Leaving Berlin (42 page)

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Authors: Joseph Kanon

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“When you told them things, did you tell them about me?”

“What?”

“It’s important to me. To know. I don’t blame you. I just want to know.”

“What are you talking about?”

“You should have gone with Erich. And I should have known then. You weren’t scared enough. You should have been. I was. But you weren’t afraid to stay. I thought it was the usual von Bernuth foolishness. Nothing can touch us. But it wasn’t just that. You still felt protected. Even with Sasha gone. Did it start with him? Or before? Of course, he wouldn’t just sleep with you. He’d ask you things. Nothing special. DEFA, probably. Did you report on DEFA? Tell them what people were saying? Fritsch? Which doesn’t matter much, until somebody doesn’t turn up for work.”

“Stop this,” she said, shoulders back now, standing still.

“And then I came. Somebody from the West. They’d want to know everything. What I did, what I said. And you were in such a good position to help. Maybe that’s what Leon was doing the night I came to the flat. Just getting a report. Be nice to think that’s all it was since we’d just— But probably one thing led to another. You’d want
to keep the DEFA job safe. With Sasha gone. And once you start something like this, they never go away. There’s always somebody.”

“That’s why you’re leaving? Because you think this?”

“I know how it is. When I saw Roberta, I thought yes, just like that. A coffee, checking in. That’s how it’s done. But not with Markus. Maybe that’s why he’s so angry with you—I’ll have to ask him. He couldn’t get to you, you were already in another league, with the Russians. No wonder Markovsky was so upset when he found out about Erich. Lying to him. You expect better from a source. Especially one you’re sleeping with. Feels like she’s cheating on you. An insult.”

“Stop it.”

“And after? I kept thinking they were going to haul you in for some serious questioning, but no. They never seemed to suspect you. Why would they? You were still cooperating, still one of them. In a small way, maybe, but they’d look after you. A kind of protection racket. How else to get along?”

“Alex, please.”

“I don’t care why you did it. All the usual, what else? Maybe they forced you. They don’t give you much choice. I know how it works.”

“Oh, you know,” she said, eyes flashing. “You think you know.”

“But if you stay here, they’ll never leave you alone. That’s why I thought the West—” He looked up. “Did you? Did you tell them anything about me? It’s important to me to know.”

“Why?” she said, turning her back to him, walking, then back, pacing in a cage. “So you can hate me?”

He took her by the arms. “Did you? Please. Tell me.”

“Nothing. Unimportant things,” she said, wrenching away from him. “That’s all. Unimportant things. They don’t care. Anything. They just like to collect—”

“I know. They asked me about Aaron. Unimportant things.”

“You think I wanted to make trouble for you?”

“No.”

“No. It was just, what does he say? Does he like it here? Unimportant things. So, yes, he likes it here. What’s the harm in that? All good things, what they like. They respect you. You have a position here.”

“Not after tomorrow,” he said.

“What’s tomorrow? Oh, the radio. What do you say?”

“Things they won’t like. I can never come back.”

“So it’s like before. In America. The great gesture. And where do you go this time?”

“I don’t know. Wherever I can see Peter.”

“But not me. It doesn’t mean anything to you, how we are?” She reached for him, drawing him closer. “You can’t just walk away. You can’t. I’m not like her. The one in America.”

“No.”

“This nonsense I tell them. It’s so important?”

He stroked her hair. “No. I just wanted to know. It makes things easier, that’s all.”

“What things? I can stop all that. We could—” She pulled back. “You’re not even listening. It doesn’t matter what I say—” Her voice quivering, then suddenly calm. “How can you leave? You always wanted this.”

“Yes, I always did.”

She stood taller, gathering up her pride like a skirt. “Well, then. And later, how will you feel?”

He looked at her, the same defiant eyes, Kurt’s head in her lap, feeling time dissolve. He slipped out of her arms and walked to the door, then turned.

“What?”

“I just wanted to look.” A snapshot moment, what he’d felt on the bridge.

“Alex, for God’s sake—”

“You used to think everybody was in love with you.”

She shrugged. “So maybe they were,” she said, her face soft. “In those days.”

“Maybe. I was. I wonder—”

“What?”

“How different everything might have been. If you’d been in love with me.”

He walked down Luisenstrasse and over the bridge. In the dusk, moving headlights were lighting up the Brandenburg Gate, the world divided by a few steps. Nobody was stopping traffic. A crude wooden sign. You are leaving the Soviet sector. He passed under the arches expecting to hear a police whistle, pounding feet. But in another minute, East Berlin was just a patch of dark behind him. Out of it. Through the Gate. Where everything would be different. Where he would be himself again. Dieter was leaning against the trunk of the car, smoking, waiting, indifferent to what was inside. What he would become. Maybe what he already was. You’re in this now. You do what you have to do. Then you carry it with you. But he was here, on the other side. He stopped for a second, taking a deep breath, somehow expecting the air itself to be different. But the air was the same.

JOSEPH KANON is the Edgar Award–winning author of
Istanbul Passage, Stardust, Alibi, The Prodigal Spy, Los Alamos,
and
The Good German,
which was made into a major motion picture starring George Clooney and Cate Blanchett. Before becoming a full-time writer, he was a book publishing executive. He lives in New York City. Visit him online at
JosephKanon.com
.

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ALSO BY JOSEPH KANON

Istanbul Passage

Stardust

Alibi

The Good German

The Prodigal Spy

Los Alamos

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This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.

Copyright © 2015 by Joseph Kanon

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Atria Books Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Atria Books hardcover edition March 2015

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Jacket Design by John Vairo Jr.

Jacket Photograph © Bridgeman Art Library

Author Photograph by Robin Straus

Library of Congress Cataloging-in-Publication Data

Kanon, Joseph.

 Leaving Berlin : a novel / Joseph Kanon. — First Atria Books hardcover edition.

  pages cm

 1. Berlin (Germany)—Fiction. 2. Suspense fiction. 3. Spy stories. I. Title.

 PS3561.A476L43 2015

 813'.54—dc23

2014046308

ISBN 978-1-4767-0464-7

ISBN 978-1-4767-0466-1 (ebook)

CONTENTS

Author’s Note

1. Lützowplatz

2. Kulturbund

3. Rykestrasse

4. Marienstrasse

5. Spreebogen

6. Oranienburg

7. Tempelhof

8. Brandenburg Gate

About Joseph Kanon

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