Lipstick Traces (75 page)

it falleth like the gentle rain from heaven
(Mekons),
403

“It’s Too Soon to Know” (Orioles),
192
,
240
,
249

“I Wish I Was a Mole in the Ground” (traditional ballad, Lunsford),
14

“J’accuse” (Zola),
268

Jack the Ripper,
75
,
310
,
406

Jackson, Michael,
ix
,
90–92
,
98
,
99–105
,
124
,
138
,
286
,
331

Jackson
5
,
90

Jailhouse Rock
(Thorpe),
229

Janco, Jules,
189

Janco, Marcel,
179
,
180
,
188–192
,
193
,
202
,
207
,
208
,
211
,
225
,
227
,
394

Jarry, Alfred,
191
,
309

Jaspers, Karl,
238

Jehovah’s Witnesses,
100

Jerusalem
Post,
189–190

Jerzimy,
56

Jesuits,
281

Joannès, Gérard,
133

Joel, Billy,
90

John XXIII, Pope,
260

John of the Cross,
274

John of Leyden,
85–88
,
104
,
118
,
290
,
410

“Johnny B. Goode” (Berry/Sex Pistols),
55–57
,
60

John Paul II, Pope,
260

Johnson, Robert,
19

John Wesley Harding
(Dylan),
38

Jonah Who Will Be
25
in the Year 2000
(Tanner),
224

Jones, LaDonna,
103
,
124
,
331

Jones, Steve,
30
,
31
,
70
,
79

Jordan Motor Car Company,
40

Jorn, Asger,
150
,
153
,
156
,
342
,
344
,
362
,
385

Journal du dimanche,
380

Joyce, James,
230

Joy Division,
5
,
6

Jules and Jim
(Truffaut),
181

“Jumpin’ Jack Flash” (Rolling Stones),
54

Jung, Carl,
220–222

Jung, Franz,
215
,
292

Kael, Pauline,
8

Kandinsky, Wassily,
183
,
191

Kant, Immanuel,
178

Karp, Walter,
ix
,
127
,
128

Keeler, Christine,
167

Kennedy, John F.,
330

Kennedy, Robert F.,
251

“Kerb Crawler” (Au Pairs),
5

Khayati, Mustapha,
387–88
,
390

King Mob,
405–406

King Mob Echo
(journal),
109
,
406

King Records,
124

Kingston
Daily Gleaner,
246
,
248

Kinks,
77

Kleenex,
5

Kleinschmidt, Hans J.,
217

Klinmahon,
175

Konsumterror,
101

Kotányi, Attila,
117

Kraus, Karl,
214

Kropotkin, Peter,
183

Kuroń, Jacek,
388

Kwakiutl,
364
,
368

Lacenaire, Pierre François,
111
,
336
,
337

Ladd, Alan,
247

Ladurie, Emmanuel Le Roy,
373

Lagny killing,
244
,
245
,
247
,
249

Laing, R. D.,
359

Lamennais, Felicité de,
264

Lanzmann, Claude,
114

Lapassade, Georges,
330

La Rochefoucauld, François de,
249

Lautréamont, Comte de,
171
,
178
,
224

Lawrence, D. H.,
366

Leary, Timothy,
359

Leaving the
20
th Century
(Gray),
27–28
,
160
,
161
,
171
,
385
,
406
,
407

Le Corbusier,
18
,
344–346
; Voisin Plan,
344

Led Zeppelin,
44
,
61

Lefebvre, Henri,
ix
,
134–137
,
177–179
,
249
,
395
; and dada,
21
,
173
,
178–179
,
181
,
184
,
189
,
207
,
226
,
227
; and situationists,
132
,
134
,
136–137
,
385

Lejare, Françoise,
339

Lemaitre, Maurice,
250
,
256
,
258
,
317
,
325

Lenin, V. I.,
107
,
118
,
202
,
325
,
359
,
391
,
398

Leninism,
330
,
388

Lennon, John,
38
,
185
,
352

Lerner, Robert E.,
278
,
285

Let It Bleed
(Rolling Stones),
38

Lettrist International (LI),
ix
,
110
,
158
,
160–163
,
231
,
265
,
297
,
320–321
,
331–340
,
352
,
374
,
399
,
404
,
408–410
; Bernstein in,
348–350
; Chaplin attacked by,
316–319
; emergence of Situationist International from,
328–331
,
385
,
407
; exclusion of members of,
325–326
,
342
,
346
,
355–356
; fathers of,
170
; formation of,
16
,
111
,
153–154
,
315–316
; graffiti of,
171
,
320
,
406
; manifestos of,
321
,
339
,
350
; potlatch metaphor of,
368–369
; practice of,
323–328
,
333–338
,
356–358
,
361–362
;and Strasbourg students,
384
,
386
,
391
; Trocchi in,
358
; utopianism of,
322
,
345–346
;
as youth movement,
332–333
. See also
Internationale Lettriste
;
Potlatch

lettrists,
ix
,
19
,
21
,
231–239
,
249–250
,
301–307
; Cannes action of,
300–301
; Debord and Wolman break with,
315–18
,
326
; and
Hurlements,
307–309
,
311–313
,
315
; in Notre-Dame invasion,
258–261
; program of,
254–255
; sound poetry of,
255–258
.
See also
Lettrist International

