Lightning People (32 page)

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Authors: Christopher Bollen

BOOK: Lightning People
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“Here's what we do,” Quinn said finally. “We go down to the station, find the detective, and explain. We don't even need to mention the repair to the car right now. We just say you were scared. That's enough, I think. I'll be with you at every step.”
William lifted his head in shock as he stared at the meaningful clench of Quinn's pale lips waiting for it to ignite into an altogether different proposal.
“What?”
“That's how we fix it. We walk right down there, and you turn yourself in. That way, they'll go easier.”
“No,” he choked. “No. I'm not doing that. They'll put me in jail.”
“William,” he whispered tenderly, the kissed knuckles still pressed in William's hand. “You have to. It's your responsibility. You have to accept what you did. It's the only way you'll be able to live with yourself.”
Quinn stared so solemnly, he could easily be mistaken for a man
who had weathered high moral roads all his life. He looked utterly unlike the reckless prankster that William had come to love, the man who told stories of harassing cops and throwing used condoms at patrol cars. His fat, bloodshot face with its brittle dent for cheekbones and its burdensome drape of jowls showed every year of living outrageously on his own appetites—his loud indecencies and the even louder declaration of his rights to perform them, which always fought against the order of the law. William couldn't believe that same man was telling him to turn himself in when it wouldn't change a single thing. The woman was dead. She wasn't coming back, no matter how long William sat in jail. He realized he had misjudged Quinn, his entire nature, all along.
“No fucking way,” he screamed, jumping off the sofa and trying to reach under Quinn's legs to gather his bags. “You can't ask me to do that.”
Quinn pushed William back, and in a second he was off the sofa too, collecting his wallet and house keys from the desk.
“It's for your own good,” Quinn snapped. “I was wrong about you. I expected more.”
“Where are you going?” William asked in panic.
“Where do you think? Down to the station. I'm going to tell them whether you come along or not.”
William could feel his own heart racing so hard his fingers bunched as if to collect the blood. So few seconds were left to bring Quinn back to his side. “What good will it do?” he screamed. “I told you it was an accident. Please, Quinn.”
Quinn wasn't listening. He tossed his keys into the pocket of his windbreaker and shouldered past William's halting arms. He stood at the door, trying to release his hands from the jacket pockets and said one last thing without turning around.
“You have to behave like you share this world. You should learn this. We aren't all just decorations for you, William. It isn't right to treat a person like that. Like roadkill. Like they aren't even human.”
Every muscle was firing down William's spine as he whipped his arm around Quinn's neck, and his body fell on top of him before he could open the door. At first William held him almost like he was
hugging him, like they were both staring out of the door's small portal window at the weaving branches that hid the black lace of a fire escape. William only meant to stop him, to bring him down to the ground and make him listen, force him to understand. But Quinn's hands quickly jerked to wrestle William's arm from his throat. His hands were caught inside the pockets of the red windbreaker so they only lifted up like two oven mitts performing a boxer's pantomime. Then Quinn jabbed an elbow into William's stomach, gutting his air, and tried to wiggle free. Quinn started to scream, no longer in argument but shrieking as if he were under attack. His elbow struck William again, and to stop the screaming, William squeezed his arm tighter around Quinn's neck, until the cry dissipated into a gurgle that exploded from his nose and lips.
William closed his eyes, pinning his forearm against Quinn's throat as hard as he could, all of his panic concentrated on that arm. If William let go, if he softened his hold, Quinn would scream, and if William looked into those eyes he would find them so engulfed in hatred that no pleading would ever be able to stop that hatred from spreading. Two feet frantically kicked against the base of the door. William kept his eyes shut and breathed into Quinn's ear, the one action his friend could no longer perform. He constricted every muscle in his body, tightened every vein. William squeezed so hard it was as if his own brain contracted into the smallest pinprick, with no room for thought, no room for guilt or even understanding of what he was doing, just squeezing until the tightness blotted out any other message in his head. He felt Quinn's legs buckle, and they both dropped quietly to the ground.
