieces of food but cannot chew them. Round foods are particularly treacherous because they match the shape of the trachea. If, say, a grape goes down the wrong way, it blocks the tube so completely that no breath can be drawn around it. A child is better off inhaling a plastic barnyard animal or toy soldier, because air can be inhaled through its legs or around its rifle. Hotdogs, grapes, and round candies take the top three slots in a list of killer foods published in the July 2008 issue of the
International Journal of Pediatric Otorhinolaryngology
, itself a calamitous mouthful. Jennifer Long, a professor of head and neck surgery at the University of California, Los Angeles, went so far as to declare hotdogs a public health issue. A candy called Lychee Mini Fruity Gels has killed enough times for the U.S. Food and Drug Administration to have banned its import.

Every now and then a food comes along that is so difficult to orally process that even healthy adults without dysphagia have trouble getting it down. Sticky rice mochi, a traditional Japanese New Years food, kills about a dozen people every year—along with puffer fish and flaming cheese, the world’s riskiest menu items.

The safest foods, of course, are those that arrive on the plate premoistened and machine-masticated, leaving little for your own built-in processor to do. They are also, generally speaking, the least popular. Mushy food is a form of sensory deprivation. In the same way that a dark, silent room will eventually drive you to hallucinate, the mind rebels against bland, single-texture foods, edibles that do not engage the oral device. Mush is for babies. Those who can, want to chew. The story of U.S. military rations bears this out. During World War II, when combat rations were tinned, meat hashes were a common entrée because they worked well with the filling machines. “But the men wanted something they could chew, something into which they could ‘sink their teeth,’” wrote food scientist Samuel Lepkovsky in a 1964 paper making the case against a liquid diet for the Gemini astronauts. He summed up the soldiers’ take on potted meat: “We could undoubtedly survive on these rations a lot longer than we’d care to live.” (NASA went ahead and tested an all-milkshake meal plan on groups of college students living in a simulated space capsule at Wright-Patterson Air Force Base in 1964. A significant portion of it ended up beneath the floorboards.)

The only thing sadder than swallowing mush is not swallowing at all. Tube-feeding is a deeply depressing state of affairs. Rather than chew and spit out his food, Tom Little—the Irishman with the strictured esophagus—could have mashed it and pushed it directly into his stomach. In fact, he tried this, but without chewing, it “failed to satisfy.” (Beer, however, was poured directly into the funnel.) Here’s how badly people want to chew. Recall that dysphagia may knock out the reflex that repositions the larynx (voice box) to allow food into the esophagus. Jennifer Long told me these patients have on occasion asked to have their voice box surgically removed so they can swallow again. In other words, they would rather be mute than tube-fed.

Crispy foods carry a uniquely powerful appeal. I asked Chen what might lie behind this seemingly universal drive to crunch things in our mouths. “I believe human being has a destructive nature in its genes,” he answered. “Human has a strange way of stress-release by punching, kicking, smashing, or other forms of destructive actions. Eating could be one of them. The action of teeth crushing food is a destructive process, and we receive pleasure from that, or become de-stressed.”

I run this by René de Wijk when I get back to his house in the evening. He is slouched on the sofa, his frizzy hair falling in clumps on his forehead. His son sits between us, playing Assassin’s Creed on the TV screen. A man in a cowled robe is doing some de-stressing, bludgeoning people and slicing them in two with a broadsword.

René agrees with Chen’s assessment. “With crispy, it’s so obvious that you’re destroying the food in order to get your sensation. What is more marvelous than to control a nice structure with your mouth?” René doesn’t know offhand of any studies on the psychology of crunchy food, but he promised to e-mail a colleague, Ton van Vliet, a food physicist who has devoted the past eight years of his career to a deeper understanding of crispy-crunchy.

The assassin bisects another citizen while René and his wife discuss the thermostat. The heating people have been out to fix it, and now they’re coming back because it’s on the fritz again. I point the toe of my boot at the TV. “That guy seems effective. Get him on board.”

René looks at the screen. “He has his creed, he would
kill
the heating people!”

I was originally to have spent the afternoon with René in the Wageningen University Oral Lab. He had promised to wire me up to the articulograph and generate a 3-D profile of my chewing style, but he couldn’t recall which sensor went where. I sat with a beard of colored wires hanging from my cheeks while René flipped through the manual. And then he had to leave for a meeting.

