H Is for Hawk (19 page)

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Authors: Helen Macdonald

Tags: #Birdwatching Guides, #Animals, #Personal Memoirs, #Nature, #Biography & Autobiography, #Birds

BOOK: H Is for Hawk
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From his demeanour I don’t think he believes her.

They stop talking as I approach. He recognises me. I recognise him. ‘Hello!’ I say brightly, and explain what I am doing with a hawk on this hallowed ground.

‘Hmm,’ he says, eyeing Mabel with suspicion. ‘Are you going to catch students with it?’

‘Only if they’re causing trouble.’ Then I whisper conspiratorially, ‘
Let me have the names
.’

It is the right answer. A shout of laughter. He is fascinated by the hawk, and wants to know more about it, but he is working and duty calls. ‘Excuse me,’ he says, and he sets his shoulders once again, narrows his eyes into the sun, and stalks off towards some poor tourists who’ve decided to have a picnic on the corner of the college rugby pitch.

I flew her later in the day. I flew her earlier. I fed her rabbit with fur and rabbit without. I fed her chicks that I’d gutted and skinned and rinsed in water. I reduced her weight. I raised it. I reduced it again. I wore different clothes. I tried everything to fix the problem, certain that the problem couldn’t be fixed because the problem was me. Sometimes she flew straight to my fist, sometimes straight over it, and there was no way of knowing which it would be. Every flight was a monstrous game of chance, a coin-toss, and what was at stake felt something very like my soul. I began to think that what made the hawk flinch from me was the same thing that had driven away the man I’d fallen for after my father’s death. Think that there was something deeply wrong about me, something vile that only he and the hawk could see. And every evening I wrote in the journal I’d kept since the hawk arrived. I made notes in terse, impersonal shorthand, detailing the weather, Mabel’s behaviour, measurements of weight and wind and food. They read like aviation reports, things to be broadcast in clipped tones from the Air Ministry roof:

2lb 1½oz light winds, sunny, 4 p.m. 35 yards four flights quick response, overshot last two. Washed chicks.

But they were changing.

2lb 1½oz clear, slight breeze, 4.30 p.m. three flights 35 yards overshot every time. Awful. Rabbit.???!!

They were no longer entirely about the hawk.

Dull. Headache. Hard to get out today. Am I ill? 2lb 1¼oz rabbit three flights 25 yards overshot on last why? Have to fix this what am I doing wrong?
Sun, stiff breeze. 4 p.m. Rabbit, but same as yesterday 20 yards OK – at 25 overshot twice: 2lb 1¼oz rest of day horrible because I had to see people, have to pretend everything fine. On and on. Wish they would FUCK OFF AND LEAVE ME ALONE.

The anger was vast and it came out of nowhere. It was the rage of something not fitting; the frustration of trying to put something in a box that is slightly too small. You try moving the shape around in the hope that some angle will make it fit in the box. Slowly comes an apprehension that this might not, after all, be possible. And finally you know it won’t fit, know there is no way it can fit, but this doesn’t stop you using brute force to try to crush it in, punishing the bloody thing for not fitting properly. That was what it was like: but I was the box, I was the thing that didn’t fit, and I was the person smashing it, over and over again, with bruised and bleeding hands.

Rage crouched inside me, and anything could provoke it. One weekday morning I laboured into town under a sky the colour of wet cement to meet an Uzbek student I’d worked with on a research trip to Central Asia the previous winter. A quiet, neat man, a nice man. I’d camped with him in frozen deserts, eaten lamb-stuffed quinces at roadside shacks on the Silk Road, stood with him on the banks of the Syr Darya river. He had lately arrived in Cambridge and he wanted to see me. I sat down with him at a café table. I liked him. I knew I should talk to him, but couldn’t remember how. I tried a few words. They sounded wrong. I stuck a watery smile on my face and turned my head towards the window, desperately trying to remember how to have a conversation. And there, behind the plate glass of the bank across the street, a woman in a grey uniform was standing on a chair in her stockinged feet, reaching up to peel a huge vinyl sticker of a singing skylark from the glass. It had been advertising some kind of financial offer. Now the offer was finished, and so was the lark. She picked at its open beak with her fingernails, then started pulling its head from the window. Inch by inch the bird disappeared; first it hung there, decapitated, printed wings spread wide, then each wing was stripped from the glass, hacked at with fingers and a plastic scraper, until the last feather of its tail was gone. She screwed the skylark into a ball, and threw it to the floor.

