Lazarus is Dead (15 page)

Lazarus swallows his mouthful of apple. ‘I'm the son of a mason from Galilee. I was born in Bethlehem and fled with my family into Egypt.'

‘Exactly. You're everything the scriptures said you would be.' Cassius scratches the skin at the side of his eye. ‘And doesn't the messiah come back from the dead?'

 

 

Everything is about Jesus these days, and has been for two thousand years.

It is Sunday night, one day after the resurrection of Lazarus, at the start of what has come to be known as Holy Week. During the next seven days Jesus will preach and make promises. He will eventually get himself arrested, tried, crucified and buried, and on the third day he will rise again to judge the quick and the dead.

Lazarus is a precondition for all these events, because the raising of Lazarus inspires the believers who accompany the triumphal entry into Jerusalem. This in turn explains why neither the Sanhedrin nor the Romans can take immediate action against Jesus—
‘yet they could not find any way to do it, because all the people hung on his words'
(Luke 19:48). Without Lazarus, Jesus would never have lasted until Friday.

As it is, his exact movements between now and then are disputed. For several days Jesus circulates freely while nothing is heard of his friend. The dramatic events towards the end of the week, starting with Thursday night's arrest in the Garden of Gethsemane, tend to eclipse the days that come before.

At some point, probably on the Monday, Jesus
‘entered the temple area and began driving out those who were buying and selling there. He overturned the tables of the moneychangers and the benches of those selling doves'
(Mark 11:15).

Otherwise, across the four canonical gospels, events remain vague until Thursday. Jesus spends Monday to Wednesday
‘teaching in the Temple'
(Luke 21:37). He is sighted at Bethany (Mark 11:11) and on the Mount of Olives (Luke 21:37), which suggests he can move in and out of Jerusalem as he pleases. This is consistent in all four gospels, and his freedom of movement is not entirely explained by the safety-in-numbers aspect of a supportive crowd (Luke 19:48).

Lazarus is the answer. Two thousand years of Jesus has obscured the renown of Lazarus. The Romans have one of the friends safe, so they are less concerned about the other. Jesus is at large in the city because Lazarus is imprisoned in the fortress.

 

‘Are you the king of the Jews?'

‘I'm an overseer of Temple livestock.'

‘Good,' Cassius says. ‘I don't think we have a problem with that.'

‘I cast a shadow,' Lazarus adds. ‘When I get sick I die.'

The great fear in Jerusalem at this time is that any claimant king of the Jews will disrupt the peace between Rome and occupied Judaea. Cassius has a plan, based on the accepted principle that a messiah should aim to do some good. Instead of adding to the tension, a messiah should start by easing political relationships.

“You”re betrothed to marry the daughter of a senior San­hedrin priest.”

‘How would you know that?'

‘Imagine how stable this country could be if a provincial messiah married into the Sanhedrin with the blessing of the Romans. Every angle is covered—all would be sweetness and light. You and I should make a visit to Isaiah, your prospective father-in-law.'

‘I don't think messiahs get married.'

‘Messiahs can do whatever god ordains.'

Cassius is thinking ahead, already composing his report to Rome, but Lazarus is wilfully slow. ‘You don't have a choice,' Cassius says. ‘Look where you are now. This is your destiny.'

‘Because you say so?'

‘Or god does. One or the other. Whichever you prefer—both at the same time.'

‘That doesn't sound right.'

The consuls in Rome are waiting for positive news, and for Cassius to explain his mistakes. ‘No? Then perhaps you should experience the alternative.'

 

The next confirmed sighting of Lazarus is at the crucifixion of Jesus.

Karel Čapek, who earlier enjoyed his joke about Lazarus dying from a chill, is equally flippant about the crucifixion. Lazarus is resting in Bethany (after the stress of recent events) when he and his sisters hear news of the imprisonment of Jesus. Martha and Mary are confident that Jesus in his turn will be saved by a miracle.

The intervention, they imagine, will come in human form. Jesus will be rescued by those who owe him a debt—the nobleman from Capernaum, the man who picked up his mat and walked, the blind man who now can see. An army of five thousand fed when hungry will descend on Jerusalem to deliver Jesus from harm. Lazarus will be their leader.