Lèvres nues, Les
(review),
20

Lewis, Jerry Lee,
26
,
37
,
55
,
59
,
205

Liaisons dangereuses, Les
(Choderlos de Laclos),
392–393

Libération,
348

Liebknecht, Karl,
107
,
108
,
141

Liebling, A. J.,
71

Liliput,
5
,
89

Limelight
(Chaplin),
315
,
316

Lincoln, Abraham,
127

Lissitzky, El,
176
,
177

Little Big Horn, Battle of,
336

Little Book of Eternal Wisdom, The
(Suso),
275

Little Book of Truth, The
(Suso),
275
,
280

Little Richard,
37
,
38
,
87–88
,
264–265

“Little Village” (Williamson),
55

Little Yes and a Big No, A
(Grosz),
106

Live Aid,
125

Locked Room, The
(Auster),
161

Logic, Lora,
6
,
65
,
187

Lollards,
11
,
373
,
410

“Longest Time, The” (Joel),
90

London Central News Agency,
406

London
Picture Post,
352

Londons Outrage
(punk fanzine),
112

London
Sunday Telegraph,
387

Louis XVI, King of France,
310

Louis-Napoleon, Emperor of France,
116–117

Love on the Left Bank
(van der Elsken),
350

Lowry, Ray,
1

Lucas, Henry Lee,
247

Ludwig II, King of Bavaria,
336

Lunsford, Bascom Lamar,
14
,
15

Lurkers,
71

Luxembourg, Rosa,
107
,
108
,
109
,
141
,
406

Lycurgus,
325

Lydon, John.
See
Rotten
,
Johnny

Lymon, Frankie,
90

“Maggie Mae” (Stewart),
44
,
54
,
61

Malgré le blasphème.
See
In Spite of Blasphemy

Mallarmé, Stéphane,
191
,
231

“Manifeste du cinema discrépant” (Isou),
228

Mankiewicz, Joseph L.,
301

“Manners for Muggings” (Thompson),
84

Maoism,
334
,
388

Mao Tse-tung,
329
,
330

Marbaix, Ghislain de,
261
,
287
,
301

Marc, O (Marc-Gilbert Guillaumin),
254
,
260
,
301
,
313

Marcuse, Herbert,
67
,
250

Marie-Claire,
380

Marinetti, Filippo,
184
,
200
,
201
,
202
,
220

Marsh, Dave,
61

Martin, Ivanhoe “Rhyging,”
244
,
246
,
248

Martin, J. V.,
167

Marx, Karl,
47
,
107
,
118
,
128
,
129
,
136
,
165
,
170
,
174
,
178
,
253
,
319
,
360
,
369
,
387
; on alienation,
255
; on commodity fetishism,
99–100
; criticism of religion as prerequisite of all criticism for,
289–290
; revolutionary impulse defined by,
92
; word-magic of,
305

Marxists,
21
,
28
,
95
,
134
,
178
,
265
,
270
,
329
,
391
,
398

Matérialisme dialectique, Le
(Lefebvre),
136
,
227

Matlock, Glen,
30–31

Matthys, Jan,
85
,
86

Mauriac, François,
234

Maurras, Charles,
264
,
268–269

Mauss, Marcel,
357
,
366–368

May ’68,
118
,
126
,
132
,
224
,
255
,
265
,
337
,
346
,
384
,
397–398
,
412
; Atelier populaire posters from,
28
,
30
,
31
,
187
; McLaren and,
26
,
406
,
407
; situationists and,
16–17
,
28–29
,
139
,
223
,
327
,
394–395
,
398–400
,
404

McCartney, Paul,
369

McKenzie, Scott,
83

McLaren, Malcolm,
8
,
16
,
26–28
,
30
,
53
,
54
,
56
,
65
,
123
,
284
,
404
; commercial exploitation of punk by,
16
,
77
; New York Dolls managed by,
45
; Sex boutique of,
2
,
11
,
12
,
26
,
31
; situationist influence on,
171
,
284
,
405–408

McPhatter, Clyde,
37

“Meaning of the Commune, The” (Lefebvre),
136

Mechanics of Women, The
(Isou),
235

Mehring, Walter,
3–4
,
107
,
215

Meinhof, Ulrike,
101

Mekons,
5
,
403–404

Méliès, Georges,
310

Melville, Herman,
19

“Memphis Blues Again” (Dylan),
15

Mémoires
(Debord),
153
,
154
,
155
,
156
,
157
,
163
,
169
,
172
,
173–174
,
314
,
333
,
335
,
350
,
391
,
404