Authors: Sandra Balzo
âAnd well worth it,' Lucinda muttered. âOnce the results are in.'
âIf Tyler and Eddie are Dickens' heirs,' AnnaLise said, âthen, of course, the three of us will share equally.'
Sugar Capri, next to Lacey, looked a little down in the dumps not to be included in the named participants. âBut you were saying we might get out of here soon?'
AnnaLise figured that filling them in on Debbie's whereabouts would do no harm. And it sure beat picturing DNA samples from a corpse being divvied up like proceeds from a Christmas grab bag. âThe police have found Chef Debbie who, as you've likely noticed, disappeared Wednesday night or early Thursday.'
The south end nodded en masse.
âWell, Debbie was picked up by the Las Vegas police when she stepped off her plane there.'
âThey've arrested her?' Lacey asked.
Having grabbed their attention with the tabloid headline, AnnaLise qualified the story behind it. âNot yet. Debbie's just a person of interest for now.'
âShe has to have done it.' This came from Eddie, who was sitting between Daisy and Rose. âWhy else disappear?'
AnnaLise said, âApparently, Debbie was told her services were no longer needed.'
âA lie, obviously,' Tyler said, supporting his potential half-siblings' premise. âThis Debbie must have gone to Hart's roomâ'
âBut why?' Lacey asked.
Tyler looked at Sugar, who just squirmed in her chair, while the rest of the group exchanged glances that said,
What moron among us wants to answer that one?
Joy, apparently. âHere's the thing, kid. Hart was a sleaze.'
âJoy, please,' AnnaLise said, a note of protection in her voice this time. Her friend might enjoy shocking people, butâ
âHey, he was
your
father, not hers. And my ex. Besides, the girl asked a question â she deserves an answer.' Joy sat back and folded her arms.
AnnaLise tried for understated paraphrase. âDickens liked women.'
âOh, I know that,' Lacey said. âIt's the reason everybody's here, right? What I meant was why would Debbie go to Mr Hart's room and then kill him?'
âExcellent question,' Patrick Hoag said.
âFrom what we heard,' AnnaLise said, âthere may have been Rohypnol involved.'
Now Lacey looked puzzled.
âYou may have heard them called roofies.'
âOhmigod, the date-rape thing.' The doorbell sounded and Nicole's quick footsteps crossed the foyer floor outside the dining room.
âThat's the one,' Daisy said. âI heard that maybe Dickens tried to slip roofies into our Debbie's champagne and she got wise to him.'
âAnd smacked him one with his own bottle.' Phyllis made the appropriate hand chop, just missing clocking Eddie in the ear. âServed him right.'
The dining room door opened and Coy Pitchford stepped in. âExcuse me, folks, hate to interrupt yourâ' He looked at the plates. âIs that Mama Philomena's chicken spaghetti?'
âTurkey,' Phyllis said, standing up. âWould you like me to get you a plate?'
âI sureâ' Appearing to remember he was acting chief, he cut himself off. âI just need to see AnnaLise.'
âBut she's eating,' Phyllis protested. âCoy, why don't you just sit down andâ'
âI'm done, Mama,' AnnaLise said, folding her napkin on her plate and rising.
Coy beckoned her out to the foyer. âLet's sit in Mr Hart's office.'
Now AnnaLise was getting worried. The police wanted to see her in a chair away from everybody else. That seemed more serious than a simple chance encounter while standing. âWell, sure,' she said, with a glance back toward the dining room, from which normal â or at least semi-normal â sounds were still emanating.
AnnaLise led the way into Dickens' office. Charity was already there, but still leaning a shoulder into the wall herself. âWhy don't you sit behind the desk, AnnaLise? Coy and I can take the guest chairs here.'
So they'd both be facing her. Was that significant? AnnaLise wasn't sure, but in the police interrogations she'd been privy to see, the officers certainly wanted to be facing a suspect, not sitting side-by-side with him.
Or her.
AnnaLise took Dickens Hart's leather desk chair. âHave you found out more about Debbie?'
Coy took off his hat and hung it on the back of his chair before he sat in it. âWe have, that's for sure.'
There was a tap at the door, which opened just wide enough for Patrick Hoag, Esq., to stick his head into the room. âExcuse me, but I thought that perhaps AnnaLise would want me here.'
