Letter From an Unknown Woman and Other Stories (6 page)

But you did not recognize me. No, you did not know me again, and I had never been more of a stranger to you than at that moment, for otherwise—otherwise you could never have done what you did a few minutes later. You kissed me, kissed me passionately again. I had to tidy my hair, which was disarranged, and as I stood looking in the mirror, looking at what it reflected—I thought I would sink to the ground in shame and horror—I saw you discreetly tucking a couple of banknotes of a high denomination in my muff. How I managed not to cry out I do not know, how I managed not to strike you in the face at that moment—you were paying me, who had loved you from childhood, paying me, the mother of your child, for that night! I was a prostitute from the Tabarin to you, nothing more—you had paid me, you had actually paid me! It was not enough for you to forget me, I had to be humiliated as well.

I reached hastily for my things. I wanted to get away, quickly. It hurt too much. I picked up my hat, which was lying on the desk beside the vase of white roses, my roses. Then an irresistible idea came powerfully to my mind: I would make one more attempt to remind you. “Won’t you give me one of your white roses?”

“Happily,” you said, taking it out of the vase at once.

“But perhaps they were given to you by a woman—a woman who loves you?” I said.

“Perhaps,” you said. “I don’t know. They were sent to me, and I don’t know who sent them; that’s why I like them so much.”

I looked at you. “Or perhaps they are from a woman you have forgotten.”

You seemed surprised. I looked at you hard. Recognize me, my look screamed, recognize me at last! But your eyes returned a friendly, innocent smile. You kissed me once more. But you did not recognize me.

I went quickly to the door, for I could feel tears rising to my eyes, and I did not want you to see them. In the hall—I had run out in such a hurry—I almost collided with your manservant Johann. Diffident and quick to oblige, he moved aside, opened the front door to let me out, and then in that one second—do you hear?—in that one second as I looked at the old man, my eyes streaming with tears, a light suddenly came into his gaze. In that one second—do you hear?—in that one second the old man, who had not seen me since my childhood, knew who I was. I could have knelt to him and kissed his hands in gratitude for his recognition. As it was, I just quickly snatched the banknotes with which you had scourged me out of my muff and gave them to him. He trembled and looked at me in shock—I think he may have guessed more about me at that moment than you did in all your life. All, all the other men had indulged me, had been kind to me—only you, only you forgot me, only you, only you failed to recognize me!

My child is dead, our child—now I have no one left in the world to love but you. But who are you to me, who are you who never, never recognizes me, who passes me by as if I were no more than a stretch of water, stumbling upon me as if I were a stone, you who always goes away, forever leaving me to wait? Once I thought that, volatile as you are, I could keep you in the shape of the child. But he was your child too: overnight he cruelly went away from me on a journey, he has forgotten me and will never come back. I am alone again, more alone than ever, I have nothing, nothing of yours—no child now, not a word, not a line, you have no memory of me, and if someone were to mention my name in front of you, you would hear it as a stranger’s. Why should I not wish to die since I am dead to you, why not move on as you moved on from me? No, beloved, I do not blame you, I will not hurl lamentations at you and your cheerful way of life. Do not fear that I shall pester you any more—forgive me, just this once I had to cry out what is in my heart, in this hour when my child lies there dead and abandoned. Just this once I had to speak to you—then I will go back into the darkness in silence again, as I have always been silent to you.

However, you will not hear my cries while I am still alive—only if I am dead will you receive this bequest from me, from one who loved you above all else and whom you never recognized, from one who always waited for you and whom you never summoned. Perhaps, perhaps you will summon me then, and I will fail to keep faith with you for the first time, because when I am dead I will not hear you.
I leave you no picture and no sign, as you left me nothing; you will never recognize me, never. It was my fate in life, let it be my fate in death. I will not call for you in my last hour, I will leave and you will not know my name or my face. I die with an easy mind, since you will not feel it from afar. If my death were going to hurt you, I could not die.

I cannot write any more… my head feels so dulled… my limbs hurt, I am feverish. I think I shall have to lie down. Perhaps it will soon be over, perhaps fate has been kind to me for once, and I shall not have to see them take my child away… I cannot write any more. Goodbye, beloved, goodbye, and thank you… it was good as it was in spite of everything… I will thank you for that until my last breath. I am at ease: I have told you everything, and now you know—or no, you will only guess—how much I loved you, and you will not feel that love is any burden on you. You will not miss me—that consoles me. Nothing in your happy, delightful life will change—I am doing you no harm with my death, and that comforts me, my beloved.

