Literary Lapses (7 page)

 

THE CONJURER'S REVENGE

N
ow, ladies and gentlemen,” said the conjurer, “having shown you that the cloth is absolutely empty, I will proceed to take from it a bowl of goldfish. Presto!”

All around the hall people were saying, “Oh, how wonderful! How does he do it?”

But the Quick Man on the front seat said in a big whisper to the people near him. “He–had–it–up–his–sleeve.”

Then the people nodded brightly at the Quick Man and said, “Oh, of course” and everybody whispered round the hall, “He–had–it–up–his–sleeve.”

“My next trick,” said the conjurer, “is the famous Hindostanee rings. You will notice that the rings are apparently separate; at a blow they all join (clang, clang, clang)–Presto!”

There was a general buzz of stupefaction till the Quick Man was heard to whisper, “He–must–have–had–another–lot–up–his–sleeve.”

Again everybody nodded and whispered, “The–rings–were–up–his–sleeve.”

The brow of the conjurer was clouded with a gathering frown.

“I will now,” he continued, “show you a most amusing trick by which I am enabled to take any number of eggs from a hat. Will some gentleman kindly lend me his hat? Ah, thank you–Presto!”

He extracted seventeen eggs, and for thirty-five seconds the audience began to think that he was wonderful. Then the Quick Man whispered along the front bench, “He–has–a–hen–up–his–sleeve,” and all the people whispered it on. “He–has–a–lot–of–hens–up–his–sleeve.”

The egg trick was ruined.

It went on like that all through. It transpired from the whispers of the Quick Man that the conjurer must have concealed up his sleeve, in addition to the rings, hens, and fish, several packs of cards, a loaf of bread, a doll's cradle, a live guinea-pig, a fifty-cent piece, and a rocking-chair.

The reputation of the conjurer was rapidly sinking below zero. At the close of the evening he rallied for a final effort.

“Ladies and gentlemen,” he said, “I will present to you, in conclusion, the famous Japanese trick recently invented by the natives of Tipperary. Will you, sir,” he continued, turning toward the Quick Man, “will you kindly hand me your gold watch?”

It was passed to him.

“Have I your permission to put it into this mortar and pound it to pieces?” he asked savagely.

The Quick Man nodded and smiled.

The conjurer threw the watch into the mortar and grasped a sledge hammer from the table. There was a sound of violent smashing. “He's–slipped–it–up–his–sleeve,” whispered the Quick Man.

“Now, sir,” continued the conjurer, “will you allow me to take your handkerchief and punch holes in it? Thank you. You see, ladies and gentlemen, there is no deception, the holes are visible to the eye.”

The face of the Quick Man beamed. This time the real mystery of the thing fascinated him.

“And now, sir, will you kindly pass me your silk hat and allow me to dance on it? Thank you.”

The conjurer made a few rapid passes with his feet and exhibited the hat crushed beyond recognition.

“And will you now, sir, take off your celluloid collar and permit me to burn it in the candle? Thank you, sir. And will you allow me to smash your spectacles for you with my hammer? Thank you.”

By this time the features of the Quick Man were assuming a puzzled expression. “This thing beats me,” he whispered, “I don't see through it a bit.”

There was a great hush upon the audience. Then the conjurer drew himself up to his full height and, with a withering look at the Quick Man, he concluded:

“Ladies and gentlemen, you will observe that I have, with this gentleman's permission, broken his watch, burnt his collar, smashed his spectacles, and danced on his hat. If he will give me the further permission to paint green stripes on his overcoat, or to tie his suspenders in a knot, I shall be delighted to entertain you. If not, the performance is at an end.”

And amid a glorious burst of music from the orchestra the curtain fell, and the audience dispersed, convinced that there are some tricks, at any rate, that are not done up the conjurer's sleeve.

