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Authors: Charlie Huston

Joe Pitt 5 - My Dead Body (19 page)

BOOK: Joe Pitt 5 - My Dead Body
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Third finger and I’m thinking about the Wraith. Squirming mass of black and cold. Servant to Enclave. Nightmare Vampyres use to scare each other. Saying, Don’t fuck with Enclave or they’ll send a Wraith on your ass. Something to laugh at, till you find yourself half-mad in a basement, about to die, and something so black you could fall into it whips across the room and kills the man about to kill you. Tell yourself, I don’t know what I saw. I saw nothing, I was dreaming bad. Awake in the middle of the day, can’t sleep, sun outside, beating at the walls, trying to get in through the cracks and kill you, the brightest hour, most fearsome, and tell yourself then, Monster. I saw a fucking monster. Come the night again, you don’t know what to believe.

Fourth finger and I’m thinking about the hole in Queens. Standing at the top, looking down a shaft that dropped away under my feet, down, down, down, work lights at every level, burning at every level, smaller and smaller, until they disappeared in the depth of the thing. The wax skin on a naked girl with an I.V. needle riveted to her arm. Cooler full of cords. Nursery. The men I killed and wished I had the bullets back out of their bodies, so I could kill them again, slow and proper. ‘Cause dead is dead and anything they had coming to them I wasted when I did them quick. Standing at the top of that hole and hearing from down deep, breathing, gasping, one breath taken between each bite. The worm down there at the bottom of that hole, eating itself, spreading its sick madness. Thinking, No monsters in this world. Just us people.

Fifth finger and I’m thinking about being up in Amanda’s office looking at her slide show. Her explaining to me the origins of life. Vyrus mates with bacteria. How long an idea like that needs to circle around and around in my head before it makes any kind of sense to me. What they call the implications. That HERV thing she talked about. All of us with viral scraps in our DNA, just not all of us have Vyral material as well. That idea finally catching up to me. If it all really started with the Vyrus, then it’s not just in us, in people, it could be in anything. Inactive Vyrus cells in any DNA. Waiting to be activated. And then who knows what the hell you end up with. Phil saying to me, experiments. Little Amanda in her lab, seeing what happens when you activate the Vyrus in all god’s creatures. Thinking now, She’s making monsters.

And no more fingers to think with.

We move around the corner, facing that long arm of the L-shaped basement, row of doors, a few of them open. The thing I killed against one wall, just outside an open cell door, another dead monster by the opposite wall, that thing under the pile of dead enforcers still quivering. Light from the Mini Maglites some of the crew have clipped under the barrels of their weapons. Quiet except for our shuffling feet and rapid breathing. Clear shot to the hole in the floor where we can trickle down into the sewer one at a time. No one wanting to be the short straw, last man on top. Edging closer, waiting for that Klaxon to sound, all the doors to slam wide. Feels like the vibration of the bell is hammering the air already, but it’s just heartbeats. Closer to the hole. Ready to go flat and stick my head down there and tell Terry something that will keep him from opening fire on Predo’s crew. No time to be picky about joining up with anyone who has a gun, Ter. The more the merrier. Few more steps and I’ll just start talking, hope the right thing comes out. Something like, Don’t shoot! Monsters!

Meanwhile, my own personal monster, my Vyrus, goes at my intestines with its teeth. I stutter-step, trip up the guy behind me. Predo yanks me along.

--Pitt!

I try to keep moving my feet, but it feels like I’ve been bit in half at the waist, no legs to move, innards dragging on the ground.

Then they’re back, teeth pull out, feet are under me, and I’m moving for the hole, ready to make my play when something explodes underneath. Stone and mortar and shards of rusty iron blasted into the air as Hurley erupts from the hole, sledgehammer in one hand, .45 in the other, landing on his feet next to the widened hole, screaming to the troops now visible below.

--Tis da double cross i’tis!

And the vibrations that have been hanging in the air waiting to break, the Klaxon sounding, the doors opening, the yellow blur that bursts from one of them zeroing in on Hurley’s chest. Size of a large dog, it will chew a hole through his lungs when it hits him, but it never gets there, hammer snapping mid-shaft as Hurley smashes it from the air, a blow so hard the thing splits in half, each part whirling across the basement spewing yellow blood that smells of rotted Vyrus, smacking against the wall and falling to the floor.

Hurley brandishes the broken handle of his hammer.

--Holy shite!

And then more monsters.

And then everyone shoots at everything.

The tiny red dot overhead, the camera watching, Amanda Horde upstairs. We’re not defenseless, was what she said.

