Little Black Book of Stories (10 page)

Her inner thighs now chinked together when she moved. The first apparition of the stony crust outside her clothing was strange and beautiful. She observed its beginnings in the mirror one morning, brushing her hair—a necklace of veiled swellings above her collar-bone which broke slowly through the skin like eyes from closed lids, and became opal—fire opal, black opal, geyserite and hydrophane, full of watery light. She found herself preening at herself in her mirror. She wondered, fatalistically and drowsily, whether when she was all stone, she would cease to breathe, see and move. For the moment she had grown no more than a carapace. Her joints obeyed her, light went from retina to brain, her budded tongue tasted food that she still ate.

She dismissed, with no real hesitation, the idea of consulting the surgeon, or any other doctor. Her slowing mind had become trenchant, and she saw clearly that she would be an object of horror and fascination, to be shut away and experimented on. It was of course, theoretically, possible that she was greatly deluded, that the winking gemstones and heaped flakes of her new crust were feverish sparks of her anaesthetised brain and grieving spirit. But she didn’t think so—she refuted herself as Dr. Johnson refuted Bishop Berkeley, by tapping on stone and hearing the scrape and chink of stone responding. No, what was happening was, it appeared, a unique transformation. She assumed it would end with the petrifaction of her vital functions. A moment would come when she wouldn’t be able to see, or move, or feed herself (which might not matter). Her mother had not had to face death—she had told herself it was not yet, not for just now, not round the next corner. She herself was about to observe its approach in a new fantastic form. She thought of recording the transformations, the metamorphic folds, the ooze, the conchoidal fractures. Then when “they” found her, “they” would have a record of how she had become what she was. She would observe, unflinching.

But she continually put off the writing, partly because she preferred standing to sitting at a desk, and partly because she could not fix the process in her mind clearly enough to make words of it. She stood in the light of the window morning and evening, and read the stony words in the geological handbooks. She stood by the mirror in the bathroom and tried to identify the components of her crust. They changed, she was almost sure, minute by minute. She had found a description of the pumice stone—“a pale grey frothy volcanic glass, part of a pyroclastic flow made of very hot particles; flattened pumice fragments are known as fiamme.” She imagined her lungs full of vesicles like the frothy stone, becoming stone. She found traces of hot flows down her own flanks, over her own thighs. She went into her mother’s bedroom, where there was a cheval glass, the only full-length mirror in the house.

At the end of a day’s staring she would see a new shimmer of labradorite, six inches long and diamond-shaped, arrived imperceptibly almost between her buttocks where her gaze had not rested.

She saw dikes of dolerites, in graduated sills, now invading her inner arms. But it took weeks of patient watching before, by dint of glancing in rapid saccades, she surprised a bubble of rosy barite crystals, breaking through a vein of fluorspar, and opening into the form known as a desert rose, bunched with the ore flowers of blue john. Her metamorphosis obeyed no known laws of physics or chemistry: ultramafic black rocks and ghostly Iceland spar formed in succession, and clung together.

After some time, she noticed that her patient and stoical expectation of final inertia was not being fulfilled. As she grew stonier, she felt a desire to move, to be out of doors. She stood in the window and observed the weather. She found she wanted to go out, both on bright days, and even more in storms. One dark Sunday, when the midday sky was thick and grey as granite, when sullen thunder rumbled and the odd flash of lightning made human stomachs queasy, Ines was overcome with a need to be out in the weather. She put on wide trousers and a tunic, and over them a shapeless hooded raincoat. She pushed her knobby feet into fur boots, and her clay-pale hands, with their veins of azurmalachite, into sheepskin mittens, and set out down the stairs and into the street.

She had wondered how her tendons and musculature would function. She thought she could feel the roll of polished stone in stony cup as she moved her pelvis and hips, raised her knees, and swung her rigid arms. There was a delicious smoothness to these motions, a surprise after the accommodations she was used to making with the crumbling calcium of arthritic joints. She strode along, aimlessly at first, trying to get away from people. She noticed that her sense of smell had changed, and was sharper. She could smell the rain in the thick cloud-blanket. She could smell the carbon in the car-exhausts and the rainbow-coloured minerals in puddles of petrol. These scents were pleasurable. She came to the remains of a street market, and was assailed by the stink of organic decay, deliquescent fruit-mush, rotting cabbage, old burned oil on greasy newspapers and mashed fishbones. She strode past all this, retching a little, feeling acid bile churning in a stomach-sac made by now of what?

