METRO 2033 (59 page)

‘That’s the order of things,’ Anton explained. ‘They say that is why there’s nothing here, since we are on duty.’

‘And what’s up there further, beyond the blockage?’

‘One has to think it’s the tunnel All the way to,’ he stopped for a second, turning back and looking at the impasse, ‘all the way to Park Pobedy.’

‘Does anyone live there?’

Anton gave no reply, only vaguely shaking his head. He was silent for a while, but then asked with interest:

‘Well, generally speaking, don’t you know anything about Park Pobedy?’ and, not even waiting for an answer from Artyom, continued, ‘Lord knows what is still there now, but previously it was a huge twin station, one of those that was built last of all. Those who are older and visited there back then . . . well . . . until . . . Anyhow, they say that it was made very luxuriously, and the station lay very deep, not like the other new construction. And the people there, one has to think, lived in clover. But not for long. Until the tunnel caved in.’

‘But how did it happen?’ Artyom asked.

‘They say,’ Anton glanced at the others, ‘that it collapsed by itself. They designed it poorly, or construction materials were stolen, or something else. But it’s already so long ago that no one remembers for certain.’

‘Well, I heard,’ one of the lookouts said, ‘that the local authorities blasted both lines to hell. Either they were in competition with Park Pobedy or something else . . . Maybe they were afraid that Park would subjugate them with time. But here at Kievskaya, you yourself know at that time who was in command . . . Who was trading fruit at the market earlier. The hot people, who are accustomed to dismantling things. A box of dynamite in this tunnel, a box in that, a bit further from their station, and it’s done. Like it’s bloodless and the problem is solved.’

‘But what happened with them later?’ Artyom was curious.

‘Well, we just don’t know, by then we had already arrived here . . .’ Anton was on the verge of beginning, but the talking lookout interrupted him:

‘And what could happen? Everyone died. You have to understand, when a station is cut off from the metro, you can’t survive there for long. The filters pack up, or the generators, or it begins to flood. And you can’t afford to be on the surface even now. I heard, at first they supposedly tried to dig, but later they gave up. Those who served here in the beginning say they heard screams through the pipes . . . But soon even that stopped.’

He gave a cough and stretched out his hands toward the stove. Having warmed his hands, the lookout looked at Artyom and added, ‘It wasn’t even the war. Just who fights like that? They had women with them, you know, and there were children. Old folks . . . A whole city. And for what? Simple, they didn’t divide up any money. It seems they didn’t kill anyone themselves, but oh well. So you were asking, “What’s there, on that side of the blockage?” Death is there.’

Anton shook his head, but didn’t say anything. Melnik looked at Artyom with attention, and nearly opened his mouth, as if intending to add something to the story he had heard, but had second thoughts. Artyom had got really cold, and he also stretched toward the stove. He tried to imagine what it meant to live at this station, the inhabitants of which believe that the rails leaving their home lead directly to a kingdom of death.

Artyom gradually began to understand that the strange duty in this broken-up tunnel was not so much necessary, but more of a ritual. Who were they trying to scare away while sitting here? Who were they able to stop coming to the station, and into the rest of the metro? It became even colder, and neither the cast-iron stove nor the warm jacket given him by Melnik spared him any longer from the chill.

Unexpectedly the stalker turned towards the tunnel leading to Kievskaya and got up from his seat, listening and watching. Even Artyom understood the reason for his concern in several seconds. Quick, soft steps were heard from there, and in the distance the glow of a weak flashlight was being thrown about, as if someone was hurrying, jumping over the ties, hurrying with all his might to get to them.

The stalker jumped from his seat, pressed against the wall and aimed his submachine gun at the spot of light.

Anton calmly stood up, peering into the darkness, and by his easy posture it was clear that he couldn’t imagine any serious danger which would come from that side of the tunnel.

Melnik clicked the switch of his flashlight, and the dark crawled away unwillingly. At about thirty feet from them, in the middle of the track bed, a fragile little figure stood still with his arms lifted.

‘Pop, Pop, it’s me, don’t shoot!’ The voice was a child’s.

