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Authors: Happy Hour of the Damned

Tags: #Contemporary, #General, #Fantasy, #Zombies, #Fiction, #Paranormal, #Seattle (Wash.)

Mark Henry_Amanda Feral 01

BOOK: Mark Henry_Amanda Feral 01
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Praise for Mark Henry and
Happy Hour of the Damned
!

“Dark, twisted, and completely hilarious. I loved this book!”

Michelle Rowen, author of
Lady & The Vamp

“Call them the splatterati—werewolves who always know what to wear, zombies with bodies to die for, and vampires who know their fang shui—just don’t call them late when it comes to happy hour, or the drinks might be on you.”

David Sosnowski, author of
Vamped


Happy Hour of the Damned
—is it a comedy? An urban fantasy? A whodunit? Who cares! Mark Henry’s written such a clever and engaging story that fans of any genre will totally adore it. Amanda Feral is the freshest, funniest character to come out of fiction since Bridget Jones, and my only regret is she’s not real and we can’t go out for drinks. (Because, really? Zombies are the new black.) In short? I loved this book!”

Jen Lancaster, author of
Bitter Is the New Black

“More brisk, batty, raunchy, and catty than a room full of cougars with a margarita machine.
Happy Hour of the Damned
is funny as hell.”

Cherie Priest, author of
Not Flesh Nor Feathers

“Gruesome, ghoulish and utterly groundbreaking. Mark Henry is daring and scathingly funny.”

Jackie Kessler, author of
Hotter Than Hell

And praise for
Road Trip of the Living Dead
!

“What can I say about
Road Trip of the Living Dead?
It’s irreverent, gross, and disgusting. All in a good way. I LOVED it!!”

Jeanne C. Stein, author of
Legacy

“In turns hilarious and twisted,
Road Trip of the Living Dead
is a book I’ll never forget. Who knew fashion-obsessed flesh eaters could be so engaging? Fans of any genre won’t be able to put this book down as they fall into the darkly comedic world of Amanda Feral and her undead companions. Edgy and evocative,
Road Trip
is a must read! I’m looking forward to reading future works from this talented author.”

Anya Bast, author of
Witch Heart

“Hilariously wicked,
Road Trip of the Living Dead
’s Amanda Feral’s antics had me rolling on the floor with laughter. Between the snarky footnotes and the quirky, sassy voice, this book rocked my world.”

Tate Hallaway,
New York Times
bestselling author of
Romancing the Dead

“A spew-licious snark fest straight from Winnebago hell—Mark Henry drives this adventure with masterful wit.”

Dakota Cassidy, author of
The Accidental Human

“I didn’t see how Mark Henry would be able to top Amanda Feral’s first adventure, but
Road Trip of the Living Dead
is even more raucous, lewd, and hilarious. How could I have doubted his genius? His
savoir faire
? His ability to create scenarios so horrifyingly
and
guilt-inducingly funny? Amanda Feral rules the urban fantasy landscape. To miss out on this novel would be
très gauche
!”

Michele Bardsley, nationally bestselling author of
Wait Till Your Vampire Gets Home

HAPPY HOUR
OF THE
DAMNED
MARK HENRY

KENSINGTON BOOKS

http://www.kensingtonbooks.com

To Caroline, my wife.
She couldn’t be any more supportive and wonderful.
It’s just not possible.

Contents
Acknowledgments

 

This book is a miracle to me. Really. A cocktail-swigging, flesh-eating zombie miracle, sure, but a miracle, nonetheless. I’m deeply indebted to a number of people who either got the ball rolling, supported that ball on its roll, or lubed it up and pushed that ball through the tight orifices of the publishing world.

A million and one thank-yous go out to…

My mother, Edna Henry, the most avid reader I know. She taught me to read and always told me I could do anything I put my mind to.

My father, Wayne Henry, who’s the kind of guy that does
everything
he puts his mind to. Plus, he tells a hell of a story. Ask anyone.

The South Sound Algonquins—originals Monica Britt and Sherylle Stapleton; and the newbies Megan Pottorf, Manek Mistry, and Tom Wright—put up with my foulmouthed readings so graciously, and never held back in critique. You guys weren’t holding back, right?

Gina Craig, my first copy editor, gave my first few chapters as much polish as she could.

The talented Joe Schreiber gave me the push I needed to get an awesome agent. He’s also a top-notch author pimp.

The Friday night dinner crew: Kevin Macias, Jo Rash, Dana Krapfl and later, Mike Green, Ann Bowen, Shannon Hills, and Yolanda Macias, for listening to my rambling publishing stories. Your excitement has been the greatest cheerleading.