When all thought was the size of a pinprick there was no room for consequences. But now the pinprick grew and with it came the realization of where he was and what he was doing. William wrenched his arm away. Quinn stared absently at the tiny black gap under the refrigerator. His face was purple, and his mouth hung open. William slid back frantically on the wood and grabbed the first thing his fingers found, a T-shirt balled on the floor. It was Quinn's tie-dye rainbow shirt, his errand-day favorite. William wound it over his own face, stuffing the fabric in his mouth, and screamed with every
ounce of strength into the sweet, dank body odor of the wonderful man who lay in front of him, gone.
 
SUICIDES TELL LIFE backward. They start with death—the how, with what weapon—and the entire biography becomes a scavenger hunt for what went wrong. It hurt to acknowledge how easily the facts of Quinn's life would make sense of such an end. The cottage was a museum wholly devoted to lost glories and leftover vices. And so was Quinn's own body, disintegrating like everyone else's, only at a faster rate.
He pulled Quinn's heavy body into the bathroom and finally released his hands from the windbreaker's twisted pockets. He took the house keys out, threw them in the sink, and tied the end of a bed sheet around Quinn's neck. Then with all of his remaining strength, he lifted the body on one shoulder while lassoing the other end of the sheet around the steel shower pipe. William pulled until only a few inches hung between the nozzle and Quinn's neck. He made a tight knot and then let the body drop. The pipe bent at the weight but held. Quinn's black Converse sneakers, a ridiculous but touching testament to youth, swayed an inch above the basin of the tub.
William grabbed a towel from the closet and began wiping the tub under Quinn's feet, the sink, the medicine cabinet, the pill bottles. He scrubbed the bathroom floor, backing out on hands and knees until no trace of his prints remained.
The living room glowed in the evening sunset, all orange and cobalt reflected across the glossy plaster walls. He grabbed his duffle bags, shoved the dirty towel into its pocket, and placed them by the door. He knew his fingerprints were all over the room—why wouldn't they be, they were friends?—but he was afraid that any further cleaning would look suspicious. Who cleans before they kill themselves? Suicides tell life backwards because they beg for answers close at hand. The calm disorder of clothes and furniture strewn in the eccentric effects of poverty, with magnets and LGBA pamphlets announcing Quinn's condition before an autopsy would, were proof enough. Who would look further for answers into a life so strangled in old age and disappointment?
William picked up his bags and locked the door behind him, ducked across the garden, through the tunnel, and out onto West Twelfth Street, moving in the opposite direction of the car, which was still parked five feet from the entrance.
He walked toward the Hudson River, drenched in sweat, pressing his palm through his hair to keep an appearance of sanity, as his lips trembled at the flash of Quinn hanging in his shower like the loneliest man on earth. The path along the river was full of baby strollers and spandexed bikers whirling by on ten-speeds. William leaned over the railing, pretending to watch the sun dissolve into New Jersey, and tossed the dirty towel wrapped around the set of car keys into the water. He tried to catch his breath and, shivering, waited only long enough to see it sink.
PART THREE
CHAPTER TWENTY - NINE
IT STARTS THIS
way, with Joseph's great grandmother, Aurelia Guiteau, pacing at the bedside of her dying husband. It is 1928 turning 1929, three hours left before the calendar becomes a useless piece of scrap paper. Chintz curtains are pinned closed, and the sounds of joy and fistfights stream through the open window.
Aurelia clenches her auburn hair, cursing god, as the house is riddled with specialists. The doctor at the foot of the bed shakes his head, and the Catholic priest hides in the downstairs pantry. Their boys sit on the staircase, biting and pinching and staring dazed the way children do when they are suddenly thrown into the wilds of adult panic.
Aurelia bends over, registering her husband's eyes, small, black orbs reflecting the room like mirror balls, and she sees a word coming across his lips. He's trying to say something, but it just won't come. Aurelia has the jittery streak known in redheads, clamping a wet washcloth to her own cheeks and then to those of her husband. He's still breathing, but there's no flash of recognition, no light that so often settled on her, that psychopathic look of violence, which she always mistook for love. She realizes this New Year's Eve that she won't feel his hands root across her back again. She realizes she is losing something forever that she had always counted on. Tyson Guiteau
is a large man, just like his father, with bloated, hairy feet that hang over the edge of the mattress. Just like his father, she has been told, dying of heart failure at thirty-four.
