Less Than Perfect (28 page)

But telling Jeanie means trusting that fate doesn't have
something terrible in store, trusting that things will work out okay. Along with everything else I lost that day in Clonmegan, I lost the ability to trust in the future. And for that reason it feels safer to keep this relationship secret, to hug it deep inside.

Nic throws back the last of her drink and presses her fingers to her lips to contain a hiccup. ‘You know, Caitlin, you're a bad influence on me.'

‘No, Nic, you're the bad influence.'

She shakes her head theatrically. ‘I beg to differ.'

I grin. ‘Beg all you like. It's
always
you that's the bad influence.'

Nic eyes the bar and its surrounds, no doubt working out the most aesthetically interesting route to get there. A few moments later she lurches off to get more drinks and, no doubt, flirt madly with the investment banker she spotted earlier. When she's out of sight, I check my phone and see that there's a message from Matthew:
Hope you're having fun.

Matthew would disapprove if he saw how drunk I was. He would get me some water and set about persuading me that it was time to go home. He worries and fusses too much, which is sweet of him but totally unnecessary. Suddenly I can't wait for tomorrow night when we'll have the apartment to ourselves: Jeanie's going to a music gig in the outer suburbs and staying over with a friend of the band.

Miss you
, I text back. It's true. Despite Nic's bubbly company and the high from all the alcohol I've managed to consume under her
bad influence
, I feel lonely for him.

*

Matthew stands in the hallway, bearing a bunch of flowers and a self-conscious smile.

I eye the flowers, gerberas in pink, orange, yellow and red. My day feels brighter just by looking at them. ‘Are those for me?'

‘Who else?'

I lean over the flowers to kiss him. ‘What did I do to deserve this?'

‘You deserve them for being you.'

Guilt swells inside me. If he knew how drunk I was last night and how hungover earlier today, he would not think me deserving at all.

He follows me to the kitchen and, at my request, takes down a glass vase from a shelf that's too high for me to reach. I free the flowers from the cellophane wrapping, noticing from the label that he purchased them at a supermarket rather than a florist. I imagine him at the checkout, sheepish as he waited in line, the flowers held low but still attracting benevolent smiles from women in the vicinity.

‘I not only come bearing flowers, I have a movie too,' he announces, removing a DVD case from the inside of his denim jacket.

‘Great!' I glance at the title of the DVD. ‘I've heard it's good. You go and set it up while I organise the snacks.'

Matthew abandons his jacket on the back of one of the kitchen chairs and disappears into the living room. I finish arranging the flowers and centre the vase on the kitchen windowsill where the bright colours will be illuminated further by the morning sun. I twist the lid off a bottle of beer and open a Diet Coke for myself: I can't face alcohol after last night.

‘Ready to go?' I enter the living room with a drink in each hand and a bag of popcorn wedged under my chin.

‘Yeah. What's this about, though?'

I'm in the process of putting down the drinks when he asks the question. When I look up, I see that he's holding the disc Maeve sent me, the one with the coverage of my father. It's labelled:
Dad – BBC news.
Of course Matthew would be curious at seeing such a title. I curse inwardly. I shouldn't have left the disc hanging around.

‘It's just some coverage of my father on television.'

‘I can see that. Why was he on TV?'

I take a shallow breath. ‘He was involved in a civil law suit … It was related to the bomb I told you about.'

‘Can I watch it?'

‘Aren't we meant to be watching the movie?'

‘I mean after the movie – we can put it on when it's over.'

Quite obviously, he believes this is a reasonable request. He wants to know more about my family, my background, and what better way than to watch this disc, Professor Jonathan O'Reilly centre stage.

‘I –' It's unfair of him to back me into a corner like this. What can I say to dissuade him, to convince him that it isn't a reasonable request at all? Why is he always so damned interested in every single thing about me?

Understanding dawns on his face. ‘Have
you
watched it, Caitlin?'

‘No.' The disc has been sitting next to the DVD player since last month.

‘Why?'