Yes, he'd like that very much, only he hasn't been well: ‘I don't feel up to all this—the journey, the excitement . . . I should so much have liked to go.'

Čapek's story is funny because absurd. Lazarus has to be present at the crucifixion. Where else would he be? The idea of his absence is laughable.

There are thousands of figurative representations of the passion and death of Jesus, and in most of the classic images a clean-shaven witness can be found in the keening crowd. From Fra Angelico in 1420 to Max Ernst in 1913, Lazarus is there. Look at a Tintoretto or a Rubens, or any of the masters of the Dutch school. Lazarus attends the crucifixion of Jesus, often in a favoured position at the front left portion of the canvas.

On Friday at midday, Lazarus will be with Jesus on the hill at Golgotha. By that time Lazarus, too, like his sisters in the story by Karel Čapek, will believe he can save his friend.

 

Between the Sunday and Thursday of Holy Week, like the bible itself, Lazarus loses track of time.

His cell in the Antonia Fortress is a narrow room three floors above the level of the street. Lazarus stands on the end of his bed to look through the window high in the wall. A half-starved man might squirm his way through, but the outside walls offer no obvious handholds.

In the street below a cart rolls by. It is filled with straw, heading for the Temple stockyards. The street is very far down. Lazarus would have to be incredibly lucky not to kill himself. Another hay cart passes, and stops directly beneath the window. Lazarus looks down on the driver's head, and the driver has no idea he's there.

Lazarus sits on the bed, which is as long as the cell and half as wide. At regular intervals faces peer through the barred opening in the door. He sits on his hands. At least he has his health.

He sleeps.

Cassius bangs on the door. Lazarus wakes up.

‘I thought you were dead.'

‘I was sleeping.'

It is dark. Cassius goes away. Lazarus sits and watches a shiny black cockroach take its chances across the floor. It wants to eat and reproduce and be king of all the cockroaches. Lazarus steps on it.

He lifts his foot, and waits for the cockroach to come back to life. It does so. Several times. As long as he doesn't step on it too hard.

He flops back on the bed, one arm trailing off the side. He counts the times Jesus has ruined his life.

 

 

Depression is one way in which death shows its strength. Some of the blackness of the tomb remains, and it is the darkness Lazarus can't endure. The darkness and enclosed spaces and time going by.

Does Jesus know where he is? And had he always known it would come to this, even as a child, when they ran free in the hills above Nazareth?

Lazarus is increasingly sure he's alive, truly alive, and with every hour that passes it is harder to believe he died. If he'd died, genuinely, then he'd still be dead. He wouldn't be sighing at the sorrow of life in a cramped Roman cell.

He bites his lip until it bleeds. Later, he plucks out a clutch of eyelashes. He doesn't believe in resurrection. It wasn't death that he'd experienced, but some unnatural state of suspension, which Jesus has inflicted upon him.

If he knows. If Jesus has always known.

When Amos drowned he knew, and when Lazarus left Nazareth for Bethany. He knew that selling sheep to the Temple was an ill-omened business, and that Lazarus would never marry or return to the Galilee, would fall sick and die and come back to life and be imprisoned in the Antonia Fortress. This was always the shape his life was going to take.

The white days of their Nazareth childhood tilt and catch a different light. They have a dark underside and make unwelcome shadows: there is no coincidence and there is no luck. The story of Lazarus is a device in the life of Jesus.

Lazarus is overcome with self-pity. That's right, Lazarus, it isn't fair. Fall on your knees and blub. Whine and cry. Wish that you were dead.

He crawls across the cell and plants his forehead flush against the rough plastered wall. It is a long time since he prayed, and in the past he was always relieved when no one answered. It was a solace to know that he was on his own, and that whatever happened was up to him.

Now he genuinely hopes to be heard, but has forgotten how to do it. Lazarus has mislaid his certainty about what he wants, or what is worth having.

He curls up on the floor and puts his hands flat between his thighs. The mosquito bite on his knee is healing, life's miracle at work. His body is renewing itself for no obvious reason, and he grieves for his overlaid childhood. He grieves for his vanished future and his poor, deserted sisters. He grieves his own ugly death, and his plans that have come to nothing.