Supercool editor, Liz Scheier, took a pitch and a chance on an idea. Not even a completed manuscript, mind you, just an idea. People: that just doesn’t happen. Her enthusiasm got this book written.

My agent, the delightfully sarcastic Jim McCarthy of Dystel & Goderich Literary Management, rocked me a deal lickety split (I love that phrase). If I have my way, we’ll be selling many more.

Kristine Mills-Noble brought Amanda to life on the fabulous cover.

My copy editor, William Mehlman, caught stuff I’d have never seen, even with my bad high school French.

My editor, John Scognamiglio, believed in my crazy little story enough to buy the fucker. I’m still amazed. Every day. Plus, he dishes on the reality TV like a pro, and that’s my number one criterion for awesome.

Finally, to the readers, there are only two kinds of people in the world.

Chapter 1
It’s Saturday; It’s the Well of Souls.

A few hints: the damned of Seattle congregate at the Orphanage on Tuesday nights for half-price nibbles and cocktail specials, Convent on Thursdays, for Burlesque of the Living Dead, and Pharmacy on Fridays, which is brand new, and I have never been (don’t let that stop you, I hear it’s mind-blowing)…

—Otherworld Weekly

Saturday night is all about the Well of Souls—see and
be
seen is the rule—there is no excuse for an absence, least of all a bad hair day. Shit, even if it looks like broom straw or the waxy coils plunged from drains, just throw on a hat, a wig, or whatever you have to do; the worst that could happen is public embarrassment and mockery. Nobody’s died from those. Fortunately, Wendy and I didn’t have to worry about that; we were looking hot as Hell, and ready to burn it down.

She wore her trademark mix of lush patterns in silk and wool, which she’s been cultivating for a decade like a rose hybrid. On this particular night, she was working it short-short-short in a devilish Galliano skull and crossbones print dress. She wrapped the frock in a constricting bouclé sweater that cupped under her breasts and showed them off like a slutty European peasant girl. Her blond hair hung in perfect esses, framing her fair skin in a glow of spun sugar.

I must stop there. If Wendy had her way, the subject would never veer from her.

So let’s move on…

I sported my “Variations on Black” vintage Azzedine Alaia
1
. I pulled it out on occasion to air like a favorite strand of pearls. It molded to my curves like a second skin—the very fibers followed each shift and undulation. My kicks were black, strapped, and towered on a heel that could impale the most amorous vamp. My hair is brown to the point of black with caramel notes—think of the first crema rising through the black of a properly made espresso—and up in a loose twist to show off these big retro hoop earrings I was rocking, like it was the ’70s all over again.

Sexy? That’s certain, but enough about fashion; let’s move on to the
oh-so-important
seating arrangements…

Our reserved black-velvet-draped banquette was centrally located between the restrooms, the dance floor, and the ice bar, perfect for witnessing both fashion atrocities and supernatural scandals. Ricardo, the Well’s owner and bartender, was so good to us, always assuring our favorite spot, and providing eye candy to boot. I spotted him across the room shaking a metal shaker with a flourish. Which brought to mind the question:
where’s my fucking Flirtini
?

Normally at the Well, I have no complaints, but, on this night, Ricardo was breaking in a new waitress. That’s right, I refuse to call them cocktail servers or waitstaff, and if anyone commented as to the political correctness of my terminology, I’d have their head and everything else. Her name was Isobel, and she was exactly what you’d expect—slow, boring, obnoxious, and—wouldn’t you know—pretty. To describe her as a doe-eyed starlet-type would be fairly accurate, but would neglect an account of her childlike intelligence and subpar vocabulary.

I was scanning the crowd for our regular waitress, Jezebel, when my eye caught on a table pressed against the farthest crescent of the club. Those booths, set deep within swags of thick jewel-toned curtains, were normally occupied by the evil bloodsuckers of Karkaroff, Snell and Associates, and some of them were even in attendance, but Dona Elizabeth Karkaroff was the only one worth noting, believe me, and don’t ever look her in the eye, everyone knows that, never in the eye—I cannot stress this enough. The legal firm was a nasty crew, dealing in divorces and disillusionments, of the mysterious sort.

Mannish creatures flitted around her like butterflies, their thorny heads covered in fedoras, berets and caps, in shapes and sizes that must have put their milliners through Hell. They leaned in, whispered to her, roamed the area, covered their mouths. The lady herself slouched elegantly, legs crossed and protruding from the shadows into that space between tables, like a track hurdle for the waitresses. Maybe Isobel tried to get through that way and didn’t make it back. Karkaroff’s cigarette glow lit her angular face. Her dark probing eyes searched the cavernous space.

I averted my gaze.

On that night, a darker than normal presence spread a dense layer of gloom through the already murky yet sophisticated atmosphere.