She came to a park—a tamed, urban park, with rose beds and rubbish bins, doggy-lavatories and a concrete fountain. She could hear the water on the cement with a new intricate music. The smell of a rain-squall blew away the wafting warmth of dog-shit. She put up her face and pulled off her hood. Her cheeks were beginning to sprout silicone flakes and dendrite fibres, but she only looked, she thought, like a lumpy old woman. There were droplets of alabaster and peridot clustering in her grey hair like the eggs of some mythic stony louse, but they could not yet be seen, except from close. She shook her hair free and turned her face up to the branches and the clouds as the rain began. Big drops splashed on her sharp nose; she licked them from stiffening lips between crystalline teeth, with a still-flexible tongue-tip, and tasted skywater, mineral and delicious. She stood there and let the thick streams of water run over her body and down inside her flimsy garments, streaking her carnelian nipples and adamantine wrists. The lightning came in sheets of metal sheen. The thunder crashed in the sky and the surface of the woman crackled and creaked in sympathy.

She thought, I need to find a place where I should stand, when I am completely solid, I should find a place
outside,
in the weather.

WHEN WOULD SHE BE, so to speak, dead? When her plump flesh heart stopped pumping the blue blood along the veins and arteries of her shifting shape? When the grey and clammy matter of her brain became limestone or graphite? When her brain-stem became a column of rutilated quartz? When her eyes became—what? She inclined to the belief that her watching eyes would be the last thing, even though fine threads on her nostrils still conveyed the scent of brass or coal to the primitive lobes at the base of the brain. The phrase came into her head: Those are pearls that were his eyes. A song of grief made fantastic by a sea-change. Would her eyes cloud over and become pearls? Pearls were interesting. They were a substance where the organic met the inorganic, like moss agate. Pearls were stones secreted by a living shellfish, perfected inside the mother-of-pearl of its skeleton to protect its soft inward flesh from an irritant. She went to her mother’s jewel-box, in search of a long string of freshwater pearls she had given her for her seventieth birthday. There they lay and glimmered; she took them out and wound them round her sparkling neck, streaked already with jet, opal, and jacinth zircon.

She had had the idea that the mineral world was a world of perfect, inanimate forms, with an unchanging mathematical order of crystals and molecules beneath its sprouts and flows and branches. She had thought, when she had started thinking, about her own transfiguration as something profoundly unnatural, a move from a world of warm change and decay to a world of cold permanence. But as she became mineral, and looked into the idea of minerals, she saw that there were reciprocities, both physical and figurative. There were whole ranges of rocks and stones which, like pearls, were formed from things which had once been living. Not only coal and fossils, petrified woods and biothermal limestones—oolitic and pisolitic limestones, formed round dead shells—but chalk itself which was mainly made up of micro-organisms, or cherts and flints, massive bedded forms made up of the skeletons of Radiolaria and diatoms. These were themselves once living stones—living marine organisms that spun and twirled around skeletons made of opal.

The minds of stone lovers had colonised stones as lichens cling to them with golden or grey-green florid stains. The human world of stones is caught in organic metaphors like flies in amber. Words came from flesh and hair and plants. Reniform, mammilated, botryoidal, dendrite, haematite. Carnelian is from carnal, from flesh. Serpentine and lizardite are stone reptiles; phyllite is leafy-green. The earth itself is made in part of bones, shells and diatoms. Ines was returning to it in a form quite different from her mother’s fiery ash and bonemeal. She preferred the parts of her body that were now volcanic glasses, not bony chalk. Chabazite, from the Greek for hailstones, obsidian, which, like analcime and garnet, has the perfect icositetrahedral shape.

WHETHER OR NOT she became wholly inanimate, she must find a place to stand in the weather before she became immobile. She visited city squares, and stood experimentally by the rims of fountains, or in the entrances of grottoes. She had read of the hidden wildernesses of nineteenth-century graveyards, and it came to her that in such a place, amongst weeping angels and grieving cherubs, she might find a quiet resting-place. So she set out on foot, hooded and booted, with her new indefatigable rolling pace, marble joint in marble socket. It was a grey day, at the end of winter with specks between rain and snow spitting in the fitful wind. She strode in through a wrought-iron gate in a high wall.

