Read How Sassy Changed My Life Online
Authors: Kara Jesella
How Sassy Changed My Life
Table of Contents
The Rise
Later, there would be the infamous Kurt and Courtney cover. There would be the R.E.M. flexidisc. There would be the seminal junk food taste-off and the first-person sex stories. There would be Jane and Karen and Catherine and Mike and Neill and Margie and Kim, and there would be Christina Kelly, regaling the world with stories of the menstrual cramps she endured while interviewing future talk-show hostess Rikki Lake. But before that, there was
Seventeen
magazine, and it regularly ran cover stories like “Bridal Sweet.” “This was the day I'd always dreamed of,” reads the copy. An accompanying photo pictures a beaming adolescent bride in her new husband's paint-splattered oxford shirt, eating takeout on the floor of their brand-new first apartment. But this wasn't 1957; this was 1987âthree years after Madonna seduced a generation of teenagers by singing about premarital sex in a wedding dress.
Seventeen
magazine, and it regularly ran cover stories like “Bridal Sweet.” “This was the day I'd always dreamed of,” reads the copy. An accompanying photo pictures a beaming adolescent bride in her new husband's paint-splattered oxford shirt, eating takeout on the floor of their brand-new first apartment. But this wasn't 1957; this was 1987âthree years after Madonna seduced a generation of teenagers by singing about premarital sex in a wedding dress.
Despite the fact that it was spinning its wheels in a different decade,
Seventeen
retained its place as the grande dame, the de facto how-to-be-a-teenage-girl guide. It was the nation's first teen magazine, and it
hadn't veered from its civic-minded mission to create the world's most proficient wives since its debut, right after World War II. The magazine was essentially an etiquette guide for the all-American girl, doling out no-nonsense advice on appearances and relationships in between fawning celebrity profiles, home-decorating how-tos, and a parade of Nordic-looking models. Its owner, Walter Annenbergâa Nancy Reagan crony and millionaire with a gold-plated toilet seat in his private planeâcalled it “a national trust.”
Seventeen
retained its place as the grande dame, the de facto how-to-be-a-teenage-girl guide. It was the nation's first teen magazine, and it
hadn't veered from its civic-minded mission to create the world's most proficient wives since its debut, right after World War II. The magazine was essentially an etiquette guide for the all-American girl, doling out no-nonsense advice on appearances and relationships in between fawning celebrity profiles, home-decorating how-tos, and a parade of Nordic-looking models. Its owner, Walter Annenbergâa Nancy Reagan crony and millionaire with a gold-plated toilet seat in his private planeâcalled it “a national trust.”
From the beginning,
Seventeen
practically invented the teenager as a category that could be marketed to, and the magazine lost none of its muscle over the subsequent forty years. Though it had spawned teenybopper wannabes like
YM
and
Teen
, its million-plus circulation and seemingly unassailable brand name made
Seventeen
the most coveted vehicle for advertisers. Big companies were convinced that if they could convert young consumers to their products, the girls' loyalty would remain after a walk down the aisle effectively ended their adolescence. Half of all
Seventeen
readers would graduate to the decidedly retro
Good Housekeeping
and the mildly liberated
Glamour
in their adult years, and they were a marketer's wet dream: soon-to-be happy homemakers and pink-collar office workers. They were the girls beguiled by the Jostens class-ring ad in the September 1988 issue, which featured a pretty young girl with a boyfriend's lips pressed to her cheek; the tagline reads “Guaranteed for Life.”
Seventeen
practically invented the teenager as a category that could be marketed to, and the magazine lost none of its muscle over the subsequent forty years. Though it had spawned teenybopper wannabes like
YM
and
Teen
, its million-plus circulation and seemingly unassailable brand name made
Seventeen
the most coveted vehicle for advertisers. Big companies were convinced that if they could convert young consumers to their products, the girls' loyalty would remain after a walk down the aisle effectively ended their adolescence. Half of all
Seventeen
readers would graduate to the decidedly retro
Good Housekeeping
and the mildly liberated
Glamour
in their adult years, and they were a marketer's wet dream: soon-to-be happy homemakers and pink-collar office workers. They were the girls beguiled by the Jostens class-ring ad in the September 1988 issue, which featured a pretty young girl with a boyfriend's lips pressed to her cheek; the tagline reads “Guaranteed for Life.”