Blind, cold, shaking fury. I felt it rise. I hated that woman. I wanted to burst into the bank, scream at her, pick up the tangled ball that was a skylark and take it home. Smooth it out, save it from harm. Across the table my student friend was looking at me with the same expression of baffled concern that the waiter had worn on the night my father died. That also made me angry. I was angry with the woman for tearing down the skylark and angry with this nice, innocent man who gave me no cause to be angry at all. I mumbled an unsatisfactory apology, told him that ‘things have been hard since my father died’, and ‘it isn’t your fault’ and ‘I’m sorry, and this is awful, but I really have to go’. I walked past the window as I crossed the street. The woman was back on her chair, smoothing a new sticker out against the glass: a giant arrow that pointed at nothing. I could not meet her eye.

Then I started crashing my father’s car. I didn’t mean to: it just happened. I backed up against bollards, scraped wings against walls, heard the sound of metal squealing in agony over and over again, and I’d get out of the car and rub the new gouges dumbly with my fingers, as if somehow that might fix them, though they ran through the paint to the metal below. ‘Are you punishing your father’s car because he left you?’ asked a psychoanalytically-minded and fairly tactless friend. I thought about that. ‘No,’ I said, embarrassed because my answer was so much less interesting. ‘It’s that I don’t know what shape my car is any more.’ It was true. I couldn’t keep the dimensions of the car in my head. Or my own, for I kept having accidents. I cracked cups. I dropped plates. Fell over. Broke a toe on a door-jamb. I was as clumsy as I had been as a child. But when I was busy with Mabel I was never clumsy. The world with the hawk in it was insulated from harm, and in that world I was exactly aware of all the edges of my skin. Every night I slept and dreamed of creances, of lines and knots, of skeins of wool, skeins of geese flying south. And every afternoon I walked out onto the pitch with relief, because when the hawk was on my fist I knew who I was, and I was never angry with her, even if I wanted to sink to my knees and weep every time she tried to fly away.

15

For whom the bell


BLOODY HELL, SHE’S
calm, Helen,’ Stuart says. ‘I can feel her heartbeat. She’s not bothered at all.’ His head is bowed low over the table, fingers spread wide over the closed wings of my hooded hawk. He holds her upon a kitchen cushion as firmly and as gently as if she were made of glass. ‘Good,’ I say, shifting her covert feathers carefully aside to reveal the base of her tail. Here, just before the long feathers join her body, the quills are hollow and translucent, and I’m about to glue and tie a bell the size and shape of an acorn onto the topmost pair. It doesn’t take long. I tug on it gently to check it is secured, then take the hawk back onto my fist. She rouses and the bell sounds loud in the bright room. It does not seem to concern her at all.

Bells are among the most ancient of falconry technologies. For years I’d bought bells from Pakistan, hand-hammered from brass to a design of immense antiquity, but the one Mabel wears is American; modern, small and light, handmade from nickel silver. When she flies free it will tell me where she is. Bells were traditionally attached to hawks’ legs on tiny leather straps called bewits, but a tail-mounted bell is much better for a goshawk, for they have an invariable habit of shaking their tails when they land. You can stand with your back to a tree with a gos in it and trace its movements from branch to branch behind you through sound alone.

But bells aren’t foolproof: their sound is dulled by wind and distance, and a motionless hawk is silent, so when Mabel flies free she’ll also wear a tiny radiotransmitter, and I’ll carry the receiver that picks up its signal over my back in a black cloth case. Even with these double precautions the thought of taking her off the creance fills me with dread. I had never lost a hawk. I’d never expected to. But once she is free, I’m convinced that Mabel will rocket away from me and disappear for ever. I’m even more certain of this when I fly her a few hours later. This time she doesn’t even snatch at the food in my glove, just flies straight past me until she’s brought down to earth.

Disconsolate, I carry her back to the edge of the village playing fields. Stuart watches me approach, looks critically at the hawk. He rubs the back of his neck with one hand. His face, tanned and lined by years of sun and wind, is thoughtful and grave.

