Impossible Things (28 page)

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Authors: Connie Willis

BOOK: Impossible Things
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(But if that’s true, maybe he understands the word “space,” too, and there really is a space program.)

(Maybe.) There was silence for a minute. (He told the linguistics team he’d have a demonstration of the space program for them in twenty-four hours. They asked him what he needed for this demonstration, and he said a room with high ceilings. So they stuck us in an old shuttle hangar with a guard and a couple of army cots, and he went right to sleep on one of the cots.)

She could hear something besides what he was saying, a low whooshing noise that rose to a dull roar and then subsided. (I can hear Mr. Okeefenokee snoring,) she said, and wiped her eyes on the hem of the sheet.

(Chris, listen, if there isn’t a space program, Okee’s not going to be the only one who’s in trouble. I didn’t exactly have official clearance to go undercover, and they’re going to want somebody they can blame this on. I don’t know when I’ll be able to get back up there to get you.)

(I know,) she said, sniffling. Charmaine had left her box of Kleenex on the nightstand. She reached for the flashlight. Her hand groped in emptiness where the nightstand was supposed to be. “Hutchins!” she said out loud. “The nightstand’s missing.” She squinted into the darkness.
She could faintly make out the walls of her room. “Mr. Okeefenokee’s boxes are gone, too.”

(No, they’re not,) Hutchins said, and she could hear the rumble of Okee’s snoring under his words. (They’re here. Did the nightstand have a box of Kleenex on it?)

“Are you all right, darling?” Stewart said through the door. “I heard you call out.”

“I’m fine,” Chris said. “I was dreaming. Good night.”

“Why don’t you come out and sleep on the—” Stewart said. His words cut off so abruptly she was afraid he had opened the door, but when she turned her head in that direction, she couldn’t see any light, not even the line of light that had been under her door.

(Are you still there, Chris?) Hutchins said.

(Yes,) she said, careful not to speak out loud since Stewart might be trying to unlock the door. I hope Molly took all her keys with her, she thought, and wondered if she should get out of bed and go wedge a chair against the door or something, but she was afraid she wouldn’t be able to find her way back to the bed. If the bed was still there. (Pete, what’s going on?)

(I don’t know,) he said. (This shuttle hangar is now full of Okee’s stuff. The microwaves, the trampoline, even the Christmas tree in the baby buggy.)

Chris squinted into the darkness, waiting for her eyes to adjust, but after a long minute she still couldn’t see anything.

(He didn’t understand when you tried to tell him there wasn’t any space in your apartment,) he said slowly (and he didn’t understand the words “far away” and “close.” And how come? Not because he couldn’t understand the words, but because the concept didn’t make any sense. Chris, I think he’s got a space program, after all.)

It was suddenly not as black in the room. She looked anxiously toward the shoji screen, afraid that Stewart had gotten it open, but the light wasn’t coming from that direction.
It seemed to be coming from the back wall where the trampoline had been, only she couldn’t make out the wall.

(It’s not the kind of space program NASA thought they were getting, but so what? I think they’ll be happy with this,) he said, sounding excited. (I couldn’t figure out how he was going to get all this stuff home in that little ship of theirs, and the answer is, he wasn’t. He was going to send it Federal Express. I’ll bet he already took the piano home, and that’s why we couldn’t find it.)

The line of light was under the side walls where the stacks of boxes had been. They were much farther away than they should have been.

(Pete!) Chris said, getting onto her knees on the bed as if she were on a life raft.

(If Okee can send souvenirs home to Eahrohhsani, we’ve got interstellar trade. Not to mention what this means to Sony. So what if we can only transport freight?)

Now a thin line of pinkish-orange light was under the wall where the shoji screen should be. It wasn’t there. (Pete,) she said (I don’t think it’s limited to transporting freight.)

(I wonder what the high ceilings have to do with this. We can build space colonies on earth and then put them in orbit with—)

His voice cut off. (Just a minute,) Hutchins said after a pause. (The lights went out. I can’t see.)

(There’s a flashlight on the nightstand,) Chris said.

(I can’t find the nightstand. It was right here.) His voice sounded suddenly different, farther away, and she couldn’t hear Mr. Okeefenokee’s snoring under it. (Chris, I think it’s disappeared. It’s black as pitch in here. Is the nightstand there?)

