Masked (2010) (51 page)

Chester waddles out to the toilet and pisses, long and appreciatively. Still a good pressure there. On the landing he looks up through the skylight. He never puts the main light on because if anything is guaranteed to banish all hope of sleep it is harsh centralized lighting. Beyond the yellow city glow stand the brighter stars. A constellation of fast lights crosses the rectangle of night. Chester Barnes holds his breath, thrilled by a wonder he feared he had forgotten.

“Away, avaunt!” he breathes. “Plays hell with City Airport Air Traffic Control, my arse. They always were bloody jealous dogs.” Then he hears the high rumble of jets. A lesser wonder.

A wave of warmth and laundry-fresh fabric conditioner spills over him as he opens the hot-press. Socks, shirts—Doreen still irons his underwear. Chester thinks that one of the greatest tokens of love anyone can show. Sheets, towels. To the top shelf, where everything is piled along the front because Doreen can’t reach any higher. Chester takes down the shoe box. Inside are the press clippings, yellowed and redolent of age and laundry, and the comics.
Chester lifts the comic out, then sets it back, replaces the lid. A confidential, matey tap.

The Bushmills bottle is at the back of the kitchen cabinet for the same reason that the top-shelf laundry is at the front. Not that Doreen would object; it’s that it would be too easy, over
Deal or No Deal
, or the documentaries he likes on the History Channel. Chester Barnes still has an image, still has pride. When he opens the mock leather lid of the Dansette record player, the smell of old vinyls and glues and plastics whirls him back through years and decades. It’s a dreadful tinny box and he can’t find a decent replacement for the stylus, but it’s like valve sound. The 45s only sound right on it. He takes them out of the shelf of the old radiogram, stacks them up on the ling spindle, settles back into his chair with the Bush and the comic. Always the dread, as the latch moves in, that more than one disc will fall at once. The Dansette doesn’t fail him tonight. Billie Holiday. “God Bless the Child.” Except the ones who bang that bloody ball off the bloody garage door. No. God bless the child and God bless you, Lady Day. He opens the comic.
Captain Miracle, issue 17.

The setup is rubbish; the writer never was any good. It’s the one with Dr. Nightshade’s Malevolent Meteor Machine, and the usual superhero dilemma: save the girl or save the city from destruction. The true hero must do both, in a method that surprises but is consistent, different enough from last month’s installment, and return all the balls in play to their original triangle on the table. Nothing must change in the world of comic book superheroes, unlike real superheroes.

So, Captain Miracle, decide. The woman you love, or two million people in Belfast.

Cobblers. There weren’t even that many people in the whole of the North. Chester Barnes smiles. Good panels of Captain Miracle flying into the meteor storm plunging down through the upper atmosphere haloed in plasma. Kick two into each other, send a third into the Irish Sea just off Dublin where it swamps Blackrock (
It’s PR,
the Northern Ireland Office management team had said), fry
one with laser vision, swing one by its tail, get underneath the big one bearing down on the city (the artist was an American, no idea about what Belfast looked like: a shipyard and the City Hall surrounded by miles of thatched cottages) and struggle and strain until the people in the streets were pointing and staring, before heaving it on his shoulders back up into orbit again. And of course, leaving one last, unseen straggler to bear down on innocent Belfast, before grabbing it and booting it back into orbit as sweet as any drop goal at Ravenhill.

“I’d’ve been good at rugby,” Chester Barnes says. “Ach, too good. It would’ve been no game at all.”

Then screaming fist-forward back down to Dr. Nightshade’s Castle of Evil, which was based on the real Tandragee Castle where they made the potato crisps, which Chester Barnes always found stranger than any Northern Ireland superhero comic. Intercepting the deadly grav-beam with which Dr. Nightshade had hauled the meteors from the sky and with which, on full intensity, he would collapse his hapless prisoner into a black hole. Pushing the ray back, back, with both his hands, until grav-beam projector, power unit, control room and the abominable Dr. Nightshade himself all collapsed into eternal oblivion. Until he extricated himself in the next episode.

I’ve got you, Doreen.
Soaring up from the singularity, his love in his arms.

“Away, avaunt,” Chester Barnes whispers. Dean Martin now; good old Dino.

They’re PR material,
the NIO Department for Nonconventional Individuals had insisted. He has every issue of Captain Miracle, from Number 1 in 1972 to the final issue in 1979.

It’s not really making any difference, is it, Chester?
But it couldn’t, that was always understood. Now Chester lifts out the press cuttings. Robbers thwarted. Passengers rescued from sinking car ferries. Fires put out. Car bombs lifted and hurled into Belfast Lough. It was always impressive when they exploded in midair, until people started putting claims in about damage to roofs. Freed hos
tages. Masked villain apprehended:
Supervillain for our Superhero?
Here he could make a difference. Here were things a hero could do. Against politics, against sectarianism, against murders and no warning bombs and incendiaries slipped into pockets of clothes on racks, there is nothing super to be done.

It’s four-thirty. The stack of singles has played out. The bottle of Bush is half-empty. Chester Barnes refills the shoe box and climbs the stairs. Beyond the skylight there’s a glimmer of dawn.

Together they paw over the
Belfast Telegraph
, so eager they tear the sheets. Forefingers race each other down the small ads.

“What’s it under?” Doreen asks.

“Prayers and novenas,” Chester Barnes says.

Their digits arrive simultaneously on the message. In bold:
Dr. Nightshade to Captain Miracle. Ormeau Park. Tonight. . .

“Does that dot dot dot mean there’s something more?” Doreen asks. “Maybe the rest of it’s in the late edition.”