I shoot at something that tries to kill me. What it is, someone with a name I know, or a thing that isn’t supposed to be, I can’t say. I just start killing my way toward the pile of bodies blocking the door.

It would have been good to know what Predo meant when he said him and his enforcers had been driven to the basement. It was a heady time when that word passed his lips and I didn’t bother to notice it. Or its implications.

In the basement, I have one thin slice of something resembling an advantage. That being that I don’t care about killing Coalition or Society. I don’t much like anyone down there, but I haven’t been trained to hate the other side. Or anyway, it’s a long time since I stopped believing there were sides. Monsters or no, most of these grunts finally have a clear target and a piece in their hands and they want to run up a body count. Once the first one uses the distraction of Amanda’s experiments to take a potshot at the other team, any idea of sticking it to the mutual enemy evaporates and it’s a free-for-all.

When you’re used to going it alone, a free-for-all is just your natural environment. If the people around me weren’t at one another’s throats most of the time, I’d never have survived, starting with my mom and dad.

People may hate me, they just sometimes hate one another even more, but the monsters don’t care one way or the other. That’s why first thing I do when it all goes sideways is I turn around and shoot the guy behind me in the stomach a couple times and drag him toward the door. He catches a couple more bullets as we pass the hole, but he’s still alive enough for a good scream when something broadsides us and plows us to the ground, him on top. Feels like the thing that took us down is trying to dig through him to get to me, but it’s just as likely trying to get inside so it can lay a clutch of eggs in his liver. I worm out from under and belly-crawl into a thicket of legs, shell casings raining down, getting stomped.

When a taloned limb appears in the mix, I unload the clip in my gun, bullets severing it from whatever it’s attached to, bullets gone astray taking out the legs of a few of the enforcers.

Claws reach into my back, grab my spine, and try to rip it out.

In the time I think it’s really happening that way, I’ve rolled to my back, screaming. But it’s just the Vyrus again. Inopportune timing.

Someone steps on my stomach. Someone else steps on my bad knee. The claws let go of my spine and I roll again and move, realizing that the person who stepped on my knee was one of Terry’s partisans.

The stupid fuckers are coming up.

There’s a pile of bodies in front of me. Can’t tell anymore which way I’m pointed. Could be the pile of enforcers that was blocking the door, could be a brand-new pile. My cheek is lashed open by a whip. I look and see that mass of quivering tentacles. So at least I have the right pile of dead people. I start digging into the pile and something has my ankle. I look back, expecting to see one of those tentacles has me, but it’s a partisan, one of those shaved-head semi-anarchist fucks that all look alike. Some son of a bitch I don’t even know his fucking name, he’s missing half his left arm and his jaw, but he’s using his last breath on this earth to fuck with me, when he could be looking for someone’s dropped gun to shoot himself and die quicker.

Me, I dropped my empty gun a few seconds ago, haven’t found a replacement yet. So I swing the wire saw at his wrist, snag the free end as it wraps around, yank back and forth, and he’s got no hands to pick up anything anymore.

I’m digging into the pile of dead people again, going under, feeling the weight of them on top, hoping the door is ahead of me, hoping I don’t pop out the wrong side of the pile and have my head snatched off. The pile thrums around me as it’s raked by bullets. I dig deeper, my hand feels steel plate, I reach down, find a crack at the bottom of the door and start to yank and push, but it’s either locked or the dead are too heavy to move. I get the two fingers of my left hand in there and pull and push, looking for something to give.

Just a little.

I’m just looking for a little room. A little room to move. Someplace I can use to make more time. Looking for a little crack to edge through and slip away. One more time. If I can get away one more time I might have a chance. Even if it’s a chance I don’t deserve, I want it anyway.

The door moves, a tiny bit of give, and I take it. Jerk the fucker back and forth, pushing myself up out of the cover of the dead, bodies tumbling off me as I rise for leverage, grabbing the edge of the door as it clears the jamb. Pull, push, pull.

--Fooker, ya are!

I know who it is, so I don’t waste time looking.

I just pull harder, pull and jam myself into the gap I’ve opened, skinning my face trying to push through.

--Ya backstabber, ya are!

He hasn’t shot me. Either for lack of bullets or because he wants his hands on me.

Someone on the other side shoves the door, pushing it an inch farther open against the bodies, I heave myself, the slightly jutting ends of those two broken ribs snagged by the edge of the door, cracking, and I don’t care because I’m through and the monsters are back there and I’ve got a step on Hurley and I just need to get my feet under me and start up the stairs and all I need to do is run.

