Read McNally's Risk Online

Authors: Lawrence Sanders

McNally's Risk (26 page)

BOOK: McNally's Risk
8Mb size Format: txt, pdf, ePub
ads

I recognized there was a certain degree of risk involved. Good ol' Heck did not impress me as a man who would accept defeat resignedly. But if he became physical, I was breezily confident I could cope. A perfect example of my damnable self-deception.

But before we met there was something I needed to do. Not because it might aid my investigation but because it was simply something I felt necessary. I dressed conservatively and went downstairs to my mother's greenhouse. She and father were still at church, I could not ask her permission, so I stole one of her potted begonias. It was the Fiesta type with red flowers. I was certain mother would forgive the theft when she learned the purpose.

I drove south to the Hawkin home, slowed to make certain Hector Johnson's Lincoln was not present, then turned into the driveway and parked. I carried the begonia up to the front door and knocked briskly. Nothing. I tried again and there was no response. My third attempt brought results; the door was opened slowly and Mrs. Louise Hawkin stared at me dully.

Oh lordy, but she was a mess. I did not believe she was drunk but she seemed in a stupor, and I wondered if she was drugged. I wasn't sure she recognized me.

"Archy McNally, ma'am," I said. "I want to offer the condolences of my parents and myself on your stepdaughter's tragic death."

But she wasn't listening. She was staring at the plant I was carrying and I thought she brightened.

"Glads," she said.

"No, Mrs. Hawkin. It's a Fiesta begonia."

"The red flowers," she said. "My mother always had fresh glads in the house. She went to the market every three days. All colors but mostly she liked red. So cheerful. I should have bought fresh glads every three days."

"May I come in?" I asked.

She allowed me to enter and watched while I carefully placed the plant on a glass-topped end table. Then she came forward to touch the rosettes tenderly. It was a caress.

"So lovely," she murmured. "So lovely."

I feared she had been sleeping and I had awakened her. She was wearing a wrinkled robe of stained foulard silk. Her hair was unbrushed and looked as if it needed a good wash. Her makeup was smeary, the polish on her fingernails chipped and peeling.

"Mrs. Hawkin," I said, "is there anything I can do for you?"

"Do?" she asked, seemingly bewildered.

I looked around the littered room. Overflowing ashtrays. A spilled drink. A tilted lamp shade. Newspapers scattered on the floor. An odor of grease and mildew. Total disarray.

"Perhaps a cleaning woman," I suggested. "I can find someone for you."

Unexpectedly she flared. "Everyone is always picking on me," she howled.

"Picking?" I said, and then realized she meant hassling. "I didn't wish to upset you, ma'am, and I apologize. Would you like me to leave?"

She calmed as abruptly as she had exploded. "No, no," she said, then added coquettishly, "Sit thee down, lad, and I'll get us a nice drinkie-poo."

I should have declined, of course, but at the moment a drinkie-poo was exactly what I needed. Unfortunately, Mrs. Hawkin returned from the kitchen with two tumblers filled with a clear liquid. After a cautious sip I discovered it was warm gin.

"Have the reporters been bothering you?" I asked.

"Everyone," she said. "Everyone's been bothering me. Reporters, policemen, photographers, friends, strangers who park outside to stare at the house."

"Awful," I said.

"I can't stand it!" she shrieked. She threw her filled tumbler away from her. The contents spilled, the glass bounced on the shag rug without breaking. Then she fell to wailing, face buried in her hands.

Shaken, I did what I could to clean up the mess. Then I went into the kitchen, a pigsty. I poured about a quarter of my gin into a reasonably clean glass and added ice and water. I made another like it for Louise and brought it to her.

She had stopped keening. "Thanks," she said huskily and gulped down half. "I don't know what's happening to me."

"You've been through a horror," I told her. "First your husband, then your stepdaughter. It would shatter anyone. It's amazing that you're coping as well as you are."

She stared at me blankly. "Coping? Is that what I'm doing?"

I nodded.

"I'm not," she said. "I'm dead. I can't feel anything anymore."

I didn't believe that for a minute. I saw that strong, determined face sagging and the heavy body gone limp. Sorrow was taking its toll; she seemed to be shrinking. But there was something else in her expression besides grief. Something I could not immediately identify that I had recently seen and could not recall.

"Mrs. Hawkin," I said, "don't you think it might be wise to ask Jane Folsby to come back to take care of you and the house?"