(I don’t know. Just a minute.) She got up on her knees, waved her hand over where the nightstand was supposed to be, and cracked her knuckles against the corner of it.

“Ouch,” she said, nursing her hand. (Yes, it’s back.)

“Damn!” Hutchins said. “No, it’s not. It’s here. I just ran into it.”

“But …,” Chris said, and then stopped and peered into the darkness. She crawled to the foot of the bed so that the orange-pink light was behind the nightstand and she could make out shapes. “Pete,” she said, “take off your subvocalizer.” She unfastened the receiver from her ear and closed her hand over it.

“In a minute,” he said. “Okee had a box of flashlights right next to the Christmas tree.” His voice sounded suddenly softer, as if he had turned away.

She unclasped the subvocalizer with her free hand and took it off. “Take off your subvocalizer and say something.” She put it under her pillow and leaned across the bed, feeling carefully for the nightstand.

“Now I can’t find the damned boxes,” he said. “Damn it, I hit my toe again.”

Chris turned on the flashlight. Hutchins had on jeans and no shirt, and he was standing beside the bed, holding his bare foot in one hand. “How did you get here?” he said blankly.

“That’s what I should be asking you. This is my room.” She shone the flashlight around at the walls. The line of pinkish-orange light was getting wider, as if a curtain were slowly going up. “Sort of.” She smiled at him. “Stewart wanted me to stay in my room, but I don’t think this is what he had in mind.”

Hutchins put his foot down and looked blankly behind him at the wall. “Where’s Okee?”

“I don’t know. I have a feeling he could be just about anywhere he wants. But I would imagine he’s in the shuttle hangar with all his boxes and the Christmas tree and the trampoline. And half of NASA when they realize we’re gone. You don’t suppose they’ll think he disintegrated us or something?”

He limped over to the bed and sat down beside her.
“He said he’d have a space program for them in twenty-four hours. They won’t string him up before then, and I have a feeling that at the end of twenty-four hours we’ll be able to tell them where we’ve been ourselves.”

“Which is where?” she said.

He looked around at the walls. The band of light was nearly a foot wide now. It looked more pink than orange. Chris switched off the flashlight and put it on the nightstand.

“Damned if I know,” he said. “That old faker! He understood every word we said. He knew exactly what kind of space program NASA wanted. And all that stuff about honeymoons and closings and not understanding what kind of roll Bets wanted. ‘Time alone. Talk, Neck.’ I could just …,” he said, smashing his fist against his open hand. He stopped and looked at Chris. “I could kiss him on the top of his lipstick-smeared head,” he said. “I thought I was never going to see you again. I figured by the time I made it back up to Sony, you’d have married your prospective buyer.”

“I couldn’t marry Stewart,” Chris said, taking hold of his hand. “I’m already married.”

“ ‘Put on subvocalizer. You and Hutchins get married. Hahnahmoon.’ ” Hutchins said, shaking his head. “I’ll bet he set up this whole thing with Charmaine’s lawyer, the marriage, the honeymoon, everything.”

He stood up and went over to the wall where the shoji screen had been. When he put out his hand to touch it, the band seemed to spread suddenly in all directions, suffusing the room in pink light.

“The honeymoon!” Chris said, getting up on her knees. “I think I know where we are. And you’re wrong. He doesn’t understand
every
word we say.”

“What do you mean?” he said.

“I’ll bet you anything those trees are cherry trees, and that we’re on a
hana
moon.” A forest of blossoming trees
stretched around them in all directions. She could almost smell the cherry blossoms. “It’s beautiful here,” she said.

“It is,” he said, but he wasn’t looking at the trees. “And I have the feeling nobody’s going to come in to evict us or use the bathroom or do a tap-dance routine.” He walked over to the bed. “Spielberg didn’t really give Molly and Bets a part in his movie, did he?”

Chris sat back on her heels. “You were right about Spielberg coming up to Sony incognito. You know the old man who lives above Charmaine?”

He pulled her up onto her knees. “In the baseball cap and sneakers? He’s not Spielberg,” he said. “He’s just some chip-cam director who thinks he can bring back slasher movies. He wanted to hire Okee to star in a low-budget remake of
Alien
. When I told him I didn’t think Okee was available, he asked me if I thought people would believe in a pair of four-year-olds who were vicious murderers.” He put his arms around her. “I said I hoped it was one of those movies where the murderers get what they deserve in the end. I like movies like that, where everybody gets what they deserve.”