But who… who will always send you white roses on your birthday now? The vase will be empty, the little breath of my life that blew around you once a year will die away as well! Beloved, listen, I beg you… it is the first and last thing I ask you… do it for me every year on your birthday, which is a day when people think of themselves—buy some roses and put them in that vase. Do it, beloved, in the same way as others have a Mass said once a year for someone now dead who was dear to them. I do not believe in God any more, however, and do not want a Mass—I
believe only in you, I love only you, and I will live on only in you… oh, only for one day a year, very, very quietly, as I lived near you… I beg you, do that, beloved… it is the first thing that I have ever asked you to do, and the last… thank you… I love you, I love you… goodbye.

His shaking hands put the letter down. Then he thought for a long time. Some kind of confused memory emerged of a neighbour’s child, of a young girl, of a woman in the dance café at night, but a vague and uncertain memory, like a stone seen shimmering and shapeless on the bed of a stream of flowing water. Shadows moved back and forth, but he could form no clear picture. He felt memories of emotion, yet did not really remember. It was as if he had dreamt of all these images, dreamt of them often and deeply, but they were only dreams.

Then his eye fell on the blue vase on the desk in front of him. It was empty, empty on his birthday for the first time in years. He shivered; he felt as if a door had suddenly and invisibly sprung open, and cold air from another world was streaming into his peaceful room. He sensed the presence of death, he sensed the presence of undying love: something broke open inside him, and he thought of the invisible woman, incorporeal and passionate, as one might think of distant music.

H
AS RAIN BEEN SWEEPING
over the city again in the wind? Is that what suddenly makes it so dim in our room? No. The air is silvery clear and still, as it seldom is on these summer days, but it is getting late, and we didn’t notice. Only the dormer windows opposite still smile with a faint glow, and the sky above the roof ridge is veiled by golden mist. In an hour’s time it will be night. That will be a wonderful hour, for there is no lovelier sight than the slow fading of sunset colour into shadow, to be followed by darkness rising from the ground below, until finally its black tide engulfs the walls, carrying us away into its obscurity. If we sit opposite one another, looking at each other without a word, it will seem, at that hour, as if our familiar faces in the shadows were older and stranger and farther away, as if we had never known them like that, and each of us was now seeing the other across a wide space and over many years. But you say you don’t want silence now, because in silence one hears, apprehensively, the clock breaking time into a hundred tiny splinters, and our breathing will sound as loud as the breathing of a sick man. You want me to tell you a story. Willingly. But not about me, for our
life in these big cities is short of experience, or so it seems to us, because we do not yet know what is really our own in them. However, I will tell you a story fit for this hour that really loves only silence, and I would wish it to have something about it of the warm, soft, flowing twilight now hovering mistily outside our windows.

I don’t remember just how I came to know this story. All I do know is that I was sitting here for a long time early this afternoon, reading a book, then putting it down again, drowsing in my dreams, perhaps sleeping lightly. And suddenly I saw figures stealing past the walls, and I could hear what they were saying and look into their lives. But when I wanted to watch them moving away, I found myself awake again and on my own. The book lay at my feet. When I picked it up to look for those characters in it, I couldn’t find the story any more; it was as if it had fallen out of the pages into my hands, or as if it had never been there at all. Perhaps I had dreamt it, or seen it in one of those bright clouds that came to our city today from distant lands, to carry away the rain that has been depressing us for so long. Did I hear it in the artless old song that an organ-grinder was playing with a melancholy creaking sound under my window, or had someone told it to me years ago? I don’t know. Such stories often come into my mind, and I let them take their playful course, running through my fingers, which I allow to drop them as you might caress ears of wheat and long-stemmed flowers in passing without picking them. All I do is dream them, beginning with a sudden brightly coloured image and
moving towards a gentler end, but I do not hold and keep them. However, you want me to tell you a story today, so I will tell it to you now, when twilight fills us with a longing to see some bright, lively thing before our eyes, starved as they are in this grey light.

How shall I begin? I feel I must pluck a moment out of the darkness, an image and a character, because that is how those strange dreams of mine begin. Yes, now I remember. I see a slender youth walking down a broad flight of steps leading out of a castle. It is night, and a night of dim moonlight, but I see the whole outline of his supple body, and his features stand out clearly. He is remarkably good-looking. His black hair falls smoothly over his high—almost too high—forehead, combed in a childish style, and his hands, reaching out before him in the dark to feel the warmth of the air after a sunlit day, are delicate and finely formed. His footsteps are hesitant. Dreamily, he climbs down to the large garden, where the rounded treetops rustle; the white path of a single broad avenue leads through it.