But to achieve this promise of matrimonial blissânot to mention a spot in the homecoming courtâthere were a number of things a teenage girl needed to know, and to that end
Seventeen
served up dieting tips, recipes, and relationship advice. “High kicks and cartwheels aren't the only things that count in cheerleading tryouts. Appearance can make or break you, too,” a beauty story admonishes. “Could you have possibly put on a few pounds over summer vacation?” worries one of the de rigueur diet articles.
Seventeen
could help: “Busy Bodies” features two girls and their editor-approved exercise routine.
Seventeen
served up dieting tips, recipes, and relationship advice. “High kicks and cartwheels aren't the only things that count in cheerleading tryouts. Appearance can make or break you, too,” a beauty story admonishes. “Could you have possibly put on a few pounds over summer vacation?” worries one of the de rigueur diet articles.
Seventeen
could help: “Busy Bodies” features two girls and their editor-approved exercise routine.
Sure, there were plenty of things to worry about in high school: getting fat, wearing the wrong clothes, body odor. But
Seventeen
taught girls how to master these traumas, and once they did, they could participate in all kinds of teenage fun, like rushing a sorority or trekking to Florida for spring breakâsomething, one article enthused, “you should do at least once.” The beach, after all, was “hunk heaven.” How to get one of these hunky guys? “Be patient, not pushy.”
Seventeen
taught girls how to master these traumas, and once they did, they could participate in all kinds of teenage fun, like rushing a sorority or trekking to Florida for spring breakâsomething, one article enthused, “you should do at least once.” The beach, after all, was “hunk heaven.” How to get one of these hunky guys? “Be patient, not pushy.”
But
Seventeen
wasn't just invested in girls' present; it was also invested in their future. Nestled beside the ubiquitous ads for modeling schools, weight-loss camps, and “High School at Home in Spare Time” were blurbs for fashion-merchandising colleges and courses like “Learn How to Be a Secretary.” The magazine's editorial component was slightly more ambitious, featuring regular stories like “How to Make the Most Out of Your College Visit.” But lest you think that higher education was valuable for much more
than getting a Mrs. degree, an article called “College Cool” from the August 1988 issue should change your mind. It's a greatest-hits list of “Wild Weekends,” “What They're Wearing,” “Where to Spy on Guys,” and “Hot Dates.” There's only one concession to academics: a severely truncated list of “Best Classes.” Other articles for the aspiring coed (a word
Seventeen
used liberally and entirely unironically) include “Fighting the Freshman Fifteen: How Not to Eat Your Way Through the First Year of College” and a fashion story featuring students at Tulane, a school best known not for its academics, but for its parties.
Seventeen
wasn't just invested in girls' present; it was also invested in their future. Nestled beside the ubiquitous ads for modeling schools, weight-loss camps, and “High School at Home in Spare Time” were blurbs for fashion-merchandising colleges and courses like “Learn How to Be a Secretary.” The magazine's editorial component was slightly more ambitious, featuring regular stories like “How to Make the Most Out of Your College Visit.” But lest you think that higher education was valuable for much more
than getting a Mrs. degree, an article called “College Cool” from the August 1988 issue should change your mind. It's a greatest-hits list of “Wild Weekends,” “What They're Wearing,” “Where to Spy on Guys,” and “Hot Dates.” There's only one concession to academics: a severely truncated list of “Best Classes.” Other articles for the aspiring coed (a word
Seventeen
used liberally and entirely unironically) include “Fighting the Freshman Fifteen: How Not to Eat Your Way Through the First Year of College” and a fashion story featuring students at Tulane, a school best known not for its academics, but for its parties.