She felt herself nodding. Vigorously. âThat would be nice. Thank you.'
âYou're thinking you need a lawyer?' Coy raised his eyebrows.
AnnaLise frowned. âPatrick is here as my friend, who happens to be a lawyer.'
âIt's true that AnnaLise hasn't retained me,' said Hoag, hovering over the last empty chair. âBut as her deceased father's attorney, I'd like to be present.'
Charity looked at AnnaLise. âUp to you.'
The journalist was confused. Was she being questioned? If so, wouldn't they need to recite her Miranda rights? Or was that only after they made an arrest? And would having Patrick stay or not affect her right to have a specialist in criminal law be present later?
As a police reporter â and someone who'd âdated' a district attorney â AnnaLise knew she should have such maneuverings down pat. But she didn't. In fact, at this particular second, she wouldn't trust herself to spell her own name correctly.
So she decided to rely on any available support. âI want Patrick to stay. Now please, tell me what's going on?'
Hoag settled into the chair next to the mahogany filing cabinet as Charity produced her ever-present notebook. âI just got off the telephone with LVMPD.'
For Las Vegas Metro Police Department,
thought AnnaLise. âHave they questioned Debbie?'
âThey've asked Ms Dobyns a few things at our suggestion.'
âSo then they'll send her back here.' AnnaLise felt her teeth begin to chatter despite the air temperature not being especially cold.
âWe're not altogether sure that's necessary,' Coy said. âAt least, not right now.'
AnnaLise began to feel that the Pitchfords' cryptic answers were an intentional ploy to keep her asking questions and, maybe, slip up in the process. âYou mean until the county takes charge?'
âThere's that, too,' said Charity. âBut what impresses us most is that Ms Dobyns is sticking to her cellphone story.'
âThat she got a call telling her she was no longer needed?'
âThat's interesting,' Charity said. âYou heard that, too?'
âSheree told us â Joy and me. I thought I'd relayed that on to you.'
âAnnaLise, seems you thought you told us a lot of things,' Coy said, crossing an ankle over his knee and settling back in the guest chair.
âRegardless,' AnnaLise drove on, âSheree said Debbie told her that she'd gotten a call indicating she was no longer needed.'
âDid Sheree tell you the call came in on Ms Dobyns' cellphone?'
âSheree assumed it did, since the inn's landline didn't register a ring. To be honest,' AnnaLise leaned forward, âI don't think Sheree was a hundred percent sure that Debbie was telling her the truth.'
âWell, Ms Dobyns was, as it turns out.' Charity flipped back a page in her notebook. âThe call came in at five fifty-seven a.m. early on Thanksgiving morning, according to the cellphone company's records.'
AnnaLise felt her brow furrow. âFrom where? Can you tell?'
âThat's the interesting part,' Coy said, now unhooking his foot. âThe call came from the landline right here in this house.'
AnnaLise was thinking furiously. âBut was Dickens still alive then?'
âNot according to the M.E. Time of death was more like midnight, give or take a couple hours.'
âThen who could it have been?' Now AnnaLise was nearly freezing. She crossed her arms and involuntarily hugged herself.
âThat's what we wanted to know,' Charity said. âSo as you might imagine, we had Las Vegas Metro ask Ms Dobyns.'
âHad Ms Dobyns answered the call that early?' Patrick asked, standing up. AnnaLise couldn't help but notice that his face had turned worried. âOr did it go to voicemail?'
âNo, she answered it, all right,' Coy said.
âWell, who was it?' AnnaLise thought she was going to scream.
âWho?' Charity Pitchford made like she had to consult her notebook for the information, then looked up from it. âWhy,
you
, Ms AnnaLise Griggs.'
âH
onest to God, it was like one of those slasher movies.'
AnnaLise and Joy were outside on the patio again, seated in low chairs, their only warmth provided by blankets and stiff drinks, both courtesy of the thoughtful Patrick Hoag.
âSlasher movies?' Joy was swirling her drink so the cubes clinked melodically against the sides of a cut-crystal glass.