What she saw was a flat stony city, house after house under the humped ripples of earth, marked by flat stones, standing stones, canted stones, fallen stones, soot-stained, dropping-stained, scum-stained, crumbled, carved, repeating, repeating. She walked along its silent pathways, past dripping yews and leafless birches and speckled laurels, looking for stone women. They stood there—or occasionally lay fallen there—on the rich earth. There were many of them, but they resembled each other with more than a family resemblance. There were the sweetly regretful lady angels, one arm pointing upwards, one turned down to scatter an arrested fall of stony flowers. There were the chubby child-angels, wearing simple embroidered stone tunics over chubby stone knees, also holding drooping flowers. Some busy monumental mason had turned them out to order, one after the other, their sweetly arched lips, or apple-cheeks, well-practised tricks of the trade. There was no other living person in that place, though there was a great deal of energetic organic life—long snaking brambles thrust between the stones for a place in the light, tombstones and angels alike wore bushy coats of gripping ivy, shining in the wind and the wet, as the leaves moved very slightly. Ines looked at the repeated stone people. Several had lost their hands, and lifted blind stumps to the grey air. These were less upsetting than those who were returning to formlessness, and had fists that seemed rotted by leprosy. Someone had come and sliced the heads from the necks of several cherubs— recently, the severed edges were still an even white. The stony representations of floating things—feathered wings, blossom and petals—made Ines feel queasy, for they were inert and weighed down, they were pulled towards the earth and what was under it.

Once or twice she saw things which spoke to her own condition. A glint of gold in the tesserae of a mosaic pavement over a house whose ascription was hopelessly obscured. A sarcophagus on pillars, lead-lined, human-sized, planted with spring bulbs, and, she thought, almost certainly ancient and pagan, for it was surrounded with a company of eyeless elders in Etruscan robes, standing each in his pillared alcove. Their faces were rubbed away, but their substance— some kind of rosy marble?—had erupted into facets and flakes that glinted in the gloom like her own surfaces.

She might take her place near them, she thought, but was dissuaded by the aspect of their neighbours, a group of the theological virtues, Faith, Hope and Charity, simpering lifeless women clutching a stone cross, a stone anchor, and a fat stone helpless child. They had nothing to do with a woman who was made up of volcanic glass and semi-precious stones, who needed a refuge for her end. No, that was not true. They were not nothing to do with her, for they frightened her. She did not want to stand, unmoving, amongst them. She began to imagine an indefinite half-life, looking like them, yet staring out of seeing eyes. She walked faster.

Round the edges of the vast field of stones, within the spiky confine of the wall, was a shrubbery, with narrow paths and a few stone benches and compost bins. As she went into the bushes, she heard a sound, the chink of hammer on stone. She stood still. She heard it again. Thinking to surprise a vandal, she rounded a corner, and came upon a rough group of huts and a stack of stony rubble.

One of the huts was a long open shelter, wooden-walled and tile-roofed. It contained a trestle table, behind which a man was working, with a stonemason’s hammer and chisel. He was a big muscular man, with a curly golden beard, a tanned skin, and huge hands. Behind him stood a gaggle of stone women, in various states of disrepair, lipless, fingerless, green-stained, soot-streaked. There was also a heap of urns, and the remains of one or two of the carved artificial rocks on which various symbolic objects had once been planted. He made a gesture as if to cover up what he was doing, which appeared, from the milky sheen of the marble, to be new work, rather than restoration.

Ines sidled up. She had almost given up speech, for her voice scratched and whistled oddly in her petrifying larynx. She shopped with gestures, as though she was an Eastern woman, robed and veiled, too timid, or linguistically inept, to ask about things. The stonecutter looked up at her, and down at his work, and made one or two intent little chips at it. Ines felt the sharp blows in her own body. He looked across at her. She whispered—whispering was still possible and normal—that she would like to see what he was making. He shrugged, and then stood aside, so that she could look. What she saw was a loose-limbed child lying on a large carved cushion, its arms flung out, its legs at unexpected angles, its hair draggled across its smooth forehead, its eyes closed in sleep. No, Ines saw, not sleep. This child was a dead child, its limbs were relaxed in death. Because it was dead, its form intimated painfully that it had once been alive. The whole had a blurred effect, because the final sharps and rounds had not been clarified. It had no navel; its little stomach was rough. Ines said what came into her stone head.