I snap. ‘Because I don't speak to my father and I have no desire to see him, in person or on TV. Now, for God's sake, can we watch the movie?'

He treats me to a piercing look before he takes the remote and presses play. We sit on the couch, a careful distance between us. I drink some of my Diet Coke, regretting that I didn't opt for something stronger.
Damn it, damn it, damn it!
I should have thrown the disc in the rubbish bin – or at least put it somewhere out of sight.

Lost in self-recrimination, I miss the opening scenes of the movie. The storyline evades me. Matthew isn't concentrating either. He's staring too hard at the screen, his fingers agitatedly drumming his denim-clad knee. I slide my hand over his, stilling it. ‘Sorry for snapping.'

He doesn't answer. His eyes bore into the screen. A few minutes later, though, his hand turns upwards to clasp mine, his way of saying that I'm forgiven. I move closer, nestle my head on his shoulder and for the next hour and a half luxuriate in his closeness, paying only scant attention to what's happening on the screen.

Matthew raises his head to look blearily across at the trilling phone on the bedside table. ‘Aren't you going to answer it?'

‘They can leave a message.'

I know it's Mum with her usual Saturday-morning wake-up call. She'll be in a chatty mood, eager to share the minutiae of her day and week, and I can't reciprocate, not with Matthew lying here next to me. She'll be able to tell from my reticence that
someone is here, and the questions will follow:
Who's with you? Is it a man? What's his name? Is it serious?
God forbid, she's so fond of chatting with Jeanie she might well demand that Matthew be put on the line so that she can say hello. No, it's better to let the phone ring out and to call Mum later, maybe tonight.

Matthew looks from me to the phone and back again. He says nothing but his expression shows that he understands more than he's willing to say. The ringing stops and the unanswered phone promptly joins ranks with the unwatched disc, the fact that I haven't yet committed to go to Deniliquin to meet his parents and, even more significantly, haven't yet told him I love him, forming a malignant cell, a tumour on what's otherwise a perfect relationship.

I'm running late. My glucometer isn't working: the batteries are dead. A search through the bathroom and kitchen drawers follows, during which I find practically every other type of battery in the universe except the ones I need. Not being able to test my blood makes me feel ungroomed, like I haven't washed my face or brushed my teeth.

Another delay happens over breakfast.

‘Where did those flowers come from?' asks Jeanie, her mouth full of toast.

The gerberas are vivid and requiring explanation as they stand in their vase on the windowsill. I curse myself for not putting them in my room. Of course Jeanie would want to know where they've come from; the only reason she hasn't asked before now is that she wasn't home for most of the weekend.

‘They were on special at the supermarket so I picked them up,' I reply airily. I
am
planning to tell her about Matthew. Very soon. But not now, when I'm already late for work.

Jeanie is distracted by my mention of the supermarket. ‘That reminds me, we have no washing detergent. Or butter, for that matter.' She begins a spontaneous shopping list on a scrap of paper torn off an old bill – we were both too busy to do the usual Saturday grocery shop. Now, as we jointly compile a list, I'm keenly aware of minutes ticking by but I'm unwilling to excuse myself until I'm confident that Jeanie's attention has fully moved away from the flowers on the sill.

But there's yet another delay ahead: an unexpected and very disconcerting phone call that comes while Jeanie and I have headed to our separate bedrooms to get ready for the day.

‘Can you get that?' Jeanie shouts from her room.

‘I'm late! Whoever it is can wait until later.'

On my way out the door, noticing the message light flashing on the phone I have second thoughts. Impulsively, I pick up the receiver and listen to the message.

‘Hello, Caitlin. It's Dad here. How are you? Already gone to work, I suppose. Well, speaking of work, I was ringing to let you know that Maeve has accepted a position in the history department as an associate lecturer. I thought you'd like to know because your mother mentioned that you were worried about her. I'm sure Maeve will ring you herself to tell you all the details. Anyway, no other news from this side of the globe. Only that your mother said she didn't hear from you over the weekend, so it would be great if you could give her a buzz and let her know that you're alive and kicking. Goodbye, love. Take care now.'