“So do I,” Chris said. Hutchins was even closer than he had been on the bullet. Chris could definitely smell the cherry blossoms. “What’s going to happen to Molly and Bets?”

“I don’t know,” he said, and leaned down to kiss her. “The old guy got this spooky smile on his face and mumbled something about tap shoes.”

I DON’T HAVE A LOT OF PATIENCE WITH SHAKESPEARE
conspiracy theories. They all, with the exception of the Bacon theory, seem to be based on an inability to accept the obvious: that Shakespeare was Shakespeare. (The Bacon theory seems to be based on a decoder ring.) They’ve concluded Shakespeare was the Earl of Oxford or Queen Elizabeth or a committee (A committee!? Who are they trying to kid?) because he
couldn’t
have been an Ordinary Person
.

Well, of course he wasn’t an Ordinary Person. He was Shakespeare. But that doesn’t mean he couldn’t have come from Ordinary Circumstances. Say, a log cabin in Illinois. Or a small town in upstate England
.

The theories about Anne Hathaway are even worse. Out of a handful of facts—she was six years older, she couldn’t read, she was pregnant when they got married—the theorists concoct an aged, ignorant peasant, deservedly abandoned by Queen Elizabeth or the committee or whoever it was
.

Honestly. Illiterate doesn’t mean stupid, and where do they think Shakespeare got all those wonderful, witty, intelligent women for his plays—Beatrice and Rosalind and Cordelia and Kate—if not from his wife and daughters?

If I were concocting a Shakespeare conspiracy theory, it would have to take Anne into account. And it wouldn’t have any codes or committees. It would have all the things Shakespeare liked so well: secrets and murder and romance. And mistaken identities
.

W
INTER’S
T
ALE

“I
s the will here?” he said. “I need …”

“Thou hast no need of wills,” I said, putting my hand upon his poor hot brow. “You have but a fever, husband. You should not have stayed so late last eve with Master Drayton.”

“A fever?” he said. “Aye, it must be so. It was raining when I rode home, and now my head is like to split in twain.”

“I have sent to John for medicine. It will be here soon.”

“John?” he said, alarmed, half rising in the bed. “I had forgot Old John. I must needs bequeath the old man something. When he came to London—”

“I spoke of John Hall, thy son-in-law,” I said. “He will bring you somewhat for thy fever.”

“I must leave Old John something in my will, that he’ll keep silence.”

“Old John will not betray you,” I said. He hath been silent, lo, these twelve winters, buried in Trinity Church, no danger to anyone. “Hush, thee, and rest awhile.”

“I would leave him something of gaud and glitter.
The gilt-and-silver bowl I sent thee from London. Do you remember it?”

“Yea, I remember it,” I said.

The bowl had come at midday as I was making the second-best bed. I had already made the best bed for the guests, if any came with him, airing the hangings and putting on a new featherbed, and was going into my room to see to the second-best bed when my daughter Judith called up the stairs that a rider had come. I thought that it was he and left the bed unturned and forgot. Ere I remembered it, it was late afternoon, all the preparations made and we in our new clothes.

“I should have stuffed a new featherbed,” I said, laying the coverlid upon the press. “This one is flattened out and full of dust.”

“You will spoil your new gown, Mother,” Judith said, standing well away. “What matters if the bed be turned? He’ll notice not the beds, so glad he’ll be to see his family.”

“Will he be glad?” Susanna said. “He waited long enough for this homecoming, if it be that. What does he want, I wonder.” She took the sheets and folded them. Elizabeth climbed onto the bed to fetch a pillow and brought it me, though it was twice her size.

“To see his daughters, perhaps, or his grandaughter, and make his peace with all of us,” Judith said. She took the pillow from Elizabeth gingerly and brushed her skirts when she had laid it down. “It will be dark soon.”

“ ’Tis light enough for us to make a bed,” I said, reaching my hands to lift it up. “Come, help me turn the featherbed, daughters.” Susanna took one side, Judith the other, all unwillingly.

“I’ll turn it,” Elizabeth said, squeezing herself next the wall at the foot, all eagerness to help and like to have her little fingers crushed.

“Wilt thou go out and see if they are coming, granddaughter?”
I said. Elizabeth clambered over the bed, kirtle and long hair flying.

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