To AnnaLise's ears though, it was the sound of the
Titanic
hitting the iceberg. And she was onboard. âYou know, where they trace the call from the psycho killer and find out it's coming from inside the house. Except this time,' she allowed herself a sigh before a sip, âI'm the psycho killer.'
She glanced at the closed door to the house and lowered her voice. âOr supposed to be. They even printed me.' She held up smudged finger pads.
âHey, we all got printed.' Joy wiggled her matching digits. âAs for your supposed “slasher” movie, you're talking about
When a Stranger Calls
. Carol Kane and Charles Durning. Not a
great
flick, but certainly a cult classic for that one scene with Kane babysitting. She's been terrorized by threatening phone calls and dials the police, who tell her all they can do is try to trace the next one if he calls again. Well, he does, asking her if she's checked the children. Then the phone rings yet again and she picks up, screaming, “Leave me alone!” But this time it's the voice of the police sergeant telling her, “We've traced the call â it's coming from
inside
the house!”'
Joy indulged herself in a full-body shiver. âThat was one of the most chilling moments in the entire history of cinema as far as I'm concerned.' She tugged her blanket a little closer.
âHuh,' AnnaLise said dully, staring out across the frigid lake. âI was thinking it was one of the
Scream
films. Or maybe even
Scary Movie
?'
âNope. Nineteen seventy-nine. I was a kid and you weren't even born yet. Since the original, I'm sure the idea's been poached â and spoofed â any number of times. There was even a remake.'
âYeah?'
âYeah. It sucked even more than the original.'
They were quiet for a moment, squinting out into the sun's chilly reflection off Lake Sutherton's surface.
Then: âSo you get my current point.'
Joy nodded. âCharity and Coy think you're the serial killer who called Debbie. From inside this house.'
âI'm not ⦠oh, never mind. Bad analogy.'
âWhere is Patrick?' Joy asked, looking down at the ice in her glass.
âHe wanted to talk to Charity and Coy. Hopefully he's trying to persuade them not to arrest me.'
âYou know, it does kind of make sense.'
âWhat?' In AnnaLise's view absolutely nothing made sense. And she was wondering how she was going to tell her mother â mothers, plural â that apparently she was the prime suspect in a homicide.
âThat you'd call Debbie,' Joy said, taking another sip of amber liquid. âI mean, who else but Hart would have the authority â hell, even the
idea
â to fire her?'
âFirst of all, I wasn't the one who telephoned the woman,' AnnaLise said, trying to rally herself, if only as a dress rehearsal. âSecondly, with Dickens Hart still alive, I
didn't
have the authority.'
âYou're Hart's daughter and Debbie knew that. Didn't you say you two had talked before she left?'
âYes, but I certainly didn't act like I was running the house.' AnnaLise realized her front teeth were gnawing on her lower lip again. âAt least, I don't think I did.'
âAll this Debbie knew was what she was told by Hart, I assume, maybe with some filling in by Boozer Bacchus.'
âBoozer would be more likely to give orders in Dickens' absence than me.' AnnaLise heard a door open, seemingly from the garage side of the house.
âOnly Boozer's been a bit out of the loop, what with his being busy doing your mom and all. But, that aside, you said the voice Debbie heard on the phone was a woman's.'
âBut it wasn't mine!'
âI know, I know.' Joy reached over and gently clinked glasses. âDrink more. It'll calm you down.'
AnnaLise did, then stifled a gag. âUgh. I
hate
bourbon.'
âThat's OK, because this is Scotch. And like all of Hart's self-indulgences, really top-notch.' Joy hunched forward like a Girl Scout sharing secrets around a campfire. âHey, what do you think of “Top-notch Scotch,” marketing-wise?'
âWhat I think is you've had enough, drinking-wise.'
Joy settled back, tugging her own blanket more around her shoulders. âYou're not even fun when you're scared to death.'
âCan we please return to the subject ofâ'
â“The Landline Call”? Fine.' Her tone said it was clearly
not
fine, yet she'd slog onward for her friend. âI honestly don't think you have anything to worry about. Once the police lab guys compare the voice on the message to yours, they'll realize they don't match.'
âBut there
was
no message,' AnnaLise said, taking another vile sip in spite of herself. âDespite the pre-dawn hour, Debbie actually answered the phone.'