Nonetheless, he’s been very effective at persuading other harried researchers to let me eat up their time. Ton van Vliet has agreed to meet us the following day at my home-away-from-home, the Restaurant of the Future.

V
AN
V
LIET IS
there when René and I arrive, sitting with his back to us at a table in the middle of the room. René recognizes the white hair. The longer strands appear to originate from a source at the back of the head and travel forward from there. All I can guess is that he walked here with a fierce wind at his back.

Van Vliet looks up as if from deep thought, a little startled, and extends his hand. He has a fine-boned face accented by an Amish-style beard and delicate-looking wire-rim glasses. I don’t want to use the word
elfin,
in case it seems belittling, but it did come to mind.

Van Vliet wants to start me out with the basics of crispy-crunchy. We begin with nature’s version, a fresh apple or carrot. “It’s all bubbles and beams,” he says, sketching networks of water-filled cells and cell walls on a sheet of my notepad paper. When you bite into an apple, the flesh deforms, and at a certain moment the cell walls burst. And there is your crunch. (Ditto crispy snack foods, but here the bubbles are filled with air.) “This is why fresh fruit is crisp, and also why it is a little bit juicy,” says van Vliet. His voice is reedy and high-pitched, with a musical cadence.

As a piece of produce begins to decay, the cell walls break down and water leaks out. Now nothing bursts. Your fruit is no longer crisp. It is mealy or limp or mushy. The same thing happens with a snack food degraded by moisture: cell walls dissolve, air leaks out.

The staler the chip, the quieter. For a food to make an audible noise when it breaks, there must be what’s called a brittle fracture—a sudden, high-speed crack. “Like this.” Van Vliet is drawing graphs again. As you bite down on a chip, energy builds and is stored. In a millisecond, the chip gives way and the stored energy is released, all at once.
Crack
is a superb onomatopoeia; the word sounds like the noise, and the noise
is
the fracture. (Crumbly foods, by contrast, break apart quietly because the energy isn’t released all at once.)

Van Vliet reaches for a bag of puffed cassava chips René bought for us to use as props. He snaps one in two. “To get this noise, you need crack speeds of 300 meters per second.” The speed of sound. The crunch of a chip is a tiny sonic boom inside your mouth. Van Vliet rubs his palms together to brush off the crumbs. This too makes a sound, dry like papers being shuffled. The Dutch winter is a brutal desiccant, to borrow from the language of snack foods.

René and I have been working our way through the props. He tilts the bag toward van Vliet, who waves it off. “I don’t like chips and things.”

René and I exchange a glance: Get
out!

“I like
beschuit
. . .” He turns to me. “It’s a Dutch toast that is round. We serve it when babies are born.”

René wears an expression that FaceReader will have no trouble decoding. “Are you kidding me? It is
so
dry. I mean, you
cannot
move your tongue anymore! Really, I am hoping no more babies are born.”

“It’s very nice,” insists van Vliet. “You have to put butter on it, and then honey on it.”

I get up to look for some, but the restaurant has none.

Van Vliet juts his jaw. “Then that is not a good restaurant.”

René leans in close to van Vliet, laughing. “It’s a
very
good restaurant that takes care of its customers.”

Moving along, van Vliet provides the answer I was looking for. Crispness and crunch appeal to us because they signal freshness. Old, rotting, mushy produce can make you ill. At the very least, it has lost much of its nutritional vim. So it makes sense that humans evolved a preference for crisp and crunchy foods.

To a certain extent we eat with our ears. The sound made by biting off a piece of carrot—more so than its taste or smell—communicates freshness. René told me about an experiment in which subjects ate potato chips while a researcher digitally altered the sounds of their chewing. If they muted the crunch or masked the higher frequencies, people no longer sensed the crispness. “They rated the chips as old even though the texture had not changed.”

Other books

The Swear Jar by Osorio, Audra
The Ghost of Graylock by Dan Poblocki
The Coffin Quilt by Ann Rinaldi
A Turbulent Priest by J M Gregson
The Cloister Walk by Kathleen Norris
A Virgin for the Wolf by Harmony Raines
The Devil's Ribbon by D. E. Meredith
The Spinster's Secret by Emily Larkin