The stalker brought his beam to bear in that direction and, shaking himself, lifted himself from the ground. The child was standing by the stove in only a minute, examining his boots with embarrassment. It was Anton’s son, the one who had asked to go on duty with him.

‘Has something happened?’ his father asked worriedly.

‘No . . . I just wanted to be with you very much. I’m no longer a little boy to be sitting in the tent with Mom.’

‘How did you get here? There’s a guard there!’

‘I lied. I said that Mom sent me to see you. It was Uncle Petya, he knows me. He only said that I mustn’t look into any of the side paths and get here quickly, and he allowed me to pass.’

‘We’ll be talking to Uncle Petya again,’ Anton promised solemnly. ‘And you think for a while how you will explain this to your mother. I won’t let you go back alone.’

‘Can I stay with you?’ The child wasn’t able to contain his delight and began to hop about.

Anton moved to the side, sitting his son on the warm bags. He took off his jacket and was on the verge of wrapping him up, but the child immediately scrambled down to the floor and, taking the stuff brought with him from his pocket, spread it out on a cloth: a handful of cartridge casings and several more objects. He sat beside Artyom, and the latter had time to study all these things.

A small metal box with a handle that turned was the most interesting. When Oleg held it in one hand and turned the handle with the fingers of the other, the little box, emitting ringing metallic sounds, began to play a simple mechanical melody. And it was amusing that it was worth leaning it against another object, because that one began to resonate, amplifying the sound by many times. It came from the iron stove best of all, but it wasn’t possible to leave the device there long, because it got hot too quickly. It had become so interesting to Artyom that he decided to try it himself.

‘What on earth!’ the boy said, giving him the hot box and blowing on his burnt fingers. ‘I’ll show you such a trick later!’ he promised conspiratorially.

The next half hour slipped by slowly. Artyom, not noticing the angry glances of the lookouts, endlessly turned the handle and listened to the music, Melnik whispered something to Anton, and the child played on the floor with his cartridge cases. The melody from the tiny music box was rather dreary, but charming in its own way. It was just impossible to stop.

‘No, I don’t understand,’ the stalker said and stood up from his seat. ‘If both tunnels have been brought down and are being protected, just where, in your opinion, do the people disappear to?’

‘And who said that it’s all in these tunnels?’ Anton looked him up and down. ‘And there are passages to other lines, two altogether, and lines to Smolenskaya . . . I think someone simply is making use of our superstitious beliefs.’

‘Just what superstitions!’ interrupted the lookout who had told them about the blowing up of the tunnel and the people who were left on the other side. ‘The curse of our station is that it stopped with Park Pobedy. And we all are damned that we live at it . . .’

‘And you, Sanych, are muddying the waters,’ Anton cut him short with displeasure. ‘Here the people are asking about serious things and you are spreading your tales about!’

‘Let’s take a walk. I saw some doors along the way and a side exit. I want to take a look,’ Melnik said to him. ‘The people are frightened at Smolenskaya, too. Kolpakov was personally interested.’

‘Well, now he has got interested, right?’ Anton smiled sadly.

‘They are even throwing questions at Polis already.’ The stalker pulled a folded sheet of newspaper from his pocket.

Artyom had seen such papers at Polis. At one of the passages stood a tray where it was possible to buy them, but they cost ten cartridges and paying so much for a sheet of wrapping paper with poorly printed gossip on it was not worth it. Melnik, it seemed, didn’t regret the cartridges.

Several short articles huddled under the proud name ‘Metro News’ on the roughly cut yellowish sheet. One of the pieces was even accompanied by a black and white photograph. The banner ran: ‘Mysterious Disappearances at Kievskaya Continue.’

‘The smokers are still alive, they say.’ Anton carefully took the newspaper in his hands and smoothed it out. ‘OK, let’s go, I’ll show you your side branches. Will you stop reading?’

The stalker nodded. Anton stood, looked at his son and said to him:

‘I’ll be right back. Look, don’t be naughty here without me,’ and, turning toward Artyom, asked, ‘Look after him, be a pal.’

There was nothing left for Artyom to do but nod.