And I’m on my feet.

And I remember someone just got me through the door.

And I look up and see one of the starving infecteds of Cure. One of the howlers trapped behind the doors along the stairwell. One of the Vyrus-mad Vampyres Amanda released and set on the enforcers when they breached the building.

An explanation of how they were driven down here.

I’m trying to bring the amputation blade up, get it in the starved fucker’s eye, hoping it will cut something in the brain that will instantly sever communications with the body before it can start ripping me limb from limb, but it’s all happening too fast. Man or woman, I can’t tell what it is, how it was born. Mommy’s little boy, daddy’s little girl. Perfect angel or shitty little brat. The years between. Bum or banker. Loved or hated. Ruthless feeder and killer, or helpless infected who lived off Coalition dole. Whatever humanity is worth, this thing is far beyond it. It is hunger and the pain of being hungry, and anything that can’t give relief is either a hated foe or invisible, depending on whether it gets in its way. Maddened not by any hunger for my infected blood, but purely by the sight of something that moves and sounds like prey, it’s on top of me, feet in my stomach, hunched, hands on my neck, howling at the scent of my undrinkable blood.

Joe Pitt 5 - My Dead Body

And I go limp. Arms at my sides, blade cradled in my good hand.

It crushes my throat, I feel cartilage crack. Its toes dig into my belly, like the claws of the Vyrus. Shriveled, sexless face in mine, sniffing, sniffing. The stink out of its mouth making me gag, but there’s nothing to come up, and nowhere for it to go while I’m being choked to death. Speckles at the edge of my vision, spreading. Blackening. My hand opens and closes on the taped hilt of the blade, wanting to stab of its own will.

That darkness irising down the scope of my vision, swallowing the stairwell from the outside in, is there something in it? Something moving in the dark.

Is there something cold coming for me?

God I hope not.

It lets go of my neck and climbs off me. My windpipe uncrinkles a bit, but there’s a definite rasp in my breath. Darkness recedes.

The starving infected paws at the bodies of dead enforcers. Jumps up and down on one. Looks at me. I don’t move.

I can smell something. I can smell it. Its smell clinging to me. But no, that’s wrong. It’s me I smell. My own dying. Not as potent, but it’s only a matter of time. The smell that comes out of its gullet is in my own now. Rotting inside.

To emphasize the point, the Vyrus pours hot lead down the middle of my bones and sets me shaking. The starving jumps up and down higher, points at me, opens its mouth, and I’d swear it fucking laughs. Delighted to see someone else in pain.

Then the screams and gunfire beyond the door raise in volume as it is pushed open again and I’m no longer the center of attention.

--Joe, ya fooker!

I’m off the floor.

--Hurley, watch out.

Half through the door, struggling to pull it wide enough to fit his massive frame, the starving is on him. And Hurley, not close to starving himself, his smell is all wrong, and he puts up a fight. A sudden obstacle, the starving tries to kill him. I’m crawling up the stairs, watching, unable not to watch. Hurley’s arm reaching through the blur of the starving’s whirling limbs as it tries to rend him. Like a man reaching slow into a barrel of thrashing eels. Until Hurley has its neck, and squeezes, and slams the head against the door that still has him pinned between monsters. The head is dented, crushed, spilling down the door. Its arms and legs still windmill. Hurley jerks it back and forth, harder, harder, and the head comes off and he tosses the body aside and it flops and gets to its feet, runs into a wall, falls down, legs churning the air.

Through the blood congealed on his face and in his eyes, Hurley looks up at me, where I’m almost at the door at the top of the stairs.

--A word wit ya, Joe, when ya got a sec.

He looks back into the shit storm in the basement.

--Terry! Here an now, Terry boy!

The heat has run out of my bones and I’m out the door at the top and making for the main stairwell. More dead enforcers about. A second to spare, I pick up a gun. It feels useless in my hand, but I keep it anyway.

Bottom of the stairs, I look up.

Starvings on the stairs.

Misery trying to die.

Turning their heads to look at me as I come into view.

Down the hall is the front door. A short walk out of madness. More enforcers out there? Probably. Ordered to snatch anyone who comes out of the building? Probably. And so what. Them I might kill with a couple well-placed bullets. Here in the asylum, Hurley is the only safe bet to get out alive. And he’s trying to kill me.

--C’mon, Joe, tis just a little chat I’m looking fer! An Terry would like a word as well I tink!

I push the door closed. Look for something to block it with, but there are no trucks handy that I can park in front of it.