Seventeen
was most American girls' first piece of direct mail; 50 percent of them received the magazine. “Hillary Clinton read it when she was a teenage girl, and so did the girl who grew up to be a hairdresser,” says Caroline Miller, who became the magazine's editor in chief in 1994. As such, its tastes were oppressively mass, with treacly profiles of mall queen Tiffany and hair band Nelson. It touted parentally approved entertainment in parentally clueless language: “It's the underage rage these days as adult dance clubs open their doors to the under-twenty-one crowd. Fruit juice flows and the music pounds as the younger generation rules the night!”
was most American girls' first piece of direct mail; 50 percent of them received the magazine. “Hillary Clinton read it when she was a teenage girl, and so did the girl who grew up to be a hairdresser,” says Caroline Miller, who became the magazine's editor in chief in 1994. As such, its tastes were oppressively mass, with treacly profiles of mall queen Tiffany and hair band Nelson. It touted parentally approved entertainment in parentally clueless language: “It's the underage rage these days as adult dance clubs open their doors to the under-twenty-one crowd. Fruit juice flows and the music pounds as the younger generation rules the night!”
Typical
Seventeen
magazine fare included articles on how to write a check and how to handle a sudden downpour while driving. “Pizza: Have It Your Way” achieved
Seventeen
's dual directives of teaching girls how to cook (“Read recipes to make sure you have the ingredients and understand the directions”) while simultaneously making sure they didn't actually indulge in the fruits of their labor (“When ready for dessert, serve salad”). The magazine preached the middle-class ideals of common sense and moderation.
Seventeen
magazine fare included articles on how to write a check and how to handle a sudden downpour while driving. “Pizza: Have It Your Way” achieved
Seventeen
's dual directives of teaching girls how to cook (“Read recipes to make sure you have the ingredients and understand the directions”) while simultaneously making sure they didn't actually indulge in the fruits of their labor (“When ready for dessert, serve salad”). The magazine preached the middle-class ideals of common sense and moderation.
Seventeen
's downmarket sisters were more of the same beauty, fashion, diet, celebrity, and trauma-rama stories, but half as sophisticated.
YM
and
Teen
paid breathless homage to high school's alpha males and featured mind-numbing articles like “Quiz: Are You Your Own Best Friend?”
's downmarket sisters were more of the same beauty, fashion, diet, celebrity, and trauma-rama stories, but half as sophisticated.
YM
and
Teen
paid breathless homage to high school's alpha males and featured mind-numbing articles like “Quiz: Are You Your Own Best Friend?”
“The teen magazines here were like
Good Housekeeping
for teenagers, speaking with parental voices and looking like they were suspended in aspic,” Sandra Yates,
Sassy
's founder, told
The New York Times
in a 1988 profile.
Good Housekeeping
for teenagers, speaking with parental voices and looking like they were suspended in aspic,” Sandra Yates,
Sassy
's founder, told
The New York Times
in a 1988 profile.
In the early 1970s, Sandra was a single mother, just out of her teens, struggling to bring up two kids on a secretary's salary in Brisbane, Australia. It wasn't easy, but Sandra was used to that. She had grown up in poverty, left school at fifteen, and barely survived two disastrous relationshipsâboth times, she lost her home. The only way she could make it, she figured, was by crawling up the corporate ladder. But the women's movement was just kicking into gear, and no matter how smart and ambitious they were, few females ever made it past the assistant level. But Sandra was an optimist. She was also a feminist. During her lunch break, she would abandon her
typewriter, change into jeans and a T-shirt, and attend rallies for the Women's Electoral Lobby, the Australian equivalent of the National Organization for Women.
typewriter, change into jeans and a T-shirt, and attend rallies for the Women's Electoral Lobby, the Australian equivalent of the National Organization for Women.