As soon as his father and the stalker had gone a bit further away, Oleg jumped up, took the box away from Artyom with a naughty look, yelled at him, ‘Catch me!’ and broke into a run towards the dead end. Recalling that the boy was now his responsibility, Artyom guiltily looked at the rest of the lookouts, lit his flashlight and went after Oleg.

He didn’t investigate the half-destroyed office facility, as Artyom feared he might. He was waiting right next to the blockage.

‘See what happens now!’ the lad said.

Oleg scrambled onto the stones, reached the level of the pipes and disappeared into the blockage. Then he took out his box, placed it against the pipe and turned the handle. ‘Listen!’ he said.

The pipe began to hum, resonating, and it was as if it all had been filled from within by the simple, doleful melody the music box was playing. The boy pressed his ear to the pipe and, as if bewitched, continued to turn the handle, drawing the sounds from the metallic box.

He stopped for a second, listening, smiled happily and then jumped down from the pile of stones and extended the music box to Artyom:

‘Here, try it yourself!’

Artyom was able to imagine how the sound of the melody would change as it passed through the hollow metal pipe. But the child’s eyes were so bright, that he decided not to behave like the ultimate pain in the neck. Leaning the box against the pipe, he pressed his ear to the cold metal and began to turn the handle. The music began to resound so loudly that he nearly jerked his head away. The laws of acoustics were not familiar to Artyom, and he was unable to understand by what miracle this piece of metal could so amplify the melody inside such a feebly tinkling box.

Turning the handle for several more seconds and playing the short tune a good three times, he nodded to Oleg:

‘It’s splendid.’

‘Listen again!’ he began to laugh. ‘Don’t play, just listen!’ Artyom shrugged and looked at the post to see if Melnik and Anton had returned, and once more placed his ear to the pipe. What could one possibly hear now? The wind? The echo of a scary noise that flooded the tunnels between Alekseeva and Prospect
Mir?

From an unimaginable distance, making their way through the earth’s stratum with difficulty, came muffled sounds. They came from the direction of the dead Park Pobedy. There could be no doubt about it. Artyom stood stock still, listening, and, gradually becoming chilled, understood: he was listening to something impossible - music.

Someone or something several kilometres away from him was duplicating that melancholy melody from the music box one note after another. But this was not an echo: the unknown performer had erred in several places, shortened a note somewhere, but the motif remained completely recognizable. And, mainly, it was not at all a ringing chime, the sound resembled more of a hum . . . Or singing? The indistinct chorus of a multitude of voices? No, a hum all the same . . .

‘What, is it playing?’ Oleg asked of him with a smile.

‘Hush! I’m still listening! What is it?’ Barely parting his lips, Artyom mumbled hoarsely.

‘Music! The pipe is playing!’ the boy explained simply.

The melancholy, oppressive impression that this eerie singing produced in Artyom, it seemed, was not passed on to the lad. For him, it was simply a happy game, and he could never ask how he could hear a melody from a station cut off from the whole world, where all the living had vanished into thin air more than a decade ago.

Oleg again climbed up onto the stones, on the verge of preparing to start his little machine again, but Artyom suddenly felt inexplicably fearful for him and for himself. He grabbed the lad by the hand and, not paying any attention to his protests, dragged him back to the stove.

‘Coward! Coward!’ Oleg screamed. ‘Only children believe in these tales!’

‘What tales?’ Artyom stopped and looked him in the eyes.

‘That they take the children who go into the tunnels to listen to the pipes!’

‘Who takes them?’ Artyom dragged him closer to the stove.

‘The dead!’

The conversation stopped: a lookout speaking about damnation roused himself and gave them such a once over that the words stuck in their throats.

Their adventure had ended right on time: Anton and the stalker were returning to the post, and someone else was walking with them. Artyom quickly planted the boy in his seat. The child’s father had asked him to look after Oleg, and not to indulge in his whims . . . And who knew what superstitions Anton himself believed?

‘Excuse me, we’ve been delayed.’ Anton sank onto the sacks beside Artyom. ‘He wasn’t naughty, was he?’