The starving closest to me on the stairs pulls itself onto the banister and scuttles down it a half flight closer.

I take a step toward the front of the building.

Hurley will be up here in a second. I should leave. No one can tell me I shouldn’t be gone from here and taking my shots on the street. Everything is dead here anyway.

Except Amanda. And Chubby’s daughter. And her baby.

Maybe.

I close my eye for one heartbeat. Picture Evie. Telling her I was too late. The kids were dead, them and their baby. I tried but I was too late. I really tried.

I open my eye.

My girl, I’ve lied to her too many times. She knows what it looks like when I pull that shit.

So I start slow up the stairs.

The time I died, I starved to death. Went one step further than these sad pieces of work. Went to the place the Enclave go. Differences. Enclave go there willfully, exercise some kind of discipline, do it in a warehouse of like-minded crazies. All of them holding one another’s hands as they go through it. When I went, I just went. Starved and beat, I tilted, heart stopped, air froze in my lungs, brain blacked. And the Vyrus brought me back. Like a built-in heart shock and a stab of adrenaline between the eyes. These, they’ve been dragged to this stage. Amanda feeding them what she could, until she realized she didn’t have enough to really keep them alive. Until they crossed over in her brain and became more valuable like this than like people. Until the idea of someone being better off dead didn’t make sense to her work.

Long-starved like Enclave, but without the training to cope. Not quite as far gone as I was when I slipped, but just as unhappy to be there. They know they can’t eat me. But that doesn’t mean that killing me wouldn’t make them feel better. Or just make them feel something other than their own bodies eating themselves.

Half-up the first flight, the one squatting on the banister huffs. Tongue stuck out like it’s testing the air for humidity. Or for the taste of blood that isn’t infected.

Coated in a thick layer of sewer sludge, enforcer blood, monster slime and the dead Vyrus stink starting to rise from my pores, I set its teeth to chattering. A high tone in its throat, crying alley cat. It shifts up the banister, staying with me. Not sure what the fuck to do at all. Looking tempted to go at me just to resolve the confusion.

The others above are starting to rock back and forth, one rising and walking down and up the same three steps, flickering. Another, higher up, poking its head over the third-floor landing, keeps slapping its own face. Regular sharp smacks that are like a metronome set against irregular bursts of gunfire fading below me.

The one pacing me pulls up, lifts it face, croaks, shakes its head into a blur, freezes, and huddles into itself, eyes closing, seeming to fall asleep clutching its perch on the banister.

New gunfire breaks out in the basement stairwell behind the closed door, and its eyes open and it looks down and even as the door is opening and Hurley comes through with one arm wrapped around Terry, it has let go of the banister and dropped itself at them. The others suddenly flee, swarming down the stairs, focused on something loud and fast and violent and much warmer than me. Something that at least appears to be food. Something to at least satiate a hunger for hunting.

Hurley’s curses echo up the stairwell behind my running heels, his precise choice of words drowned out by the crack of his .45, punctuated by the occasional meaty whap of a dumdum round mushrooming as it hits flesh, underscored by the chatter of Terry’s AK-47.

I’m not looking down to see who will come out on top. I’m too busy looking at the steps in front of me, trying to find each one at the far end of the tunnel that my eye has retreated into. I’m at a distance to my own body, operating it by remote control, but feeling every thrum of pain that vibrates the string tied to the pain knotted in my forehead.

I’m trying to climb without falling.

I’m trying to remember this pain from years back. Did I feel this then? How long before dying did I feel this? Will I die soon? If I do, will I stay dead this time?

Please, asks a part of me that I instantly disown, please can I stay dead this time?

No, I answer. Evie wouldn’t like that. Or maybe she would. I don’t really know. But if she wants me dead she can tell me herself. If I’m there to hear it, I might just oblige her.

I want to look up and see how many more stairs to the top, but I think I’d fall back down to the bottom where the sound of Hurley and Terry’s guns has stopped. Out of bullets or out of things to shoot at? Not my problem. Stairs are my problem.

Climb.

Climb, motherfucker.

And don’t die.

If you die, it will come and take you away. If you die, the black cold will come and suck you into its heart and you’ll be ice forever. If you die, the Wraith inside will come out and be you.

I don’t believe it’s true, but I fear it all the same.

I don’t want to be a monster. Not for real. I want to know what I do in this world. I want to know who I hurt. I want my dead to have faces I remember. I want to know what I’ve done and the price of it all. I know I’ll never have what I want. I know I’ll never be where I want. I know I’ll never hold who I want to hold. Just that when all doubt is gone and there’s no trick left I can play on myself to make me believe that maybe I’ll get her in the end, I want to remember everything I did along the way, and know that there had to be an accounting. And her saying no is the price.

