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Authors: Jane Aiken Hodge

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Very quixotic, I

m sure. And so you gave her the charge of our child—a woman whose misconduct broke her father

s heart. I

m sorry, Jon, but you

ve got to know. To leave her in charge of Sarah ... it

s impossible. She was notorious. Everyone loved her father, Manningham says. They did their best to keep it from him. Why—she made the most shameless advances even to him—to Manningham: that

s how, in the end, it happened. Her father was asleep—he was an old man and drank a little more than was good for him. Manningham had gone on visiting him because he could think of no explanation for leaving off. She—no, I can

t tell you what she was doing, Jon, when her father woke up. The sight killed him. And do you know what she did? Packed up
everything she could lay her hands on and left the house that night; left poor Charles to make the funeral arrangements. How she came to take up with Sergeant Croston, God knows, but I suppose she thought herself lucky to achieve any marriage, however sordid. Of course, she may have had her reasons. So—there

s the paragon of virtue you engaged to look after your daughter.

He would not let her see how she had shaken him.

It

s merely his word against hers.


His word, if you like—but backed up by a pretty shady set of circumstances. Of course I may be doing Mrs. Croston an injustice—and you too, for the matter of that. Perhaps, before you took her on to look after Sarah, she did explain to you just how she came to be ragamuffining it about Canada with a parcel of dirty soldiers? Perhaps you did see those papers of hers. Anyway, why should Charles Manningham lie about her? He was most reluctant to say anything at all, but I could see that the sight of her had shaken him. I forced him to speak: after all, I have a responsibility for Sarah, though by the way you treat me you

d never think so. A fine kind of guardian she seems, anyway, letting the child run into all kinds of dangers—the river one day—alone on the beach another. I don t like to have to tell you this, Jon, but she wasn

t even in sight when we drove on to the beach. What more likely than that she was keeping some sordid assignation? A woman like her will find men anywhere. Her poor father had to stop keeping a manservant toward the end.

It was horrible, but he was almost convinced. As she said, why should Charles Manningham lie? And, against his will, he remembered something Kate had said about helping her father look after his horse, because they had no groom. But—

I don

t believe it.

He said it with more certainty than he felt.

Arabella shrugged.

It

s your affair. You

ve taken the charge of Sarah out of my hands. You must make your own decisions about it. But—she

s at an age when a child is easily influenced—and she seems to dote on Mrs. Croston. Who knows what sights she is seeing when you are away at the factory? What ideas she is getting? Mrs. Peters is as stupid as she can hold together: she thinks of nothing but preserves and beeswax. Anything could be happening in that house all day, and you none the wiser. What is happening tonight, do you think? Old Job is black, of course, but judging by what Manningham told me, that might merely be an added attraction.


Stop it!

He could stand no more. Besides:

It

s impossible. In Canada ... on the journey here ... I would have seen some sign
...”


You, Jon?

Now she was laughing at him.

You! What do you know of women? What would you see, armored in your New England morality? You don

t think she would have been so foolish as to set her cap at you, surely? Why—an expert like her would know your kind at sight. I expect that

s why she has felt so safe with you. But think a little—were there not occasions on the journey when she pleaded fatigue and went to bed early?

He felt as if the ground was shaking under his feet. But, hedging:

And what, pray, do you mean by

my kind

?

She smiled at him and turned away, throwing it back at him over her shoulder.

The cold kind, Jonathan. The frozen New England kind. And now, if you will excuse me, it is time I was looking after my guests.

The cotillion was over. Charles Manningham was approaching from the other side of the room. He ought to stay, to meet him, and decide for himself what his word was worth. But—he could not trust himself to do so. Horrible pictures were flashing through his mind. Kate, always so cool, so elegant—Kate making obscene advances to that English fop?

I can

t tell you what she was doing.

No need for Arabella to tell him, when his imagination did so in unspeakable detail.

It was all false as hell. Arabella had lied to him often enough before. Why should he believe her now, or her fortune-hunting Englishman? The answer came horribly pat. He had known, this morning, that Kate was not telling him everything. He knew her so well, knew every inflection of her voice ... of course he had been aware that there was more to it than she chose to tell. Or—did he know her at all? Would he ever understand about women? Arabella had touched a sore point here. He had been a fool before. How convince himself that he was not again?

The ride out to Penrose seemed to take hours, and yet, in a way, he did not want to get there. And yet again, anything would be better than these nightmare imaginings. Job and the black boy who helped him with the horses had their quarters over the stables. It was perfectly true that, by using the servants

stairs, Kate could visit either of them without any chance of discovery. It was impossible. He would not believe it. He would not even think about it. He could not stop. The pictures would flash into his mind, and, with them, horribly apropos, memory of the time when, as a very young ship

s officer, he had agreed to make a night of it with a group of friends. They had gone ashore at Marseilles and his friends had taken him to a street in the Arab quarter ... a street full of women.

