Authors: Louise Erdrich
Not just to bring down Landreaux, he suddenly thinks, staring at his detective wall. But more. Maybe something true. I am not just a scabbed-over pariah. People should know.
The ramen hisses up, boiling over. Romeo busies himself rescuing his dinner. He gets his spoon ready, an old heavy metal cooking spoon from the government school. With a rag for a pot holder, he brings the pot of soup over and sets it upon a folded towel on the floor next to his chair. Waiting for his soup to cool, Romeo fixes his attention on the news. More yellowcake uranium powders. Italian what? Military Intelligence. What? Apparently Saddam has purchased Niger uranium powders, yellowcake uranium powders, which look like what they sound like, yellowcakey powders used for nuclear weapons. Then McCain comes on and Romeo puts the spoon back. McCain says that Saddam is a clear and present danger and that his pursuit to acquire weapons of mass destruction leads McCain to have very little doubt that Saddam would use them.
Romeo nods and vacuums in the noodles, along with these words. McCain has suffered and survived. McCain knows whereof he speaks. Romeo loves to say that name, so cowboy. McCain would never put the young people of American reasonlessly in harm’s way. Romeo upends the cooled pot, drinking the soup dregs.
The file he took such pains to steal remains in his tribal security conference bag. Just before settling into a concocted dream state, Romeo remembers. He pulls the bag over to his mattress and switches on the cockeyed lamp. He pulls out the paper and glances over the coroner’s report on the accident that occurred just about three years ago, on the reservation side of the boundary line only by a few dozen yards. His eyes cross. He’s barely following the letters. He knows anyway what’s in it, knows from the conversations he has pieced together on his bulletin board, knows just what happened,
can see what happened, if he wants to, in his mind. But he doesn’t want to. Who could. He shoves away the document, the black bag, the responsibility that he has assumed. He shoves away the fact that his country sounds like war. Then suddenly, halfway into a dream, he gets it.
There is more than they dare say. More the carotid than the femoral, more than these tubes and cakes. Condoleezza, her eyes glitter when she says the word
cavort
as in
cavort with terrorists.
The image of Saddam cavorting when the Holy Towers were destroyed. They know something they won’t tell the public. Don’t want panic. McCain knows what it is. McCain must think the Towers were only the beginning. Behind all the flimsy bits of pretend truth there must be a real truth so terrible it would cause a stock market crash. But what if that truth is some kind of bubble truth? What if behind the truth, there is nothing but a heap of pride or money or just stuff?
Romeo has seen the havoc that occurs when commodities of all sorts are going bad and people need to use them fast—in cafeteria the strange amount of celery, the overflow of tapioca, in clinic the medications, so useful but of fragile potency past a certain month. What if.
What if there is a use-by date on a heap of war stuff?
The Breaks
IN HIS SINGLE
bed with his head resting on one hard polyester-fill pillow, Father Travis tries to sleep. Under a woolen Pendleton, a flashy turquoise Chief Joseph blanket he was given by the Iron family when he blessed the vows of Landreaux and Emmaline, he gives up. He opens his eyes and stares into a soft-sifting darkness that seems to rise and fall in the room.
No trappings of authority, no special hotline to God, he tries to pray. He has been through so many definitions of his God now that he has to scroll around to find one to address. First there was fervent protector of his childhood, the God of kindliness. Then there was a blank
space where he did not think of God and trained his body to act in the service of his country. God resumed as the unknowable exacting force that allowed a bomb to take his friends’ lives but gave a thin boy the power to rescue Travis. Afterward, there was the God who spoke one night about fractured mercy, waters of being, incline of radiance. He was invited to a conference attended by immortals, who spoke to him and dressed his arms with colored ribbons. Scarlet and blue whizzed and yellows ruptured, spilling brilliance through the room. That was pain in West Germany. But he was somewhere else, from time to time, watching the familiar body on the white sheets.
Oh, you should have been a priest.
He was sure he’d heard those words from the mouth of God, in the hospital, but later he realized that his mother might have said this as she prayed beside him before he came back alive, before he entered a drabber, more monotonous daily agony.
Was there a Polish God? The God of sausage and pierogi. A mystical, shrewd, earth-dwelling God who always took things hard. His parents’ God, the one they’d left him with not long after he was ordained. Having seen him back into his life, they’d felt that it was all right to leave, he’d guessed, because bam bam, a stroke, a fatal disease, and they were out of existence.
You should stop making Gods up, imagining them as a human would imagine a God, he says to himself, again. Address your prayers to the nothingness, the nonfigurative, abstract, indifferent power, the ever-so-useful higher power. Talk to the unknowable. The ineffable author of all forms. Father Travis finally dozes thinking of all the trees, all the birds, all the mountains, all the rivers, all the seas, the love, all the goodness, all the apple blossoms falling on the wind, then the dust of the world swirling up and falling, the stillness on the waters before it all began.
Father Travis bolts up, slumps over, head in hands.
It is over, he thinks.
In the morning, there will be a call from the Most Reverend Florian Soreno, His Excellency, Bishop Soreno, who will tell Father Travis what he already knows.
