Authors: China Mieville
Tags: #Fantasy - Epic, #England, #Museum curators, #Fiction - Fantasy, #Fiction, #Fantasy, #English Science Fiction And Fantasy, #Magic, #Epic, #Giant squids
Kraken
ALSO BY CHINA MIÉVILLE
King Rat
Perdido Street Station
The Scar
Iron Council
Looking for Jake: Stories
Un Lun Dun
The City & The City
To Mark Bould
Comrade-in-tentacles
ACKNOWLEDGMENTS
For all their help with this book I’m extremely grateful to Mark Bould, Mic Cheetham, Julie Crisp, Melisande Echanique, Penelope Haynes, Chloe Healy, Kaitlin Heller, Deanna Hoak, Simon Kavanagh, Peter Lavery, Jemima Miéville, David Moensch, Sandy Rankin, Max Schaefer, Jesse Soodalter, and to my editors Chris Schluep and Jeremy Trevathan. My sincere thanks to all at Del Rey and Macmillan.
The Natural History Museum and Darwin Centre are, of course, real places—the latter containing a real
Architeuthis
—but the questionable versions depicted here are entirely my responsibility. For their extraordinary hospitality and behind-the-scenes access, I am enormously grateful to those who work in the real institutions, particularly Patrick Campbell, Oliver Crimmen, Mandy Holloway, Karen James, and John Lambshead.
The poem in
chapter 19
, “The Kraken Wakes,” is copyright Hugh Cook, and I am very grateful to his family for permission to reproduce it. Among the countless writers, musicians, artists, and researchers to whom I’m indebted, those I’m particularly aware of and grateful to with regard to this book include Hugh Cook, Burial, Hugh Harman and Rudy Ising, William Hope Hodgson, Pop Will Eat Itself, Tsunemi Kubodera and Kyoichi Mori, Jules Verne, H. G. Wells, and Japetus Steenstrup.
Contents
Other Books by this Author
Title Page
Dedication
Acknowledgments
Epigraph
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Chapter Fifty-Four
Part Five - Rise Toward Descent
Chapter Fifty-Five
Chapter Fifty-Six
Chapter Fifty-Seven
Chapter Fifty-Eight
Chapter Fifty-Nine
Chapter Sixty
Chapter Sixty-One
Chapter Sixty-Two
Chapter Sixty-Three
Chapter Sixty-Four
Chapter Sixty-Five
Chapter Sixty-Six
Chapter Sixty-Seven
Chapter Sixty-Eight
Chapter Sixty-Nine
Chapter Seventy
Chapter Seventy-One
Chapter Seventy-Two
Chapter Seventy-Three
Chapter Seventy-Four
Chapter Seventy-Five
Chapter Seventy-Six
Chapter Seventy-Seven
Chapter Seventy-Eight
Chapter Seventy-Nine
Chapter Eighty
Chapter Eighty-One
Chapter Eighty-Two
About the Author
Copyright
“The green waves break from my sides
As I roll up, forced by my season”
—H
UGH
C
OOK
, “The Kraken Wakes”
T
he sea is full of saints. You know that? You know that: you’re a big boy
.
The sea’s full of saints and it’s been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they’re still there now
.
Saints eat fish and shellfish. Some of them catch jelly fish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out; they spit up spirals. There’s nothing saints don’t do
.
Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here comes another one! Now they’re fighting! Yours won
.
There aren’t any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What’s your favourite saint? I’ll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They’re all a holy family, they’re all cousins. Of each other, and of … you know what else they’re cousins of?
That’s right. Of gods
.
Alright now. Who was it made you? You know what to say
.
Who made you?
PART ONE
SPECIMENS
Chapter One
A
N EVERYDAY DOOMSAYER IN SANDWICH-BOARD ABRUPTLY
walked away from what over the last several days had been his pitch, by the gates of a museum. The sign on his front was an old-school prophecy of the end: the one bobbing on his back read
FORGET IT
.
I
NSIDE, A MAN WALKED THROUGH THE BIG HALL, PAST A DOUBLE
stair and a giant skeleton, his steps loud on the marble. Stone animals watched him. “Right then,” he kept saying.
His name was Billy Harrow. He glanced at the great fabricated bones and nodded. It looked as if he was saying hello. It was a little after eleven on a morning in October. The room was filling up. A group waited for him by the entrance desk, eyeing each other with polite shyness.
There were two men in their twenties with geek-chic haircuts. A woman and man barely out of teens teased each other. She was obviously indulging him with this visit. There was an older couple, and a father in his thirties holding his young son. “Look, that’s a monkey,” he said. He pointed at animals carved in vines on the museum pillars. “And you see that lizard?”
The boy peeped. He looked at the bone apatosaurus that Billy had seemed to greet. Or maybe, Billy thought, he was looking at the glyptodon beyond it. All the children had a favourite inhabitant of the Natural History Museum’s first hall, and the glyptodon, that half-globe armadillo giant, had been Billy’s.
Billy smiled at the woman who dispensed tickets, and the guard behind her. “This them?” he said. “Right then, everyone. Shall we do this thing?”
H
E CLEANED HIS GLASSES AND BLINKED WHILE HE WAS DOING IT,
replicating a look and motion an ex had once told him was adorable. He was a little shy of thirty and looked younger: he had freckles, and not enough stubble to justify “Bill.” As he got older, Billy suspected, he would, DiCaprio-like, simply become like an increasingly wizened child.
Billy’s black hair was tousled in halfheartedly fashionable style. He wore a not-too-hopeless top, cheap jeans. When he had first started at the centre, he had liked to think that he was unexpectedly cool-looking for such a job. Now he knew that he surprised no one, that no one expected scientists to look like scientists anymore.
“So you’re all here for the tour of the Darwin Centre,” he said. He was acting as if he thought they were present to investigate a whole research site, to look at the laboratories and offices, the filing, the cabinets of paperwork. Rather than to see one and only the one thing within the building.
“I’m Billy,” he said. “I’m a curator. What that means is I do a lot of the cataloguing and preserving, stuff like that. I’ve been here awhile. When I first came here I wanted to specialise in marine molluscs—know what a mollusc is?” he asked the boy, who nodded and hid. “Snails, that’s right.” Mollusca had been the subject of his master’s thesis.
“Alright, folks.” He put his glasses on. “Follow me. This is a working environment, so please keep the noise down, and I beg you not to touch anything. We’ve got caustics, toxins, all manner of horrible stuff all over the place.”
One of the young men started to say, “When do we see—?” Billy raised his hand.
“Can I just …?” he said. “Let me explain about what’ll happen when we’re in there.” Billy had evolved his own pointless idio-superstitions, according to one of which it was bad luck for anyone to speak the name of what they were all there for, before they reached it.
“I’m going to show you a bunch of the places we work,” he said lamely. “Any questions, you can ask me at the end: we’re a little bit time constrained. Let’s get the tour done first.”