‘It might be the bell, do you think?’ I say. ‘Freaked her out a bit?’

He frowns. ‘It’s a new place, too. But she’s not ready yet, Helen. Not yet.’ He feels her breastbone speculatively. ‘She needs to come down more. She’s still too fat. You’re feeding her rabbit? Just rabbit?’

I nod miserably.

He looks at me, considering. ‘Tell you what, Helen, come out on the hill with me tomorrow,’ he says. ‘I’ll be going up there to fly the tiercel. We’ll get her out into the fields, away from streets and houses. She needs space.’

‘That would be brilliant, Stuart.’

‘I’ll pick you up at five.’

‘Thank you. Thank you so much.’

‘She needs to come down a bit more, Helen.’

He was offering to help, and I was unprepared for how this made me feel. I’d flown scores of hawks. I’d taught falconry to beginners. I’d written papers on it, had lectured on its venerable history. But now I bowed my head before Stuart. He knew what to do. He knew about goshawks and I did not. I felt weak with relief at not having to be an expert any more. There he was, rolling a cigarette, reassuringly calm and kind, a proper, generous friend; and it was there, standing on the edge of a village playing field, that I gratefully stepped into novicehood again, as if I had never seen a hawk in my life.

‘Need to excel in order to be loved,’ White had written in his dream diary. But there is an unspoken coda to that sentence. What happens if you excel at something and discover you are still unloved? White was triumphant: Gos had come a whole hundred yards on the creance, was ready to fly free: he could say truthfully now that he had trained a hawk. But something terrible was caught up in his triumph. For the first time since the hawk arrived White felt exposed. Being a novice is safe. When you are learning how to do something, you do not have to worry about whether or not you are good at it. But when you have done something, have learned how to do it, you are not safe any more. Being an expert opens you up to judgement. In his hawking day-book White began writing about critics and how he might ‘avoid the kicks which frighten me’. He felt it necessary to explain that his self-satisfaction was not egotism, but ‘actually a horrible surprise at being good at anything after having been so bad at living for 30 years’. And all the authoritarian figures in his life under whom he had lived in fear coalesced in his imagination into an elderly falconer with a waxed moustache who would read his book and consider him a fool. He knew he must explain to that man that what he had written was only the book of a learner. The words in his day-book read very like a prayer.

May I hope that this book will receive the oblivion of those austringers on the one hand, and of those critics on the other, who realise that indifference and a supposition of non-existence sometimes are the most killing weapons. May I hope that some will realise that I am only a man.
1

He is only a man. Success is a pressure. He cannot quite bear it. It boils and bubbles. And without knowing it, quietly and cruelly, he begins to sabotage his success, because success cannot be borne. It is so very easily done.

Stuart pulls off the road onto a farm track to the west of the city. The evening is warm, but there’s a torn-paper whiteness behind the sun that speaks of frost to come. I unhood the hawk. Her pale eyes stare out across a hillside of stubble and chalky till, at slopes cut with hedgerows crisped at their edges into shot-silk taffeta. She sees skeletal teasels and fencewires. Larks calling overhead. A discarded twelve-gauge shotgun cartridge by my feet.
Red
. She glances down at it, then up, fixing her gaze on something three fields away, delighted at this enlargement of her world. When Stuart takes her upon his fist she leans back and stares up at him with almost comical dread, head sunk deep into her shoulders. But soon she relaxes; for all his strangeness there is a kindness to him, an ease and proficiency in his dealings with her that quickly reassures. We unwind the creance and call her across the bare field. She flies badly, of course. I see that flinch as she approaches, that moment where all conviction and trust slides away and I am revealed to her as a monster. Once again I grab the creance and bring her to earth. Her feet sink into the friable loam; she looks down in wonderment at her half-obscured toes.

Stuart is firm with me. Tells me she needs to be keener. I cannot bear it. I get him to swear that my hawk won’t die in the night.

‘Of course she won’t,’ he says, blue eyes crinkling into something between a smile and a frown.

‘Are you
sure
?’ I say pathetically. I am horribly worried that I am starving her to death.

He extends a hand and feels Mabel’s breastbone, her ribcage, the muscles under her wings.

‘She’s
fine
, Helen.’

‘Honestly?’


Yes
.’

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