Louisiana Stalker

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Authors: J. R. Roberts

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Clint stepped into the room, listened, and heard the even breathing of a sleeping man. He waited for his eyes to adjust to the darkness in the room. When he could make out the man in the bed, he moved to it and pressed the gun to the sleeping man's forehead. The man woke up immediately.

“Move and I'll blow your brains out, Cooper,” Clint said.

The man stayed still.

“Where's my wife?”

“Upstairs,” Clint said. “She's all right.” He saw the man's gun on the night table next to the bed. He grabbed it and tucked it into his belt.

“Light the lamp,” he told Cooper. “We're going to have a talk.”

“About what?”

“Light it,” Clint said. “We'll get to that.”

He allowed the man to sit up nervously and light the lamp by the bed.

“Now what?” Cooper asked.

“Now you tell me who you work for.”

“If I do that,” Cooper said, “I'm dead.”

“If you don't tell me, I'll kill you right now,” Clint told him. “Your choice.”

DON'T MISS THESE ALL-ACTION WESTERN SERIES FROM THE BERKLEY PUBLISHING GROUP

THE GUNSMITH by J. R. Roberts

Clint Adams was a legend among lawmen, outlaws, and ladies. They called him . . . the Gunsmith.

LONGARM by Tabor Evans

The popular long-running series about Deputy U.S. Marshal Custis Long—his life, his loves, his fight for justice.

SLOCUM by Jake Logan

Today's longest-running action Western. John Slocum rides a deadly trail of hot blood and cold steel.

BUSHWHACKERS by B. J. Lanagan

An action-packed series by the creators of Longarm! The rousing adventures of the most brutal gang of cutthroats ever assembled—Quantrill's Raiders.

DIAMONDBACK by Guy Brewer

Dex Yancey is Diamondback, a Southern gentleman turned con man when his brother cheats him out of the family fortune. Ladies love him. Gamblers hate him. But nobody pulls one over on Dex . . .

WILDGUN by Jack Hanson

The blazing adventures of mountain man Will Barlow—from the creators of Longarm!

TEXAS TRACKER by Tom Calhoun

J.T. Law: the most relentless—and dangerous—manhunter in all Texas. Where sheriffs and posses fail, he's the best man to bring in the most vicious outlaws—for a price.

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street, New York, New York 10014

USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

penguin.com

A Penguin Random House Company

LOUISIANA STALKER

A Jove Book / published by arrangement with the author

Copyright © 2013 by Robert J. Randisi.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for having an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

JOVE
®
is a registered trademark of Penguin Group (USA) LLC.

The “J” design is a trademark of Penguin Group (USA) LLC.

For information, address: The Berkley Publishing Group,

a division of Penguin Group (USA),

375 Hudson Street, New York, New York 10014.

ISBN: 978-0-515-15392-7

eBook ISBN: 978-1-101-61046-6

PUBLISHING HISTORY

Jove mass-market edition / December 2013

Cover illustration by Sergio Giovine.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

Version_1

CONTENTS

Title Page

Copyright

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

NINE

TEN

ELEVEN

TWELVE

THIRTEEN

FOURTEEN

FIFTEEN

SIXTEEN

SEVENTEEN

EIGHTEEN

NINETEEN

TWENTY

TWENTY-ONE

TWENTY-TWO

TWENTY-THREE

TWENTY-FOUR

TWENTY-FIVE

TWENTY-SIX

TWENTY-SEVEN

TWENTY-EIGHT

TWENTY-NINE

THIRTY

THIRTY-ONE

THIRTY-TWO

THIRTY-THREE

THIRTY-FOUR

THIRTY-FIVE

THIRTY-SIX

THIRTY-SEVEN

THIRTY-EIGHT

THIRTY-NINE

FORTY

FORTY-ONE

FORTY-TWO

FORTY-THREE

FORTY-FOUR

FORTY-FIVE

FORTY-SIX

FORTY-SEVEN

ONE

As Clint Adams rode from Texas into Louisiana, he looked behind him again. Still there, and still not hiding. It had been weeks now that this tail had been on him, but never any closer. Just a figure off in the distance, sometimes sitting a horse, sometimes just standing, watching.

It had been weeks, states, and many miles . . .

 • • • 

It had begun in Arizona, the first time he'd noticed the man—and he thought it was a man—on his back trail. Not tracking, because that implied trying to catch someone. This rider kept the same distance between them at all times.

He stopped in Jennings, Arizona, and waited, but the man never rode in. Days later when he left Jennings, there he was again, still the same distance away.

All the way to New Mexico . . .

 • • • 

New Mexico was much the same, so he decided to take a more active pose. He tried to wait for the man to catch up, but he never did. He attempted to circle around behind him, but the man was too good for that. Too good for Clint to be comfortable about it.

In a town called Runnels, New Mexico, he bought a high-powered spyglass. Outside of town he picked out a high bluff, got comfortable on his belly, and watched through the spyglass. It was as if the man knew the range of the piece. Clint could see he was wearing trail clothes, a holster and handgun. He was not carrying a rifle. Clint could not see the man's face.

He tried again several times over the next few days, but the range never improved. He was never close enough to make out the man's features.

His tail seemed very content with the way things were. Maybe he was just trying to get under the Gunsmith's skin.

He was succeeding . . .

 • • • 

As he crossed into Louisiana from Texas, Clint wondered how long the man was going to keep this up. At some point he must have intended to close the distance, either to take a shot or to make some sort of contact.