“Is that Cameron Hansen
2
?” I asked.

Wendy tracked my nod to a deep copse of tables, and her eyes widened as they lit on the shadowed celebrity. “It is. Jesus, what’s he doing here?” Her face fixed in a grimace, as though she were about to vomit across the table or had turned a corner and was surprised by the glaring eye of an asshole, crowning a thick brown mass. “I can’t stand that shrimp.”

“I certainly didn’t get the memo.” I lit a two-tone, pink-on-green cigarette that I’d had personally rolled and drew a mouthful of the pungent apricot-flavored smoke. I glared in the actor’s direction, and blew without inhaling—obviously, the lungs don’t exactly work anymore. I quit years ago, but after my death, I decided, what the hell?

Cameron Hansen appeared benign enough, sitting with a blonde pile of vacant silicone on one side and a shiny Asian boy on the other, but so many of his kind do, not that I’m remotely aware of his actual species. On the outside, he was awkwardly handsome, albeit far beneath most people’s height requirements; inside Cameron was one hundred percent monster, or so I’m told. On several occasions, Ricardo shared, under his breath, tales of having to clean up the actor’s sloppy kills, following previous visits to the Well.

We might have left, just then, simply to avoid the actor’s bad energy, if we hadn’t been waiting for Liesl and Gil to arrive for our weekly snarkfest. Nothing was more enjoyable than the four of us volleying hilarious barbs, at the expense of the moronic undead and neverliveds. Liesl was on her way, and Gil was perpetually late to the point of actually being punctual, but he never missed the chance to rail on his peers or drink blood from sparkling martini glasses. We loved him, and when I say we, it’s not the royal plural; I’m including you. So we just sat, spat gossip, and grew increasingly irritable about our cocktailless hands.

The Well of Souls is certainly in no Seattle guidebook, and no one will direct you to its doors. It is a nightclub that does not exist in your world. Well, that’s not altogether true and frankly, you should know, I can slip into a bit of drama. The truth is, the Well of Souls is our bar, just as are Convent, Pharmacy, Malevolence, Orphanage and the aptly named Les Toilettes. Our places are right out in the open, just like yours, but you can’t see them, and it’s too bad, because they are amazing feats of sinister architecture and engineering.

“There they are!” Our drinks bobbed on a tray, afloat on the sea of pouty-lipped club goers, Isobel’s hand invisible in the murk. My pink Flirtini and Wendy’s Melon Ball nodded right past Cheryl Rand, the famous water sprite and owner of Discreet Dry Cleaners, and Cash Zinsser, a vampire and social essayist, who had just written a scathing review of the all-demon-owned Malevolence. In it he reported the drinks were overpriced, the appetizers, inedible, and the victims, flavorless. The two were wrapped in a furtive embrace, groping, clawing. He grazed from her neck like a cow chewing cud. It made me feel icky
3
.

As the drinks swung past the dance floor, a forest of arms rose to obscure them. They bounced to the rhythm, some glowed fluorescently with rows of Band-Aids lined up like dominos, because, this season, it’s all about cloud, and cloud is the new crank. The faces attached to the flailing limbs were giddy, mostly fanged-out and with eyes like saucers. The cloud was having its known effect, euphoria. Across the room, the bathroom seemed to be home to the “paster,” a male wearing a retro Kangol hat and massive gold chains. He supplied the drug from a repurposed Crest tube and slapped on the bandages to keep it in place for maximum absorption.

Isobel drifted past the ballet-dancing werewolf, Lina Peritzkova, who hunkered over her drink, one of Ricardo’s secret recipe Black Devils, thick as syrup. Lina still nursed the hurt of failure; she couldn’t seem to test out of the chorus, despite an impressive arabesque. Wendy and I used to joke that one day we would take water pistols filled with Liquid Moonglow™ and blast her from the orchestra seats during Swan Lake
4
. But, seeing her in this downtrodden state stripped the humor from that idea.

A single margarita rode alongside the two martinis; I watched it, longed for its sweet warmth, and salty aftertaste. Because this is not a perfect afterworld, the margarita’s owner was served first. A long-fingered hand coiled around the offered cocktail as Isobel wrinkled a cloying smile. The hand belonged to Shane King. Isn’t a margarita an odd drink for someone so masculine? I wouldn’t mind mangling him. He looked to be about twenty-eight, a shade younger than I, but was probably over a hundred. He wore a square jaw, kind eyes and the tousled blond hair of a surfer. The golden boy vampire—I’m not ashamed to admit—was the subject of at least two early morning pillow hump fantasies. I tried to erase his drink choice information from my mind and focus on the image of his butt; I sometimes called upon it. Whatever it takes, right girls?

