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Authors: Manning Marable

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BOOK: Malcolm X
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Several weeks later, Malcolm X appeared to experience a spiritual epiphany. In April, he visited the holy city of Mecca on a spiritual hajj, and on returning to the United States declared that he had converted to orthodox Sunni Islam. Repudiating his links to both the Nation of Islam and its leader, Elijah Muhammad, he announced his opposition to all forms of bigotry. He was now eager to cooperate with civil rights groups, he said, and to work with any white who genuinely supported black Americans. But despite these avowals, he continued to make controversial statements—for example, urging blacks to start gun clubs to protect their families against racists, and condemning the presidential candidates of the major parties, Lyndon Johnson and Barry Goldwater, as providing no real choice for blacks.
Most OAAU programs were choreographed as educational forums for the local community, encouraging audience participation. For the February 21 meeting, the featured speaker was Milton Galamison, a prominent Presbyterian minister who had organized protests against substandard schools in New York City’s black and Latino neighborhoods. The OAAU had not directly participated, but Malcolm had publicly praised the minister’s efforts, and his lieutenants may have desired an informal alliance.
Although the afternoon’s program had been advertised to begin at two, by the starting time barely forty people had passed through the main entrance. The sparse early turnout may have been a reaction to fears of possible violence. For months, the Nation had been engaged in a well-publicized feud with its former national spokesman, and Malcolm’s followers in Harlem and other cities had been physically assaulted. Only a week earlier, his own home, located in the quiet neighborhood of Elmhurst, Queens, had been firebombed in the middle of the night. To guard against a public confrontation, the NYPD had assigned a detachment of up to two dozen officers at OAAU rallies whenever held at the Audubon. One or more policemen, usually including the day’s detail commander, would be stationed on the second floor in the business office, where they would have an uninterrupted view of everyone entering the main ballroom. Many of the others were prominently stationed at the main entrance, or located outside, directly across the street in a small playground area residents called Pigeon Park. On this particular afternoon, however, not a single officer was at the Audubon entrance, and only one, briefly, was stationed in the park. No one was seen inside the business office. In fact, just two uniformed patrolmen were placed inside the building, both having been ordered to remain in the smaller—and but for them unoccupied—Rose Ballroom, at a considerable distance from the featured event.
The absence of a substantial police presence would prove critical, because earlier that morning five men who had been planning for months to assassinate Malcolm X met together one final time. Although the venue of that meeting was in Paterson, New Jersey, all five were members of the Newark mosque of the Nation of Islam. Only one conspirator was an official of the mosque; the others were NOI laborers and assumed that their actions had been approved by the Nation’s leadership. After meeting at the home of one of the conspirators, where they went over each man’s assignment one final time, the five men then got into a Cadillac and headed for the George Washington Bridge. They exited in upper Manhattan and found a parking spot close to the Audubon that would also provide quick access back to the bridge, and an easy escape to New Jersey.
The sole security force inside the Grand Ballroom and at the main entrance was about twenty of Malcolm’s followers. The head of Malcolm’s security team was his personal bodyguard, Reuben X Francis, who earlier that afternoon had told William 64X George that the day’s team would be undermanned, and that he would need his help. Usually, the dependable William would stand next to the speaker’s podium (placed directly in the front center of the stage), where he could view the entire audience. On this particular day, however, Reuben instructed him to stand at the front entrance—about as far as he could have been from the stage.
Reuben also delegated some decisions to the event’s security coordinator, John D. X, whose job was to supervise guards around the Grand Ballroom’s perimeter. The normal protocol was for security teams to stand for up to thirty minutes—a demanding assignment, especially for those with no prior experience in policing crowds. Usually the most important positions went to former NOI members, all of whom had both security experience and martial arts training. If a known NOI sympathizer attempted to enter an event, he was to be questioned, quietly but firmly. Nation of Islam members who had personal histories of violence or were known for hostility toward Malcolm would be escorted from the building.