On the bed, Joseph's great-grandfather, Tyson Guiteau, is somewhere else. Tyson's last memory is also his first. It appears drained of color like an X-ray held up to the sun. He is six years old and trailing through a crowd of overdressed giants. He is not in Ohio but in New York—Buffalo to be exact, courtesy of an overnight train and two breakfasts packed in banded cigar boxes. His father, donning his best black suit, doesn't trust the locals with their illiterate smiles and jacked-up prices and ruthless bargaining tactics. But he wants his only son to see this, as much as he wants to see this. It is the future. It is a thousand watt bulb.
Tyson wouldn't be able to remember the hour or the day of his first memory if it weren't later marked in history books. Four in the afternoon with the heat firing down on the creamy, pastel-colored domes. So many people alive and curious on a three-hundred-acre stretch of parkland. Camel rides, bands playing rag on rickety stages, African emperors dressed in leopard-fur togas, a demonstration by the Life-Saving Service held at the lake on the latest advancements of shipwreck rescue. Everywhere the exhibition ground explodes with the strains of exotic flowers: pansies, delphiniums, cannas, rambler roses, cacti. But Tyson's father pulls his son across the dirt by the arm, indifferent to the horticulture or the pretty girls under massive pompadours or the roar of distance organs.
Sweat drips down his father's chin, as much a sign of the dizzying heat as his growing irritation. As they walk, the music of one band drifts into another—a mournful pioneer folk song answered by a swinging set of banjos. His father explains that, as the sun sets, the lights will turn on. The Electric Tower is wired with thousands of colored bulbs, coming alive at night to liquefy the world.
September 6, 1901. The Pan-American Exhibition. Not bad as far as first memories go. Tyson remembers peanut shells crunching like cockroaches under his feet. He remembers the Dutch chocolate that his father bought to keep him quiet and little boys sitting on gigantic stalks of cauliflower. But he won't ever get to see the wonder of the Electric Tower. Nor will he visit Edison's X-ray machine that his father is determined to find (foolishly thinking he can find the owner and put money down to help finance it).In a
world exhibition, everything is a spectacle. But some acts are better attended. President McKinley, guarded by his Secret Service soldiers, shakes hands for ten minutes, as the crowds gather in line under the afternoon sun to touch the man who opened trade routes and conquered the Philippines. The future has arrived.
Which catches fire first, a heart or a handkerchief? Not Tyson's father suddenly going slack, letting go of his son's sticky fingers and keeling off the path into a bed of pink geraniums. That must have happened second, because Tyson, stunned, frozen next to the invisible column of air where his father just stood, looks around for help from strangers, and already news is breaking over faces and men are running in one direction. Already Leon Czolgosz has blown two holes in President McKinley through a handkerchief that conceals a .32-caliber Iver Johnson revolver decorated on the handle with an owl's head. The President falls in front of the Temple of Music to the soundtrack of organ pipes. The handkerchief catches on fire. One bullet ricochets off the president's breastbone and another plows through his stomach, pancreas, and kidney. Tyson runs, zigzagging and pointing, but no one pays attention to a little boy waving furiously toward the marvel of exotic vegetation, where, if a passerby examined more closely, two brown leather shoes in a desperate need of a polish stick out from miraculous pink petals.
“Ma'am, ma'am,” he finally manages, as he grabs at the folds of the nearest skirt. The woman turns and dusts him off her dress.
“Run for cover,” she screams at him. “They are killing people.”
Frantic, he returns to his father, digging his knees in the damp soil, crying on top of him, panicking, trying to push his father's body into public view with his scrawny arms. Two more women appear so close to Tyson, he could reach over and untie their bootlaces. Their mouths are gaping. “It's a blessing,” one cries. “The president isn't dead.”

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