She hit some serious snagsâa male manager who refused to have a woman working for him, another who made clear he would never promote oneâbut Sandra eventually landed an advertising sales manager position at one of Australia's premier newspapers. She worked with thirty men and one other womanâher secretary. Next she took a job, also in advertising, at Fairfax Publications, a big player in publishing, where she was quickly promoted to a top position. In 1987, Fairfax sent Sandra to New York City to investigate the company's potential to make its mark overseas. It was there that Sandra got the idea for
Sassy
.
Sassy
.
Sandra thought American girls needed something different, something more like
Dolly
, the edgy, outspoken, Fairfax-owned Australian magazine. In other words, the
Times
reporter stated, “one that would discuss issues like sex, fashion, or suicide, without cloaking them in euphemisms, one that would take a tone of, in her words, âHey guys, we're in this together.'”
Dolly
ran stories like “MasturbationâIt's Not a Dirty Word” and made fun of cross-eyed pretty girls in a story on model bloopers. It was the highest-selling teen magazine per capita in the world.
Dolly
, the edgy, outspoken, Fairfax-owned Australian magazine. In other words, the
Times
reporter stated, “one that would discuss issues like sex, fashion, or suicide, without cloaking them in euphemisms, one that would take a tone of, in her words, âHey guys, we're in this together.'”
Dolly
ran stories like “MasturbationâIt's Not a Dirty Word” and made fun of cross-eyed pretty girls in a story on model bloopers. It was the highest-selling teen magazine per capita in the world.
Sandra convinced her bosses that they should invest in her idea. She packed up her husband and kids, and she and her business partner, Dr. Anne Summers (who had headed Australia's Office of the Status of Women and had written a book on Australian feminism), moved to New York. They immediately began putting their team together.
“I passionately believed that the key to
Sassy
's success would be her very young staff,” says Sandra.
Dolly
's Australian employees were just a few years out of high school themselves, and this was evident in the way the magazine sounded. But the recruiting experience in the United States was difficultâ“No one seemed to believe that we were genuinely expecting to hire a very young editor”âand firms kept sending much older candidates. The New York publishing world is a clubby, competitive place, and there was no dearth of corporate-clad, razor-taloned, senior-level editors who were ready to try their hand at the top slot of a brand-new, big-budget publication. But Sandra wasn't impressed by the usual suspects.
Sassy
's success would be her very young staff,” says Sandra.
Dolly
's Australian employees were just a few years out of high school themselves, and this was evident in the way the magazine sounded. But the recruiting experience in the United States was difficultâ“No one seemed to believe that we were genuinely expecting to hire a very young editor”âand firms kept sending much older candidates. The New York publishing world is a clubby, competitive place, and there was no dearth of corporate-clad, razor-taloned, senior-level editors who were ready to try their hand at the top slot of a brand-new, big-budget publication. But Sandra wasn't impressed by the usual suspects.
Enter Jane Pratt, then just another twenty-four-year-old recent New York City transplant trying to make her name in the notoriously hierarchical publishing industry. But the relative newbie had impressed Marty Walker, who was helping Sandra with her search. Jane had worked with Walker at
McCall's
and was currently toiling at a struggling start-up called
Teenage
. Though she was young and inexperienced and didn't have a backer, she had begun telling people that she was
starting her own publication for teens. “At the time, I thought I had labored so long,” says Jane. “I had assisted, I had xeroxed, I had answered phones. It felt like, âDamn it, it's time for me to have my own magazine.'”
McCall's
and was currently toiling at a struggling start-up called
Teenage
. Though she was young and inexperienced and didn't have a backer, she had begun telling people that she was
starting her own publication for teens. “At the time, I thought I had labored so long,” says Jane. “I had assisted, I had xeroxed, I had answered phones. It felt like, âDamn it, it's time for me to have my own magazine.'”