"No," she said at once. "Not her. She knows too much and might talk."

Then I knew Mrs. Folsby had been telling the truth but I feigned ignorance. "Knows too much?" I repeated. "About what?"

"Things," Louise Hawkin said darkly. She finished her drink and held the empty glass out to me. Obediently I returned to that smelly kitchen, realizing I was no better than Hector Johnson. But if I didn't fetch her lethe she'd get it herself. Still . . .

I sat across from her, leaning forward, intent on keeping up with her fleeting moods.

"Mrs. Hawkin, I don't know if you're aware of it, but I met with Marcia the afternoon before she died."

I saw her stiffen. "Did you?" she said. "What did you talk about?"

"It was a rather disjointed conversation. I didn't clearly understand it. She was obviously disturbed."

"Marcia was insane!" she said forcibly. "I wanted her to get help but she wouldn't. What did she say?"

"Something about a business deal she was planning. Very vague."

"Oh that!" she said, and her laugh was tinny. "Marcia had mad dreams. She thought Hector Johnson would lend her enough money so she could get her own apartment."

"Oh, that's what it was all about," I said. I relaxed, sat back, crossed my legs. "So I guess it was Hector she was going to visit after she left me."

Then that expression I had previously been unable to identify returned more strongly and I recognized it. It was fear, and the last time I had seen it was during my talk with Pinky Schatz in Lauderdale.

"It might have been," Mrs. Hawkin said, shrugging. "It's not important."

"Of course not," I agreed. "That's police business, not mine."

She responded hotly. "Police business? What do you mean by that?"

"Why naturally they'll be trying to trace Marcia's movements the night she was killed. I suppose they'll be talking to all her friends."

She looked at me. "Marcia didn't have any friends," she said flatly.

That might have been true but it struck me as a cruel thing to say. I remembered that poor waif telling me that I was her best friend.

I finished my drink and rose. "I think I better run along," I said. "Thank you for your hospitality and I hope—"

"No," she said. "Stay."

"I'd like to," I said. "I really would. But I promised my parents to accompany them to a croquet match."

"Too bad," she said. "I hate to be alone, and Heck's gone somewhere for the day."

"Why don't you call Theodosia to come over and keep you company."

"That bitch?" Louise Hawkin said tonelessly. "I'd rather be alone."

I could not reply to that so I made my adieu and departed.

"Thanks for the glads," she called after me.

I drove home slowly, trying to nuzzle things out. My visit to Louise Hawkin had been planned as an ostensible sympathy call, but, as I had hoped it, had turned out to be more than that. Nothing conclusive had been learned, you understand, but I was beginning to see things more distinctly—as I'm sure you are also, for I have faith in your perspicacity.

It was during a long, lazy ocean swim that I realized my seam's risks, initially treated with sangfroid, could very well prove to be heavier than I had first calculated. They might, in fact, endanger the physical well-being of your humble correspondent. In spite of what I had heard from Mrs. Hawkin I had no intention of abandoning my cunning scheme, but now I recognized its dangers. I am not, I trust, a craven coward, but neither do I claim to be Dudley Doright.

The perils of what I planned disturbed me. If I should, by evil chance, suddenly be rendered defunct, what I knew and what I suspected would be sponged forevermore. I decided to insure against that unhappy possibility.

During the family cocktail hour I confessed to the mater I had purloined one of her beloved begonias and had given it to the bereaved Louise Hawkin.

Mother beamed, kissed me, and said, "That was sweet of you, Archy."

It was indicative of my mood that a bit of wisdom—"A good deed never goes unpunished."—popped into my mind.

"Father," I said, "could you spare me a few minutes after dinner?"

"How many minutes?" he demanded. He can be something of a martinet at times.

"Fifteen," I said, knowing it would be thirty and possibly more.

"Very well," he said. "In my study."

Dinner that night was another of Ursi Olson's specialties: medallions of veal, breast of chicken, and mild Italian sausage sautéed with mushrooms and onions and served with a wine sauce over a bed of fettuccine. Father contributed a decent merlot from his locked wine cabinet, and he and I shared that bottle while mother sipped her usual sauterne.

After a lime sorbet and coffee I followed father into his study and closed the door. He seated himself behind his magisterial desk, and I selected a straight-back chair facing him. I did not want to become too comfortable.