N
ow
he surprised his horse with a savage kick—he would not remember the sordid humiliation of that night. Nor would he think of Arabella: so exquisite—a heart

s desire before marriage—iceberg disillusion after. He would not think all women were like this, mere masks, hiding hell

s fire or, worse, its ice beneath.

He had reached his own carriage road. Now he must decide what to do. Apparently, he had already decided. Dismounting, he led his horse up the grass beside the drive, making as little noise as possible. The house loomed up, silent and dark. That meant nothing. No sign of life in the stable yard either. Why should there be?

It reminded him of his boyhood, to stable his horse thus silently in the darkness. Nothing had changed here since he had ridden home late from a long evening

s talk with friends and made not a sound as he hung up saddle and bridle on familiar hooks and bedded his horse down for the night among the well-known shapes and smells of the stable. But in him, what a change! Then, he had made a talkative night of it, perhaps, at Willard

s Tavern. Now...

Was he really going up the steep stair that was almost a ladder to rouse Job and the boy—and whom else? The very idea of doing so was disgusting. Well then, had he ridden home for nothing? Must he go on enduring this an
gu
ish of uncertainty? He stood there, in the dark, arguing with himself. If he roused them, and found
no
thing
,
what had he proved? Why—nothing.

Of course it was all nightmare. He was overtired; imagining things. Worse still, he was letting Arabella put ideas into his head. What reason had he to trust her? And, besides—how could he not have thought of this sooner—what a strange light this all cast on her relationship with Manningham. How had he contrived to tell her things that were, apparently, too bad for her to tell her own husband? He should have stayed. He should probably have thrown Manningham into Boston Harbor. Never mind, he could do that tomorrow.

With the chill sensation of sweat on his forehead, he
moved very quietly out of the stable into the yard. He had been a little mad since Arabella spoke to him. Now, thank God, he was sane again. He closed the stable door behind him and stood for a moment, enjoying the cool night air and the comfort of recovered reason.

Then, as he stood there, he became aware of a flickering light high up in the
bulk of the house that faced him: high up, but coming steadily downward, showing now here, now there, as a candle was carried down the service stair past first one window then another.

He had never been so cold in his life. It was all true. Arabella was right. Manningham was right. The candle was on the first floor now. She must be moving down the long hall that led to the servants

stairway. He must not meet her here in the yard. He had things to say to her that, even in this moment of near madness, he knew must be said in private. Three huge strides across the yard and his key was in the lock of the back door. As he closed it behind him and stood, breathing hard, in the darkness, he heard her step soft on the back stair. A crack of light grew under the door at the bottom. Then it swung open and she was there, candle in hand, her hair falling in random curls around her face, her white nightgown visible under the robe that was merely clutched around her with her other hand. She had not even taken time to fasten it before hurrying to her black assignation.


Harlot!

His exclamation, coming at her out of the darkness, startled her so that she dropped the candle. But he was already moving forward to where he knew she stood. His hand, stretched out in the darkness, touched something yielding—her breast, clearly defined under the soft stuff of the nightgown. It was the end of reason. He took her by the shoulders and pulled her furiously against
him
.

Wanton! Jezebel!

She was speechless with shock.

If you must do it, why not with me?

Somewhere outside it all, he could not believe this was happening.

At least, I

ll have my share!

And one savage hand turned her face up to his while his lips found hers, crushing, searching, imploring.

Just for a moment, surely, the softness of her, against him, was soft for him, her lips were giving some kind of an unintelligible answer, then, she had pulled clear and her hand found his cheek in a blow that brought tears to his eyes. Then she was across the room from him, breathing hard in the darkness. They stayed like that for a moment, the silence electric.

Then,

You

re either drunk or mad,

she said,

or both. But there

s no time for it. Sarah

s ill. Job must ride at once for the doctor. I

d ask you to go if I thought you capable.

She was moving now, feeling her way to where candles always stood ready on the dresser. She lit one with a hand that was almost steady, then turned her back on him to get a lantern down from its hook and light it.

You may
apologize in the morning,

she went on.

For the moment, I must fetch Job.


Oh God, what am I to think?

As he moved forward a little, he saw her instinctive recoil.

Don

t worry,
I
won

t touch you. I ... I don

t understand anything. But—Sarah

s ill? What

s the matter?


She had one of her screaming fits earlier on. A bad one. I got her quiet at last and thought it was all over, but just now I heard her call out. She

s in a kind of waking nightmare: I can

t do anything with her. She needs a sedative I

m sure—anything to quiet her; it cannot but do her harm to be so violent. Mrs. Peters is with her now, but I tell you there

s no time
...”


Of course not. I

ll ride at once for the doctor. Do get back to her.

And then, impatiently, seeing her hesitate:

I

m not drunk, though I may be mad. I

ll get him all right, and faster than you

ll wake Job. But first
...”
What could he say?

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