As a lonely junior transfer to Andoverâthe elite prep school in Massachusetts that both her father and uncle had attendedâJane had devoured teen publications, trying to find girls like herself. “I just remember all these pictures of girls with tennis rackets, and they always had a boyfriend, and they all looked exactly the same,” she says.
Jane was born in 1963 in Durham, North Carolina, the second oldest of four kids (two boys and two girls). Her parents were both art professors at Duke. Though she has said she was the “absolute worst” on the basketball team, she did well academically at the Carolina Friends School, a Quaker-run facility where there were no grades and no pressure. In fact, she started to get a little bored. So at fifteen, two years after her parents divorced, she left home for boarding school.
Right away she felt out of place on the preppy East Coast campus. “All of a sudden I was an outcast,” she said in a January 1991
Sassy
article called “When We Were Depressed.” “The standards we were judged by were totally different. Being me wasn't enough anymore, and I had to give people specific reasons to like meâlike being pretty or extremely smart or having money or a family who's somebody.” She didn't really fit any of those criteria; in fact, her mom had gone on unemployment briefly, and worked a paper route to support the family after the split. And it was hard to get to know the kids, many of whom had been boarders since they were in elementary school; no one was particularly interested in befriending the junior transfer.
Sassy
article called “When We Were Depressed.” “The standards we were judged by were totally different. Being me wasn't enough anymore, and I had to give people specific reasons to like meâlike being pretty or extremely smart or having money or a family who's somebody.” She didn't really fit any of those criteria; in fact, her mom had gone on unemployment briefly, and worked a paper route to support the family after the split. And it was hard to get to know the kids, many of whom had been boarders since they were in elementary school; no one was particularly interested in befriending the junior transfer.
But
Seventeen
, which Jane turned to for consolation, didn't exist to validate; it existed to proscribe. And it gave a lonely girl plenty of reasons to think her inability to fit in was her own fault. “Are you a bore?” asked one story that appeared during Jane's high-school years and preyed on young girls' deepest fears about themselves. “Your chatter may be driving friends away in droves.”
Seventeen
, which Jane turned to for consolation, didn't exist to validate; it existed to proscribe. And it gave a lonely girl plenty of reasons to think her inability to fit in was her own fault. “Are you a bore?” asked one story that appeared during Jane's high-school years and preyed on young girls' deepest fears about themselves. “Your chatter may be driving friends away in droves.”
“I felt completely disinterested in all the things I was supposed to be interested in,” says Jane. “I held no passionate response to any of it, whether it was the pop stars being foisted upon me or the clothing that I was supposed to love to wear, or the kind of guys I was supposed to want to date and the kinds of things I was supposed to want to do with them on dates.” In fact, dating itself seemed like a deeply foreign concept, yet another entrée into an inauthentic world. “The idea of dating was always like, âUgh! Gross!' To me, it just means that you are going to go somewhere and you're going to act like someone else, and it's tiring.”
But there was no real place for Jane, who didn't feel that she fit into her high school's social strata. “It wasn't like I was so cool, like I knew about these bands that other people didn't know
about and that I loved,” says Jane. “
Sassy
was part of helping create those outlets for people like me. But at that time, there just weren't any.” If she had been an adult, maybe she could have taken refuge in a feminist persona, listening to Joni Mitchell, reading Kate Millett, wearing hippie skirts, and letting her hair go gray. If she were a boy, maybe she could have been a punk, starting a band and dyeing her hair. But in the days before John Hughes peppered his oeuvre with smart, independent, not classically pretty, kind of freaky, kind of geeky, but also very cool girls who win in the endâthough winning always means getting the guyâthere were simply no role models.
about and that I loved,” says Jane. “
Sassy
was part of helping create those outlets for people like me. But at that time, there just weren't any.” If she had been an adult, maybe she could have taken refuge in a feminist persona, listening to Joni Mitchell, reading Kate Millett, wearing hippie skirts, and letting her hair go gray. If she were a boy, maybe she could have been a punk, starting a band and dyeing her hair. But in the days before John Hughes peppered his oeuvre with smart, independent, not classically pretty, kind of freaky, kind of geeky, but also very cool girls who win in the endâthough winning always means getting the guyâthere were simply no role models.