One such man was Linwood X Cathcart, a former member of Malcolm’s Mosque No. 7 who had recently joined the Jersey City mosque. He had entered the Audubon at 1:45 and seated himself in the front row of wooden folding chairs that had been placed across the dance floor. Malcolm’s team spotted him at once, reckoning that his presence could mean trouble. Cathcart now brazenly wore an NOI pin on his suit lapel. Reuben persuaded him to go with him to the rear of the ballroom, where, after exchanging words, he insisted that he remove the offending button if he wished to remain. Cathcart complied and returned to his seat. Malcolm’s security people would later insist that he was the sole NOI loyalist they had spotted.
Handling the necessary custodial duties that afternoon was Anas M. Luqman (Langston Hughes Savage), another NOI member who had severed ties with the Nation out of loyalty to Malcolm. In his subsequent grand jury testimony, Luqman placed his arrival time at around 1:20. He briefly talked with a few people and, as he had done many times before, arranged the chairs onstage, positioned the speaker’s podium, and removed some surplus equipment. He then “went out into the audience and just stood around until the meeting start[ed].” Sometime after two, he decided to recheck the doors, located at stage right, closest to the speaker's platform. For whatever reason, they were unlocked, which troubled him, but instead of notifying Malcolm’s security people, he returned to his seat.
Despite the recent firebombing and the escalating threats of violence, Malcolm had insisted that none of his security team, with the sole exception of Reuben, should carry arms that Sunday. At an OAAU meeting some evenings before, his orders had been vigorously challenged. Malcolm’s chief of staff, James 67X Warden, was convinced that the failure to tighten security that afternoon almost certainly would invite trouble. As he later explained his actions: “We wanted to check [for weapons]. But this was an OAAU [public] meeting. Malcolm said, ‘These people are not accustomed to having anybody search them.’ We’re dealing with an entirely different group.” IT As a result, as people entered the Audubon, many wearing bulky winter coats, no one was stopped. If Reuben was worried by this, he didn’t appear so, and even left the ballroom to pay the manager that afternoon's $150 fee.
By this time, all the would-be assassins had entered the building. As they anticipated, no one searched them for weapons. The group then split up. The three designated shooters found chairs in the front row, either in front of or to the left of the speaker’s podium. One shooter, a heavy-set, dark-complexioned man in his mid-twenties, was to deliver the initial hit. Two others were carrying handguns. Their task was to finish off Malcolm after the initial shots. The final two conspirators sat next to each other on the wooden chairs about seven rows back from the stage. Their assignment was to create a diversion. If possible, one of them was going to ignite a smoke bomb.
By two thirty p.m. the audience had grown to over two hundred, and they were becoming impatient. Benjamin 2X Goodman, Malcolm’s assistant minister of Muslim Mosque, Inc., came onstage and began a thirty-minute warm-up. Because Benjamin was not among the featured speakers, most people continued talking or wandered about seeing friends. After about ten minutes, Benjamin’s remarks began to attract attention, as he recalled recent themes in Malcolm’s rally speeches, such as opposition to the Vietnam War. Everyone knew that Malcolm almost always came to the podium immediately following Benjamin’s introductions.
Several minutes before three p.m., Benjamin was still exhorting the audience when, without warning, a tall, sandy-haired man walked briskly out and sat on a chair a few feet from the podium. Caught off guard by his leader’s entrance, Benjamin hastily finished up his remarks, then turned to sit down on one of the folding chairs onstage. As a rule, for safety reasons, Malcolm was not permitted to be there alone. On this occasion, however, he stopped his colleague from sitting, whispering instructions into his ear. Looking puzzled, Benjamin stepped down and returned to the backstage room.

As-salaam alaikum,
” Malcolm proclaimed, extending the traditional Arabic greeting. “
Walaikum salaam
,” hundreds chanted back. But before he could say anything further, there was an unexpected disturbance about six or seven rows back from center stage. “Get your hands out of my pockets!” a man shouted to the person next to him. Both men stood up and began to tussle, diverting everyone’s attention. From the stage, Malcolm yelled out, “Hold it! Hold it!”