I just want to be there to remember it’s my own fucking fault.

I can live with that.

Someone takes my hand.

I look up.

At the top of the stairs. Amanda has me by my wounded hand, holding it in both of hers. Frowning at me.

--You never told me before that you killed my mom.

I open my mouth, words crack as they come out of my twisted throat.

--Long story.

She pulls me down the hall.

--All we have is time, Joe.

Feet are pounding up the stairs. One set? Two sets? Yes. At least. Maybe more. Maybe more than Hurley and Terry got out of the basement alive.

We’re at the door of Amanda’s penthouse. I’m coming back to my body. Vision coming to the mouth of the tunnel, opening up.

--Sela.

Amanda doesn’t look back at me.

--What about her?

--We need her. Hurley. Terry. More.

She shakes her head as she leads me in.

--Oh them. Never mind them. And Sela.

Inside, she tugs my hand, pulls me to her side, points at the sheet covering a body in the middle of the floor, stains soaked through, drenched.

--Sela can’t really help anymore.

She gives my hand a squeeze.

--What a gift you have, Joe.

She pushes the door closed and fastens the locks.

--For hurting the most important people in my life.

--You returned for us as you promised.

--Technically, I mean, yes, technically, you didn’t kill her.

--And Benjamin and I and our child, we are ready to depart.

--If we want to get specific here, and seeing as she’s dead and all that, I suppose we can get as specific as we want.

--Whenever you urge.

--So, specifically speaking.

--Shall we leave now?

--Deli-lah.

Amanda squeezes her forehead.

--Could you please let me talk to Joe without interruptions, please.

Standing near the locked door with Ben, hands on her belly, Delilah raises a finger.

--You may have imprisoned us, but no longer.

--Delilah. Dear.

Amanda pulls out the very large pistol that’s been weighing one of the pockets of her lab coat.

--I have some issues with you right now. So if you don’t, I mean, please be quiet for a few minutes, I’m going to shoot Ben.

Ben raises his hands to his shoulders.

--Hey, whoa.

Delilah shakes her finger back and forth.

--Mere bullets will not slay him.

Eyes still on the covered corpse of her lover, Amanda raises the gun and points it at Ben.

--Dear, I know more about the Vyrus and Vampyres than anyone else on the planet. I mean. Trust me, I know where to shoot him to kill him.

She bites the tip of her tongue.

--Or were you not paying attention to what happened with Sela?

Delilah opens her mouth and Ben drops a hand on her shoulder.

--Baby, be cool.

She pulls back.

--Benjamin?

He raises his hands in higher surrender than when Amanda pointed the gun at him.

--Hey, hey, I’m just saying, Mr. Pitt said he’d come back. And here he is. So let’s just sort it out calmly now.

Out in the hall Terry pounds on the door again.

--Time to open up, Joe!

Ben points at the door.

--Because just walking out there right now may not be the best thing as far as we know.

He looks at me.

--Right, Mr. Pitt?

In a chair, bottle of whiskey in my hand, I lift it as far as my mouth and spill a little inside.

--Having a hard time seeing where to go right now myself.

I lift the bottle toward the door.

--I got Chubby’s daughter tied up in front of the door, Terry! Knock it down or shoot through it and you’ll kill your symbolic baby of the future!

It gets quiet in the hall.

Amanda is shaking her head.

--Mr. Pitt. As if.

She looks at the gun in her hand, shakes her head.

--You got her good, Joe. I mean. I mean. She’d been on rations for. I don’t know. I kept telling her to feed. There was enough for her. But she kept reducing her own so she could spread it around with the membership. As if. I mean, this was way past when we knew where things were going. I’d shown her the math. She couldn’t argue with it. You know. And she just. She wouldn’t accept that most of them were going to starve. Period. She handled the discipline. The euthanizing when someone went over. But she wouldn’t let go and let what was going to happen just, I mean, just let it happen. I gave her everything I could. I would have given her more. But she wouldn’t take it.

She lifts her arms from her sides, lets them drop.

--And then you, I mean, speared her.

Another pound on the door.

Lydia this time.

--I don’t believe you about the girl, Joe. You wouldn’t.

--So come on in guns blazing. Already told you I don’t like the girl, Lyd. Do your worst.

BOOK: Joe Pitt 5 - My Dead Body
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