She promised herself that if she ever got the opportunity, she would start a teen magazine for girls like herâgirls who felt like they were outsiders, but who could still pass for normal in the high-school cafeteria. Girls who didn't want to completely reject mainstream culture, but didn't want to completely embrace it, either.
In the meantime, she wouldn't give up her destructive teen magazine reading habit. “I was addicted to them in a way, because of that terrible thing I think a lot of women's magazines do, which is to tear you down, but then tell you how they can help you fix yourself,” she says. So one month
Seventeen
would run a guide on how to buy an engagement ring, and the next they'd run “Are You Really Ready For Marriage?”âa story about teen divorce. A story on how women spoil men too much is published just a few months apart from “Are You Too Assertive with Boys?” Jane would look to the magazine “to see what I should be, and when I wasn't, I would feel really bad. But I would think, âMaybe through these pages I'll get some help, be more like those girls.'”
Seventeen
would run a guide on how to buy an engagement ring, and the next they'd run “Are You Really Ready For Marriage?”âa story about teen divorce. A story on how women spoil men too much is published just a few months apart from “Are You Too Assertive with Boys?” Jane would look to the magazine “to see what I should be, and when I wasn't, I would feel really bad. But I would think, âMaybe through these pages I'll get some help, be more like those girls.'”
For a year, she was so stressed and upset that she practically stopped eating, and she started cutting herself. But the summer before her senior year, she became determined to change things. If she joined the cross-country team, she could go back to school two weeks early. She figured this would allow her to meet the other athletes and the new students, who she thought might be more open to her. So she trained all summer and got a new haircut, new makeup, and new clothes. It was exactly the kind of transformation that
Seventeen
would have endorsed; when she got back to school in September, no one recognized her. She had remade herself. “I had a great senior year,” she said in
Sassy
.
Seventeen
would have endorsed; when she got back to school in September, no one recognized her. She had remade herself. “I had a great senior year,” she said in
Sassy
.
After graduation, Jane matriculated to Oberlin, a small, liberal-arts college in Ohio, where she double-majored in English and dance, and where being a bit offbeat was prized, not denigrated. While there, she interned at
Style
and
Rolling Stone
and, afterward, at
McCall's,
before landing her gig at
Teenage
. Then she was called in to meet with Sandra Yates about a new teen magazine based on an Australian publication. She infamously showed up to her job interview in big black workmen's boots, a polka-dot skirt, and a vintage top. She looked, said Sandra, like she “got it.”
Style
and
Rolling Stone
and, afterward, at
McCall's,
before landing her gig at
Teenage
. Then she was called in to meet with Sandra Yates about a new teen magazine based on an Australian publication. She infamously showed up to her job interview in big black workmen's boots, a polka-dot skirt, and a vintage top. She looked, said Sandra, like she “got it.”
“She asked me the craziest thing or wildest thing I had ever done, so I told her the story about when I met Michael Stipe,” says Jane of her oft-repeated
first encounter with the R.E.M. frontman, in which she chased down the van he was in as it left a club after a show. She had exams the next day, but “you know, whatever,” says Jane, who could tell Sandra loved her response.
first encounter with the R.E.M. frontman, in which she chased down the van he was in as it left a club after a show. She had exams the next day, but “you know, whatever,” says Jane, who could tell Sandra loved her response.
Jane seemed like the grown-up teenager Sandra was looking for. But Sandra wanted to make sure there was some substance to go with the style. She asked Jane if she gave money to any causes. Jane replied that she had given to the pro-choice organization National Abortion Rights Action League since she was a teenager. “I think that sealed the deal,” she says. “I saw on her face, âOkay, we got the girl.'” Sandra sent Jane to Sydney for six weeks.
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