I don’t know when all this is set, whether yesterday or fifty years ago, and I don’t know where; but I think it must be in England or Scotland, the only places where I am sure there are such tall, massive stone castles. From a distance they look menacing, like fortresses, and reveal their bright gardens full of flowers only to an eye familiar with them. Yes, now I know for certain: it is to the north, in Scotland. Only there are the summer nights so light that the sky has a milky, opalescent glow, and the fields are never entirely
dark, so that everything seems full of a soft radiance, and only the shadows drop, like huge black birds, down to pale expanses of countryside. Yes, it’s in Scotland, I remember that now for certain; and if I racked my brain I would also find the names of this baronial castle and the boy, because now the darkness around my dream is beginning to peel away, and I feel it all as distinctly as if it were not memory but experience. The boy has come to spend the summer with his married sister, and in the hospitable way of
distinguished
British families he finds that he is not alone; in the evening there is a whole party of gentlemen who have come for the field sports of shooting and fishing, and their wives, with a few young girls, tall, handsome people, who in their cheerfulness and youth play laughing, but not noisily, to the sound of the echo from the ancient walls. By day they ride horses, there are dogs about, two or three boats glitter on the river, and liveliness without frantic activity helps the day to pass quickly and pleasantly.

But it is evening now, the company around the dinner table has broken up. The gentlemen are sitting in the great hall, smoking and playing cards; until midnight, white light, quivering at the edges, spills out of the bright windows into the park, sometimes accompanied by a full-throated, jocular roar of laughter. Most of the ladies have already gone to their rooms, although a few of them may still be talking to each other in the entrance hall of the castle. So the boy is on his own in the evening. He is not allowed to join the gentlemen yet, or only briefly, and he feels shy in the presence of ladies because when he opens a door
they suddenly lower their voices, and he senses that they are discussing matters he isn’t meant to hear. And he doesn’t like their company anyway, because they ask him questions as if he were still a child, and only half-listen to his answers; they make use of him to do them all sorts of small favours, and then thank him in the tone they would use with a good little boy. He thought he would go to bed, but his room was too hot, full of still, sultry air. They had forgotten to close the windows during the day, so the sun had made itself at home in here, almost setting light to the table, leaving the bedstead hot to the touch, clinging heavily to the walls, and its warm breath still comes out of the corners and from behind curtains. And moreover it was still so early—and outside, the summer night shone like a white candle, peaceful, with no wind, as motionless as if it longed for nothing. So the boy goes down the tall castle steps again and towards the garden, which is rimmed by the dark sky like a saint’s halo. Here the rich fragrance given off by many invisible flowers comes enticingly to meet him. He feels strange. In all the confused sensations of his fifteen years of life, he couldn’t have said exactly why, but his lips are quivering as if he has to say something in the night air, or must raise his hands and close his eyes for a long time. He seems to have some mysterious familiarity with this summer night, now at rest, something that calls for words or a gesture of greeting.

Then, all of a sudden, as he goes deeper into the darkness, an extraordinary thing happens. The gravel behind him crunches slightly, and as he turns, startled, all he sees
is a tall white form, bright and fluttering, coming towards him, and in astonishment he feels strong and yet caught, without any violence, in a woman’s embrace. A soft, warm body presses close to his, a trembling hand quickly caresses his hair and bends his head back; reeling, he feels a stranger’s open mouth like a fruit against his own, quivering lips fastening on his. The face is so close to him that he cannot see its features. And he dares not look, because shudders are running through his body like pain, so that he has to close his eyes and give himself up to those burning lips without any will of his own; he is their prey. Hesitantly, uncertainly, as if asking a question, his arms now go round the stranger’s body, and, suddenly intoxicated, he holds it close to his own. Avidly, his hands move over its soft outline, fall still and then tremble as they move on again more and more feverishly, carried away. And now the whole weight of her body, pressing ever more urgently against him,
bending
forward, a delightful burden, rests on his own yielding breast. He feels as if he were sinking and flowing away under her fast-breathing urgency, and is already weak at the knees. He thinks of nothing, he does not wonder how this woman came to him, or what her name is, he merely drinks in the desire of those strange, moist lips with his eyes closed, until he is intoxicated by them, drifting away with no will or mind of his own on a vast tide of passion. He feels as if stars had suddenly fallen to earth, there is such a shimmering before his eyes, everything flickers in the air like sparks, burning whatever he touches. He does not know how long all this lasts, whether he has been held
in this soft chain for hours or seconds; in this wild, sensual struggle he feels that everything is blazing up and drifting away, he is staggering in a wonderful kind of vertigo.

Then suddenly, with an abrupt movement, the chain of heat holding them breaks. Brusquely, almost angrily, the woman loosens the embrace that held him so close; she stands erect, and already a shaft of white light is running past the trees, clear and fast, and has gone before he can raise his hands to seize it and stop her.