THE FEARSOME FOUR
still meet, only now they really are fearsome. They get together in Tyler’s garage. They have another electric guitar to compete with the old one. Their noise is louder and they smoke weed, drink beer, share cigarettes, talk. They have girlfriends, but only Buggy’s lets him do everything he wants. He tells them all about it, and the other boys save his stories in their heads. They have not forgotten Maggie, but it’s different with her. She beat on them! Back then, they respected her. Now when they think about it, they’d like to kind of dominate her. Show her. They got big and she stayed spindly. The way it goes. But then, she’s unpredictable and quick. Her nut kicks now living on in legend. Buggy had to get some outpatient surgery. His parents considered sending the doctor bills to Peter and Nola Ravich. But Buggy didn’t want everyone to know. Also, Maggie’s family is now associated with those Irons from the reservation. Maggie’s got her danger girl Indian sisters, Josette and Snow. The Fearsome Four are much aware. Yes, those girls go to another school but they could come right over with a posse, ambush their asses, no problem and there’s those older brothers, Coochy and the one who worked in construction, Hollis—ripped dudes. Bummer though it is, Maggie is off-limits unless one of them gets ridiculously high. They hardly even talk about her, except for sometimes, in low voices, wondering if she ever told anyone about what they did.
It didn’t go too far, anyway.
Nothin’ nothin’ really. We never crossed, you know, a line there.
For sure. No line was crossed. Was it?
Dude, we hardly touched her. She just got mad for no real fucken reason!
Will you guys get off it? That was so long ago. Nobody remembers. Nobody cares.
Anyway, says Buggy, she wanted it and she still wants it.
The other boys are silent, taking in this line of reasoning. They all nod, except Brad, who stares off into the air like he hasn’t heard
them. Though he has for sure heard what they said, he is Christian, and that doesn’t sound right at all.
Block. Punch. Side kick. Knife-hand. Block. PunchPunch. Snap kick. Block. Block. Poor kid, thinks Emmaline, LaRose’s got Landreaux’s exact nose, okay on an adult but too big for a boy’s face. Yet he is a handsome kid. And those eyelashes. Landreaux’s, again wasted. Expressive brows. His sisters shouldn’t put makeup on him, but they do. A year’s growth and he won’t let them. Maybe Emmaline should stop them now.
Father Travis stands beside her. She rises from her chair.
He wasn’t going to speak of it. He was going to make a simple announcement. Next Sunday Mass. Or the Sunday after. But—
I’m being transferred.
Leaving.
Yes.
Her gaze is fully fixed on him.
When?
I’ll help the next priest for a few months. After that, I go.
Where?
I don’t exactly know yet.
He laughs uncomfortably. Mutters something about a new line of work.
Emmaline turns away, and when she turns back, Father Travis is unnerved to see that she might be crying. It is hard to tell, because she’s talking at the same time as tears well up and disappear without spilling. Father Travis knows that Emmaline rarely weeps. When she cried on that terrible day in his office, it was a rent soul leaking quietly, eclipsed by Landreaux’s tearing sobs. She tries to speak but she is incoherent, which undoes him. Even when emotional she has always made sense before. Emmaline shakes her hair across her face, creases her brows, bites her lips, tries to hold back words, then blurts out nonsense. Father Travis listens hard, trying to understand, but he is rocked by her emotion. She stops.
I’m blubbering! I’m having trouble absorbing this. You’ve always
been here and you’ve done so much. Priests blow through here, but you’ve stayed. People love you . . .
She looks down at the balled-up tissues in her hand, not knowing how the clump got from her purse to her hand, stunned that this wave of language poured out of her and what did she say?
What did I say?
I don’t know, but I’ve fallen in love with you, says Father Travis.
She sits down hard in the plastic chair.
Behind them, LaRose is still practicing his forms. Punching air with increasing ferocity, so he doesn’t hear. Everyone else is gone, so nobody sees the priest kneeling before her, offering the large white handkerchief he keeps on his person for out-of-office emergencies. Emmaline puts the square of white cloth on her face, holds it to her temples, and cries beneath it. There is no question now. She is really crying beneath the handkerchief. Father Travis waits for a sign. This is what he began doing when he was a soldier. This is what he has been doing ever since he became a priest. Kneeling, waiting for a sign, comes so naturally to him now that he hardly notices. He focuses on not taking back or apologizing for what he just said. He leaves it all with Emmaline.
That’s not fair, says Emmaline from beneath the cloth.
LaRose is still fighting invisible foes. Kicking the practice dummy so hard it tips and rolls. This one’s for Tyler, then Curtains Peace, another donkey kick for Brad. LaRose whirls to punch Buggy. They blast backward from the force of his attack. They land stunned, writhing on the mats, try to bumble away. One sneaks up from behind. LaRose can see behind his back! Wham. Cronk. Lights out.
HOW DOES AN
eight-year-old boy find out where high school boys hang out? White ones? In an off-reservation town? There is a long highway between them, and a lack of access deep as a ravine. He asks Coochy, but his brother doesn’t know who they are at all. He asks Josette, but she doesn’t care to answer. Or, is there some reason
she raises her eyebrows? As does Snow. They keep their eyebrows up together, staring at him in a creepy way like they are frozen, until he backs out of the room.
He asks Hollis.
Those assholes? Why?
LaRose doesn’t have an answer.
Did one of those guys do something to you?
No.
Sounds like maybe something happened.
No.
Come on. You can tell me.
Nothing happened.
So why’re you asking?
I just wondered.
Okay, so nothing happened. Then there’s nothing you need to know about those guys except avoid their asses.
Sure.
I mean it. Hollis watches LaRose closely as he walks out of their bedroom. It’s weird that a little boy would ask about those guys—about Curtains, that freakin’ jerk who tried to hit on Snow by asking if she wanted to go for a drive in his rusted-out conversion van. Or Buggy, that Indian-hating blackout who walked by Waylon after they trashed the Pluto team in football and called Waylon blackout and Waylon laughed and put the hammer on Buggy and Buggy yelped to his friends, He’s scalpin’ me! Blanket Ass is scalpin’ me! And, because he might have killed Buggy and gone to jail, Waylon slung him away and got into his car.