“Him pay for two small ads?” Chester Barnes says. “That wouldn’t be like him.”

“Tonight, then.”

“Yes.”

“Are you going to go?”

“Of course not.”

There’s a pounding all along the right side of Chester Barnes’s head, from behind his eye to just above his ear, a steady pulsing beat, a painful throb. A headache. He never gets headaches, unless they’re tension headaches. Then he realizes that his brain is thumping in time to the thudding of the ball, that ball, that bloody ball off the garage door. Slap baclang. He had been so intent on the message from his former nemesis that he hadn’t noticed the little voices outside, the cries, the ringing smack of football on the pavement.

“Bloody kids!” Chester Barnes shouts, sitting bolt upright, trying to scrub the hammering out of his head. “Will they never, ever, never go away and leave me in peace?”

And now Doreen is saying that she’s worried, what’s it all about, why has he come back and what does he want with Chester, are they safe? But all Chester can hear is the slap baclang of the ball and then a different noise, a change in tone of the voices, alarm, fear. He rises from his seat and turns around as the football comes looping in through the front window in a smash and shower of shards, great spears hanging from the frame, fangs of glass poking up from the sash, splinters flying around him and Doreen as he covers her. No flying glass, from a window or a blast, could ever harm him. Chester seizes the ball and storms out onto the street where the children still stand, frozen in horror. They are very small. But months and years of the rage and frustration of a man able to do anything but allowed to do nothing bursts inside him like a boil.

“You little bastards, you could have hurt my wife, all that flying glass, do you ever think of anyone but yourselves? Of course not, it’s the way your parents bring you up; you’re all selfish bastards, no sense of gratitude for anything, it’s all me me me.” The children stand shaking with fear. Chester Barnes throws the ball into the air. He throws it far and hard. It loops so high it is almost out of sight, but as it drops down he looks at it, looks at it long and hard, like he looks at the boxes on
Deal or No Deal
, looks with all his power. The football explodes in a deafening boom. Scraps of vinyl rain down, but the children are already running and every door on Haypark Avenue is open and the people staring.

“Selfish, the lot of you!” Chester Barnes shouts. “None of you ever said thanks, not one. Ever.”

Then he slams the door and goes in to sit on his glass-strewn chair and pretends to watch
Countdown
.

Officer Ruth Delargy is very fresh and smart and every inch the majesty of the law in her crisp white shirt and cap that shades her eyes and makes her remote, authoritative, just. She is the community officer from Ballynafeigh PSNI Station. She sits in the living room of Number 27 in Doreen’s chair, but Chester thinks it better
not to complain. The glass has been swept up, the window patched with cardboard and parcel tape. The glazer can’t make it until the end of the week. Three of his Poles have suddenly announced they’ve had enough of Northern Ireland and are going home.

“The situation, Mr. Barnes, is that where children are concerned, we have no option but to investigate. It’s a statutory duty. Now, from what I’ve heard this isn’t the first time you’ve had issues with the McAusland children.”

“Is that what they’re called? McAusland?”

“Yes, Mr. Barnes. Do you not know your neighbors?”

“Did they bring the complaint?”

“I can’t tell you that, Mr. Barnes, under the Data Protection Act. It is the sort of thing we would try to resolve at a community level through a mediated meeting between yourself and the McAuslands, and we wouldn’t want to invoke anything as heavy-handed as an Anti-Social Behaviour Order. . .”

“An ASBO? You’d try and give me an ASBO?”

“Like I said, Mr. Barnes, we wouldn’t want to be that heavy-handed. That would be using a sledgehammer to crack a nut. Now, I’m prepared to overlook the criminal damage to the football, but I do think it would be good if I arranged a series of meetings with the McAuslands: I’ve seen this kind of thing before, and you’ll be amazed how much better relationships are when people get to know each other.”

Chester Barnes sits back in his chair.

“Do you think they can get to know me?”

Officer Ruth frowns.

“I don’t know what you mean.”

“It’s just that some people, well, you think you know them but you don’t know anything at all. It’s just that some people, well, they’re not like you know. They’re different. They have their own rules. You see, it so happens that I know you. We’ve met before. It was a long time ago, you were very small, maybe four, five. It was Christmas. Now, they always say that Christmases blur into each other, but you might remember this one. You were in town with
your parents, they took you to the Santa’s grotto, it was a good one, in the old Robb’s department store. It’s not there anymore, it was destroyed by incendiaries, back when they were doing a lot of that sort of thing. But they always had a very good Christmas grotto. You went on a ride first: Santa’s Super Sleigh. It didn’t actually go anywhere, it was set of seats that went up and down while the walls rolled past, and there were stuffed reindeer in the front bobbing up and down so you felt you were on a journey. You were on it when the firebombs went off. Do you remember? I’m sure you don’t remember all the details, you were very small and it must have been a terrible trauma for you. You got separated from the rest of your family, somehow, you slipped in under the mechanism and got trapped there. There was smoke everywhere, the fire had really caught. Then someone came through the fire. Someone pulled you out from burning reindeer, someone took you in his arms and flew you out through the flames, down the stairwell. Someone flew you to safety, Officer Delargy. There was a hero there for you. And maybe I’m wrong, maybe it’s just vanity, but I like to think that because someone did right that day, that’s the reason you’re doing right today. And that’s more than I could hope, because we don’t have children, me and Doreen, it’s part of the whole super thing, apparently, but if someone does right because right was done to them, that’s as much children as I can hope for. So, I appreciate that there are rules, there have to be, but maybe you also appreciate now that the rules are different for some people.”