“Look over there.” I pointed in Shane’s direction.

“Mmm, yummy. Dibs.” Wendy shoved out of the banquette before I could protest, slipped through the crowd like a professional
5
, touched shoulders and winked, and stopped to grind hips with a familiar face, or three. And then she was with
him
, sliding in close. Was he alone?

I turned away with an
ech
, to find Gil bumping and pushing his way to the table. Gil looked very much the part: his hair, jet black, and skin, a golden-blushed olive stretched over a lean muscular frame, a vampire, obviously, but so sadly, stereotypically gay
6
. But still, I could look.

“What up, bitch?” he said as he plopped down into the banquette, slouching, one leg splayed into the passing lane. I thought of Karkaroff. Was it becoming a trend to block walkways, or a cry for attention?

“You’re working that fashion editorial vibe a little hard, don’t ya think?”

“Gotta glitter.” He motioned to his black and grey pinstriped jacket, presenting it like a game show hostess playing up the crap prizes. “It’s Armani.”

The drinks arrived, and Gil ordered a vodka martini with two olives, an extra glass, and a pint of warm red. He explained that the vodka was a sheer sensory pleasure, sniffed and rolled over the tongue. Isobel would have to bring a spittoon if she expected a tip. I tried to avoid eye contact with the incompetent waitress, lest she cause me to become irritable. Regardless, the Flirtini was perfect (see inset); it glowed hot pink under the disco’s black light. Ricardo was on point. The frost clung to my cold dead fingers, like sugared fruit on a holiday centerpiece.

“Is that Armani with an ‘e’?” I asked. Although, in truth, the whole outfit hung on that jacket, and it was a beautiful cut.

“Funny. Where are the others?”

I directed his eyes to the other side of the room. Shane nuzzled against Wendy’s neck. His lips were parting and beginning to bare canines. It startled me a bit. I wondered if Wendy was aware of the possibility of being scarred by her encounter with the pretty boy
7
.

Flirtini

 

1 part X-RATED®

Fusion Liqueur

1 part vodka

Splash of Cointreau

Splash of cranberry juice

Squeeze of fresh lime


Ew
, whore,” Gil said, stretching the accusation into two distinct syllables.

“No doubt. Could you?”

“Absolutely.” Gil shook the look of faux-disgust from his face. He bit the inside of his cheek and blew a vibrating blood-fueled whisper across the room. It unfurled and coiled and stretched as though a snake of pink mist escaped from his mouth. It stained the air until it found its target ear, and then slid inside, snapping from view. No one in the club seemed at all interested.

He’s going to bite, bitch
.

Wendy pushed back from Shane and took his upper lip in her fingers; she examined his slowly retracting teeth and then let his lip go. He gave her a sickening smile, she returned a playful slap, and then darted from his side, galloping back to our table, leaving him looking around, embarrassment spreading across his cheeks like fresh blood-kill.

“Gilly!” she yelled. “Love you.”

“And you.” He leaned toward her and gave her a Euro double kiss.

“Thanks for the heads-up on the biter. I swear to God if he’d left a mark I would’ve torn him apart. Is Liesl here yet?”

“No,” I said. “Haven’t seen her. Let me text her.” I fumbled for my BlackBerry and danced the familiar patterns to create the message:

Bitch, where r u? The crowd is grossly overrated, Cameron’s here! Ick!

“I told her that Cameron’s here.”

“What?” Gil’s neck craned to gain a view. Wendy pointed out the actor’s location. “Holy shit! Do you know who that is with him? It’s that skank weathergirl from Channel 8.”

“No way,” Wendy said. “
Ew
. She’s got legs like uncooked spaghetti.”

“What’s her name?”

“Rochelle somebody, I think.”

“He brought a pseudo-celebrity victim to the Well?”

“Looks like it.” Gil walked off toward the bar, and slid between a severely butch demonette with short blonde hair and curly goat horns, and a cute young gent of USO
8
. He lingered on a well-rehearsed stare into the man’s eyes, then leaned across the bar and spoke to Ricardo.

Ricardo Amandine was a burly abovegrounder and tall. He had a cherubic face with cheeks like peaches; in other words, a zombie hottie like Wendy and me. He was a master entrepreneur—an undead Trump—and had turned the crumbling warehouse into the hottest club in the nation. He existed in death, as he had in life, with rich aplomb. Self-confidence dripped from him like marketable sweat; the musk hung around him tucked with dollar signs. I needed a bottle and an ad campaign.

Gil grabbed something paper from the bar, and scribbled a note on it; he handed it to the man next to him as if the paper were magical, and pulled from thin air, or from his ass. He winked and strutted back to the table, actually strutted. Desperate.

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