Lazarus weeps.

 

Inside Isaiah's house, the tables and chairs are so neatly arranged it is clear that visitors are barely welcome. There is a background hush of shuffling, of women taking up position to eavesdrop.

‘Lazarus would have liked to be here,' Cassius says, ‘but he is temporarily indisposed. He wanted to apologise for his unseemly behaviour at the betrothal. I know it's no excuse, but at the time he wasn't feeling well.'

‘I'm honoured that a Roman official should take an interest.'

Isaiah has an urgent meeting with the Sanhedrin. He is in full priest's regalia but he bows nevertheless. Not so deeply that his eyes leave Cassius. ‘If you've come about Jesus, we priests in Jerusalem know where he's hiding. The situation is under control.'

Cassius nods. Religion doesn't have to cause trouble, not when managed correctly.

‘We'll take care of Jesus, I promise,' Isaiah says. ‘We don't approve of civic disturbances of any kind.'

‘That's why I'm here. I want to persuade you to look ahead, take a broader view. Lazarus too has his followers. He doesn't make promises he can't keep—no pulling down the Temple and rebuilding it in three days. Give Lazarus a second chance.'

‘Too late. We already have plans for Lazarus.'

‘Let him marry Saloma, for the good of everyone involved.'

‘Lazarus died. That normally annuls any betrothal.'

‘Is that why you voted for the Sicarii to intervene? Or was it just to free Saloma from a marriage contract?'

‘That wasn't my decision. Every member of the Sanhedrin was there.'

‘As well as some Roman spies. Call off the assassin. Let Lazarus live.'

‘I can't do that.'

‘Then Lazarus can't heal your daughter.'

Isaiah takes a step forward, eyes narrowed. ‘Of course he can't. Nobody can. She's beyond help.'

‘Lazarus came back from the dead,' Cassius says, meeting Isaiah's gaze. ‘What more does a messiah have to do?'

‘Heal the innocent. Yes. We all know that. Me, you, Jesus and every Judaean from here to kingdom come. Healing should be any messiah's first and most important task '

For twenty-five years Isaiah has accepted god's gift of a daughter who can't keep food in her mouth. She can be treated for months at a time with no visible improvement to her leg, and healers have proved worse than useless. Yanav gave her a drink of leaves and seawater while three miles away the dead came back to life. Why is his love and devotion unrewarded?

‘Agree to the marriage,' Cassius says. ‘You'll see what Lazarus can do.'

 

On Thursday morning, after four days and nights in a Roman cell, Lazarus wakes up with the hard weight of his head on one ear, and hears the march of approaching soldiers. He startles upright, and the footsteps go quiet. He lies down again and listens, crunch, crunch, but the sandals are not coming closer. It is the sound of the pulse in his neck, a stomping at the back of his jaw.

He decides to kill himself, as an act of revenge.

He sits upright, rubs his fingers over his cheeks and chin, but his deadly razor is back in the house in Bethany. He hasn't shaved for eight days, including being dead, and he'll soon look like a believer in god. The lie is too much to bear.

He stands on the end of the bed. His shoulders are level with the sill of the window. If he can get his head through, and then his shoulders, he knows the rest of him will follow. He has been ill. The muscles in his upper body are not what they were. Everything is ordained.

He pulls himself up, turns his head sideways and hauls his shoulders through. His body scrapes halfway out before his hands confirm no holds on either side of the outside wall. Directly below him a cart full of straw rolls by. It does not stop beneath the window.

He is stuck headfirst out of a window on the third floor of the Antonia Fortress. His lower legs are braced against the ceiling to keep him in, and there is a fatal drop to the cobbles of the street below. He is not a favoured son of god. That would be a terrible misjudgement to make.

Now is the time. He angles his body downwards and straightens his legs. He slips through the window, turns in the air, his legs coming over behind him. The last thing he sees, looking above, is the empty sky over Israel.

It is cloudless, a clear blue eye.

 

The crucifixion of Jesus is designed to attract attention. It says Look at Me, in direct competition with the resurrection of Lazarus. Jesus needs to outshine the great and unprecedented miracle, the raising of Lazarus from the dead. If he fails to do so, there may be uncertainty about which is the main event.