I put the phone back in place and glide out of the apartment and down the stairs. Outside the blue sky and sun seem to hold the promise of spring, but the biting breeze is a harsh reminder that it's still officially winter. I walk slowly, abstractedly, in the direction of the tram. Halfway there I stop, sit down on a bench and think about my father's message.

Maeve has a job, a full-time job,
at the university.
Dad has obviously orchestrated this turn of events. He must have persuaded Maeve to send in an application, and put in a good word for her with his peers in the history department. Mum was right: Maeve listens to Dad.
They get on well.
God, I'm not feeling jealous, am I? No, I'm happy for her, regardless of what it proves about her relationship with Dad. Maeve has a job, a
real
job. She's no longer a student, she's a teacher. I'm so happy for her I feel tears stinging my eyes. Blinking down at my watch I realise I've just missed my tram. Ten minutes until the next one: I know the timetable by heart. I'm
really
late now.

Still sitting on the bench, my thoughts once more revert to Maeve. But other memories are activated by association – Liam, Josh and Mandy, whose contact details have lain untouched in the drawer of my bedside table since Easter. I try to visualise an older, more mature Mandy in the supermarket aisle, two kids in tow. Then I try to visualise Maeve, also looking older and more mature, lecturing a roomful of cocky first-year students.

I come back to the present with a start, check my watch again and realise I will have to hurry or risk missing yet another tram.

*

I walk with my hand enclosed in Matthew's. This stroll along the beachfront is impromptu: Matthew planned to cook me dinner at his house but some friends of friends are planted in the kitchen there. He then suggested cooking at my place but I discouraged the idea; as far as I know, Jeanie doesn't have plans to go out. So we ate in one of St Kilda's many restaurants, not as nice as having him cook for me but nice enough all the same, and now we're walking off the food.

The salty wind whips against my face and I breathe it deep into my lungs. The beachfront is relatively quiet, just a few joggers and power walkers, their silhouettes svelte against the dusk. I don't know if it's the taste of the sea, something familiar about the blue-grey-orange splotches in the sky, something set in train by my father's phone call this morning, but suddenly I feel as though it's Josh by my side, his hand cradling mine, and that we're walking near the docks in Belfast, the huge ship-building cranes, Samson and Goliath, about to come into view.

I shiver and Matthew moves his hand to my waist to pull me closer to him. ‘Are you cold?'

‘Not really.'

‘Someone walk over your grave?'

I half smile and walk on without answering. My thoughts flicker back and forth between the present, with Matthew, and the past, a walk I must have had with Josh at one time; the sky or the wind or the feel of Matthew's hand in mine must bear enough similarities to that earlier occasion to trick me into thinking it's then instead of now.

Gradually, my thoughts return fully to the present. Matthew's silent by my side, his head bent. He's taken his hand away from
my waist without my noticing and both hands are shoved in his pockets as he strides forward against the wind. He looks out of sorts; come to think of it, he looked that way at various points in the meal earlier on. Without talking or checking that I want to walk in that direction, he turns to lead the way out to the pier where we pass a few fishermen fishing off the side and a teenager weaving along on his skateboard.

‘You're quiet tonight,' I comment lightly.

‘Yes, I guess I am.'

‘Bad day at work?'

‘No. Work's okay.'

I take a breath, a breath that doesn't seem to have enough air in it. ‘Something to do with me, then?'

‘Yes, you could say it is.'

‘What is it?'

I notice him take a shallow breath of his own. ‘I'm not sure where this is going, Caitlin, where
we're
going …'

‘What do you mean?'

‘I feel our relationship is one-sided.'

I stop and put one hand on the railing. I feel weak, as though my knees could buckle at any moment. ‘That's not true.'

‘You're holding me at arm's length, you tell me as little as possible, you won't let me in …'

‘I tell you plenty!' My voice lacks strength. ‘More than I've told anyone else.'