 

HINTS TO TRAVELLERS

T
he following hints and observations have occurred to me during a recent trip across the continent: they are written in no spirit of complaint against existing railroad methods, but merely in the hope that they may prove useful to those who travel, like myself, in a spirit of meek, observant ignorance.

1
. Sleeping in a Pullman car presents some difficulties to the novice. Care should be taken to allay all sense of danger. The frequent whistling of the engine during the night is apt to be a source of alarm. Find out, therefore, before travelling, the meaning of the various whistles. One means “station,” two, “rail-road crossing,” and so on. Five whistles, short and rapid, mean sudden danger. When you hear whistles in the night, sit up smartly in your bunk and count them. Should they reach five, draw on your trousers over your pyjamas and leave the train instantly. As a further precaution against accident, sleep with the feet towards the engine if you prefer to have the feet crushed, or with the head towards the engine, if you think it best to have the head crushed. In making this decision try to be as unselfish as
possible. If indifferent, sleep crosswise with the head hanging over into the aisle.

2
. I have devoted some thought to the proper method of changing trains. The system which I have observed to be the most popular with travellers of my own class, is something as follows: Suppose that you have been told on leaving New York that you are to change at Kansas City. The evening before approaching Kansas City, stop the conductor in the aisle of the car (you can do this best by putting out your foot and tripping him), and say politely, “Do I change at Kansas City?” He says “Yes.” Very good. Don't believe him. On going into the dining-car for supper, take a negro aside and put it to him as a personal matter between a white man and a black, whether he thinks you ought to change at Kansas City. Don't be satisfied with this. In the course of the evening pass through the entire train from time to time, and say to people casually, “Oh, can you tell me if I change at Kansas City?” Ask the conductor about it a few more times in the evening: a repetition of the question will ensure pleasant relations with him. Before falling asleep watch for his passage and ask him through the curtains of your berth, “Oh, by the way, did you say I changed at Kansas City?” If he refuses to stop, hook him by the neck with your walking-stick, and draw him gently to your bedside. In the morning when the train stops and a man calls, “Kansas City! All change!” approach the conductor and say, “Is this Kansas City?” Don't be discouraged at his answer. Pick yourself up and go to the other end of the car and say to the brakesman, “Do you know, sir, if this is Kansas City?” Don't be too easily convinced. Remember that both brakesman and conductor may be in collusion to deceive you. Look around, therefore, for the name of the station on the signboard. Having found it, alight and ask the first man you see if this is Kansas
City. He will answer, “Why, where in blank are your blank eyes? Can't you see it there, plain as blank?” When you hear language of this sort, ask no more. You are now in Kansas and this is Kansas City.

3
. I have observed that it is now the practice of the conductors to stick bits of paper in the hats of the passengers. They do this, I believe, to mark which ones they like best. The device is pretty, and adds much to the scenic appearance of the car. But I notice with pain that the system is fraught with much trouble for the conductors. The task of crushing two or three passengers together, in order to reach over them and stick a ticket into the chinks of a silk skull cap is embarrassing for a conductor of refined feelings. It would be simpler if the conductor should carry a small hammer and a packet of shingle nails and nail the paid-up passenger to the back of the seat. Or better still, let the conductor carry a small pot of paint and a brush, and mark the passengers in such a way that he cannot easily mistake them. In the case of bald-headed passengers, the hats might be politely removed and red crosses painted on the craniums. This will indicate that they are bald. Through passengers might be distinguished by a complete coat of paint. In the hands of a man of taste, much might be effected by a little grouping of painted passengers and the leisure time of the conductor agreeably occupied.

4
. I have observed in travelling in the West that the irregularity of railroad accidents is a fruitful cause of complaint. The frequent disappointment of the holders of accident-policy tickets on western roads is leading to widespread protest. Certainly the conditions of travel in the West are altering rapidly and accidents can no longer be relied upon. This is deeply to be regretted, in so much as, apart from accidents, the tickets may be said to be practically valueless.