The two principal rostrum guards, Charles X Blackwell and Robert 35X Smith, scrambled to break up the men. Most of their colleagues also moved from their positions to quell the disruption, leaving Malcolm completely alone onstage. It was then that the conspirator in the first row stood up and walked briskly toward the rostrum. Beneath his winter coat, he cradled a sawed-off shotgun. About fifteen feet from the stage, he stopped, pulled back his coat, and lifted his weapon.
For many African Americans, February 21, 1965, is engraved in their memory as profoundly as the assassinations of John F. Kennedy and Martin Luther King, Jr., are for other Americans. In the turbulent aftermath of his death, Malcolm X's disciples embraced the slogan “Black Power” and elevated him to secular sainthood. By the late 1960s, he had come to embody the very ideal of blackness for an entire generation. Like W. E. B. Du Bois, Richard Wright, and James Baldwin, he had denounced the psychological and social costs that racism had imposed upon his people; he was also widely admired as a man of uncompromising action, the polar opposite of the nonviolent, middle-class-oriented Negro leadership that had dominated the civil rights movement before him.
The leader most closely linked to Malcolm in life and death was, of course, King. However, despite having spent much of his early life in urban Atlanta, King was rarely identified as a representative of ghetto blacks. In the decades following his assassination, he became associated with images of the largely rural and small-town South. Malcolm, conversely, was a product of the modern ghetto. The emotional rage he expressed was a reaction to racism in its urban context: segregated urban schools, substandard housing, high infant mortality rates, drugs, and crime. Since by the 1960s the overwhelming majority of African Americans lived in large cities, the conditions that defined their existence were more closely linked to what Malcolm spoke about than what King represented. Consequently, he was able to establish a strong audience among urban blacks, who perceived passive resistance as an insufficient tool for dismantling institutional racism.
Malcolm’s later-day metamorphosis from angry black militant into a multicultural American icon was the product of the extraordinary success of
The Autobiography of Malcolm X
, coauthored by the writer Alex Haley and released nine months after the assassination. A best seller in its initial years of publication, the book soon established itself as a standard text in hundreds of college and university curricula. By the late 1960s, an entire generation of African-American poets and writers were producing a seemingly endless body of work paying homage to their fallen idol. In their imagination, Malcolm’s image became permanently frozen: always displaying a broad, somewhat mischievous smile, spotlessly well attired, and devoted to advancing the interests and aspirations of his people.
From the moment of his murder, widely different groups, including Trotskyists, black cultural nationalists, and Sunni Muslims, claimed him. Hundreds of institutions and neighborhood clubs were renamed to honor the man whom actor Ossie Davis had eulogized as “our manhood, our living, black manhood.” A Malcolm X Association was initiated by African Americans in the military. In Harlem, activists formed a Malcolm X Democrat Club. In 1968, the independent film producer Marvin Worth hired James Baldwin to write a screenplay based on the
Autobiography
, a project the novelist described as “my confession . . . it’s the story of any black cat in this curious place and time.” By the early 1970s, Betty Shabazz, Malcolm X’s wife, was invited as an honored guest to a Washington, D.C., fund-raising gala promoting the reelection of Richard Nixon.
The renaissance of Malcolm’s popularity in the early 1990s was largely due to the rise of the “hip-hop nation.” In the group Public Enemy’s video “Shut ’Em Down,” for example, the image of Malcolm is imposed over the face of George Washington on the U.S. dollar bill; another hip-hop group, Gang Starr, placed a portrait of Malcolm on the cover of one of its CDs. Political conservatives also continued their attempts to assimilate him into their pantheon. In the aftermath of the 1992 Los Angeles race riots, for instance, vice president Dan Quayle declared that he had acquired important insights into the reasons for such unrest by reading Malcolm’s autobiography—an epiphany most African Americans viewed as absurd, with filmmaker Spike Lee quipping, “Every time Malcolm X talked about ‘blue-eyed devils’ Quayle should think he’s talking about him.”
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