He wondered how much patience this mysterious man could possibly have.

 • • • 

He noticed something new the next time he used the spyglass. A cigar in the man's mouth. He was a smoker. That was new. Still not holding a rifle. Still no apparent interest in doing anything but watching.

Clint could have taken some sort of evasive action. He could have outrun the man with Eclipse, gotten away from him. After that, the man would have had to actually track him, and Clint could have avoided him.

But he decided not to.

He decided to let the man follow him all he wanted. He could have taken a shot at any time, and didn't. If he'd wanted to kill him, he could have tried by now. So let the man follow for as long as he wanted to. At some point he'd either quit, or make contact.

He stopped trying to get a look at him with the spyglass. Every so often he'd turn his head and look back, but that was all he was giving the man now.

He rode on, Baton Rouge his ultimate destination.

 • • • 

The man following the Gunsmith looked on with satisfaction. Adams had put away his spyglass and stopped trying to get a look at his face. That was good. For a while he thought he was getting under Adams's skin, but now the Gunsmith seemed to have accepted him.

It took long enough.

TWO

Clint had not been to Baton Rouge in some time. Normally, if he was in Louisiana, it was to spend some time in New Orleans. Baton Rouge, though, was like a smaller version of New Orleans. There were beautiful homes, thriving businesses, and a lively riverfront.

He rode into town, realizing that it was more city than anything else these days. It was late afternoon and the streets were still teeming with people.

Clint decided to put his tail out of his mind. He intended to be in Baton Rouge for a while. If the man eventually decided to come in, that was his business. He directed Eclipse down the main street until he came to a livery stable.

“Things have changed around here since my last visit,” he told the hostler.

“How long's it been?” the man asked.

“Can't remember,” Clint said. “I usually go to New Orleans.”

“Hell,” the man said, “we got everythin' New Orleans got.” He stroked Eclipse's neck. “Ain't got no horses like this around here, though. How you doin',
cher?
” He rubbed Eclipse's nose, and the big gelding withstood it.

“You got a way with horses,” Clint said. “He's not usually that patient with people touching him.”

“You got a beautiful animal here,” the man said. “They's need to be touched, and talked to.”

“Well,” Clint said, “I guess I'm putting him in good hands.”

“You can bet on that,” the man said. “How long you stayin'?”

“A few days, at least,” Clint said. “I want to see all that Baton Rouge has to offer.”

“You have yourself a good time, and don't worry none about this here big fella,” the man said. “He is in good hands.”

Clint retrieved his saddlebags and rifle from his saddle, then gave Eclipse an affectionate slap on the rump as the man walked the big gelding into the stable.

With his saddlebags over his shoulder and his rifle in his left hand—leaving his right hand free—he started back up the street, looking for a likely hotel. He didn't want the best place in town, but neither did he want a dive. He found the place he wanted after a couple of blocks, on Government Street. It was called the Cajun House and had an appearance that made one think of mint juleps on the veranda. It was small, well appointed, looked to have been built just over the past few years, but then a lot of the buildings had that look.

He entered the lobby and was greeted effusively by a young, well-dressed desk clerk.

“Good afternoon, sir,” the man said, “welcome to the Cajun House. What can I do for you on this fine day?”

“I'd like a room, please.”

“Of course, of course,” the young man said. “Please sign the register. We have a few rooms left.”

“Anything overlooking the street?”

“Let me see.” The man turned, examining his keys. “Why yes, I do have something.” He turned with the key, reversed the register so he could read the name. “Mr. . . . Adams. Clint Adams?”

“That's right.”

“Well . . . it's a pleasure to have someone of your stature staying with us, sir.”

“Thank you. My key?”

“Yes, sir,” the man said, suddenly noticing that he was still holding the key. He handed it over. “Room six, gives you a nice view of Government Street, sir.”

“Thanks.”

“Is there anything else I can do for you?”

“Yes,” Clint said, “don't hit the street with the word that I'm staying here as soon as I go upstairs.”

“Um, well, no, sir,” the young man said, “I wouldn't, uh, do that.”

“Good,” Clint said, “because that wouldn't make me very happy.”

“No, sir,” the man said.

Clint smiled, then took the stairs to the second floor.

When he got to his room, he leaned the rifle against the wall in a corner and dropped his saddlebags on the bed. He walked to the window and looked out. The clerk was right—he had a good view of the street, both ways. At the moment it was alive with people, probably most of them returning home from work.

Clint needed a bath and a good suit of clothes. The places he was planning to visit would require a certain manner of dress. He should have told the clerk to draw him a bath. He'd have to go back down and do that. Maybe the young man could also assist him in getting a shave and a haircut . . .

 • • • 

“Certainly, sir,” the clerk said when Clint reappeared at the lobby desk. “I can have the barber come in and take care of that for you before or after your bath.”

“Let's do it before, thanks.”

“Yes, sir.”

“How soon can he be here?”

“No time at all, sir,” the clerk said. “I'll have him come directly to your room.”

“Okay, thanks,” Clint said. “After all of that, I have to go out and find a good suit.”

“I can help you with that, as well, sir.”

“Oh? How so?”

“I can also have the tailor come to your room. He can take your measurements and have your suit ready for you by tomorrow.”

“That soon?”

“Oh, yes, sir,” the clerk said, especially after the tailor realizes you're a, uh, special guest.”

“Special guest?” Clint said. “Does that mean my room is cheaper?”

The clerk looked puzzled, then he laughed and said, “Oh, sir, that's a good one.”

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