 

A MANUAL OF EDUCATION

T
he few selections below are offered as a specimen page of a little book which I have in course of preparation.

Every man has somewhere in the back of his head the wreck of a thing which he calls his education. My book is intended to embody in concise form these remnants of early instruction.

Educations are divided into splendid educations, thorough classical educations, and average educations. All very old men have splendid educations; all men who apparently know nothing else have thorough classical educations; nobody has an average education.

An education, when it is all written out on foolscap, covers nearly ten sheets. It takes about six years of severe college training to acquire it. Even then a man often finds that he somehow hasn't got his education just where he can put his thumb on it. When my little book of eight or ten pages has appeared, everybody may carry his education in his hip pocket.

Those who have not had the advantage of an early training will be enabled, by a few hours of conscientious
application, to put themselves on an equal footing with the most scholarly.

The selections are chosen entirely at random.

I. REMAINS OF ASTRONOMY

Astronomy teaches the correct use of the sun and the planets. These may be put on a frame of little sticks and turned round. This causes the tides. Those at the ends of the sticks are enormously far away. From time to time a diligent search of the sticks reveals new planets. The orbit of a planet is the distance the stick goes round in going round. Astronomy is intensely interesting; it should be done at night, in a high tower in Spitzbergen. This is to avoid the astronomy being interrupted. A really good astronomer can tell when a comet is coming too near him by the warning buzz of the revolving sticks.

II. REMAINS OF HISTORY

Aztecs: A fabulous race, half man, half horse, half mound-builder. They flourished at about the same time as the early Calithumpians. They have left some awfully stupendous monuments of themselves somewhere.

Life of Cæsar: A famous Roman general, the last who ever landed in Britain without being stopped at the custom house. On returning to his Sabine farm (to fetch something), he was stabbed by Brutus, and died with the words “Veni, vidi, tekel, upharsim” in his throat. The jury returned a verdict of strangulation.

Life of Voltaire: A Frenchman; very bitter.

Life of Schopenhauer: A German; very deep; but it was not really noticeable when he sat down.

Life of Dante: An Italian; the first to introduce the banana and the class of street organ known as “Dante's Inferno.”

III. REMAINS OF BOTANY

Botany is the art of plants. Plants are divided into trees, flowers, and vegetables. The true botanist knows a tree as soon as he sees it. He learns to distinguish it from a vegetable by merely putting his ear to it.

IV. REMAINS OF NATURAL SCIENCE

Natural Science treats of motion and force. Many of its teachings remain as part of an educated man's permanent equipment in life.

Such are:

(a)
The harder you shove a bicycle the faster it will go. This is because of natural science.

(b)
If you fall from a high tower, you fall quicker and quicker and quicker; a judicious selection of a tower will ensure any rate of speed.

(c)
If you put your thumb in between two cogs it will go on and on, until the wheels are arrested, by your suspenders. This is machinery.

(d)
Electricity is of two kinds, positive and negative. The difference is, I presume, that one kind comes a little more expensive, but is more durable; the other is a cheaper thing, but the moths get into it.

 

HOODOO M
c
FIGGIN'S CHRISTMAS

T
his Santa Claus business is played out. It's a sneaking, underhand method, and the sooner it's exposed the better.

For a parent to get up under cover of the darkness of night and palm off a ten-cent necktie on a boy who had been expecting a ten-dollar watch, and then say that an angel sent it to him, is low, undeniably low.

I had a good opportunity of observing how the thing worked this Christmas, in the case of young Hoodoo McFiggin, the son and heir of the McFiggins, at whose house I board.

Hoodoo McFiggin is a good boy–a religious boy. He had been given to understand that Santa Claus would bring nothing to his father and mother because grown-up people don't get presents from the angels. So he saved up all his pocket-money and bought a box of cigars for his father and a seventy-five-cent diamond brooch for his mother. His own fortunes he left in the hands of the angels. But he prayed. He prayed every night for weeks that Santa Claus would bring him a pair of skates and a puppy-dog and an air-gun and a
bicycle and a Noah's ark and a sleigh and a drum–altogether about a hundred and fifty dollars' worth of stuff.