Ordinarily my liege does not request, nor do I provide, progress reports during the course of my investigations. He tells me he is only interested in results. That may be true but I suspect it is also self-protective. He is well aware that my detective methods, while not actually illegal, might be considered unethical or immoral. And he doesn't wish to hear the gruesome details. In other words, he wants no guilty knowledge. I don't blame him a bit; he has more to lose than I.

But my current inquiry, involving the Smythe-Hersforths, the Johnsons, Reuben Hagler, the Hawkins, Shirley Feebling, and Pinky Schatz, was a special case. I needed someone to share my information and my suspicions so that if I met my quietus (sob!) the investigation could continue and my labors would not be wasted.

I told him everything: what had happened, what I had learned, what I surmised, and what I planned to do. I spoke for almost twenty minutes and saw his face tighten. But he controlled himself; not once did he interrupt.

But when I finished, his wrath was evident. His courtroom stare was cold enough to chill all that merlot I had imbibed at dinner.

"If I thought it would do any good," he said in a stony voice, "I would absolutely forbid you to do what you contemplate. The potential hazards are too great. But I don't imagine you would obey my command."

"No, sir," I said, "I would not. There is no real evidence that what I suspect did, in fact, occur. The only way I can prove my hypothesis is to offer myself as a greedy dupe. If there was a less dangerous way of unraveling this tangle, I would happily adopt it."

"Archy," he said, genuinely perplexed, "what is your obviously intense personal interest in all this? It doesn't directly concern McNally and Son. It's a police matter."

"Not totally," I said. "There are connections to our clients. And two young, innocent women have been brutally murdered during an investigation we instigated."

He looked at me a long time. "Lochinvar," he accused.

"No, father," I said. "Nemesis."

His anger was slowly transformed to a concern that affected me. "Is Sergeant Rogoff aware of all this?" he asked.

"Some of it, but not all. I intend to tell him more tomorrow after my meeting this evening with Hector Johnson. I'm going to ask Al to provide some measure of backup protection."

"Yes," he said, "that would be wise. Do you think you should be armed?"

"No, sir. If a concealed weapon is found or suspected, it might prove an irritant. A fatal irritant."

His smile was wan. "Perhaps you're right. You're playing a very risky game. I know you're aware of it and I won't attempt to dissuade you. All I ask is that if things become too hairy, you shut down your operation at once and extricate yourself. You understand? If there is no hope of success, give it up and withdraw immediately. Agreed?"

"Yes, father," I said. "Agreed."

I think we both knew that if I failed, a safe withdrawal would be most unlikely.

I went upstairs and spent the remaining hour rehearsing my role once again. I tried to imagine what objections might be made and what my responses should be. I reviewed the entire scenario and could see no holes that needed plugging. I felt I had devised as tight a scheme as possible. The only thing I could not be sure of was luck, and it was discouraging to recall Hector's remark that when you really need it, it disappears.

But then I comforted myself with the thought that his dictum applied to him as well as to me, and perhaps his disappearing luck would be my good fortune. It was a zero-sum game.

A few minutes before ten o'clock I went downstairs and stood outside the back doorway. The portico light was on and I placed myself directly below it so he'd be sure to see I was alone. I lighted a cig and waited. He was almost fifteen minutes late but that didn't bother me. I was certain his tardiness was deliberate; it's a common ploy to unsettle one's adversary. I've used it myself on several occasions.

Finally the white Lincoln Town Car came purring into our driveway, tires crunching on the gravel. It stopped, the headlights went off, flicked on, went off again, and I stepped down to join Hector Johnson.

The first thing I noted after I had slipped into the front passenger seat and closed the door was the melange of odors: 86-proof Scotch, cigar smoke and, overpowering, his cologne, a musky scent I could not identify.

"Hiya, Arch," he said with heavy good humor. "Been waiting long?"

"Just came down," I lied cheerfully. "How are you, Heck?"

BOOK: McNally's Risk
8Mb size Format: txt, pdf, ePub
ads

Other books

The Sixth Idea by P. J. Tracy
Just Let Go… by O'Reilly, Kathleen
Swarm by Scott Westerfeld, Margo Lanagan, Deborah Biancotti
The House of the Seven Gables by Nathaniel Hawthorne
Fan Art by Sarah Tregay
Good Bones by Margaret Atwood
The Arrangement 16 by H.M. Ward