Who was she? And how long had it lasted? Dazed, with a sense of oppressive uneasiness, he stands up, propping himself against a tree. Slowly, cool thought returns to the space between his fevered temples: his life suddenly seems to him to have moved forward a thousand hours. Could his confused dreams of women and passion
suddenly
have come true? Or was it only a dream? He feels himself, touches his hair. Yes, it is damp at his hammering temples, damp and cool from the dew on the grass into which they had fallen. Now it all flashes before his mind’s eye again, he feels those burning lips once more, breathes in the strange, exciting, sensual perfume clinging to her dress, tries to remember every word she spoke—but none of them come back to him.

And now, with a sudden shock of alarm, he remembers that in fact she said nothing at all, not even his name; that he heard only her sighs spilling over and her convulsively restrained sobs of desire threatening to break out, that he knows the fragrance of her tousled hair, the hot pressure of her breasts, the smooth enamel of her skin, he knows
that her figure, her breath, all her quivering feelings were his—and yet he has no idea of the identity of this woman who has overwhelmed him with her love in the dark. He knows that he must now try to find a name to give to his happy astonishment.

And then the extraordinary experience that he has just shared with a woman seems to him a poor thing, very petty compared to the sparkling mystery staring at him out of the dark with alluring eyes. Who was she? He swiftly reviews all the possible candidates, assembling in his mind’s eye the images of all the women staying here at the castle; he recalls every strange hour, excavates from his memory every conversation he has had with them, every smile of the only five or six women who could be part of this puzzle. Young Countess E., perhaps, who so often quarrelled violently with her ageing husband, or his uncle’s young wife, who had such curiously gentle yet iridescent eyes, or—and he was startled by this idea—one of the three sisters, his cousins, who are so like each other in their proud, haughty, abrupt manner. No—these were all cool, circumspect people. In recent years he had often felt sick, or an outcast, when secret stirrings in him began disturbing and flickering in his dreams. He had envied all who were, or seemed to be, so calm, so well-balanced and lacking in desires, had been afraid of his awakening passion as if it were an infirmity. And now?… But who, which of them all could be so deceptive?

Slowly, that insistent question drives the frenzy out of his blood. It is late now, the lights in the hall where guests
were playing cards are out, he is the only guest in the castle still awake, he—and perhaps also that unknown woman. Slowly, weariness comes over him. Why go on thinking about it? A glance, a spark glimpsed between someone’s eyelids, the secret pressure of his hand must surely tell him everything tomorrow. Dreamily, he climbs the steps, as dreamily as he climbed down them, but he feels so very different now. His blood is still slightly agitated, but the warm room seems to him clearer and cooler than it was.

When he wakes next morning, the horses down outside the castle are already stamping and scraping their hooves on the ground; he hears voices, laughter, and his name is called now and then. He quickly leaps out of bed—he has missed breakfast—dresses at high speed and runs downstairs, where the rest of the party cheerfully wish him a good morning. “What a late riser you are!” laughs Countess E., and there is laughter in her clear eyes as well. His avid look falls on her face; no, it couldn’t be the Countess, her laughter is too carefree. “I hope you had sweet dreams,” the young woman teases him, but her delicate build seems to him too slight for his companion last night. With a question in his eyes, he looks from face to face, but sees no smiling reflection answering it on any of them.

They ride out into the country. He assesses each voice, his eyes dwell on every line and undulation of the women’s bodies as they move on horseback, he observes the way they bend, the way they raise their arms. At the luncheon table he leans close to them in conversation, to catch the
scent of their lips or the sultry warmth of their hair, but nothing, nothing gives him any sign, not a fleeting trail for his heated thoughts to pursue. The day draws out endlessly towards evening. If he tries to read a book, the lines run over the edge of the pages and suddenly lead out into the garden, and it is night again, that strange night, and he feels the unknown woman’s arms embracing him once more. Then he drops the book from his trembling hands and decides to go down to the little pool. But suddenly, surprised by himself, he finds that he is standing on that very spot again. He feels feverish at dinner that evening, his hands are distracted, moving restlessly back and forth as if pursued, his eyes retreat shyly under their lids. Not until the others—at last, at last!—push back their chairs is he happy, and soon he is running out of his room and into the park, up and down the white path that seems to shimmer like milky mist beneath his feet, going up and down it, up and down hundreds, thousands of times. Are the lights on in the great hall yet? Yes, they come on at last, and at last there is light in a few of the first-floor windows. The ladies have gone upstairs. Now, if she is going to come, it can be only a matter of minutes; but every minute stretches to breaking point, fuming with impatience. Up and down the path, up and down, he is moving convulsively back and forth as if worked by invisible wires.