I went into Hoodoo's room quite early Christmas morning. I had an idea that the scene would be interesting. I woke him up and he sat up in bed, his eyes glistening with radiant expectation, and began hauling things out of his stocking.

The first parcel was bulky; it was done up quite loosely and had an odd look generally.

“Ha! ha!” Hoodoo cried gleefully, as he began undoing it. “I'll bet it's the puppy-dog, all wrapped up in paper!”

And was it the puppy-dog? No, by no means. It was a pair of nice, strong, number-four boots, laces and all, labelled, “Hoodoo, from Santa Claus,” and underneath Santa Claus had written, “
95
net.”

The boy's jaw fell with delight. “It's boots,” he said, and plunged in his hand again.

He began hauling away at another parcel with renewed hope on his face.

This time the thing seemed like a little round box. Hoodoo tore the paper off it with a feverish hand. He shook it; something rattled inside.

“It's a watch and chain! It's a watch and chain!” he shouted. Then he pulled the lid off.

And was it a watch and chain? No. It was a box of nice, brand-new celluloid collars, a dozen of them all alike and all his own size.

The boy was so pleased that you could see his face crack up with pleasure.

He waited a few minutes until his intense joy subsided. Then he tried again.

This time the packet was long and hard. It resisted the touch and had a sort of funnel shape.

“It's a toy pistol!” said the boy, trembling with excitement. “Gee! I hope there are lots of caps with it! I'll fire some off now and wake up father.”

No, my poor child, you will not wake your father with that. It is a useful thing, but it needs not caps and it fires no bullets, and you cannot wake a sleeping man with a tooth-brush. Yes, it was a tooth-brush–a regular beauty, pure bone all through, and ticketed with a little paper, “Hoodoo, from Santa Claus.”

Again the expression of intense joy passed over the boy's face, and the tears of gratitude started from his eyes. He wiped them away with his tooth-brush and passed on.

The next packet was much larger and evidently contained something soft and bulky. It had been too long to go into the stocking and was tied outside.

“I wonder what this is,” Hoodoo mused, half afraid to open it. Then his heart gave a great leap, and he forgot all his other presents in the anticipation of this one. “It's the drum, all wrapped up!”

Drum nothing! It was pants–a pair of the nicest little short pants–yellowish-brown short pants–with dear little stripes of colour running across both ways, and here again Santa Claus had written, “Hoodoo, from Santa Claus, one fort net.”

But there was something wrapped up in it. Oh, yes! There was a pair of braces wrapped up in it, braces with a little steel sliding thing so that you could slide your pants up to your neck, if you wanted to.

The boy gave a dry sob of satisfaction. Then he took out his last present. “It's a book,” he said, as he unwrapped it. “I wonder if it is fairy stories or adventures. Oh, I hope it's adventures! I'll read it all morning.”

No, Hoodoo, it was not precisely adventures. It was a small family Bible. Hoodoo had now seen all his presents, and he arose and dressed. But he still had the fun of playing with his toys. That is always the chief delight of Christmas morning.

First he played with his tooth-brush. He got a whole lot of water and brushed all his teeth with it. This was huge.

Then he played with his collars. He had no end of fun with them, taking them all out one by one and swearing at them, and then putting them back and swearing at the whole lot together.

The next toy was his pants. He had immense fun there, putting them on and taking them off again, and then trying to guess which side was which by merely looking at them.

After that he took his book and read some adventures called “Genesis” till breakfast-time.

Then he went downstairs and kissed his father and mother. His father was smoking a cigar, and his mother had her new brooch on. Hoodoo's face was thoughtful, and a light seemed to have broken in upon his mind. Indeed, I think it altogether likely that next Christmas he will hang on to his own money and take chances on what the angels bring.